Author: Colin Renfrew Publisher: McDonald Institute Monographs ISBN: Category : Art Languages : en Pages : 376
Book Description
The dawn of art is sometimes equated with the birth of the human spirit. But when and how did figuration - sculpture, painting, drawing - actually begin? And did these first figurative creations coincide with the emergence of our own species, Homo sapiens ? Is figuration a general and fundamental feature of the human condition? In this challenging volume leading experts review the evidence now available from the worldwide practice of prehistoric archaeology, and go on to formulate some important conclusions. The scope of this work is global. It sets out to explore the first stirrings of artistic endeavour and of figurative imagery on each continent, and to consider the social context in which they arose. It will be a fundamental resource for all those seeking to understand the origins of art and the beginnings of human spirituality.
Author: Christos Lynteris Publisher: Springer Nature ISBN: 3030723046 Category : Science Languages : en Pages : 309
Book Description
This edited collection brings together new research by world-leading historians and anthropologists to examine the interaction between images of plague in different temporal and spatial contexts, and the imagination of the disease from the Middle Ages to today. The chapters in this book illuminate to what extent the image of plague has not simply reflected, but also impacted the way in which the disease is experienced in different historical periods. The book asks what is the contribution of the entanglement between epidemic image and imagination to the persistence of plague as a category of human suffering across so many centuries, in spite of profound shifts in our medical understanding of the disease. What is it that makes plague such a visually charismatic subject? And why is the medical, religious and lay imagination of plague so consistently determined by the visual register? In answering these questions, this volume takes the study of plague images beyond its usual, art-historical framework, so as to examine them and their relation to the imagination of plague from medical, historical, visual anthropological, and postcolonial perspectives.
Author: Publisher: BRILL ISBN: 9004365745 Category : History Languages : en Pages : 339
Book Description
Multiple accounts of how theories of human psychology and of image-making influenced each other in a decisive period in the history of philosophy and art.
Author: Bernd Huppauf Publisher: Routledge ISBN: 113660359X Category : Art Languages : en Pages : 375
Book Description
In this interdisciplinary anthology, essays study the relationship between the imagination and images both material and mental. Through case studies on a diverse array of topics including photography, film, sports, theater, and anthropology, contributors focus on the role of the creative imagination in seeing and producing images and the imaginary.
Author: Daniele Villa Publisher: Springer Nature ISBN: 3031259068 Category : Technology & Engineering Languages : en Pages : 1251
Book Description
This book gathers peer-reviewed papers presented at the 3rd International and Interdisciplinary Conference on Image and Imagination (IMG), held in Milano, Italy, in November 2021. Highlighting interdisciplinary and multi-disciplinary research concerning graphics science and education, the papers address theoretical research as well as applications, including education, in several fields of science, technology and art. Mainly focusing on graphics for communication, visualization, description and storytelling, and for learning and thought construction, the book provides architects, engineers, computer scientists, and designers with the latest advances in the field, particularly in the context of science, arts and education.
Author: Warren Colman Publisher: ISBN: 9781935528760 Category : Psychology Languages : en Pages : 338
Book Description
In this groundbreaking book, Warren Colman provides a reformulation of archetypal symbols as emergent from humans¿ engagement with their social and material environment. This view is rooted in a phenomenological perspective that sees psychic life as emergent from embodied action in the world. How then might humans first have developed the capacity for symbolic imagination, epitomized by the oldest known figurative image in the world, the 40,000 year old Lion Man of Hohlenstein-Stadel in Germany? Colman traces the emergence of symbolic imagination through the origins of language, the growth of human sociality and cooperation, and the creative use of material objects from the earliest use of stone tools through the first flowering of figurative imagery in the cave paintings and figurines of Upper Paleolithic Europe. Drawing on recent developments in cognitive archaeology, he argues that the social use of material objects play an active role in the constitution of symbols which enact a distinctively human imaginal mind. This leads to a consideration of how the imaginal world of the spirit may have come into being, not as separate from the material world but through active participation within a world that is alive with meaning. Thus, the psychic, social, and physical aspects of our being are all part of one world which, for humans, is always a symbolic world.
Proudly powered by WordPress |
Theme: Rits Blog by Crimson Themes.