Author: Sue Stauffacher
Publisher: G.P. Putnam's Sons Books for Young Readers
ISBN:
Category : Juvenile Fiction
Languages : en
Pages : 40
Book Description
Black blues singer Bessie Smith single-handedly scares off Ku Klux Klan members who are trying to disrupt her show one hot July night in Concord, North Carolina. Includes historical note.
Then See If I Care
Author: David Crittendon
Publisher: Blurb
ISBN: 9781006351785
Category : Biography & Autobiography
Languages : en
Pages : 206
Book Description
David Crittendon's historic blues novella, THEN SEE IF I CARE: A Story About Bessie Smith, makes you feel her yearning down to your bones. This is no low-down, foot-dragging dirge. With prose that rings true to African American idiom yet resounds with Crittendon's singular poetic voice, THEN SEE IF I CARE is by turns defiant, bawdy, mocking, starkly bitter, and jubilant, initiating us into an encounter with the woman behind the legend.
Publisher: Blurb
ISBN: 9781006351785
Category : Biography & Autobiography
Languages : en
Pages : 206
Book Description
David Crittendon's historic blues novella, THEN SEE IF I CARE: A Story About Bessie Smith, makes you feel her yearning down to your bones. This is no low-down, foot-dragging dirge. With prose that rings true to African American idiom yet resounds with Crittendon's singular poetic voice, THEN SEE IF I CARE is by turns defiant, bawdy, mocking, starkly bitter, and jubilant, initiating us into an encounter with the woman behind the legend.
Blues Legacies and Black Feminism
Author: Angela Y. Davis
Publisher: Vintage
ISBN: 030757444X
Category : Social Science
Languages : en
Pages : 465
Book Description
From one of this country's most important intellectuals comes a brilliant analysis of the blues tradition that examines the careers of three crucial black women blues singers through a feminist lens. Angela Davis provides the historical, social, and political contexts with which to reinterpret the performances and lyrics of Gertrude "Ma" Rainey, Bessie Smith, and Billie Holiday as powerful articulations of an alternative consciousness profoundly at odds with mainstream American culture. The works of Rainey, Smith, and Holiday have been largely misunderstood by critics. Overlooked, Davis shows, has been the way their candor and bravado laid the groundwork for an aesthetic that allowed for the celebration of social, moral, and sexual values outside the constraints imposed by middle-class respectability. Through meticulous transcriptions of all the extant lyrics of Rainey and Smith−published here in their entirety for the first time−Davis demonstrates how the roots of the blues extend beyond a musical tradition to serve as a conciousness-raising vehicle for American social memory. A stunning, indispensable contribution to American history, as boldly insightful as the women Davis praises, Blues Legacies and Black Feminism is a triumph.
Publisher: Vintage
ISBN: 030757444X
Category : Social Science
Languages : en
Pages : 465
Book Description
From one of this country's most important intellectuals comes a brilliant analysis of the blues tradition that examines the careers of three crucial black women blues singers through a feminist lens. Angela Davis provides the historical, social, and political contexts with which to reinterpret the performances and lyrics of Gertrude "Ma" Rainey, Bessie Smith, and Billie Holiday as powerful articulations of an alternative consciousness profoundly at odds with mainstream American culture. The works of Rainey, Smith, and Holiday have been largely misunderstood by critics. Overlooked, Davis shows, has been the way their candor and bravado laid the groundwork for an aesthetic that allowed for the celebration of social, moral, and sexual values outside the constraints imposed by middle-class respectability. Through meticulous transcriptions of all the extant lyrics of Rainey and Smith−published here in their entirety for the first time−Davis demonstrates how the roots of the blues extend beyond a musical tradition to serve as a conciousness-raising vehicle for American social memory. A stunning, indispensable contribution to American history, as boldly insightful as the women Davis praises, Blues Legacies and Black Feminism is a triumph.
