Author: Harold Bloom
Publisher: Infobase Publishing
ISBN: 143813102X
Category : Black humor
Languages : en
Pages : 290
Book Description
Provides an examination of the use of dark humor in classic literary works.
Celebrities in Hell
Author: Warren Allen Smith
Publisher: chelCpress
ISBN: 1569802149
Category : Biography & Autobiography
Languages : en
Pages : 130
Book Description
Nonbelievers are often portrayed as demons. Warren Allen Smith wants people to know that they are not. In fact, they are important and constructive members of society who positively influence life and culture in many ways. Celebrities In Hell provides short biographical sketches of prominent people who have belief systems that dare to be different including Woody Allen, Marlon Brando, George Carlin, George Clooney, Marlene Dietrich, Jodie Foster, Katharine Hepburn, Christopher Reeve, Howard Stern and Uma Thurman.
Publisher: chelCpress
ISBN: 1569802149
Category : Biography & Autobiography
Languages : en
Pages : 130
Book Description
Nonbelievers are often portrayed as demons. Warren Allen Smith wants people to know that they are not. In fact, they are important and constructive members of society who positively influence life and culture in many ways. Celebrities In Hell provides short biographical sketches of prominent people who have belief systems that dare to be different including Woody Allen, Marlon Brando, George Carlin, George Clooney, Marlene Dietrich, Jodie Foster, Katharine Hepburn, Christopher Reeve, Howard Stern and Uma Thurman.
New Frontiers in Ethnography
Author: Sam Hillyard
Publisher: Emerald Group Publishing
ISBN: 1849509433
Category : Social Science
Languages : en
Pages : 213
Book Description
Addresses continuities and innovations within the ethnographic canon. This title uses Hammersley's (1991) book "What's Wrong with Ethnography" to open and situate the debate, and engages with contemporary debates and arguments on both sides of the Atlantic.
Publisher: Emerald Group Publishing
ISBN: 1849509433
Category : Social Science
Languages : en
Pages : 213
Book Description
Addresses continuities and innovations within the ethnographic canon. This title uses Hammersley's (1991) book "What's Wrong with Ethnography" to open and situate the debate, and engages with contemporary debates and arguments on both sides of the Atlantic.
Duchamp Accelerated
Author: Julian Jason Haladyn
Publisher: Bloomsbury Publishing
ISBN: 135030042X
Category : Art
Languages : en
Pages : 233
Book Description
Marcel Duchamp is today considered one of the most significant 20th century artists worldwide. His far-reaching influence is visible within a variety of areas of creative production and critical inquiry, extending far beyond the world of art. Duchamp Accelerated: Contemporary Perspectives examines Duchamp and his reception through a series of essays that explore the ongoing impacts of his life, ideas and practice on innumerable fields of research, practice and study. Contributors include art historians, curators, artists and writers who offer histories and approaches that actively challenge dominant narratives on Duchamp, discussing his influences from a multitude of different disciplinary and cultural perspectives. Written in the specific context of the 21st century, this volume situates the artist firmly in a global context and highlights the numerous influences from theories of perception and the writings of Georges Bataille, to travels in Argentina that shaped his ideas and art. This volume pushes current understandings of Duchamp beyond existing limits by accelerating the histories, encounters, dialogues and interpretations of his practice, with a focus on contemporary perspectives. The 'accelerated' Duchamp that emerges from this analysis is one who not only speeds up notions of art in relation to cultural and political histories, but one whose practice is actively informing future developments in the worlds of art and material culture today.
Publisher: Bloomsbury Publishing
ISBN: 135030042X
Category : Art
Languages : en
Pages : 233
Book Description
Marcel Duchamp is today considered one of the most significant 20th century artists worldwide. His far-reaching influence is visible within a variety of areas of creative production and critical inquiry, extending far beyond the world of art. Duchamp Accelerated: Contemporary Perspectives examines Duchamp and his reception through a series of essays that explore the ongoing impacts of his life, ideas and practice on innumerable fields of research, practice and study. Contributors include art historians, curators, artists and writers who offer histories and approaches that actively challenge dominant narratives on Duchamp, discussing his influences from a multitude of different disciplinary and cultural perspectives. Written in the specific context of the 21st century, this volume situates the artist firmly in a global context and highlights the numerous influences from theories of perception and the writings of Georges Bataille, to travels in Argentina that shaped his ideas and art. This volume pushes current understandings of Duchamp beyond existing limits by accelerating the histories, encounters, dialogues and interpretations of his practice, with a focus on contemporary perspectives. The 'accelerated' Duchamp that emerges from this analysis is one who not only speeds up notions of art in relation to cultural and political histories, but one whose practice is actively informing future developments in the worlds of art and material culture today.
