Author: Neil Postman
Publisher: Vintage
ISBN:
Category : Performing Arts
Languages : en
Pages : 200
Book Description
Examines the effects of television culture on how we conduct our public affairs and how "entertainment values" corrupt the way we think.
Amusing Ourselves to Death
Author: Neil Postman
Publisher: Penguin
ISBN: 9780143036531
Category : Social Science
Languages : en
Pages : 250
Book Description
What happens when media and politics become forms of entertainment? As our world begins to look more and more like Orwell's 1984, Neil's Postman's essential guide to the modern media is more relevant than ever. "It's unlikely that Trump has ever read Amusing Ourselves to Death, but his ascent would not have surprised Postman.” -CNN Originally published in 1985, Neil Postman’s groundbreaking polemic about the corrosive effects of television on our politics and public discourse has been hailed as a twenty-first-century book published in the twentieth century. Now, with television joined by more sophisticated electronic media—from the Internet to cell phones to DVDs—it has taken on even greater significance. Amusing Ourselves to Death is a prophetic look at what happens when politics, journalism, education, and even religion become subject to the demands of entertainment. It is also a blueprint for regaining control of our media, so that they can serve our highest goals. “A brilliant, powerful, and important book. This is an indictment that Postman has laid down and, so far as I can see, an irrefutable one.” –Jonathan Yardley, The Washington Post Book World
Publisher: Penguin
ISBN: 9780143036531
Category : Social Science
Languages : en
Pages : 250
Book Description
What happens when media and politics become forms of entertainment? As our world begins to look more and more like Orwell's 1984, Neil's Postman's essential guide to the modern media is more relevant than ever. "It's unlikely that Trump has ever read Amusing Ourselves to Death, but his ascent would not have surprised Postman.” -CNN Originally published in 1985, Neil Postman’s groundbreaking polemic about the corrosive effects of television on our politics and public discourse has been hailed as a twenty-first-century book published in the twentieth century. Now, with television joined by more sophisticated electronic media—from the Internet to cell phones to DVDs—it has taken on even greater significance. Amusing Ourselves to Death is a prophetic look at what happens when politics, journalism, education, and even religion become subject to the demands of entertainment. It is also a blueprint for regaining control of our media, so that they can serve our highest goals. “A brilliant, powerful, and important book. This is an indictment that Postman has laid down and, so far as I can see, an irrefutable one.” –Jonathan Yardley, The Washington Post Book World
Neil Postman - Amusing and Informing Ourselves to Death
Author: Julia Schubert
Publisher: GRIN Verlag
ISBN: 3638441776
Category : Foreign Language Study
Languages : en
Pages : 29
Book Description
Seminar paper from the year 2005 in the subject English Language and Literature Studies - Culture and Applied Geography, grade: 1, Martin Luther University (Institut für Anglistik und Amerikanistik), course: Orality and Literacy, language: English, abstract: The central topics of the works of the writer, educator, communication theorist, social critic and cultural commentator Neil Postman have always been the media, their different forms of communication and their meanings to people, society and culture. Any of his books was built around the McLuhan-question: “Does the form of any medium of communication affect our social relations, our political ideas, or psychic habits, and of course, as he [Marshall McLuhan] always emphasized, our sensorium” (Postman: 07/30/05)? Postman was aware of the fact that a new technology and therefore a new medium may have destructive as well as creative effects. During the history of mankind there have been tremendous changes in the forms, volume, speed and context of information and it is necessary to find out what these changes meant and mean to our cultures (Postman: 1985, 160). For him, it is a basic principle that “the clearest way to see through a culture is to attend to its tools for conversation” (Postman: 1985, 8). In the book “Amusing Ourselves to Death - Public Discourse in the Age of Show Business” Postman examines, from a 1980s viewpoint, the changes in the American culture caused by the shift from the Age of Reason with the printed word at its center to the Age of Show Business with television as the central medium - or in simplifying terms the shift from rationality to triviality. Twenty years later, the situation has changed again. This term paper will make an attempt to answer the question what the new media, especially the internet, did to the modern (American) culture and to its public discourse. Obviously, Postman’s provocative title “Amusing Ourselves to Death” was just the beginning of a fast moving development since nowadays the modern media world seems to shape our lives under the title “Informing Ourselves to Death” (Postman: 07/30/05) or to use one of the latest terms “Infotaining Ourselves to Death”. ..First of all, the following chapters will examine the line of Postman’s argumentation which led to the conclusion that television has significantly transformed the American society into an amusement and entertainment culture. What has happened and what was the role of the media? Was this the beginning of a “Brave New World”? As a matter of fact, Postman ́s theories and statements are not to be taken as unreflected truth. Subsequently,some critical remarks are to be made from a 21 st -century viewpoint. [...]
