The Capra Touch

Author: Matthew C. Gunter
Publisher: McFarland
ISBN: 078648828X
Category : Performing Arts
Languages : en
Pages : 254

Book Description
During World War II, Academy Award-winning director Frank Capra (1897-1991) made propaganda films for the U.S. Government, such as Prelude to War, The Nazis Strike, The Battle of Britain, War Comes to America and The Negro Soldier. These entries in the Why We Fight documentary series have been largely neglected by Capra scholars. This work analyzes the cinematic and thematic techniques Capra employed in these films, linking them to the techniques and ideology of the director's popular mainstream narrative films, including It Happened One Night, Mr. Deeds Goes to Town and Mr. Smith Goes to Washington. Also analyzed are the manners in which Frank Capra's war service affected his later films, notably his 1946 masterpiece It's a Wonderful Life, and how Capra's belief in individual liberty shaped both his films and his career under the oppressive Hollywood studio system.

The Name Above The Title

Author: Frank Capra
Publisher: Da Capo Press
ISBN: 9780306807718
Category : Psychology
Languages : en
Pages : 534

Book Description
Although Frank Capra (1897–1991) is best known as the director of It Happened One Night, Mr. Deeds Goes to Town, You Can't Take It with You, Mr. Smith Goes to Washington, Arsenic and Old Lace, and It's a Wonderful Life, he was also an award-winning documentary filmmaker as well as a behind-the-scene force in the Director's Guild, the Motion Picture Academy, and the Producer's Guild. He worked with or knew socially everyone in the movie business from Mack Sennett, Chaplin, and Keaton in the silent era through the illustrious names of the golden age. He directed Clark Gable, Jimmy Stewart, Cary Grant, Gary Cooper, Bing Crosby, Frank Sinatra, Jean Harlow, Claudette Colbert, Bette Davis, and others. Reading his autobiography is like having Capra sitting in your living room, regaling you with his anecdotes. In The Name Above the Title he reveals the deeply personal story of how, despite winning six Academy Awards, he struggled throughout his life against the glamors, vagaries, and frustrations of Hollywood for the creative freedom to make some of the most memorable films of all time.

Propaganda

Author: Robert Jackall
Publisher: NYU Press
ISBN: 0814741975
Category : Political Science
Languages : en
Pages : 461

Book Description
Traces the origins of modern propaganda and its influence in modern history This volume traces the origins, ethos, and workings of modern propaganda, which now permeates all institutions in our society. Scholars such as C. Wright Mills, Walter Lippmann, and Hans Speier here explore the social and institutional groundwork of modern propaganda. The book then examines the axial age of propaganda, from the Great War through the Cold War, focusing on key propaganda organizations, such as the Committee on Public Information, the Nazi propaganda machine, and the group of Hollywood directors that produced propaganda films for the armed services during the Second World War. This section also details the wizardry of the master Nazi propagandist, Joseph Goebbels. Finally, the volume examines the ubiquity of propaganda in contemporary society, focusing on bureaucratic propaganda, advertising, public relations, and politics and language.

Gary Cooper

Author: Jeffrey Meyers
Publisher: Cooper Square Press
ISBN: 146166098X
Category : Biography & Autobiography
Languages : en
Pages : 417

Book Description
Published to coincide with his centennial in May 2001, this definitive biography of a Hollywood icon portrays actor Gary Cooper as a man of complex and sophisticated tastes, as well as large appetites. Meyers offers a riveting, inside look at Cooper's career; his tempestuous relationships with Grace Kelly, Ingrid Bergman, Clara Bow, and Tallulah Bankhead; and his legendary friendship with Ernest Hemingway.

Another Frank Capra

Author: Leland Poague
Publisher: Cambridge University Press
ISBN: 0521380669
Category : Performing Arts
Languages : en
Pages : 312

Book Description
Another Frank Capra offers a new interpretation of the great Hollywood director beyond the patriotic sentimentalist or the cynical opportunist that he has been taken for. Often cast as a cinematic simpleton or primitive, Capra's exploitation of the stylistic and narrative resources of cinema was, in fact, extremely self-conscious and adventurous in ways typical of artistic modernism. His modernism is also evident in his repeated and strong identification with female characters. Informed by recent work in genre theory and feminist psychology, Another Frank Capra shows Capra to be a 'proto-feminist' director whose feminism has been entirely neglected by previous critics.