Ludics and Laughter as Feminist Aesthetic
Author: Jennifer Gustar
Publisher: Liverpool University Press
ISBN: 1782847324
Category : Literary Criticism
Languages : en
Pages : 379
Book Description
Angela Carter's provocations to laughter and her enchantment with ludic narrative strategies are two key aspects of her aesthetic practice, neither of which has been the focus of sustained study. Ludics and Laughter as Feminist Aesthetic: Angela Carter at Play responds to this lacuna in Carter criticism. This international collection of eleven essays from acclaimed Carter scholars and emerging voices in the field of Carter studies seeks to reclaim play as a serious undertaking for feminist writing and scholarship and to foreground laughter as a potent affect. While Carter's work turned to comedy in the later years, from the first publication in 1966 until her last in 1992, her fiction, poetry and journalism engaged in sharp social and cultural critique; she habitually engaged this critique through ludic structures and wickedly funny narratives that challenged conventional norms and ways of thinking. Contributors explore the diverse ways in which Carter compelled a complex and often uneasy laughter by means of a controversial aesthetic that merges a persistently ludic sensibility with a biting intransigent wit. This volume draws on theories of play, surrealism, feminism, as well as studies of feminist humour and Carter's own journals and diaries to reveal the ways in which her work moves readers towards the unexpected. This volume will be of relevance both to scholars of Carter's work and of feminist humour more generally; as well, it will be of interest to students and general readers of Carter's fiction, journalism and poetry.
Publisher: Liverpool University Press
ISBN: 1782847324
Category : Literary Criticism
Languages : en
Pages : 379
Book Description
Angela Carter's provocations to laughter and her enchantment with ludic narrative strategies are two key aspects of her aesthetic practice, neither of which has been the focus of sustained study. Ludics and Laughter as Feminist Aesthetic: Angela Carter at Play responds to this lacuna in Carter criticism. This international collection of eleven essays from acclaimed Carter scholars and emerging voices in the field of Carter studies seeks to reclaim play as a serious undertaking for feminist writing and scholarship and to foreground laughter as a potent affect. While Carter's work turned to comedy in the later years, from the first publication in 1966 until her last in 1992, her fiction, poetry and journalism engaged in sharp social and cultural critique; she habitually engaged this critique through ludic structures and wickedly funny narratives that challenged conventional norms and ways of thinking. Contributors explore the diverse ways in which Carter compelled a complex and often uneasy laughter by means of a controversial aesthetic that merges a persistently ludic sensibility with a biting intransigent wit. This volume draws on theories of play, surrealism, feminism, as well as studies of feminist humour and Carter's own journals and diaries to reveal the ways in which her work moves readers towards the unexpected. This volume will be of relevance both to scholars of Carter's work and of feminist humour more generally; as well, it will be of interest to students and general readers of Carter's fiction, journalism and poetry.
The Law of Desire
Author: Dany Nobus
Publisher: Springer
ISBN: 3319552759
Category : Psychology
Languages : en
Pages : 199
Book Description
This book offers the first comprehensive discussion of Lacan’s Kant with Sade, an essay widely recognised as one of his most important and difficult texts. Here, the reader will find a detailed roadmap for each section of the essay, including clarifications of the allusions, implicit borrowings and references in Lacan’s text, unique insights into the essay’s publication history, and a critical assessment of its reception. The author expertly defines key terms, explains complex theoretical arguments, and contextualises the work within a larger philosophical discourse. No prior knowledge of Lacan, Kant or Sade is assumed, allowing both newcomers and those who are well-versed in psychoanalysis, philosophy, and literary criticism to benefit from the book. This engaging book clears the path for a long overdue re-discovery and a proper appreciation of one of Lacan’s most challenging works, inspiring a renewed debate on the significance of Lacanian psychoanalysis for moral philosophy and literary theory.
