Author: Guillaume de Lorris
Publisher: Princeton University Press
ISBN: 0691257779
Category : Literary Criticism
Languages : en
Pages : 519
Book Description
Many English-speaking readers of the Roman de la rose, the famous dream allegory of the thirteenth century, have come to rely on Charles Dahlberg's elegant and precise translation of the Old French text. His line-by-line rendering in contemporary English is available again, this time in a third edition with an updated critical apparatus. Readers at all levels can continue to deepen their understanding of this rich tale about the Lover and his quest--against the admonishments of Reason and the obstacles set by Jealousy and Resistance--to pluck the fair Rose in the Enchanted Garden. The original introduction by Dahlberg remains an excellent overview of the work, covering such topics as the iconographic significance of the imagery and the use of irony in developing the central theme of love. His new preface reviews selected scholarship through 1990, which examines, for example, the sources and influences of the work, the two authors, the nature of the allegorical narrative as a genre, the use of first person, and the poem's early reception. The new bibliographic material incorporates that of the earlier editions. The sixty-four miniature illustrations from thirteenth-and fifteenth-century manuscripts are retained, as are the notes keyed to the Langlois edition, on which the translation is based.
The Romaunt of the Rose
Author: Geoffrey Chaucer
Publisher: CreateSpace
ISBN: 9781517564476
Category :
Languages : en
Pages : 226
Book Description
The Romaunt of the Rose (the Romaunt) is a partial translation into Middle English of the French allegorical poem, le Roman de la Rose (le Roman). Originally believed to be the work of Chaucer, the Romaunt inspired controversy among 19th-century scholars when parts of the text were found to differ in style from Chaucer's other works. Also the text was found to contain three distinct fragments of translation. Together, the fragments--A, B, and C--provide a translation of approximately one-third of Le Roman. There is little doubt that Chaucer did translate Le Roman de la Rose under the title The Romaunt of the Rose: in The Legend of Good Women, the narrator, Chaucer, states as much. The question is whether the surviving text is the same one that Chaucer wrote. The authorship question has been a topic of research and controversy. As such, scholarly discussion of the Romaunt has tended toward linguistic rather than literary analysis. Scholars today generally agree that only fragment A is attributable to Chaucer, although fragment C closely resembles Chaucer's style in language and manner. Fragment C differs mainly in the way that rhymes are constructed. And where fragments A and C adhere to a London dialect of the 1370s, Fragment B contains forms characteristic of a northern dialect.
Publisher: CreateSpace
ISBN: 9781517564476
Category :
Languages : en
Pages : 226
Book Description
The Romaunt of the Rose (the Romaunt) is a partial translation into Middle English of the French allegorical poem, le Roman de la Rose (le Roman). Originally believed to be the work of Chaucer, the Romaunt inspired controversy among 19th-century scholars when parts of the text were found to differ in style from Chaucer's other works. Also the text was found to contain three distinct fragments of translation. Together, the fragments--A, B, and C--provide a translation of approximately one-third of Le Roman. There is little doubt that Chaucer did translate Le Roman de la Rose under the title The Romaunt of the Rose: in The Legend of Good Women, the narrator, Chaucer, states as much. The question is whether the surviving text is the same one that Chaucer wrote. The authorship question has been a topic of research and controversy. As such, scholarly discussion of the Romaunt has tended toward linguistic rather than literary analysis. Scholars today generally agree that only fragment A is attributable to Chaucer, although fragment C closely resembles Chaucer's style in language and manner. Fragment C differs mainly in the way that rhymes are constructed. And where fragments A and C adhere to a London dialect of the 1370s, Fragment B contains forms characteristic of a northern dialect.
Debate of the Romance of the Rose
Author: David F. Hult
Publisher: University of Chicago Press
ISBN: 0226670139
Category : History
Languages : en
Pages : 317
Book Description
In 1401, Christine de Pizan (1365a 1430?) wrote a letter to the provost of Lille criticizing the highly popular 'Romance of the Rose' for its unwarranted misogynistic depictions of women. Here, Hult collects debate documents, letters and excerpts from other works of Pizan, including one from 'City of Ladiesa' her major defense of women.
Publisher: University of Chicago Press
ISBN: 0226670139
Category : History
Languages : en
Pages : 317
Book Description
In 1401, Christine de Pizan (1365a 1430?) wrote a letter to the provost of Lille criticizing the highly popular 'Romance of the Rose' for its unwarranted misogynistic depictions of women. Here, Hult collects debate documents, letters and excerpts from other works of Pizan, including one from 'City of Ladiesa' her major defense of women.
