Author: Robert VenturiPublisher:
ISBN:
Category :
Languages : en
Pages : 0
Book Description
I Am a Monument
Author: Aron VinegarPublisher: MIT Press
ISBN: 0262220822
Category : Architectural writing
Languages : en
Pages : 249
Book Description
"Learning from Las Vegas, originally published by the MIT Press in 1972, was one of the most influential and controversial architectural books of its era. Thirty-five years later, it remains a perennial bestseller and a definitive theoretical text. Its authorsاarchitects Robert Venturi, Denise Scott Brown, and Steven Izenourاfamously used the Las Vegas Strip to argue the virtues of the "ordinary and ugly" above the "heroic and original" qualities of architectural modernism. Learning from Las Vegas not only moved architecture to the center of cultural debates, it changed our ideas about what architecture was and could be. In this provocative rereading of an iconic text, Aron Vinegar argues that Learning from Las Vegas is not only of historical interest but of absolute relevance to current critical debates in architectural and visual culture. Vinegar argues that to read Learning from Las Vegas only as an exemplary postmodernist textاto understand it, for example, as a call for pastiche or as ironic provocationاis to underestimate its deeper critical and ethical meaning, and to miss the underlying dialectic between skepticism and the ordinary, expression and the deadpan, that runs through the text. Vinegar's close attention to the graphic design of Learning from Las Vegas, and his fresh interpretations of now canonical images from the book such as the Duck, the Decorated Shed, and the "recommendation for a monument," make his book unique. Perhaps most revealing is his close analysis of the differences between the first 1972 edition, designed for the MIT Press by Muriel Cooper, and the "revised" edition of 1977, which was radically stripped down and largely redesigned by Denise Scott Brown. The dialogue between the two editions continues with this book, where for the first time the two versions of Learning from Las Vegas are read comparatively."--Publisher's website.
Relearning from Las Vegas
Author: Aron VinegarPublisher: U of Minnesota Press
ISBN: 0816650608
Category : Architecture
Languages : en
Pages : 231
Book Description
Evaluates for the first time one of the foundational works in architecture criticism. Immediately on its publication in 1972, Learning from Las Vegas, by Robert Venturi, Denise Scott Brown, and Steven Izenour, was hailed as a transformative work in the history and theory of architecture, liberating those in architecture who were trying to find a way out of the straitjacket of architectural orthodoxies. Resonating far beyond the professional and institutional boundaries of the field, the book contributed to a thorough rethinking of modernism and was subsequently taken up as an early manifestation and progenitor of postmodernism.
Robert Venturi and Denise Scott Brown
Author: Kester RattenburyPublisher: SuperCrit
ISBN: 9780415434140
Category : Architecture
Languages : en
Pages : 159
Book Description
Robert Venturi and Denise Scott Brown revisit their 'infamous' book which overturned the barriers separating high architecture from the commercial architecture of the Strip. You can get involved, hear the couple's project description, see the drawings and join in the crit.
The Strip
Author: Stefan AlPublisher: MIT Press
ISBN: 026203574X
Category : Architecture
Languages : en
Pages : 267
Book Description
The transformations of the Strip—from the fake Wild West to neon signs twenty stories high to “starchitecture”—and how they mirror America itself. The Las Vegas Strip has impersonated the Wild West, with saloon doors and wagon wheels; it has decked itself out in midcentury modern sleekness. It has illuminated itself with twenty-story-high neon signs, then junked them. After that came Disney-like theme parks featuring castles and pirates, followed by replicas of Venetian canals, New York skyscrapers, and the Eiffel Tower. (It might be noted that forty-two million people visited Las Vegas in 2015—ten million more than visited the real Paris.) More recently, the Strip decided to get classy, with casinos designed by famous architects and zillion-dollar collections of art. Las Vegas became the “implosion capital of the world” as developers, driven by competition, got rid of the old to make way for the new—offering a non-metaphorical definition of “creative destruction.” In The Strip, Stefan Al examines the many transformations of the Las Vegas Strip, arguing that they mirror transformations in America itself. The Strip is not, as popularly supposed, a display of architectural freaks but representative of architectural trends and a record of social, cultural, and economic change. Al tells two parallel stories. He describes the feverish competition of Las Vegas developers to build the snazziest, most tourist-grabbing casinos and resorts—with a cast of characters including the mobster Bugsy Siegel, the eccentric billionaire Howard Hughes, and the would-be political kingmaker Sheldon Adelson. And he views the Strip in a larger social context, showing that it has not only reflected trends but also magnified them and sometimes even initiated them. Generously illustrated with stunning color images throughout, The Strip traces the many metamorphoses of a city that offers a vivid projection of the American dream.
Las Vegas Studio
Author: Hilar StadlerPublisher:
ISBN: 9783858812292
Category : Architecture
Languages : en
Pages : 0
Book Description
"In 1968, American architects Robert Venturi, Denise Scott Brown, and Steven Izenour joined together with students from Yale University and took on Las Vegas as a subject of research. The group spent three weeks in libraries, four days in Los Angeles, and ten days in Las Vegas. The research led to the 1972 publication of the seminal architectural theory treatise Learning from Las Vegas. Photography and film were employed equally within as means of argumentation and representation. The original material has since been stored in the archives of Venturi, Scott Brown & Associates in Philadelphia. The firm has now opened up its archives and made the photographs available." --Book Jacket.
Author: Robert VenturiYour Guide to Downtown Denise Scott Brown
Author: Jeremy Eric TenenbaumPublisher: Park Publishing (WI)
ISBN: 9783038601272
Category : Architecture
Languages : en
Pages : 0
Book Description
"The exhibition catalogue is published in the form of a guidebook, Your Guide to Downtown Denise Scott Brown. This new book offers a fresh view of Scott Brown's achievements as a preeminent architectural designer, urbanist, theoretician, and teacher. It is a fantastic guide to her life and ideas, it also reveals her humanism, complexity, and wit. Accompanied by previously unpublished material and an extensive conversation with the architect herself the book leads readers through Denise Scott Brown's life and work and explains the genesis of the exhibition". (éditeur).
Architecture as Signs and Systems
Author: Robert VenturiPublisher: Belknap Press
ISBN:
Category : Architecture
Languages : en
Pages : 272
Book Description
The observer-designer-theorists who analyzed the Las Vegas strip as an archetype in "Learning from Las Vegas" now turn their iconoclastic vision onto their own remarkable partnership and the rule-breaking architecture it has spawned for this fascinating retrospective of their life work.
By Nightfall
Author: Michael CunninghamPublisher: Farrar, Straus and Giroux
ISBN: 1429978090
Category : Fiction
Languages : en
Pages : 249
Book Description
Peter and Rebecca Harris: mid-forties denizens of Manhattan's SoHo, nearing the apogee of committed careers in the arts—he a dealer, she an editor. With a spacious loft, a college-age daughter in Boston, and lively friends, they are admirable, enviable contemporary urbanites with every reason, it seems, to be happy. Then Rebecca's much younger look-alike brother, Ethan (known in thefamily as Mizzy, "the mistake"), shows up for a visit. A beautiful, beguiling twenty-three-year-old with a history of drug problems, Mizzy is wayward, at loose ends, looking for direction. And in his presence, Peter finds himself questioning his artists, their work, his career—the entire world he has so carefully constructed. Like his legendary, Pulitzer Prize–winning novel, The Hours, Michael Cunningham's masterly new novel is a heartbreaking look at the way we live now. Full of shocks and aftershocks, it makes us think and feel deeply about the uses and meaning of beauty and the place of love in our lives.