Publisher: GRIN Verlag
ISBN: 3638441776
Category : Foreign Language Study
Languages : en
Pages : 29
Book Description
Seminar paper from the year 2005 in the subject English Language and Literature Studies - Culture and Applied Geography, grade: 1, Martin Luther University (Institut für Anglistik und Amerikanistik), course: Orality and Literacy, language: English, abstract: The central topics of the works of the writer, educator, communication theorist, social critic and cultural commentator Neil Postman have always been the media, their different forms of communication and their meanings to people, society and culture. Any of his books was built around the McLuhan-question: “Does the form of any medium of communication affect our social relations, our political ideas, or psychic habits, and of course, as he [Marshall McLuhan] always emphasized, our sensorium” (Postman: 07/30/05)? Postman was aware of the fact that a new technology and therefore a new medium may have destructive as well as creative effects. During the history of mankind there have been tremendous changes in the forms, volume, speed and context of information and it is necessary to find out what these changes meant and mean to our cultures (Postman: 1985, 160). For him, it is a basic principle that “the clearest way to see through a culture is to attend to its tools for conversation” (Postman: 1985, 8). In the book “Amusing Ourselves to Death - Public Discourse in the Age of Show Business” Postman examines, from a 1980s viewpoint, the changes in the American culture caused by the shift from the Age of Reason with the printed word at its center to the Age of Show Business with television as the central medium - or in simplifying terms the shift from rationality to triviality. Twenty years later, the situation has changed again. This term paper will make an attempt to answer the question what the new media, especially the internet, did to the modern (American) culture and to its public discourse. Obviously, Postman’s provocative title “Amusing Ourselves to Death” was just the beginning of a fast moving development since nowadays the modern media world seems to shape our lives under the title “Informing Ourselves to Death” (Postman: 07/30/05) or to use one of the latest terms “Infotaining Ourselves to Death”. ..First of all, the following chapters will examine the line of Postman’s argumentation which led to the conclusion that television has significantly transformed the American society into an amusement and entertainment culture. What has happened and what was the role of the media? Was this the beginning of a “Brave New World”? As a matter of fact, Postman ́s theories and statements are not to be taken as unreflected truth. Subsequently,some critical remarks are to be made from a 21 st -century viewpoint. [...]
Building a Bridge to the 18th Century
Author: Neil Postman
Publisher: Vintage
ISBN: 0307797287
Category : Social Science
Languages : en
Pages : 225
Book Description
At a time when we are reexamining our values, reeling from the pace of change, witnessing the clash between good instincts and "pragmatism," dealing with the angst of a new millennium, Neil Postman, one of our most distinguished observers of contemporary society, provides for us a source of guidance and inspiration. In Building a Bridge to the Eighteenth Century he revisits the Enlightenment, that great flowering of ideas that provided a humane direction for the future -- ideas that formed our nation and that we would do well to embrace anew. He turns our attention to Goethe, Voltaire, Rousseau, Diderot, Kant, Edward Gibbon, Adam Smith, Thomas Paine, Jefferson, and Franklin, and to their then-radical thinking about inductive science, religious and political freedom, popular education, rational commerce, the nation-state, progress, and happiness. Postman calls for a future connected to traditions that provide sane authority and meaningful purpose -- as opposed to an overreliance on technology and an increasing disregard for the lessons of history. And he argues passionately for specific new guidelines in the education of our children, with renewed emphasis on developing the intellect as successfully as we are developing a computer-driven world. Witty, provocative, and brilliantly reasoned, Building a Bridge to the Eighteenth Century is Neil Postman's most radical, and most commonsensical, book yet.
Publisher: Vintage
ISBN: 0307797287
Category : Social Science
Languages : en
Pages : 225
Book Description
At a time when we are reexamining our values, reeling from the pace of change, witnessing the clash between good instincts and "pragmatism," dealing with the angst of a new millennium, Neil Postman, one of our most distinguished observers of contemporary society, provides for us a source of guidance and inspiration. In Building a Bridge to the Eighteenth Century he revisits the Enlightenment, that great flowering of ideas that provided a humane direction for the future -- ideas that formed our nation and that we would do well to embrace anew. He turns our attention to Goethe, Voltaire, Rousseau, Diderot, Kant, Edward Gibbon, Adam Smith, Thomas Paine, Jefferson, and Franklin, and to their then-radical thinking about inductive science, religious and political freedom, popular education, rational commerce, the nation-state, progress, and happiness. Postman calls for a future connected to traditions that provide sane authority and meaningful purpose -- as opposed to an overreliance on technology and an increasing disregard for the lessons of history. And he argues passionately for specific new guidelines in the education of our children, with renewed emphasis on developing the intellect as successfully as we are developing a computer-driven world. Witty, provocative, and brilliantly reasoned, Building a Bridge to the Eighteenth Century is Neil Postman's most radical, and most commonsensical, book yet.
