Film as Art

Author: Rudolf Arnheim
Publisher: Univ of California Press
ISBN: 9780520248373
Category : Art
Languages : en
Pages : 244

Book Description
“More than half a century since its initial publication, this deceptively compact book remains among the most incisive analyses of the formal and perceptual dynamics of cinema. No one who cares about film can afford to remain ignorant of its insights and wisdom. As digital technology fundamentally alters motion pictures, the lessons of Film as Art commend themselves as excellent insurance against reinventing the wheel in the new media landscape and hailing it as progress.”—Edward Dimendberg author of Film Noir and the Spaces of Modernity “After more than eight decades, Rudolph Arnheim's small book of film theory remains one of the essential works in defining film art, understanding film less as reproducing the world than as opening up new possibilities for formal play and unexpected imagery. Anyone serious about film, whether scholar, filmmaker or simply a lover of cinema, must take Arnheim seriously.”—Tom Gunning, author of The Films of Fritz Lang and D.W. Griffith and the Origins of American Narrative Film “An aesthetic theory based on the formal ‘limitations’ of the medium, Arnheim’s Film as Art always provokes students in an age of few limits and less formality, and they argue and engage this classic text with unparalleled passion. Written in the wake of sound’s transformation of the cinema, Arnheim’s essays are not only central to understanding a major historical moment in theoretical debates about what constitutes the ‘essence’ of film, but also are a must read for anyone seeking a lucid, detailed, and rigorous argument about how works of art emerge from expressive constraint as much as expressive freedom.”—Vivian Sobchack, author of Carnal Thoughts

Film as Art

Author: Rudolf Arnheim
Publisher: Univ of California Press
ISBN: 9780520000353
Category : Performing Arts
Languages : en
Pages : 244

Book Description
A theory of film

Art and Visual Perception, Second Edition

Author: Rudolf Arnheim
Publisher: Univ of California Press
ISBN: 9780520243835
Category : Art
Languages : en
Pages : 526

Book Description
A 50-year-old classic, which was revised and expanded in 1974. Explains how the eye organizes visual material according to psychological laws.

The Filming of Modern Life

Author: Malcolm Turvey
Publisher: MIT Press
ISBN: 0262525119
Category : Art
Languages : en
Pages : 226

Book Description
"In the 1920s, the European avant-garde embraced the cinema, experimenting with the medium in radical ways. Painters including Hans Richter and Fernand Leger as well as filmmakers belonging to such avant-garde movements as Dada and surrealism made some of the most enduring and fascinating films in the history of cinema. In The Filming of Modern Life, Malcolm Turvey examines five films from the avant-garde canon and the complex, sometimes contradictory, attitudes toward modernity they express: Rhythm 21 (Hans Richter, 1921), Ballet mecanique (Dudley Murphy and Fernand Léger, 1924), Entr'acte (Francis Picabia and René Clair, 1924), Un chien Andalou (Salvador Dali and Luis Buñuel, 1929), and Man with a Movie Camera (Dziga Vertov, 1929). All exemplify major trends within European avant-garde cinema of the time, from abstract animation to "cinema pur."

Making Meaning

Author: David BORDWELL
Publisher: Harvard University Press
ISBN: 0674028538
Category : Philosophy
Languages : en
Pages : 353

Book Description
David Bordwell's new book is at once a history of film criticism, an analysis of how critics interpret film, and a proposal for an alternative program for film studies. It is an anatomy of film criticism meant to reset the agenda for film scholarship. As such Making Meaning should be a landmark book, a focus for debate from which future film study will evolve. Bordwell systematically maps different strategies for interpreting films and making meaning, illustrating his points with a vast array of examples from Western film criticism. Following an introductory chapter that sets out the terms and scope of the argument, Bordwell goes on to show how critical institutions constrain and contain the very practices they promote, and how the interpretation of texts has become a central preoccupation of the humanities. He gives lucid accounts of the development of film criticism in France, Britain, and the United States since World War II; analyzes this development through two important types of criticism, thematic-explicatory and symptomatic; and shows that both types, usually seen as antithetical, in fact have much in common. These diverse and even warring schools of criticism share conventional, rhetorical, and problem-solving techniques--a point that has broad-ranging implications for the way critics practice their art. The book concludes with a survey of the alternatives to criticism based on interpretation and, finally, with the proposal that a historical poetics of cinema offers the most fruitful framework for film analysis.

Atlas of Emotion

Author: Giuliana Bruno
Publisher: Verso Books
ISBN: 178663323X
Category : Art
Languages : en
Pages : 1133

Book Description
Atlas of Emotion is a highly original endeavour to map a cultural history of spatio-visual arts. In an evocative montage of words and pictures, emphasises that "sight" and "site" but also "motion" and "emotion" are irrevocably connected. In so doing, Giuliana Bruno touches on the art of Gerhard Richter and Annette Message, the film making of Peter Greenaway and Michelangelo Antonioni, the origins of the movie palace and its precursors, and her own journeys to her native Naples. Visually luscious and daring in conception, Bruno opens new vistas and understandings at every turn.

