Stanislavski in Practice

Author: Nick O'Brien
Publisher: Routledge
ISBN: 1136945598
Category : Performing Arts
Languages : en
Pages : 277

Book Description
Stanislavski in Practice is an unparalleled step-by-step guide to Stanislavski’s System. Author Nick O’Brien makes this cornerstone of acting accessible to teachers and students alike. This is an exercise book for students and a lesson planner for teachers on syllabi from Edexcel, WJEC and AQA to the practice-based requirements of BTEC. Each element of the System is covered practically through studio exercises and jargon-free discussion. Over a decade’s experience of acting and teaching makes O’Brien perfectly placed to advise anyone wanting to understand or apply Stanislavski’s system. Features include: Practical extension work for students to take away from the lesson Notes for teachers on how to use material with different age groups Exam tips for students based on specific syllabi requirements A chapter dedicated to using Stanislavski when rehearsing a text A glossary of terms that students of the System will encounter

An Actor's Work

Author: Konstantin Stanislavski
Publisher: Routledge
ISBN: 1315474239
Category : Performing Arts
Languages : en
Pages : 963

Book Description
Stanislavski’s ‘system’ has dominated actor-training in the West since his writings were first translated into English in the 1920s and 30s. His systematic attempt to outline a psycho-physical technique for acting single-handedly revolutionized standards of acting in the theatre. Until now, readers and students have had to contend with inaccurate, misleading and difficult-to-read English-language versions. Some of the mistranslations have resulted in profound distortions in the way his system has been interpreted and taught. At last, Jean Benedetti has succeeded in translating Stanislavski’s huge manual into a lively, fascinating and accurate text in English. He has remained faithful to the author's original intentions, putting the two books previously known as An Actor Prepares and Building A Character back together into one volume, and in a colloquial and readable style for today's actors. The result is a major contribution to the theatre, and a service to one of the great innovators of the twentieth century. This Routledge Classics edition includes a new Foreword by the director Richard Eyre.

Building a Character

Author: Constantin Stanislavski
Publisher: A&C Black
ISBN: 1780935676
Category : Performing Arts
Languages : en
Pages : 271

Book Description
In this follow up to his most famous book, An Actor Prepares, Stanislavski develop his influential 'system' of acting by exploring the imaginative processes at the heart of the actor's craft. Building a Character deals with the physical realisation of character on the stage through such tools as expressions, movement and speech. It is a book in which every theory is inextricably bound up with practice - a perfect handbook to the physical art of acting. The work of Stanislavski has inspired generations of actors and trainers and - available now in the Bloomsbury Revelations series to mark the 150th anniversary of Stanislavski's birth - it remains an essential read for actors and directors at all stages of their careers.

The Magic If

Author: Elizabeth Y. Kelly
Publisher:
ISBN:
Category : Child actors
Languages : en
Pages : 200

Book Description

Stanislavski Revealed

Author: Sonia Moore
Publisher: Hal Leonard Corporation
ISBN: 9781557831033
Category : Performing Arts
Languages : en
Pages : 212

Book Description
Sonia Moore reveals the subtle tissue of ideas behind what Stanislavski regarded as his "major breakthrough," the Method of Physical Actions. Moore's exhaustive analyses of Stanislavski's original texts, letters, journals and production notes have yielded a revised understanding of Stanislavki's method - and his secret of inspiration - the key to spontaneity on the stage and the path to fresh and naturalistic performance.

Acting

Author:
Publisher:
ISBN: 9781614276692
Category : Performing Arts
Languages : en
Pages : 226

Book Description
2014 Reprint of 1947 Edition. Exact facsimile of the original edition, not reproduced with Optical Recognition Software. "A wealth of material on the theory and practice of acting ... a book which may be read, re-read and absorbed by everyone who assumes the directing of actors or that most difficult task, the teaching of acting." --Quarterly Journal of Speech. Contains early contributions on the craft by Stanislavski, I. Rapoport, M.A. Chekhov, Vakhtangov, Giatsintova, Pudovkin, Zakhava and others. Also includes 25 illustrations related to the stage and the art of acting. Contents include: Introduction / Lee Strasberg -- The actor's responsibility / Constantin Stanislavski -- Direction and acting / Constantin Stanislavski -- The work of the actor / I. Rapoport -- The creative process / I. Sudakov -- Stanislavski's method of acting / M.A. Chekhov -- Preparing for the role: from the diary of E. Vakhtangov / E. Vakhtangov -- Case history of a role / A.S. Giatsintova -- From the production plan of Othello / Constantin Stanislavski -- Film acting: two phases / V.I. Pudovkin -- Principles of directing / B.E. Zakhava -- To his players at the first rehearsal of The blue bird / Constantin Stanislavski.

Stanislavski and the Actor

Author: Jean Benedetti
Publisher: Routledge
ISBN: 1136758038
Category : Performing Arts
Languages : en
Pages : 180

Book Description
In Stanislavski and the Actor , Stanislavski scholar and biographer Jean Bendetti has recovered materials that can stand as a final, last work by the great director and teacher. In this volume readers will find the first English text of Stanislavski s notes and practical exercises from these last sessions. This is a major rediscovered work by Stanislavski, full of new ideas and insights about his working method. To the original materials Jean Benedetti adds his own analysis of Stanislavski's approach to acting and rehearsal methods.The master's own summary of a lifetime of theatrical experience, Stanislavski and the Actor will quickly become an essential tool for actors, students, and teachers everywhere.

An Actor's Work on a Role

Author: Konstantin Stanislavski
Publisher: Routledge
ISBN: 1135203431
Category : Performing Arts
Languages : en
Pages : 488

Book Description
An Actor’s Work on a Role is Konstantin Stanislavski’s exploration of the rehearsal process, applying the techniques of his seminal actor training system to the task of bringing truth to one’s chosen role. Originally published over half a century ago as Creating a Role, this book was the third in a planned trilogy – after An Actor Prepares and Building a Character, now combined in An Actor’s Work – in which Stanislavski sets out his psychological, physical and practical vision of actor training. This new translation from renowned scholar Jean Benedetti not only includes Stanislavski’s original teachings, but is also furnished with invaluable supplementary material in the shape of transcripts and notes from the rehearsals themselves, reconfirming 'The System' as the cornerstone of actor training.

Creating a Role

Author: Konstantin Stanislavsky
Publisher: Taylor & Francis
ISBN: 9780878309818
Category : Performing Arts
Languages : en
Pages : 324

Book Description
This third volume examines the development of a character from the viewpoint of three widely contrasting plays.

Stanislavski For Beginners

Author: David Allen
Publisher: Red Wheel/Weiser
ISBN: 1939994365
Category : Performing Arts
Languages : en
Pages : 185

Book Description
Stanislavski was the first person to develop a cogent and practical system of acting. Throughout his life he sought the answers to such fundamental questions as: "What is great acting?" and "How can you find inspiration in every performance?" Stanislavski remains the most important influence on actor training today, and yet many of his ideas are little known, or even misunderstood. Stanislavski For Beginners charts the development of the Stanislavski system. It includes a clear exposition of the key elements of the system and explores his Method of Physical Actions, which he worked on in the years before his death, and which he called “the result of my whole life’s work.”