Author: David BordwellPublisher: McGraw-Hill College
ISBN: 9780072317251
Category : Performing Arts
Languages : en
Pages : 458
Book Description
6. udg. Originaludgave fra 1977
Film Art
Author: David BordwellPublisher:
ISBN: 9780077108328
Category : Motion pictures
Languages : en
Pages : 532
Book Description
Film is an art form with a language and an aesthetic all its own, and since 1979 David Bordwell and Kristin Thompson's Film Art has been the most repected introduction to the art and analysis of cinema. In the new seventh edition, Film Art continues its commitment to providing the best introduction to the fundamentals of serious film study - images throughout the book are collected from actual film frames, not from production stills or advertising photos - but the book has been extensively re-designed to improve readability and teachability. Additionally, the text can be packaged with the award-winning Film, Form, and Culture CD-ROM, and is supported by an extensive Instructor's Manual and text-specific website.
Film Art
Author: David BordwellPublisher:
ISBN: 9781264296095
Category : Motion pictures
Languages : en
Pages : 0
Book Description
"Through McGraw-Hill Education's Create, a chapter on film adaptations, written by Jeff Smith of the University of Wisconsin, is available for instructors to better customize and personalize their film appreciation course. In addition, an appendix, "Writing a Critical Analysis of a Film," is available for instructors who require written film critiques, and "DVD Recommendations" provide particularly effective resources related to key topics"--
Narration in the Fiction Film
Author: David BordwellPublisher: Routledge
ISBN: 1136099166
Category : Performing Arts
Languages : en
Pages : 385
Book Description
In this study, David Bordwell offers a comprehensive account of how movies use fundamental principles of narrative representation, unique features of the film medium, and diverse story-telling patterns to construct their fictional narratives.
On the History of Film Style
Author: David BordwellPublisher: Harvard University Press
ISBN: 9780674634299
Category : History
Languages : en
Pages : 338
Book Description
Bordwell scrutinizes the theories of style launched by various film historians and celebrates a century of cinema. The author examines the contributions of many directors and shows how film scholars have explained stylistic continuity and change.
Film Theory
Author: Robert StamPublisher: John Wiley & Sons
ISBN: 1119491576
Category : Performing Arts
Languages : en
Pages : 392
Book Description
This book is a lively and provoking introduction to film theory. It is suitable for students from any discipline but is particularly aimed at students studying film and literature as it examines issues common to both subjects such as realism, illusionism, narration, point of view, style, semiotics, psychoanalysis and multiculturalism. It also includes coverage of theorists common to both, Barthes, Lacan and Bakhtin among others. Robert Stam, renowned for his clarity of writing, will also include studies of cinema specialists providing readers with a depth of reference not generally available outside the field of film studies itself. Other material covered includes film adaptations of works of literature and analogies between literary and film criticism.
Author: Andrey TarkovskyCross-Media Communications
Author: Drew DavidsonPublisher: Lulu.com
ISBN: 0557285658
Category : Education
Languages : en
Pages : 296
Book Description
This text is an introduction to the future of mass media and mass communications - cross-media communications. Cross-media is explained through the presentation and analysis of contemporary examples and project-based tutorials in cross-media development. The text introduces fundamental terms and concepts, and provides a solid overview of cross-media communications, one that builds from a general introduction to a specific examination of media and genres to a discussion of the concepts involved in designing and developing cross-media communications. There is also an accompanying DVD-ROM full of hands-on exercises that shows how cross-media can be applied. For the DVD-ROM: http: //www.lulu.com/content/817927
Film Technique and Film Acting
Author: Vsevolod Illarionovich PudovkinPublisher: Read Books Ltd
ISBN: 1446547353
Category : Drama
Languages : en
Pages : 346
Book Description
This vintage book contains two pioneering volumes on the subject of film making by V.I. Pudovkin. Considered two of the most valuable manuals of the practice and theory of film making ever written, these texts will prove invaluable for the student or film enthusiast, and are not to be missed by discerning collectors of such literature. The chapters of this volume include: 'The Film Scenario and Its Theory', 'Film Director and Film Material', 'Types Instead of Actors', 'Close-Ups in Time', 'Asynchronism as a Principle of Sound Film', 'Rhythmic Problems in my First Sound Film', 'Notes and Appendices', 'Film Acting', et cetera. Vsevolod Illarionovich Pudovkin (1893 – 1953) was a Russian film director, screenwriter, and actor, famous for developing influential theories of montage. This volume is being republished now complete with a new prefatory biography of the author.
Making Meaning
Author: David BORDWELLPublisher: Harvard University Press
ISBN: 0674028538
Category : Philosophy
Languages : en
Pages : 353
Book Description
David Bordwell's new book is at once a history of film criticism, an analysis of how critics interpret film, and a proposal for an alternative program for film studies. It is an anatomy of film criticism meant to reset the agenda for film scholarship. As such Making Meaning should be a landmark book, a focus for debate from which future film study will evolve. Bordwell systematically maps different strategies for interpreting films and making meaning, illustrating his points with a vast array of examples from Western film criticism. Following an introductory chapter that sets out the terms and scope of the argument, Bordwell goes on to show how critical institutions constrain and contain the very practices they promote, and how the interpretation of texts has become a central preoccupation of the humanities. He gives lucid accounts of the development of film criticism in France, Britain, and the United States since World War II; analyzes this development through two important types of criticism, thematic-explicatory and symptomatic; and shows that both types, usually seen as antithetical, in fact have much in common. These diverse and even warring schools of criticism share conventional, rhetorical, and problem-solving techniques--a point that has broad-ranging implications for the way critics practice their art. The book concludes with a survey of the alternatives to criticism based on interpretation and, finally, with the proposal that a historical poetics of cinema offers the most fruitful framework for film analysis.
