Creative Recording Part One: Effects And Processors

Creative Recording Part One: Effects And Processors PDF Author: Paul White
Publisher: SMT
ISBN: 0857122002
Category : Music
Languages : en
Pages : 476

Book Description
This book covers the newest innovations in one of the most popular aspects of music recording and has now been updated to include software plug-ins and virtual mixers, as well as the exciting new world of surround-sound technology.

Creative Recording

Creative Recording PDF Author: Paul White
Publisher: Music Sales Amer
ISBN: 9781860744563
Category : Music
Languages : en
Pages : 335

Book Description
This is a complete guide to understanding and using studio effects and signal processors in the most creative and practical ways in the recording environment.

Tape Op

Tape Op PDF Author: Larry Crane
Publisher: Hal Leonard Corporation
ISBN: 9780977990306
Category : Music
Languages : en
Pages : 276

Book Description
(Book). This book features interviews and articles from issues 11 to 20 of Tape Op , an independently published magazine founded in 1996. With a fiercely loyal readership, Tape Op covers creative and practical music recording topics from the famous studios to musicians creating masterpieces in their bedrooms. Creativity, technique, equipment, passion and learning collide in this entertaining, value-rich publication. Interviews and articles in this volume include Abbey Road Studio, Butch Vig, Jim Dickinson, Joe Chiccarelli, Ani DiFranco, Fugazi, The Flaming Lips, and Ween.

Sound FX

Sound FX PDF Author: Alex Case
Publisher: CRC Press
ISBN: 113612358X
Category : Technology & Engineering
Languages : en
Pages : 432

Book Description
FX introduces today's up and coming musician to the fantastic creative potential of the most popular instrument today- the home studio. Explaining the basic and advanced signal processing techniques used in professional music production (EQ, compression, delay, reverb etc), using real world popular music examples and an emphasis on the perceptual results and musical value of these effects, FX teaches the Recording Musician how to achieve professional production standards and maximise their creative potential. The accompanying website www.soundfx-companion.com includes audio exaples of FX featured in the book. Features: A chapter dedicated to each key effect: Distortion Equalization Compression and Limiting Delay Expansion and Gating Pitch Shift Reverb Volume More than 100 line drawings and illustrations. Accompanying website featuring examples of all FX covered in the book. Discography of FX at the end of each relevant chapter. From the Sound FX Intro: The most important music of our time is recorded music. The recording studio is its principle musical instrument. The recording engineers and music producers who create the music we love know how to use signal processing equipment to capture the work of artists, preserving realism or altering things wildly, as appropriate. While the talented, persistent, self-taught engineer can create sound recordings of artistic merit, more productive use of the studio is achieved through study, experience and collaboration. This book defines the technical basis of the most important signal processing effects used in the modern recording studio, highlights the key drivers of sound quality associated with each, shares common production techniques used by recording engineers with significant experience in the field, references many of the touchstone recordings of our time, and equips the reader with the knowledge needed to comfortably use effects devices correctly, and, more importantly, to apply these tools creatively.

Creative Recording 3: Recording On The Move

Creative Recording 3: Recording On The Move PDF Author: Paul White
Publisher: SMT
ISBN: 0857122444
Category : Music
Languages : en
Pages : 218

Book Description
This book is the live recording engineer's bible, covering everything you need to know about getting a great sound in a less-than-great environment. Industry expert Paul White presents a world of vital information including: Microphone choice, positioning, and operation How to get the best from different rooms How to approach different scenarios, including live bands and church choirs Successfully combining acoustic and electric elements Pragmatism, and what to expect from musicians, audience and other 'human' factors. The secret to the best live recording is to capture the essence of a special musical moment, and this book features all the advice you need to do just that!

