Author: Robert H van Gulik
Publisher: Orchid Press
ISBN: 9789745242364
Category :
Languages : en
Pages : 312
Book Description
The lute, ch'in or guqin is one of China's oldest and most revered musical instruments. Records indicate that it has been a favourite of the literary classes for more than 2,500 years; Confucius himself was a great lover of the instrument. Over the centuries, it became representative of the life, taste and pastimes of the Chinese literati. In addition to its contributions to solo and orchestral musical arrangements, a wealth of symbolic meaning accrued to the lute over time. Not only was knowledge of the instrument reserved for the literati; its study was believed to be conducive to meditation and to facilitate intellectual enlightenment. While a significant body of literature has been written on the lute in Chinese, the present monograph is the first to assemble a broad picture of the instrument and its cultural significance in English. The author, a renowned Sinologue and linguist, studied the playing of the instrument under one of the most famous lute masters of his age.
The Lore of the Chinese Lute
Author: Robert H. Van Gulik
Publisher:
ISBN: 9789745241312
Category :
Languages : en
Pages : 312
Book Description
The lute, ch'in or guqin is one of China's oldest and most revered musical instruments. Records indicate that it has been a favourite of the literary classes for more than 2,500 years; Confucius himself was a great lover of the instrument. Over the centuries, it became representative of the life, taste and pastimes of the Chinese literati. In addition to its contributions to solo and orchestral musical arrangements, a wealth of symbolic meaning accrued to the lute over time. Not only was knowledge of the instrument reserved for the literati; its study was believed to be conducive to meditation and to facilitate intellectual enlightenment. While a significant body of literature has been written on the lute in Chinese, the present monograph is the first to assemble a broad picture of the instrument and its cultural significance in English. The author, a renowned Sinologue and linguist, studied the playing of the instrument under one of the most famous lute masters of his age.
Publisher:
ISBN: 9789745241312
Category :
Languages : en
Pages : 312
Book Description
The lute, ch'in or guqin is one of China's oldest and most revered musical instruments. Records indicate that it has been a favourite of the literary classes for more than 2,500 years; Confucius himself was a great lover of the instrument. Over the centuries, it became representative of the life, taste and pastimes of the Chinese literati. In addition to its contributions to solo and orchestral musical arrangements, a wealth of symbolic meaning accrued to the lute over time. Not only was knowledge of the instrument reserved for the literati; its study was believed to be conducive to meditation and to facilitate intellectual enlightenment. While a significant body of literature has been written on the lute in Chinese, the present monograph is the first to assemble a broad picture of the instrument and its cultural significance in English. The author, a renowned Sinologue and linguist, studied the playing of the instrument under one of the most famous lute masters of his age.
The Way of the Pipa
Author: John Myers
Publisher: Kent State University Press
ISBN: 9780873384551
Category : Music
Languages : en
Pages : 184
Book Description
Two thousand years ago, the lute was imported to China via overland trade routes from Central Asia and was adopted quickly in many of the regions. Ancient court documents describe how generations of talented musicians developed its music. John E. Myers translates one of these documents to introduce to readers of the English language the traditional music and artistic philosophy of the Chinese lute or pipa. He combines language and musical skills with an aesthetic sensibility in sharing what he calls this world of expressive beauty.
Publisher: Kent State University Press
ISBN: 9780873384551
Category : Music
Languages : en
Pages : 184
Book Description
Two thousand years ago, the lute was imported to China via overland trade routes from Central Asia and was adopted quickly in many of the regions. Ancient court documents describe how generations of talented musicians developed its music. John E. Myers translates one of these documents to introduce to readers of the English language the traditional music and artistic philosophy of the Chinese lute or pipa. He combines language and musical skills with an aesthetic sensibility in sharing what he calls this world of expressive beauty.
Lutes and Marginality in Pre-Modern China
Author: Ingrid Maren Furniss
Publisher: Taylor & Francis
ISBN: 1040044913
Category : Art
Languages : en
Pages : 263
Book Description
Lutes and Marginality in Pre-Modern China traces the complex history of lutes as they moved from the far west into China, and how these instruments became linked to various forms of social, cultural, ethnic, and religious marginality within and at China’s borders. The book argues that the lute, a musical instrument that likely originated in the Near East or Central Asia, became a highly charged object replete with associations of ethnic and political identity, social status, and gender in China across the third to seventeenth centuries, and as such, offers a crucial vehicle for understanding interactions between the Chinese center and periphery. Using a richly interdisciplinary perspective that brings together music history, performance studies, archaeology, and art history, the author draws together the visual evidence for the history of Chinese lutes and analyzes the political and cultural dimensions of their depictions in art. In exploring the lute’s reception across time and space, this book illuminates the shifting relationships between China and cultures along its frontier, as well as the dynamics of gender and social status within China’s center. Comprehensive in scope, Lutes and Marginality in Pre-Modern China offers new insights for scholars of pre-modern China, art history, archaeology, music history, ethnomusicology, and Silk Road and frontier studies.