Publisher: Springer
ISBN: 3319552759
Category : Psychology
Languages : en
Pages : 199
Book Description
This book offers the first comprehensive discussion of Lacan’s Kant with Sade, an essay widely recognised as one of his most important and difficult texts. Here, the reader will find a detailed roadmap for each section of the essay, including clarifications of the allusions, implicit borrowings and references in Lacan’s text, unique insights into the essay’s publication history, and a critical assessment of its reception. The author expertly defines key terms, explains complex theoretical arguments, and contextualises the work within a larger philosophical discourse. No prior knowledge of Lacan, Kant or Sade is assumed, allowing both newcomers and those who are well-versed in psychoanalysis, philosophy, and literary criticism to benefit from the book. This engaging book clears the path for a long overdue re-discovery and a proper appreciation of one of Lacan’s most challenging works, inspiring a renewed debate on the significance of Lacanian psychoanalysis for moral philosophy and literary theory.
L2 Figurative Language Teaching
Author: Ioannis Galantomos
Publisher: Cambridge Scholars Publishing
ISBN: 1527574938
Category : Language Arts & Disciplines
Languages : en
Pages : 245
Book Description
During L2 vocabulary instruction, figurative language frustrates even highly proficient users who find it difficult to cope with non-literal expressions, such as metaphors, metonymies, and idioms. Given that figurative language is closely associated with enhanced L2 communicative competence, this volume brings together theory and teaching applications, shedding light on the comprehension and production of figurative language in a foreign language context.
Publisher: Cambridge Scholars Publishing
ISBN: 1527574938
Category : Language Arts & Disciplines
Languages : en
Pages : 245
Book Description
During L2 vocabulary instruction, figurative language frustrates even highly proficient users who find it difficult to cope with non-literal expressions, such as metaphors, metonymies, and idioms. Given that figurative language is closely associated with enhanced L2 communicative competence, this volume brings together theory and teaching applications, shedding light on the comprehension and production of figurative language in a foreign language context.
Beckett's Creatures
Author: Joseph Anderton
Publisher: Bloomsbury Publishing
ISBN: 1474234542
Category : Performing Arts
Languages : en
Pages : 267
Book Description
In the shadow of the Holocaust, Samuel Beckett captures humanity in ruins through his debased beings and a decomposing mode of writing that strives to 'fail better'. But what might it mean to be a 'creature' or 'creaturely' in Beckett's world? In the first full-length study of the concept of the creature in Beckett's prose and drama, this book traces the suspended lives and melancholic existences of Beckett's ignorant and impotent creatures to assess the extent to which political value marks the divide between human and inhuman. Through close readings of Beckett's prose and drama, particularly texts from the middle period, including Molloy, Malone Dies, The Unnamable, Waiting for Godot and Endgame, Anderton explicates four arenas of creaturely life in Beckett. Each chapter attends to a particular theme – testimony, power, humour and survival – to analyse a range of pressures and impositions that precipitate the creaturely state of suspension. Drawing on the writings of Adorno, Agamben, Benjamin, Deleuze and Derrida to explore the overlaps between artistic and political structures of creation, the creature emerges as an in-between figure that bespeaks the provisional nature of the human. The result is a provocative examination of the indirect relationship between art and history through Beckett's treatment of testimony, power, humour and survival, which each attest to the destabilisation of meaning after Auschwitz.
Publisher: Bloomsbury Publishing
ISBN: 1474234542
Category : Performing Arts
Languages : en
Pages : 267
Book Description
In the shadow of the Holocaust, Samuel Beckett captures humanity in ruins through his debased beings and a decomposing mode of writing that strives to 'fail better'. But what might it mean to be a 'creature' or 'creaturely' in Beckett's world? In the first full-length study of the concept of the creature in Beckett's prose and drama, this book traces the suspended lives and melancholic existences of Beckett's ignorant and impotent creatures to assess the extent to which political value marks the divide between human and inhuman. Through close readings of Beckett's prose and drama, particularly texts from the middle period, including Molloy, Malone Dies, The Unnamable, Waiting for Godot and Endgame, Anderton explicates four arenas of creaturely life in Beckett. Each chapter attends to a particular theme – testimony, power, humour and survival – to analyse a range of pressures and impositions that precipitate the creaturely state of suspension. Drawing on the writings of Adorno, Agamben, Benjamin, Deleuze and Derrida to explore the overlaps between artistic and political structures of creation, the creature emerges as an in-between figure that bespeaks the provisional nature of the human. The result is a provocative examination of the indirect relationship between art and history through Beckett's treatment of testimony, power, humour and survival, which each attest to the destabilisation of meaning after Auschwitz.