The Studio SOS Book

The Studio SOS Book PDF Author: Paul White
Publisher: Taylor & Francis
ISBN: 1135922160
Category : Music
Languages : en
Pages : 429

Book Description
Professional studio design is a specialized science, with more than a touch of "black magic" thrown in. Over the past few years, Sound on Sound magazine has made one trip each month to a reader’s studio. These visits have demonstrated that it is fairly simple to make a huge improvement to an untreated project-studio room, without spending a fortune. However, they’ve also proven that beginners’ attempts at DIY acoustic treatments often cause more problems than they solve. Utilizing knowledge from dozens of visits to readers’ home and project studios, the SOS team imparts easy-to-understand, organized troubleshooting advice. Learn how to rid yourself of monitoring problems and get an accurate monitoring system, how to enhance the sound of your recording space, and how to perfect your instrumental and vocal recordings. Decrease the time you spend re-recording and mixing, simply by improving your room with advice from the guys who have seen it all when it comes to make-do small studios. Contains: A structured look at the problems that most often plague small studios, with individual studio case studies addressing each issue Real solutions that you can both afford and implement; no thousand-dollar investments or idealized studio designs that don’t work with your space! Case studies that look at small studios’ specific problems, with additional break-outs tips that address quick fixes to common problems

Creative Research Methods

Creative Research Methods PDF Author: Helen Kara
Publisher: Policy Press
ISBN: 1447356756
Category : Social Science
Languages : en
Pages : 320

Book Description
Creative research methods can help to answer complex contemporary questions which are hard to answer using conventional methods alone. Creative methods can also be more ethical, helping researchers to address social injustice. This bestselling book, now in its second edition, is the first to identify and examine the five areas of creative research methods: • arts-based research • embodied research • research using technology • multi-modal research • transformative research frameworks. Written in an accessible, practical and jargon-free style, with reflective questions, boxed text and a companion website to guide student learning, it offers numerous examples of creative methods in practice from around the world. This new edition includes a wealth of new material, with five extra chapters and over 200 new references. Spanning the gulf between academia and practice, this useful book will inform and inspire researchers by showing readers why, when, and how to use creative methods in their research. Creative Research Methods has been cited over 750 times.

Using Your Portable Studio

Using Your Portable Studio PDF Author: Peter McIan
Publisher: Schirmer Trade Books
ISBN: 9780825614378
Category : Music
Languages : en
Pages : 310

Book Description
Getting professional results out of today's portable studios is an art. In this book, top producer and engineer Peter McIan guides you step by step through the theory and practice of getting the most out of these remarkable machines. As you are introduced to the Why, What, and how of studio recording and production, you will find invaluable 'recipes' designed to show you how to 'push the envelope' of your portable studio's capabilities.

Creative Destruction

Creative Destruction PDF Author: Tyler Cowen
Publisher: Princeton University Press
ISBN: 1400825180
Category : Business & Economics
Languages : en
Pages : 192

Book Description
A Frenchman rents a Hollywood movie. A Thai schoolgirl mimics Madonna. Saddam Hussein chooses Frank Sinatra's "My Way" as the theme song for his fifty-fourth birthday. It is a commonplace that globalization is subverting local culture. But is it helping as much as it hurts? In this strikingly original treatment of a fiercely debated issue, Tyler Cowen makes a bold new case for a more sympathetic understanding of cross-cultural trade. Creative Destruction brings not stale suppositions but an economist's eye to bear on an age-old question: Are market exchange and aesthetic quality friends or foes? On the whole, argues Cowen in clear and vigorous prose, they are friends. Cultural "destruction" breeds not artistic demise but diversity. Through an array of colorful examples from the areas where globalization's critics have been most vocal, Cowen asks what happens when cultures collide through trade, whether technology destroys native arts, why (and whether) Hollywood movies rule the world, whether "globalized" culture is dumbing down societies everywhere, and if national cultures matter at all. Scrutinizing such manifestations of "indigenous" culture as the steel band ensembles of Trinidad, Indian handweaving, and music from Zaire, Cowen finds that they are more vibrant than ever--thanks largely to cross-cultural trade. For all the pressures that market forces exert on individual cultures, diversity typically increases within society, even when cultures become more like each other. Trade enhances the range of individual choice, yielding forms of expression within cultures that flower as never before. While some see cultural decline as a half-empty glass, Cowen sees it as a glass half-full with the stirrings of cultural brilliance. Not all readers will agree, but all will want a say in the debate this exceptional book will stir.
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