Author: George Mikes Publisher: Penguin UK ISBN: 0241978556 Category : Social Science Languages : en Pages : 163
Book Description
'To write a book is hard; to write a funny book is harder; to write a funny book both wise and funny is the prerogative of Mr. Mikes' The Times _________________________ If you want to succeed here you must be able to handle the English sense of humour. So proclaims George Mikes' timeless exploration of this curious phenomenon. Whether it's understatement, self-deprecation or plain cruelty, the three elements he identifies as essential to our sense of humour, being witty here is a way of life. Perfectly placed as an adopted Englishman himself, Mikes delivers his shrewd advice - helpfully divided into 'Theory' and 'Practice' - with a comic precision that does his chosen country proud. Drawing on a trove of examples from our rich comic canon, from Orwell ("Every joke is a tiny revolution") to Oscar Wilde, this is the essential handbook for natives and foreigners alike. Mrs Kennedy: "I don't think, Mr Churchill, that I have told you anything about my grandchildren." Winston Churchill: "For which, madam, I am infinitely grateful."
Author: Michael Powell Publisher: Hachette UK ISBN: 1849016690 Category : Humor Languages : en Pages : 490
Book Description
A doorstopper of a collection of the very best of both contemporary and classic British wit and humour. From Monty Python's 'Nudge, nudge, wink, wink, say no more . . .' to Dan Antopolski's 'Hedgehogs. Why can't they just share the hedge?'. From George Bernard Shaw to Michael McIntyre, from Eric Morecombe to Omid Djalili, and from Oscar Wilde to Jimmy Carr, a side-splitting look at Britain, the British and life in general. Including these gems from Britain's finest comedians: I was delighted to learn that my friend's schadenfreude was not as satisfying as mine. Armando Iannucci. I went on a girls' night out recently. The invitation said 'dress to kill'. I went as Rose West. Zoe Lyons For a while I was the perfect mother. Then the Pethidine wore off. Jenny Eclair. My girlfriend was complaining last night that I never listen to her. Or something like that. Jack Dee. Why do dogs always race to the door when the doorbell rings because it's hardly ever for them? Harry Hill. Arse-gravy of the very worst kind. Stephen Fry on The Da Vinci Code. You have to come up with this shit every year. Last week I just wrote "I still love you, see last year's card for full details." Michael McIntyre on Valentines Day. I went to the doctor and he said, 'You've got hypochondria.' I said, 'Not that as well!'Tim Vine. I have the body of an eighteen year old. I keep it in the fridge. Spike Milligan. When someone close to you dies, move seats. Peter Kay. My neighbour asked if he could use my lawnmower and I told him of course he could, so long as he didn't take it out of my garden. Eric Morecambe. My dad's dying wish was to have his family around him. I can't help thinking he would have been better off with more oxygen. Jimmy Carr. Eighty-two point six per cent of statistics are made up on the spot. Vic Reeves. A bird in the hand invariably shits on your wrist. Billy Connolly. Getting divorced isn't like a bereavement at all, because if he's died, I'd have had me mortgage paid, and I could've danced on his grave. Sarah Millican. My greatest hero is Nelson Mandela: incarcerated for 25 years, he was released in 1990, he's been out about 18 years now and he hasn't re-offended. Ricky Gervais. If you want to confuse a girl, buy her a pair of chocolate shoes. Milton Jones. Phil Collins is losing his hearing, making him the luckiest man at a Phil Collins Concert. Simon Amstell. We'll continue our investigation into the political beliefs of nudists. We've already noticed a definite swing to the left. Ronnie Barker. A guy walks into the psychiatrist wearing only Clingfilm for shorts. The psychiatrist says, "Well, I can clearly see your nuts. Tommy Cooper
Author: John Kennedy Toole Publisher: LSU Press ISBN: 9780807130087 Category : Fiction Languages : en Pages : 636
Book Description
Released by Louisiana State University Press in 1980, A Confederacy of Dunces is nothing short of a publishing phenomenon. Rejected by countless publishers and submitted by the author's mother years after his suicide, the book won the 1981 Pulitzer Prize for Fiction. Today there are almost two million copies in print worldwide in eighteen languages. Now, for the first time, John Kennedy Toole's comic masterpiece is available in a large print edition. Toole's lunatic and sage novel introduces one of the most memorable characters in American literature, Ignatius Reilly, whom Walker Percy dubs "slob extraordinaire, a mad Oliver Hardy, a fat Don Quixote, a perverse Thomas Aquinas rolled into one." Set in New Orleans, A Confederacy of Dunces outswifts Swift, one of whose essays gives the book its title. As its characters burst into life, they leave the region and literature forever changed by their presence -- Ignatius and his mother; Miss Trixie, the octogenarian assistant accountant at Levi Pants; inept, wan Patrolman Mancuso; Darlene, the Bourbon Street stripper with a penchant for poultry; Jones the jivecat in spaceage dark glasses. Included here is the introduction that writer and New Orleans resident Andrei Codrescu composed for the book's twentieth anniversary. Set in oversized type for ease in reading, the large print edition will gratify both first-timers seeking to discover this modern-day classic and longtime afficionados wishing to reread a favorite novel.