The Romance of the Rose and the Making of Fourteenth-Century English Literature
Author: Philip Knox
Publisher: Oxford University Press
ISBN: 0192662872
Category : Literary Criticism
Languages : en
Pages : 313
Book Description
The Romance of the Rose had a transformative effect on the multilingual literary culture of fourteenth-century England, leaving more material evidence for late medieval English-speaking readers than any other vernacular literary work from mainland Europe. This book examines its decisive effect on English literature of the fourteenth century, and new literary experiments it provoked from writers such as Geoffrey Chaucer, John Gower, William Langland, and the author of Sir Gawain and the Green Knight. Linking the English afterlife of the Rose to a host of ongoing cultural developments in mainland Europe, The Romance of the Rose and the Making of Fourteenth-Century English Literature reveals the deep interconnectedness of English and European literary culture. Examining courtly, clerical, and classicising orientations towards the text, it presents new arguments for the place of the Rose at the centre of fourteenth-century English literature, and explores its rich manuscript history to reveal new evidence about the cultural significance of this love allegory from thirteenth-century France. The chapters avoid an author-centred approach, arranging readings of the Rose and its relation with English literature in constellations that reveal complex unfolding inter-relation of the diverse readings of the Rose that took place in fourteenth-century England.
Publisher: Oxford University Press
ISBN: 0192662872
Category : Literary Criticism
Languages : en
Pages : 313
Book Description
The Romance of the Rose had a transformative effect on the multilingual literary culture of fourteenth-century England, leaving more material evidence for late medieval English-speaking readers than any other vernacular literary work from mainland Europe. This book examines its decisive effect on English literature of the fourteenth century, and new literary experiments it provoked from writers such as Geoffrey Chaucer, John Gower, William Langland, and the author of Sir Gawain and the Green Knight. Linking the English afterlife of the Rose to a host of ongoing cultural developments in mainland Europe, The Romance of the Rose and the Making of Fourteenth-Century English Literature reveals the deep interconnectedness of English and European literary culture. Examining courtly, clerical, and classicising orientations towards the text, it presents new arguments for the place of the Rose at the centre of fourteenth-century English literature, and explores its rich manuscript history to reveal new evidence about the cultural significance of this love allegory from thirteenth-century France. The chapters avoid an author-centred approach, arranging readings of the Rose and its relation with English literature in constellations that reveal complex unfolding inter-relation of the diverse readings of the Rose that took place in fourteenth-century England.
The Romance of the Rose Illuminated
Author: Alcuin Blamires
Publisher: Virago Press
ISBN:
Category : Design
Languages : en
Pages : 226
Book Description
This book reproduces in colour, with commentary and full contextual discussion, all the miniatures from unpublished illuminated manuscripts of Le Roman de la Rose in the National Library of Wales. A central work in medieval culture, the Rose was among the most consistently illustrated of medieval secular texts. By presenting all the illuminations from all five illuminated Aberystwyth manuscripts the present study enables absorbing comparisons to be made. This is a book that will stir controversy through its scepticism about moral readings of Rose illustrations and through its insistence on an "accidental" element in the interpretative value of miniatures in secular texts. It will interest anyone who studies art and literature, including students of Chaucer - a poet who absorbed the Roman de la Rose to the core by translating it. The reader is first introduced to the narrative and to characteristic sites of illustration within it. The introduction goes on to identify existing published sources of reproductions, and then to argue the crucial role that a grasp of the practical circumstances of production should play in interpreting medieval miniatures. A final complementary chapter formally describes all seven Aberystwyth Rose manuscripts.
Publisher: Virago Press
ISBN:
Category : Design
Languages : en
Pages : 226
Book Description
This book reproduces in colour, with commentary and full contextual discussion, all the miniatures from unpublished illuminated manuscripts of Le Roman de la Rose in the National Library of Wales. A central work in medieval culture, the Rose was among the most consistently illustrated of medieval secular texts. By presenting all the illuminations from all five illuminated Aberystwyth manuscripts the present study enables absorbing comparisons to be made. This is a book that will stir controversy through its scepticism about moral readings of Rose illustrations and through its insistence on an "accidental" element in the interpretative value of miniatures in secular texts. It will interest anyone who studies art and literature, including students of Chaucer - a poet who absorbed the Roman de la Rose to the core by translating it. The reader is first introduced to the narrative and to characteristic sites of illustration within it. The introduction goes on to identify existing published sources of reproductions, and then to argue the crucial role that a grasp of the practical circumstances of production should play in interpreting medieval miniatures. A final complementary chapter formally describes all seven Aberystwyth Rose manuscripts.