Star Trek: 50 Artists 50 Years

Author: Titan Books
Publisher: National Geographic Books
ISBN: 1785651161
Category : Art
Languages : en
Pages : 0

Book Description
To coincide with the 50th anniversary of the original Star Trek TV series, CBS Consumer Products have commissioned a series of art pieces to celebrate moments, characters, storylines and episodes from the franchise. Artists from around the world as well as famous fans have contributed lovingly made posters, photos, sculptures, comic strips, textiles and much more to commemorate this beloved show. Foreword by Nicholas Meyer.

Bicycle Thieves (Ladri Di Biciclette)

Author: Robert S. C. Gordon
Publisher: Macmillan
ISBN: 1844572382
Category : Performing Arts
Languages : en
Pages : 133

Book Description
Bicycle Thieves (Ladri di biciclette, 1948) is unarguably one of the most important films in the history of cinema. It is also one of the most beguiling, moving and (apparently) simple pieces of narrative ever made. The film tells the story of one man and his son, as they search fruitlessly through the streets of Rome for his stolen bicycle; the bicycle which had offered the possibility of escape from the poverty and humiliation of long-term unemployment. One of a cluster of extraordinary films to come out of post-war, post-Fascist Italy - loosely labelled 'neorealist' – Bicycle Thieves won an Oscar in 1949, topped the first Sight and Sound poll of the best films of all time in 1952 and has been hugely influential throughout world cinema ever since. It remains a necessary point of reference for any cinematic engagement with the labyrinthine experience of the modern city, the travails of poverty in the contemporary world, the complex bond between fathers and sons, and the capacity of the camera to capture something like the essence of all of these. Robert S. C. Gordon's BFI Film Classics volume shows how Bicycle Thieves is ripe for re-viewing, for rescuing from its worthy status as a neorealist 'classic'. It looks at the film's drawn-out planning and production history, the vibrant and riven context in which it was made, and the dynamic geography, geometry and sociology of the film that resulted. ROBERT S. C. GORDON is Reader in Modern Italian Culture, Gonville and Caius College, University of Cambridge, UK.

100 Years Studio Babelsberg

Author: Michael Wedel
Publisher: TeNeues
ISBN: 9783832796099
Category : Performing Arts
Languages : en
Pages : 0

Book Description
*** Reduced from $120.00 while stocks last *** The definitive book for every movie lover. A fascinating overview of all elements of film history produced in collaboration with the Film and Television University (HFF), "Konrad Wolf," and the Filmmuseum Potsdam. Celebrating its 100th anniversary in 2012, Babelsberg is the oldest large-scale film studio in the world. From box-office hits to artistic triumphs, they've all been created here. These sound stages, where such stars as Marlene Dietrich were born, are the real birthplace of German film. Babelsberg has always been a source of technical and artistic innovation: in fact, many key developments in camera techniques and sound recording originated within these walls. This comprehensive overview covers all aspects of the cinematic arts, from sets to scripts and costumes. All stages of the studio's history are represented, including the golden years of Weimar cinema and Babelsberg's recent re-emergence as an international commercial and cultural presence. ILLUSTRATIONS: 350 colour & b/w photographs

The Annotated Godfather (50th Anniversary Edition)

Author: Jenny M. Jones
Publisher: Black Dog & Leventhal
ISBN: 0762473827
Category : Performing Arts
Languages : en
Pages : 490

Book Description
Celebrating the 50th anniversary of The Godfather, this authorized, annotated and illustrated edition of the complete, unedited screenplay includes all the little-known facts, behind-the-scenes intrigue, and first-person reflections from cast and crew members on the making of this landmark film. From its ingenious cinematic innovations and memorable, oft-quoted script to its iconic cast, including Marlon Brando, Al Pacino, Robert Duvall, James Caan, The Godfather is considered by many to be the greatest movie ever made. And yet, the history of its making is so colorful, so chaotic, that one cannot help but marvel at the seemingly insurmountable odds it overcame to become a true cinematic masterpiece, and a film that continues to captivate its audience decades after its release. In this authorized, annotated, and illustrated edition of the complete screenplay, nearly every scene is examined and dissected, including: Fascinating commentary on technical details about the filming and shooting locations Tales from the set, including arguments, accidents, anecdotes and practical jokes Profiles of the actors and stories of how they were cast Deleted scenes that never made the final cut, and the goofs and gaffes that did And much more! Interviews with former Paramount executives, cast and crew members, and director Francis Ford Coppola, round out the commentary and shed new light on everything you thought you knew about this most influential film. With more than 200 photographs, this a truly unique, collectable keepsake for every Godfather fan.