The Elusive Auteur

Author: Barrett Hodsdon
Publisher: McFarland
ISBN: 1476668736
Category : Performing Arts
Languages : en
Pages : 338

Book Description
The director's authorial role in filmmaking--the extent to which a film reflects his or her individual style and creative vision--has been much debated among film critics and scholars for decades. Drawing on generations of criticism, this study describes how the designation "auteur" has gone from stylistic criterion to product label--in what has always been an essentially collaborative industry. Examining the controversy in regard to Hollywood directors, the author compares directors and would-be auteurs of the classic studio system with those of contemporary Hollywood and its new climate of cultural entrepreneurship.

Frank Capra's Eastern Horizons

Author: Elizabeth Rawitsch
Publisher: Bloomsbury Publishing
ISBN: 0857725572
Category : Performing Arts
Languages : en
Pages : 264

Book Description
Frank Capra has long had a reputation as being the quintessential American director - the man who perfectly captured the identity and core values of the United States with a string of classic films in the 1930s and '40s, including It Happened One Night, Mr. Smith Goes to Washington and It's a Wonderful Life. However, as Elizabeth Rawitsch argues, Capra's construction of national identity did not occur within an exclusively national context. She points out that many of his films are actually set in, or include sequences set in, China, Latin America, the Philippines and the South Seas. Featuring in-depth textual analysis supported by original archival research, Frank Capra's Eastern Horizons explains that Capra's view of what constituted 'America' changed over time, extending its boundaries to embrace countries often far from the United States. Complicating Edward Said's theory of Orientalism as a strict binary in which the West constructs the East as an inferior 'other', it demonstrates that East and West often intermingle in films such as The Bitter Tea of General Yen and in Capra's orientation documentaries for World War II American servicemen; Capra imagined a kind of global community, albeit one with heavy undertones of British and American imperialism. Investigating shifts in what Capra's America has meant over time, both to Capra and to those who have watched and studied his films, this innovative book offers a startlingly fresh perspective on one of the most iconic figures in American film history.

Frank Capra

Author: Frank Capra
Publisher: Univ. Press of Mississippi
ISBN: 9781578066179
Category : Performing Arts
Languages : en
Pages : 268

Book Description
Few Hollywood directors had a higher profile in the 1930s than Frank Capra (1897-1991). He served as president of the Academy of Motion Picture Arts and Sciences and of the Screen Directors Guild. He won three Academy Awards as best director and was widely acclaimed as the man most responsible for making Columbia Pictures a success. This popularity was established and sustained by films that spoke to and for the times--It Happened One Night, Mr. Deeds Goes to Town, Meet John Doe, and Mr. Smith Goes to Washington. These replicated the nation's hopes and dreams for a national community. He worked with some of the brightest stars in Hollywood--James Stewart, Clark Gable, Jean Arthur, Gary Cooper, Barbara Stanwyck, Claudette Colbert, Bette Davis, Donna Reed, and Ann-Margret. Capra's interviews express his connection to the national audience and explore his own story. He was a Sicilian immigrant boy who survived rough-and-tumble beginnings to become Hollywood's most bankable director. In reflecting on his life, almost every one of his films was a parable of acclaim verging on disaster. He spent much of the 1940s in uniform while making films for the War Department. Although Capra was an optimist, World War II and his series of Why We Fight films called his legendary optimism into question. His postwar film It's a Wonderful Life (1946) gave an answer to those questions with an astonishing directness Capra never equaled again. In 1971 he published his autobiography, The Name Above the Title. Many of the interviews collected here come from this period when, as an elder statesman of motion picture art and history, he reflected on his long career. The interviews portray the Capra legend vividly and demonstrate why the warm relations between Capra and his audiences continue to inspire acclaim and admiration.

Sinatra in Hollywood

Author: Tom Santopietro
Publisher: Macmillan
ISBN: 9780312362263
Category : Motion picture actors and actresses
Languages : en
Pages : 556

Book Description

The Merchant Prince of Poverty Row

Author: Bernard F. Dick
Publisher: University Press of Kentucky
ISBN: 0813196140
Category : Performing Arts
Languages : en
Pages : 243

Book Description
Ben Hecht called him "White Fang," and director Charles Vidor took him to court for verbal abuse. The image of Harry Cohn as vulgarian is such a part of Hollywood lore that it is hard to believe there were other Harry Cohns: the only studio president who was also head of production; the ex-song plugger who scrutinized scripts and grilled writers at story conferences; a man who could see actresses as either "broads" or goddesses. Drawing on personal interviews as well as previously unstudied source material (conference notes, memos, and especially the teletypes between Harry and his brother, Jack), Bernard Dick offers a radically different portrait of the man who ran Columbia Pictures—and who "had to be boss"—from 1932 to 1958.