Author: Juliette Pattinson Publisher: Bloomsbury Publishing ISBN: 1350199486 Category : History Languages : en Pages : 233
Book Description
This book skilfully combines cutting-edge historical research by leading and emerging researchers in the field to investigate the utilization of British humour during the Second World War as well as its legacy in British popular culture. Juliette Pattinson and Linsey Robb bring together case studies that address a variety of situations in which humour was generated, including wartime jokes, films, radio, cartoons and private drawings, as well as post-war recollections, museum exhibitions and television comedy. By adopting an original interpretative framework of various wartime and post-war sites, this books opens up the possibility for a more variegated, richer analysis of Britain's wartime experience and its place thereafter in the cultural imagination. Through the lens of humour, this book promises to add critical nuance to our understanding of the functioning of British wartime society. Covering sources such as The British Cartoon Archive, BBC World War II People's War Archive and The Ministry of Information, and including analysis of the lasting role of comedy in Britain's memories and depictions of the war, the result is a rich addition to existing literature of use to students and scholars studying the cultural history of war.
Author: Jessica Milner Davis Publisher: Routledge ISBN: 1351520237 Category : Performing Arts Languages : en Pages : 274
Book Description
Farce has always been relegated to the lowest rung of the ladder of dramatic genres. Distinctions between farce and more literary comic forms remain clouded, even in the light of contemporary efforts to rehabilitate this type of comedy. Is farce really nothing more than slapstick-the "putting out of candles, kicking down of tables, falling over joynt-stools," as Thomas Shadwell characterized it in the seventeenth century? Or was his contemporary, Nahum Tate correct when he declared triumphantly that "there are no rules to be prescribed for that sort of wit, no patterns to copy; and 'tis altogether the creature of imagination"? Davis shows farce to be an essential component in both the comedic and tragic traditions. Farce sets out to explore the territory of what makes farce distinct as a comic genre. Its lowly origins date back to the classic Graeco-Roman theatre; but when formal drama was reborn by the process of elaboration of ritual within the mediaeval Church, the French term "farce" became synonymous with a recognizable style of comic performance. Taking a wide range of farces from the briefest and most basic of fair-ground mountebank performances to fully-fledged five-act structures from the late nineteenth century, the book reveals the patterns of comic plot and counter-plot that are common to all. The result is a novel classification of farce-plots, which serves to clarify the differences between farce and more literary comic forms and to show how quickly farce can shade into other styles of humor. The key is a careful balance between a revolt against order and propriety, and a kind of Realpolitik which ultimately restores the social conventions under attack. A complex array of devices in such things as framing, plot, characterization, timing and acting style maintain the delicate balance. Contemporary examples from the London stage bring the discussion u
Author: Jimmy Carr Publisher: Penguin ISBN: 1440627207 Category : Humor Languages : en Pages : 283
Book Description
Britain’s hottest young comedian presents a seriously funny, up-close look at joking matters—from the social origins of laughter, to the art and craft of humor, to why we can never remember the punch line—featuring over 300 jokes. As the host of the hit game show Distraction (now in its third season on Comedy Central) and one of the premier stand-up acts working today, award-winning comedian Jimmy Carr has won over millions of fans around the world with his trademark rapier wit, laced with "exquisitely economical and perfectly timed one-liners" (The Guardian). For this book he teams up with friend and fellow comedy writer Lucy Greeves to take an in-depth look at where humor comes from and how it works, through exploring its purest form: the joke. Only Joking begins with the mechanism of laughter—how it happens and why even infants do it—then delves into the power of the punch line, exploring the basics of all jokes, from the use of shock and surprise to advanced stand-up techniques such as the "pull-back/reveal." Carr and Greeves go on to explore taboo humor, jokes that bomb, and the psychology of finding something funny. They look into the long-standing connection between politics and humor, and discuss the survival prospects for contentious jokes in the current political climate. Throughout the book they conjure up a supporting cast of colorful joke enthusiasts, from Sigmund Freud to Lenny Bruce, and discuss their influence on the jokes we tell today. Surveying across national, ethnic, and gender divides, this rollicking analysis of why joking will always be close to the human heart is an irresistible exploration of humor that makes clear why we need a good laugh now more than ever.
Author: Martyn Ford Publisher: ISBN: 9780952287032 Category : Languages : en Pages : 64
Book Description
With standardising our food, our social customs and even our language, where can the overseas visitor find a truly British experience? The answer lies in The How To Be British Collection.
Author: Rosemarie Jarski Publisher: Random House ISBN: 0091906318 Category : English wit and humor Languages : en Pages : 466
Book Description
Arranged thematically--from Class and Character, Sex and Snobbery, to the Foreigner's Eye View--here is the definitive collection of the British nation's funniest quotations. Among the many great and good who dazzle us with their wit are Martin Amis, Jane Austen, Billy Connolly, Quentin Crisp, Roald Dahl, John Lennon, Queen Victoria, and Oscar Wilde.
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Author: George Mikes
Author: Michael Powell
Author: John Kennedy Toole
Author: Juliette Pattinson
Author: Jessica Milner Davis
Author: Richard Alexander
Author: Jimmy Carr
Author: Martyn Ford
Author: Hans-Jürgen Diller
Author: Rosemarie Jarski