Publisher: Taylor & Francis
ISBN: 1040044913
Category : Art
Languages : en
Pages : 263
Book Description
Lutes and Marginality in Pre-Modern China traces the complex history of lutes as they moved from the far west into China, and how these instruments became linked to various forms of social, cultural, ethnic, and religious marginality within and at China’s borders. The book argues that the lute, a musical instrument that likely originated in the Near East or Central Asia, became a highly charged object replete with associations of ethnic and political identity, social status, and gender in China across the third to seventeenth centuries, and as such, offers a crucial vehicle for understanding interactions between the Chinese center and periphery. Using a richly interdisciplinary perspective that brings together music history, performance studies, archaeology, and art history, the author draws together the visual evidence for the history of Chinese lutes and analyzes the political and cultural dimensions of their depictions in art. In exploring the lute’s reception across time and space, this book illuminates the shifting relationships between China and cultures along its frontier, as well as the dynamics of gender and social status within China’s center. Comprehensive in scope, Lutes and Marginality in Pre-Modern China offers new insights for scholars of pre-modern China, art history, archaeology, music history, ethnomusicology, and Silk Road and frontier studies.
A Contemporary History of the Chinese Zheng
Author: Ann L. Silverberg
Publisher: Hong Kong University Press
ISBN: 9888754343
Category : History
Languages : en
Pages : 253
Book Description
A Contemporary History of the Chinese Zheng traces the twentieth- and twenty-first-century development of an important Chinese musical instrument in greater China.The zheng was transformed over the course of the twentieth century, becoming a solo instrument with virtuosic capacity. In the past, the zheng had appeared in small instrumental ensembles and supplied improvised accompaniments to song. Zheng music became a means of nation-building and was eventually promoted as a marker of Chinese identity in Hong Kong. Ann L. Silverberg uses evidence from the greater China area to show how the narrative history of the zheng created on the mainland did not represent zheng music as it had been in the past. Silverberg ultimately argues that the zheng’s older repertory was poorly represented by efforts to collect and promote zheng music in the twentieth century. This book contends that the restored “traditional Chinese music” created and promulgated from the 1920s forward—and solo zheng music in particular—is a hybrid of “Chinese essence, Western means” that essentially obscures rather than reveals tradition. “Ann Silverberg’s book provides a history of the Chinese zheng zither, with a focus on the rise of solo music since the mid-twentieth century across the three sites of mainland China, Hong Kong, and Taiwan. Existing English-language studies mostly omit consideration of Hong Kong and Taiwan, so this account enriches current perspectives on the multiplicities of Chinese musical history and identity.” —Jonathan Stock, University College Cork, Ireland “Professor Ann Silverberg’s insights and approach are long awaited in the studies of Chinese music. I am particularly impressed by her coverage of the situation in Hong Kong and Taiwan. This book is a wonderful contribution to zheng music. It also inspires and enhances the studies of other Chinese musical instruments and Chinese traditional music.” —Yu Siu Wah, independent scholar
Publisher: Hong Kong University Press
ISBN: 9888754343
Category : History
Languages : en
Pages : 253
Book Description
A Contemporary History of the Chinese Zheng traces the twentieth- and twenty-first-century development of an important Chinese musical instrument in greater China.The zheng was transformed over the course of the twentieth century, becoming a solo instrument with virtuosic capacity. In the past, the zheng had appeared in small instrumental ensembles and supplied improvised accompaniments to song. Zheng music became a means of nation-building and was eventually promoted as a marker of Chinese identity in Hong Kong. Ann L. Silverberg uses evidence from the greater China area to show how the narrative history of the zheng created on the mainland did not represent zheng music as it had been in the past. Silverberg ultimately argues that the zheng’s older repertory was poorly represented by efforts to collect and promote zheng music in the twentieth century. This book contends that the restored “traditional Chinese music” created and promulgated from the 1920s forward—and solo zheng music in particular—is a hybrid of “Chinese essence, Western means” that essentially obscures rather than reveals tradition. “Ann Silverberg’s book provides a history of the Chinese zheng zither, with a focus on the rise of solo music since the mid-twentieth century across the three sites of mainland China, Hong Kong, and Taiwan. Existing English-language studies mostly omit consideration of Hong Kong and Taiwan, so this account enriches current perspectives on the multiplicities of Chinese musical history and identity.” —Jonathan Stock, University College Cork, Ireland “Professor Ann Silverberg’s insights and approach are long awaited in the studies of Chinese music. I am particularly impressed by her coverage of the situation in Hong Kong and Taiwan. This book is a wonderful contribution to zheng music. It also inspires and enhances the studies of other Chinese musical instruments and Chinese traditional music.” —Yu Siu Wah, independent scholar
Standards of the Guqin
Author: Juni Yeung
Publisher: Lulu.com
ISBN: 0986622508
Category : Art
Languages : en
Pages : 204
Book Description
Standards of the Guqin is the first original textbook in English for the Chinese seven-stringed zither, traditionally favoured by scholars and clergy past and present. This book provides a holistic curriculum for students without prior knowledge of the Chinese language or culture, covering history, construction, technique, and critique of the musical tradition. The Third edition features essay translations, revised textual content and manuscripts, a chapter on the historical manuscript interpretation process known as dapu, and a new section on history and practical applications of musical temperament. All jianzipu fingering tablature and musical scores are digitally generated in high-resolution for quality and legibility.
Publisher: Lulu.com
ISBN: 0986622508
Category : Art
Languages : en
Pages : 204
Book Description
Standards of the Guqin is the first original textbook in English for the Chinese seven-stringed zither, traditionally favoured by scholars and clergy past and present. This book provides a holistic curriculum for students without prior knowledge of the Chinese language or culture, covering history, construction, technique, and critique of the musical tradition. The Third edition features essay translations, revised textual content and manuscripts, a chapter on the historical manuscript interpretation process known as dapu, and a new section on history and practical applications of musical temperament. All jianzipu fingering tablature and musical scores are digitally generated in high-resolution for quality and legibility.