The Trouble with Reality
Author: Brooke Gladstone
Publisher: Workman Publishing
ISBN: 1523502622
Category : Philosophy
Languages : en
Pages : 97
Book Description
Every week on the public radio show On the Media, the award-winning journalist Brooke Gladstone analyzes the media and how it shapes our perceptions of the world. Now, from her front-row perch on the day’s events, Gladstone brings her genius for making insightful, unexpected connections to help us understand what she calls—and what so many of us can acknowledge having—“trouble with reality.” Reality, as she shows us, was never what we thought it was—there is always a bubble, people are always subjective and prey to stereotypes. And that makes reality actually more vulnerable than we ever thought. Enter Donald J. Trump and his team of advisors. For them, as she writes, lying is the point. The more blatant the lie, the easier it is to hijack reality and assert power over the truth. Drawing on writers as diverse as Hannah Arendt, Walter Lippmann, Philip K. Dick, and Jonathan Swift, she dissects this strategy, straight out of the authoritarian playbook, and shows how the Trump team mastered it, down to the five types of tweets that Trump uses to distort our notions of what’s real and what’s not. And she offers hope. There is meaningful action, a time-tested treatment for moral panic. And there is also the inevitable reckoning. History tells us we can count on it. Brief and bracing, The Trouble with Reality shows exactly why so many of us didn’t see it coming, and how we can recover both our belief in reality—and our sanity.
Publisher: Workman Publishing
ISBN: 1523502622
Category : Philosophy
Languages : en
Pages : 97
Book Description
Every week on the public radio show On the Media, the award-winning journalist Brooke Gladstone analyzes the media and how it shapes our perceptions of the world. Now, from her front-row perch on the day’s events, Gladstone brings her genius for making insightful, unexpected connections to help us understand what she calls—and what so many of us can acknowledge having—“trouble with reality.” Reality, as she shows us, was never what we thought it was—there is always a bubble, people are always subjective and prey to stereotypes. And that makes reality actually more vulnerable than we ever thought. Enter Donald J. Trump and his team of advisors. For them, as she writes, lying is the point. The more blatant the lie, the easier it is to hijack reality and assert power over the truth. Drawing on writers as diverse as Hannah Arendt, Walter Lippmann, Philip K. Dick, and Jonathan Swift, she dissects this strategy, straight out of the authoritarian playbook, and shows how the Trump team mastered it, down to the five types of tweets that Trump uses to distort our notions of what’s real and what’s not. And she offers hope. There is meaningful action, a time-tested treatment for moral panic. And there is also the inevitable reckoning. History tells us we can count on it. Brief and bracing, The Trouble with Reality shows exactly why so many of us didn’t see it coming, and how we can recover both our belief in reality—and our sanity.
The End of Education
Author: Neil Postman
Publisher: Vintage
ISBN: 0307797201
Category : Education
Languages : en
Pages : 225
Book Description
In this comprehensive response to the education crisis, the author of Teaching as a Subversive Activity returns to the subject that established his reputation as one of our most insightful social critics. Postman presents useful models with which schools can restore a sense of purpose, tolerance, and a respect for learning.
Publisher: Vintage
ISBN: 0307797201
Category : Education
Languages : en
Pages : 225
Book Description
In this comprehensive response to the education crisis, the author of Teaching as a Subversive Activity returns to the subject that established his reputation as one of our most insightful social critics. Postman presents useful models with which schools can restore a sense of purpose, tolerance, and a respect for learning.
The Art of Controversy
Author: Victor S Navasky
Publisher: Knopf
ISBN: 0307962148
Category : Political Science
Languages : en
Pages : 257
Book Description
A lavishly illustrated, witty, and original look at the awesome power of the political cartoon throughout history to enrage, provoke, and amuse. As a former editor of The New York Times Magazine and the longtime editor of The Nation, Victor S. Navasky knows just how transformative—and incendiary—cartoons can be. Here Navasky guides readers through some of the greatest cartoons ever created, including those by George Grosz, David Levine, Herblock, Honoré Daumier, and Ralph Steadman. He recounts how cartoonists and caricaturists have been censored, threatened, incarcerated, and even murdered for their art, and asks what makes this art form, too often dismissed as trivial, so uniquely poised to affect our minds and our hearts. Drawing on his own encounters with would-be censors, interviews with cartoonists, and historical archives from cartoon museums across the globe, Navasky examines the political cartoon as both art and polemic over the centuries. We see afresh images most celebrated for their artistic merit (Picasso's Guernica, Goya's "Duendecitos"), images that provoked outrage (the 2008 Barry Blitt New Yorker cover, which depicted the Obamas as a Muslim and a Black Power militant fist-bumping in the Oval Office), and those that have dictated public discourse (Herblock’s defining portraits of McCarthyism, the Nazi periodical Der Stürmer’s anti-Semitic caricatures). Navasky ties together these and other superlative genre examples to reveal how political cartoons have been not only capturing the zeitgeist throughout history but shaping it as well—and how the most powerful cartoons retain the ability to shock, gall, and inspire long after their creation. Here Victor S. Navasky brilliantly illuminates the true power of one of our most enduringly vital forms of artistic expression.
