Author: Susan CooperPublisher: OUP Oxford
ISBN: 9780198310730
Category : Juvenile Nonfiction
Languages : en
Pages : 128
Book Description
A new adaptation of this exciting time travel thriller, set in Shakespeare's England
King of Shadows
Author: Susan CooperPublisher: Simon and Schuster
ISBN: 0689845782
Category : Juvenile Fiction
Languages : en
Pages : 5
Book Description
Only in the world of the theater can Nat Field find an escape from the tragedies that have shadowed his young life. So he is thrilled when he is chosen to join an American drama troupe traveling to London to perform A Midsummer Night's Dream in a new replica of the famous Globe theater. Shortly after arriving in England, Nat goes to bed ill and awakens transported back in time four hundred years -- to another London, and another production of A Midsummer Night's Dream. Amid the bustle and excitement of an Elizabethan theatrical production, Nat finds the warm, nurturing father figure missing from his life -- in none other than William Shakespeare himself. Does Nat have to remain trapped in the past forever, or give up the friendship he's so longed for in his own time?
Oxford Playscripts: Frankenstein
Author: Mary ShelleyPublisher: OUP Oxford
ISBN: 9780198314981
Category : Juvenile Nonfiction
Languages : en
Pages : 80
Book Description
An engaging classroom playscript. Frankenstein is the famous story of a young man who thinks he can change the world by making better human beings. Instead he creates a living monster with a mind of its own. New, innovative activities specifically tailored to support the KS3 Framework for Teaching English and help students to fulfil the Framework objectives. Activities include work on Speaking and Listening, close text analysis, and the structure of playscripts, and act as a springboard for personal writing.
Author: War Horse
Author: Michael MorpurgoPublisher: Scholastic Inc.
ISBN: 0545466407
Category : Juvenile Fiction
Languages : en
Pages : 167
Book Description
An e-book edition of War Horse with movie stills, behind-the-scenes photos, storyboards, and more! In 1914, Joey, a beautiful bay-red foal with a distinctive cross on his nose, is sold to the army and thrust into the midst of the war on the Western Front. With his officer, he charges toward the enemy, witnessing the horror of the battles in France. But even in the desolation of the trenches, Joey's courage touches the soldiers around him and he is able to find warmth and hope. But his heart aches for Albert, the farmer's son he left behind. Will he ever see his true master again?
Frankenstein, based on the novel by Mary Shelley
Author: Nick DearPublisher: Faber & Faber
ISBN: 0571277225
Category : Performing Arts
Languages : en
Pages : 103
Book Description
Slowly I learnt the ways of humans: how to ruin, how to hate, how to debase, how to humiliate. And at the feet of my master I learnt the highest of human skills, the skill no other creature owns: I finally learnt how to lie.Childlike in his innocence but grotesque in form, Frankenstein's bewildered creature is cast out into a hostile universe by his horror-struck maker. Meeting with cruelty wherever he goes, the friendless Creature, increasingly desperate and vengeful, determines to track down his creator and strike a terrifying deal.Urgent concerns of scientific responsibility, parental neglect, cognitive development and the nature of good and evil are embedded within this thrilling and deeply disturbing classic gothic tale.Mary Shelley's Frankenstein, adapted for the stage by Nick Dear, premiered at the National Theatre, London, in February 2011.
Richard II
Author: William ShakespearePublisher: Independently Published
ISBN: 9781728877501
Category :
Languages : en
Pages : 218
Book Description
Richard II by William Shakespeare . Richard II is one of Shakespeare's finest works: lucid, eloquent, and boldly structured. It can be seen as a tragedy, or a historical play, or a political drama, or as one part of a vast dramatic cycle which helped to generate England's national identity. Today, to some of us, Richard II may appear conservative; but, in Shakespeare's day, it could appear subversive: 'I am Richard II', declared an indignant Queen Elizabeth. Numerous recent revivals in the theatre and on screen have demonstrated the enduring power and poignancy of this drama of the downfall of an egoistic but pitiable monarch.
Inscribing Jingju/Peking Opera
Author: David RolstonPublisher: BRILL
ISBN: 9004463399
Category : History
Languages : en
Pages : 817
Book Description
What was the most influential mass medium in China before the internet reaching both literate and illiterate audiences? The answer may surprise you...it’s Jingju (Peking opera). This book traces the tradition’s increasing textualization and the changes in authorship, copyright, performance rights, and textual fixation that accompanied those changes.
Shadow Tag
Author: Louise ErdrichPublisher: Harper Perennial
ISBN: 9780061536106
Category : Fiction
Languages : en
Pages : 272
Book Description
When Irene America discovers that her artist husband, Gil, has been reading her diary, she begins a secret Blue Notebook, stashed securely in a safe-deposit box. There she records the truth about her life and marriage, while turning her Red Diary—hidden where Gil will find it—into a manipulative charade. As Irene and Gil fight to keep up appearances for their three children, their home becomes a place of increasing violence and secrecy. And Irene drifts into alcoholism, moving ever closer to the ultimate destruction of a relationship filled with shadowy need and strange ironies. Alternating between Irene's twin journals and an unflinching third-person narrative, Louise Erdrich's Shadow Tag fearlessly explores the complex nature of love, the fluid boundaries of identity, and the anatomy of one family's struggle for survival and redemption.
Shakespeare and Consciousness
Author: Paul BudraPublisher: Springer
ISBN: 1137595418
Category : Literary Criticism
Languages : en
Pages : 311
Book Description
This book examines how early modern and recently emerging theories of consciousness and cognitive science help us to re-imagine our engagements with Shakespeare in text and performance. Papers investigate the connections between states of mind, emotion, and sensation that constitute consciousness and the conditions of reception in our past and present encounters with Shakespeare’s works. Acknowledging previous work on inwardness, self, self-consciousness, embodied self, emotions, character, and the mind-body problem, contributors consider consciousness from multiple new perspectives—as a phenomenological process, a materially determined product, a neurologically mediated reaction, or an internally synthesized identity—approaching Shakespeare’s plays and associated cultural practices in surprising and innovative ways.