Rethinking the "Romance of the Rose"
Author: Kevin Brownlee
Publisher: University of Pennsylvania Press
ISBN: 1512814903
Category : Literary Criticism
Languages : en
Pages : 397
Book Description
The Romance of the Rose has been a controversial text since it was written in the thirteenth century. There is evidence for radically different readings as as early as the first half of the fourteenth century. The text provided inspiration for both courtly and didactic poets. Some read it as a celebration of human love; others as an erudite philosophical work; still others as a satirical representation of social and sexual follies. On one hand it was praised as an edifying treatise, on the other condemned as lascivious and misogynistic. Kevin Brownlee and Sylvia Huot and the contributors to this volume—Pierre-Yves Badel, Emmanuele Baumgartner, John V. Fleming, Robert Pogue Harrison, David F. Hult, Stephen G. Nichols, Lee Patterson, Daniel Poirion, Karl D. Uitti, Dieuwke E. van der Poel, and Lori Walters—represent all the major areas of current work on the Romance of the Rose, both in American and in Europe. The volume will be of value to students and scholars of medieval literature, intellectual history, and art history.
Publisher: University of Pennsylvania Press
ISBN: 1512814903
Category : Literary Criticism
Languages : en
Pages : 397
Book Description
The Romance of the Rose has been a controversial text since it was written in the thirteenth century. There is evidence for radically different readings as as early as the first half of the fourteenth century. The text provided inspiration for both courtly and didactic poets. Some read it as a celebration of human love; others as an erudite philosophical work; still others as a satirical representation of social and sexual follies. On one hand it was praised as an edifying treatise, on the other condemned as lascivious and misogynistic. Kevin Brownlee and Sylvia Huot and the contributors to this volume—Pierre-Yves Badel, Emmanuele Baumgartner, John V. Fleming, Robert Pogue Harrison, David F. Hult, Stephen G. Nichols, Lee Patterson, Daniel Poirion, Karl D. Uitti, Dieuwke E. van der Poel, and Lori Walters—represent all the major areas of current work on the Romance of the Rose, both in American and in Europe. The volume will be of value to students and scholars of medieval literature, intellectual history, and art history.
Fortune's Faces
Author: Daniel Heller-Roazen
Publisher: JHU Press
ISBN: 0801881552
Category : Literary Criticism
Languages : en
Pages : 223
Book Description
Arguably the single most influential literary work of the European Middle Ages, the Roman de la Rose of Guillaume de Lorris and Jean de Meun has traditionally posed a number of difficulties to modern critics, who have viewed its many interruptions and philosophical discussions as signs of a lack of formal organization and a characteristically medieval predilection for encyclopedic summation. In Fortune's Faces, Daniel Heller-Roazen calls into question these assessments, offering a new and compelling interpretation of the romance as a carefully constructed and far-reaching exploration of the place of fortune, chance, and contingency in literary writing. Situating the Romance of the Rose at the intersection of medieval literature and philosophy, Heller-Roazen shows how the thirteenth-century work invokes and radicalizes two classical and medieval traditions of reflection on language and contingency: that of the Provençal, French, and Italian love poets, who sought to compose their "verses of pure nothing"in a language Dante defined as "without grammar," and that of Aristotle's discussion of "future contingents" as it was received and refined in the logic, physics, theology, and epistemology of Boethius, Abelard, Albert the Great, and Thomas Aquinas.Through a close analysis of the poetic text and a detailed reconstruction of the logical and metaphysical concept of contingency, Fortune's Faces charts the transformations that literary structures (such as subjectivity, autobiography, prosopopoeia, allegory, and self-reference) undergo in a work that defines itself as radically contingent. Considered in its full poetic and philosophical dimensions, the Romance of the Rose thus acquires an altogether new significance in the history of literature: it appears as a work that incessantly explores its own capacity to be other than it is.