Words and Songs of Bessie Smith, Billie Holiday, and Nina Simone
Author: Melanie E. Bratcher
Publisher: Routledge
ISBN: 1135861447
Category : Biography & Autobiography
Languages : en
Pages : 279
Book Description
This book explores the relationship between three African American women's dance-art-music sensibilities within the context of a Pan African aesthetic. Its purpose is three-fold: to show commonalities between Bessie Smith, Billie Holiday and Nina Simone's lives and original compositions; to codify, examine and evaluate their selected song performances in accordance with the Pan African aesthetic "Nzuri theory/model;" and to illuminate the vast sources of transformational values that aesthetic analysis of African American song performance can foster. Following concordant procedures and principles of Afrocentricity, the study focuses on Smith, Holiday and Simone's performances as part of a whole African artistic and cultural value system. The goal of the Afrocentric methodological structure is to locate relevant African dynamics in songs and to promote knowledge for cultural transformation and continuity. Its use in this study provides meta-criteria for analyzing African American music, which the author has used to uniquely argue connections between African cultural memory and African-derived cultural expression.
Publisher: Routledge
ISBN: 1135861447
Category : Biography & Autobiography
Languages : en
Pages : 279
Book Description
This book explores the relationship between three African American women's dance-art-music sensibilities within the context of a Pan African aesthetic. Its purpose is three-fold: to show commonalities between Bessie Smith, Billie Holiday and Nina Simone's lives and original compositions; to codify, examine and evaluate their selected song performances in accordance with the Pan African aesthetic "Nzuri theory/model;" and to illuminate the vast sources of transformational values that aesthetic analysis of African American song performance can foster. Following concordant procedures and principles of Afrocentricity, the study focuses on Smith, Holiday and Simone's performances as part of a whole African artistic and cultural value system. The goal of the Afrocentric methodological structure is to locate relevant African dynamics in songs and to promote knowledge for cultural transformation and continuity. Its use in this study provides meta-criteria for analyzing African American music, which the author has used to uniquely argue connections between African cultural memory and African-derived cultural expression.
Fictional Blues
Author: Kimberly Mack
Publisher: African American Intellectual
ISBN: 9781625345509
Category : Literary Criticism
Languages : en
Pages : 264
Book Description
The familiar story of Delta blues musician Robert Johnson, who sold his soul to the devil at a Mississippi crossroads in exchange for guitar virtuosity, and the violent stereotypes evoked by legendary blues "bad men" like Stagger Lee undergird the persistent racial myths surrounding "authentic" blues expression. Fictional Blues unpacks the figure of the American blues performer, moving from early singers such as Ma Rainey and Big Mama Thornton to contemporary musicians such as Amy Winehouse, Rhiannon Giddens, and Jack White to reveal that blues makers have long used their songs, performances, interviews, and writings to invent personas that resist racial, social, economic, and gendered oppression. Using examples of fictional and real-life blues artists culled from popular music and literary works from writers such as Walter Mosley, Alice Walker, and Sherman Alexie, Kimberly Mack demonstrates that the stories blues musicians construct about their lives (however factually slippery) are inextricably linked to the "primary story" of the narrative blues tradition, in which autobiography fuels musicians' reclamation of power and agency.
Publisher: African American Intellectual
ISBN: 9781625345509
Category : Literary Criticism
Languages : en
Pages : 264
Book Description
The familiar story of Delta blues musician Robert Johnson, who sold his soul to the devil at a Mississippi crossroads in exchange for guitar virtuosity, and the violent stereotypes evoked by legendary blues "bad men" like Stagger Lee undergird the persistent racial myths surrounding "authentic" blues expression. Fictional Blues unpacks the figure of the American blues performer, moving from early singers such as Ma Rainey and Big Mama Thornton to contemporary musicians such as Amy Winehouse, Rhiannon Giddens, and Jack White to reveal that blues makers have long used their songs, performances, interviews, and writings to invent personas that resist racial, social, economic, and gendered oppression. Using examples of fictional and real-life blues artists culled from popular music and literary works from writers such as Walter Mosley, Alice Walker, and Sherman Alexie, Kimberly Mack demonstrates that the stories blues musicians construct about their lives (however factually slippery) are inextricably linked to the "primary story" of the narrative blues tradition, in which autobiography fuels musicians' reclamation of power and agency.