Palgrave's Golden Treasury of Songs and Lyrics ... - Primary Source Edition

Palgrave's Golden Treasury of Songs and Lyrics ... - Primary Source Edition PDF Author: Francis Turner Palgrave
Publisher: Nabu Press
ISBN: 9781293393482
Category :
Languages : en
Pages : 274

Book Description
This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

100 Best-Loved Poems

100 Best-Loved Poems PDF Author: Philip Smith
Publisher: Courier Corporation
ISBN: 0486110273
Category : Poetry
Languages : en
Pages : 114

Book Description
"The Passionate Shepherd to His Love," "Shall I compare thee to a summer's day?" "Death, be not proud," "The Raven," "The Road Not Taken," plus works by Blake, Wordsworth, Byron, Shelley, Keats, many others.

Alphonse Daudet

Alphonse Daudet PDF Author: Alphonse Daudet
Publisher:
ISBN:
Category :
Languages : en
Pages : 328

Book Description

The New Golden Treasury A New Anthology For B.A. Classes

The New Golden Treasury A New Anthology For B.A. Classes PDF Author: R. C. Prasad
Publisher:
ISBN: 9788120805996
Category :
Languages : en
Pages : 232

Book Description
This anthology is intended, in general, for anyone who wishes to acquaint himself with English poetry and, in particular, for the student-reader in undergraduate courses who may wish to have some of the best poems in the English language in one handy selection. In selecting for this book from the great bulk of English poetry, the editors have been guided by the notion that space should be given only to those poets who are acknowledge masters of imaginative writing, whatever their subject matter might be. From the poets so chosen, particular poems were selected for their characteristic excellence of substance and form. Wherever possible the pieces are complete; where space would not allow completeness, as in the case of dramatic pieces, enough has been given to suggest the nature of the total poem. In the course of their work the editors have been struck by the incisive implication Matthew Arnold's belief in the 'best that has been thought and said' that the best said is commonly the best thought. They have, however, kept their eyes steadily on both the abilities and the limitations of students when they are faced with a piece of creative writing and that, too, in a language which is not their own. Their minds are accustomed, accustomed, perhaps, to work best at a literal-that is an unimaginative-level. The editors have, therefore, offered the sort of material which may be readily understood and immediately enjoyed. They have also tried to show the student-reader the characteristic types of poetry which have been written in the English language. The poets are arranged almost chronologically so that he can see how tastes and forms have changed even though the basic characteristics have remained constant. If he has to read poetry well, he must know what its characteristics are and what the poet is attempting to do. He must not expect the fully developed situations of the novel, the play, or even the short story. Rather, he should look for sudden bursts of insight into some corner of human experience, More important, possibly, he should look forward to sharing briefly in the experience itself. For it is part of the magic of poetry that at one and the same time it can tell you about experience and make you feel its peculiar significance. The Poems and poetic extracts have been taken from a wide variety of sources, and no attempt has been made to establish definitive texts. Where possible, however, they have been checked for accuracy with texts in Oxford or other authorized editions. Spelling and capitalization, with few exceptions, have been modernized. The Metaphysicals of the seventeenth century and the neo-classical satirists of the Augustan Age have been adequately represented. To our many colleagues whose suggestions and interpretations we have requisitioned, we most gratefully acknowledge our indebtedness, wishing that space allowed us to name each one. More particularly we thank, forunflagging help and encouragement, Professor George Shepperson of Edinburgh University; Dr. D.E. Rhodes of the British Museum Library, London; Dr. T.P. Chitanand of Bombay University; Dr. Tulsi Ram of M.D. University; Rohtak; Dr. Awadhesh Sharma of Bhagalpur University; Rosewita Prasad and Pratima, both students in the Post-Graduate Dept. of English, Patna University.
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