Publisher: JHU Press
ISBN: 0801881552
Category : Literary Criticism
Languages : en
Pages : 223
Book Description
Arguably the single most influential literary work of the European Middle Ages, the Roman de la Rose of Guillaume de Lorris and Jean de Meun has traditionally posed a number of difficulties to modern critics, who have viewed its many interruptions and philosophical discussions as signs of a lack of formal organization and a characteristically medieval predilection for encyclopedic summation. In Fortune's Faces, Daniel Heller-Roazen calls into question these assessments, offering a new and compelling interpretation of the romance as a carefully constructed and far-reaching exploration of the place of fortune, chance, and contingency in literary writing. Situating the Romance of the Rose at the intersection of medieval literature and philosophy, Heller-Roazen shows how the thirteenth-century work invokes and radicalizes two classical and medieval traditions of reflection on language and contingency: that of the Provençal, French, and Italian love poets, who sought to compose their "verses of pure nothing"in a language Dante defined as "without grammar," and that of Aristotle's discussion of "future contingents" as it was received and refined in the logic, physics, theology, and epistemology of Boethius, Abelard, Albert the Great, and Thomas Aquinas.Through a close analysis of the poetic text and a detailed reconstruction of the logical and metaphysical concept of contingency, Fortune's Faces charts the transformations that literary structures (such as subjectivity, autobiography, prosopopoeia, allegory, and self-reference) undergo in a work that defines itself as radically contingent. Considered in its full poetic and philosophical dimensions, the Romance of the Rose thus acquires an altogether new significance in the history of literature: it appears as a work that incessantly explores its own capacity to be other than it is.
The Rose
Author: Tiffany Reisz
Publisher: MIRA
ISBN: 1488088578
Category : Fiction
Languages : en
Pages : 373
Book Description
In the second Godwicks novel, the bestselling author of The Red “transmutes spicy mythological tales into sensual fantasies and erotic romance” (Publishers Weekly, starred review). On the day of Lia Godwick’s university graduation party, her parents—wealthy art collectors with friends in high places—gift her a beautiful wine cup, a rare artifact decorated with roses. It’s a stunning gift, and one that August Bowman, a friend of her parents and a guest at Lia’s party, also has his eye on. The cup, August tells her, is known as the Rose Kylix, and it’s no ordinary cup. It was used in the temple ceremonies of Eros, Greek god of erotic love, and has the power to bring the most intimate sexual fantasies to life. But Lia is skeptical of August’s claims of the cup’s mythology and magic—after all, he’s a collector himself, and she suspects he just wants to get his hands on this impressive piece of art. So he dares her to try it for herself, and when Lia drinks from the Rose Kylix she is suddenly immersed in an erotic myth so vivid it seems real—as though she’s living out the most sensual fantasy with August by her side . . . Realizing the true power of this ancient and dangerous relic, Lia is even more wary of giving it up, though August insists it is only safe with him. He’s willing to pay the full value of the cup, but Lia has another type of trade in mind. One that finds them more tangled up in each other—and in fantasy—than either was prepared for.
Publisher: MIRA
ISBN: 1488088578
Category : Fiction
Languages : en
Pages : 373
Book Description
In the second Godwicks novel, the bestselling author of The Red “transmutes spicy mythological tales into sensual fantasies and erotic romance” (Publishers Weekly, starred review). On the day of Lia Godwick’s university graduation party, her parents—wealthy art collectors with friends in high places—gift her a beautiful wine cup, a rare artifact decorated with roses. It’s a stunning gift, and one that August Bowman, a friend of her parents and a guest at Lia’s party, also has his eye on. The cup, August tells her, is known as the Rose Kylix, and it’s no ordinary cup. It was used in the temple ceremonies of Eros, Greek god of erotic love, and has the power to bring the most intimate sexual fantasies to life. But Lia is skeptical of August’s claims of the cup’s mythology and magic—after all, he’s a collector himself, and she suspects he just wants to get his hands on this impressive piece of art. So he dares her to try it for herself, and when Lia drinks from the Rose Kylix she is suddenly immersed in an erotic myth so vivid it seems real—as though she’s living out the most sensual fantasy with August by her side . . . Realizing the true power of this ancient and dangerous relic, Lia is even more wary of giving it up, though August insists it is only safe with him. He’s willing to pay the full value of the cup, but Lia has another type of trade in mind. One that finds them more tangled up in each other—and in fantasy—than either was prepared for.
The Romance of the Rose
Author: Guillaume (de Lorris)
Publisher: Oxford University Press, USA
ISBN: 9780192839480
Category : Courtly love
Languages : en
Pages : 388
Book Description
The famous 13th century allegorical romance was begun by Guillame de Lorris, portraying the attempts of a courtier to woo his beloved and set in a symbolic walled garden. The work was finished after Guillame's death by Jean de Meun, who expanded the work into an encyclopedic and often satirical commentary on the many forms of love and courtship.
Publisher: Oxford University Press, USA
ISBN: 9780192839480
Category : Courtly love
Languages : en
Pages : 388
Book Description
The famous 13th century allegorical romance was begun by Guillame de Lorris, portraying the attempts of a courtier to woo his beloved and set in a symbolic walled garden. The work was finished after Guillame's death by Jean de Meun, who expanded the work into an encyclopedic and often satirical commentary on the many forms of love and courtship.