Author: Franz Schubert
Publisher: Alfred Music
ISBN: 1470632616
Category : Music
Languages : en
Pages : 46
Book Description
The Fantasie in F Minor, Op. 103, is Franz Schubert's most-often performed piano duet and is considered one of the great masterpieces of ensemble piano repertoire. Schubert completed the Fantasie in 1828, just a short time before his death later that year. The work demonstrates his mature style and is filled with some of his best writing. Its four connected movements contain lovely and enticing melodies, dramatic gestures in French overture style, a brilliant scherzo and trio, and a virtuosic fugue.
Allegro Brillant
Author: Felix Mendelssohn
Publisher: Alfred Music
ISBN: 1470632624
Category : Music
Languages : en
Pages : 50
Book Description
Felix Mendelssohn's Allegro brillant, Op. 92, for one piano, four hands, was written in 1841 and dedicated to Clara Schumann. The expressive Andante theme alternates between the Secondo and Primo, segueing into the virtuosic Allegro assai vivace movement with a rush of scales. All fingering, metronome marks, and notational omissions have been supplemented by the editors. Allegro brillant is considered one of the most challenging pieces in the entire piano duet repertoire.
Publisher: Alfred Music
ISBN: 1470632624
Category : Music
Languages : en
Pages : 50
Book Description
Felix Mendelssohn's Allegro brillant, Op. 92, for one piano, four hands, was written in 1841 and dedicated to Clara Schumann. The expressive Andante theme alternates between the Secondo and Primo, segueing into the virtuosic Allegro assai vivace movement with a rush of scales. All fingering, metronome marks, and notational omissions have been supplemented by the editors. Allegro brillant is considered one of the most challenging pieces in the entire piano duet repertoire.
The Shorter Piano Pieces
Author: Johannes Brahms
Publisher: Alfred Music
ISBN: 9781457444500
Category : Music
Languages : en
Pages : 132
Book Description
During the latter part of his life, Brahms wrote only sets of relatively short pieces. With their formal and stylistic perfection, they are among the most valuable of the late-Romantic additions to piano repertoire. Included in this edition are 30 pieces by Brahms, preceded by a helpful introduction which contains definitions of the ballade, rhapsody, capriccio and intermezzo.
Publisher: Alfred Music
ISBN: 9781457444500
Category : Music
Languages : en
Pages : 132
Book Description
During the latter part of his life, Brahms wrote only sets of relatively short pieces. With their formal and stylistic perfection, they are among the most valuable of the late-Romantic additions to piano repertoire. Included in this edition are 30 pieces by Brahms, preceded by a helpful introduction which contains definitions of the ballade, rhapsody, capriccio and intermezzo.
Sinfonietta Op. 49: For Piano 4 Hands
Author:
Publisher:
ISBN: 9781540086488
Category : Music
Languages : en
Pages : 76
Book Description
(Piano Duet). Nikolai Kapustin first composed the Sinfonietta op. 49 for orchestra. He later arranged the popular four-handed piano version for a concert in the Ministry of Culture of the USSR. It is written in a medium level of difficulty, so that it is well playable even for advanced pianists.
Publisher:
ISBN: 9781540086488
Category : Music
Languages : en
Pages : 76
Book Description
(Piano Duet). Nikolai Kapustin first composed the Sinfonietta op. 49 for orchestra. He later arranged the popular four-handed piano version for a concert in the Ministry of Culture of the USSR. It is written in a medium level of difficulty, so that it is well playable even for advanced pianists.
Rethinking Schubert
Author: Lorraine Byrne Bodley
Publisher: Oxford University Press
ISBN: 019020012X
Category : Music
Languages : en
Pages : 553
Book Description
In Rethinking Schubert, today's leading Schubertians offer fresh perspectives on the composer's importance and our perennial fascination with him. Subjecting recurring issues in historical, biographical and analytical research to renewed scrutiny, the twenty-two chapters yield new insights into Schubert, his music, his influence and his legacy, and broaden the interpretative context for the music of his final years. With close attention to matters of style, harmonic and formal analysis, and text setting, the essays gathered here explore a significant portion of the composer's extensive output across a range of genres. The most readily explicable aspect of Schubert's appeal is undoubtedly our continuing engagement with the songs. Schubert will always be the first port of call for scholars interested in the relationship between music and the poetic text, and several essays in Rethinking Schubert offer welcome new inquiries into this subject. Yet perhaps the most striking feature of modern scholarship is the new depth of thought that attaches to the instrumental works. This music's highly protracted dissemination has combined with a habitual critical hostility to produce a reception history that is hardly congenial to musical analysis. Empowered by the new momentum behind theories of nineteenth-century harmony and form and recently-published source materials, the sophisticated approaches to the instrumental music in Rethinking Schubert show decisively that it is no longer acceptable to posit Schubert's instrumental forms as flawed lyric alternatives to Beethoven. What this volume provides, then, is not only a fresh portrait of one of the most loved composers of the nineteenth century but also a conspectus of current Schubertian research. Whether perusing unknown repertoire or refreshing canonical works, Rethinking Schubert reveals the extraordinary methodological variety that is now available to research, painting a contemporary portrait of Schubert that is vibrant, plural, trans-national and complex.
Publisher: Oxford University Press
ISBN: 019020012X
Category : Music
Languages : en
Pages : 553
Book Description
In Rethinking Schubert, today's leading Schubertians offer fresh perspectives on the composer's importance and our perennial fascination with him. Subjecting recurring issues in historical, biographical and analytical research to renewed scrutiny, the twenty-two chapters yield new insights into Schubert, his music, his influence and his legacy, and broaden the interpretative context for the music of his final years. With close attention to matters of style, harmonic and formal analysis, and text setting, the essays gathered here explore a significant portion of the composer's extensive output across a range of genres. The most readily explicable aspect of Schubert's appeal is undoubtedly our continuing engagement with the songs. Schubert will always be the first port of call for scholars interested in the relationship between music and the poetic text, and several essays in Rethinking Schubert offer welcome new inquiries into this subject. Yet perhaps the most striking feature of modern scholarship is the new depth of thought that attaches to the instrumental works. This music's highly protracted dissemination has combined with a habitual critical hostility to produce a reception history that is hardly congenial to musical analysis. Empowered by the new momentum behind theories of nineteenth-century harmony and form and recently-published source materials, the sophisticated approaches to the instrumental music in Rethinking Schubert show decisively that it is no longer acceptable to posit Schubert's instrumental forms as flawed lyric alternatives to Beethoven. What this volume provides, then, is not only a fresh portrait of one of the most loved composers of the nineteenth century but also a conspectus of current Schubertian research. Whether perusing unknown repertoire or refreshing canonical works, Rethinking Schubert reveals the extraordinary methodological variety that is now available to research, painting a contemporary portrait of Schubert that is vibrant, plural, trans-national and complex.