Publisher: Knopf
ISBN: 0307962148
Category : Political Science
Languages : en
Pages : 257
Book Description
A lavishly illustrated, witty, and original look at the awesome power of the political cartoon throughout history to enrage, provoke, and amuse. As a former editor of The New York Times Magazine and the longtime editor of The Nation, Victor S. Navasky knows just how transformative—and incendiary—cartoons can be. Here Navasky guides readers through some of the greatest cartoons ever created, including those by George Grosz, David Levine, Herblock, Honoré Daumier, and Ralph Steadman. He recounts how cartoonists and caricaturists have been censored, threatened, incarcerated, and even murdered for their art, and asks what makes this art form, too often dismissed as trivial, so uniquely poised to affect our minds and our hearts. Drawing on his own encounters with would-be censors, interviews with cartoonists, and historical archives from cartoon museums across the globe, Navasky examines the political cartoon as both art and polemic over the centuries. We see afresh images most celebrated for their artistic merit (Picasso's Guernica, Goya's "Duendecitos"), images that provoked outrage (the 2008 Barry Blitt New Yorker cover, which depicted the Obamas as a Muslim and a Black Power militant fist-bumping in the Oval Office), and those that have dictated public discourse (Herblock’s defining portraits of McCarthyism, the Nazi periodical Der Stürmer’s anti-Semitic caricatures). Navasky ties together these and other superlative genre examples to reveal how political cartoons have been not only capturing the zeitgeist throughout history but shaping it as well—and how the most powerful cartoons retain the ability to shock, gall, and inspire long after their creation. Here Victor S. Navasky brilliantly illuminates the true power of one of our most enduringly vital forms of artistic expression.
Doing Documentary Work
Author: Robert Coles
Publisher: Oxford University Press
ISBN: 9780195124958
Category : Language Arts & Disciplines
Languages : en
Pages : 292
Book Description
Investigates the nature of documentary work, arguing that the work of an observer is not only to represent, but also to interpret reality, and uses examples from literature and photography to show how the observers' personal frame of reference has influenced his or her work.
Publisher: Oxford University Press
ISBN: 9780195124958
Category : Language Arts & Disciplines
Languages : en
Pages : 292
Book Description
Investigates the nature of documentary work, arguing that the work of an observer is not only to represent, but also to interpret reality, and uses examples from literature and photography to show how the observers' personal frame of reference has influenced his or her work.
Why I Am Not Going to Buy a Computer
Author: Wendell Berry
Publisher: Penguin UK
ISBN: 0241337577
Category : Literary Collections
Languages : en
Pages : 42
Book Description
'Do I wish to keep up with the times? No. My wish simply is to live my life as fully as I can' The great American poet, novelist and environmental activist argues for a life lived slowly. Penguin Modern: fifty new books celebrating the pioneering spirit of the iconic Penguin Modern Classics series, with each one offering a concentrated hit of its contemporary, international flavour. Here are authors ranging from Kathy Acker to James Baldwin, Truman Capote to Stanislaw Lem and George Orwell to Shirley Jackson; essays radical and inspiring; poems moving and disturbing; stories surreal and fabulous; taking us from the deep South to modern Japan, New York's underground scene to the farthest reaches of outer space.
Publisher: Penguin UK
ISBN: 0241337577
Category : Literary Collections
Languages : en
Pages : 42
Book Description
'Do I wish to keep up with the times? No. My wish simply is to live my life as fully as I can' The great American poet, novelist and environmental activist argues for a life lived slowly. Penguin Modern: fifty new books celebrating the pioneering spirit of the iconic Penguin Modern Classics series, with each one offering a concentrated hit of its contemporary, international flavour. Here are authors ranging from Kathy Acker to James Baldwin, Truman Capote to Stanislaw Lem and George Orwell to Shirley Jackson; essays radical and inspiring; poems moving and disturbing; stories surreal and fabulous; taking us from the deep South to modern Japan, New York's underground scene to the farthest reaches of outer space.