Author: Truman Capote Publisher: Vintage ISBN: 0679745653 Category : Fiction Languages : en Pages : 194
Book Description
Holly Golightly knows that nothing bad can ever happen to you at Tiffany's. In this seductive, wistful masterpiece, Capote created a woman whose name has entered the American idiom and whose style is a part of the literary landscape—her poignancy, wit, and naïveté continue to charm. This volume also includes three of Capote's best-known stories, “House of Flowers,” “A Diamond Guitar,” and “A Christmas Memory,” which the Saturday Review called “one of the most moving stories in our language.” It is a tale of two innocents—a small boy and the old woman who is his best friend—whose sweetness contains a hard, sharp kernel of truth.
Author: Sam Wasson Publisher: Aurum ISBN: 1845136551 Category : Performing Arts Languages : en Pages : 256
Book Description
Before Breakfast at Tiffany’s Audrey Hepburn was still a little-known actress with few film roles to speak of; after it – indeed, because of it - she was one of the world’s most famous fashion, style and screen icons. It was this film that matched her with Hubert de Givenchy’s “little black dress”. Meanwhile, Truman Capote’s original novel is itself a modern classic selling huge numbers every year, and its high-living author of perennial interest. Now, this little book tells the story of how it all happened: how Audrey got the role (for which at first she wasn’t considered, and which she at first didn’t want); how long it took to get the script right; how it made Blake Edwards’ name as a director after too many trashy films had failed to; and how Henry Mancini’s soundtrack with its memorable signature tune ‘Moon River’ completed the irresistible package. This is the story of how one shy, uncertain, inexperienced young actress was persuaded to take on a role she at first thought too hard-edged and amoral – and how it made Audrey Hepburn into gamine, elusive Holly Golightly in the little black dress - and a star for the rest of her life.
Author: Truman Capote Publisher: Penguin Books Limited ISBN: 9780141182797 Category : Classical fiction Languages : en Pages : 157
Book Description
With her tousled blond hair and upturned nose, dark glasses and chic black dresses, she is top notch in style and a sensation wherever she goes. He brownstone apartment vibrates with Martini-soaked parties as she plays hostess to millionaires and gangsters alike. Yet Holly never loses sight of her ultimate goal - to find a real life place like Tiffany's that makes her feel at home. Immortalized in a film starring Audrey Hepburn, Truman Capote's Breakfast at Tiffany's is full of sharp wit and in its exuberant cast of characters vividly captures the restless, madcap era of early 1940s New York. This edition also contains three stories: 'House of Flowers', 'A Diamond Guitar' and 'A Christmas Memory'.
Author: Caroline Jones Publisher: Insight Editions ISBN: 9781683838586 Category : Performing Arts Languages : en Pages : 160
Book Description
Bring the iconic style and effortless cool of Holly Golightly to your everyday life with this illustrated guide to fashion, décor, and entertaining inspired by the classic 1960s film, Breakfast at Tiffany’s. Before there was Carrie, before there was Hannah, before there was Kendall. . . there was Holly Golightly. In the iconic 1961 film Breakfast at Tiffany’s, Holly was the original metropolitan It Girl, refusing to kowtow to the rules and expectations of contemporary society. She didn’t always have her life together, but she always lived it on her own terms. Now, sixty years after the unforgettable film, Breakfast at Tiffany's: Holly Golightly's Guide to Style and Entertaining teaches you how to live life the Golightly way. Tapping into Holly's timeless style and effortless sense of cool, this book highlights rules and guidelines for bringing the look, feel, and spirit of Breakfast at Tiffany’s into your everyday life. With chapters on fashion, grooming, décor, entertaining, and more, this book includes curated looks, tips, and advice for all women, providing the tools we need to embrace the Holly Golightly inside us.
Author: Maeve Brennan Publisher: Catapult ISBN: 1619026546 Category : Biography & Autobiography Languages : en Pages : 184
Book Description
From 1954 to 1981, Maeve Brennan wrote for The New Yorker's "Talk of the Town" department under the pen name "The Long–Winded Lady." Her unforgettable sketches—prose snapshots of life in small restaurants, cheap hotels, and crowded streets of Times Square and the Village—together form a timeless, bittersweet tribute to what she called the "most reckless, most ambitious, most confused, most comical, the saddest and coldest and most human of cities." First published in 1969, The Long–Winded Lady is a celebration of one of The New Yorker's finest writers.
Author: Damaris Englert Publisher: GRIN Verlag ISBN: 3656526222 Category : Performing Arts Languages : en Pages : 31
Book Description
Seminar paper from the year 2013 in the subject Communications - Movies and Television, grade: 1,7, Johannes Gutenberg University Mainz, course: Cultural Studies, language: English, abstract: The story of "Breakfast at Tiffany's" is well known: Holly, a young glamour girl, tries to find her way in New York City, relying on the favor of male benefactors who give her “powder-room change”, while at the same time she keeps chasing her dream of marrying a rich millionaire. Paul Varjak, a young writer, falls in love with her and tries to convince her to settle down with him. The movie has become a crucial cultural reference. But before the film, there was a source text: a novella by the same title, written by Truman Capote and published in 1958. The film adaption was made only three years later, by director Blake Edwards, scriptwriter George Axelrod and the producers Martin Jurow and Richard Shepherd. Those who have read Capote’s novella and have seen the film usually complain about huge difference between the two – and they undoubtedly have a point. However, adaptation studies have far too long concentrated on the issue of fidelity alone, implying that a story could just be projected on the screen without having to undergo change. But film and literature are two very different mediums and thus, in the process of an adaptation, transformation must occur. There is no need for proving that book and film are different – this has been discussed many times before and can be read in a great number of critical reviews. But there is much more to adaptation studies than a simple fidelity analysis. What I intend to do is to find out why book and film differ crucially in many points in order to prove that in spite of sharing (at least in big part) the same characters, the same setting, important parts of the story, key motifs and even often the same dialogues, the novella Breakfast at Tiffany’s and the film based on it actually tell very different stories with very different, even contradictory underlying messages and thus with a very different reception and impact.
Author: TJ. Klune Publisher: Dreamspinner Press LLC ISBN: 9781623803537 Category : Gay men Languages : en Pages : 0
Book Description
Do you believe in love at first sight? Paul Auster doesn't. Paul doesn't believe in much at all. He's thirty, slightly overweight, and his best features are his acerbic wit and the color commentary he provides as life passes him by. His closest friends are a two-legged dog named Wheels and a quasibipolar drag queen named Helena Handbasket. He works a dead-end job in a soul-sucking cubicle, and if his grandmother's homophobic parrot insults him one more time, Paul is going to wring its stupid neck. Enter Vince Taylor. Vince is everything Paul isn't: sexy, confident, and dumber than the proverbial box of rocks. And for some reason, Vince pursues Paul relentlessly. Vince must be messing with him, because there is no way Vince could want someone like Paul. But when Paul hits Vince with his car--in a completely unintentional if-he-died-it'd-only-be-manslaughter kind of way--he's forced to see Vince in a whole new light. The only thing stopping Paul from believing in Vince is himself--and that is one obstacle Paul can't quite seem to overcome. But when tragedy strikes Vince's family, Paul must put aside any notions he has about himself and stand next to the man who thinks he's perfect the way he is.
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