The Ornamentation of Baroque Music

Author: Manfredo Zimmermann
Publisher: BoD – Books on Demand
ISBN: 3739231971
Category : Music
Languages : en
Pages : 94

Book Description
Everything you want to know about embellishing Music of the Baroque Era is taught systematically and well-founded here: from the different "essential ornaments" such as trill, mordent, appoggiatura, slide, etc. up to the free melodic ornaments, cadenzas and improvised grounds. In addition, you will find valuable information, tips, constructive exercises, historical examples and much more. Exclusively you get a live recorded harpsichord-basso continuo accompaniment for all exercises, which supports you harmonically and rhythmically. For pupils, students, amateurs and professional musicians

Planning to Play in Tune for Flute

Author: Kathy Blocki
Publisher:
ISBN: 9781953040084
Category :
Languages : en
Pages :

Book Description
The book begins with flexibility exercises and begins with having the ability to easily bend pitches. Planning to Play in Tune offers a variety of exercises that will not only develop this flexibility, but also greatly improve core tone quality. The "Full Spectrum Tone" exercises use the concepts of polyphonic singing and apply them to flute.The Just Tuning System is explained in the second section of the book. Learning to hear difference tones is a key element of playing with excellent intonation in an ensemble. It begins with exercises that help to zero in on these quiet tones and progress to using the difference tone as a reference for being in tune. A variety of methods of training ensembles is given in the third section. I use these faithfully for warming up flute ensembles and find them to be highly effective.Of course, one the most difficult aspects of playing in tune involves the use of dynamics. An entire section of the book is dedicated to progressively mastering the art of playing in tune when tackling extreme dynamics changes.The final section applies all the concepts to the famous flute solo in Ravel's Daphnis et Chloé. The harmony is discussed so that flutists are well-informed of how to listen and adjust pitch while playing with the orchestra.

6 Weeks to Finals

Author: Sharon Sparrow
Publisher:
ISBN: 9781491108390
Category : Auditions
Languages : en
Pages : 64

Book Description

The Recorder

Author: Richard W. Griscom
Publisher: Routledge
ISBN: 1135949921
Category : Music
Languages : en
Pages : 658

Book Description
A Choice "Best Academic" book in its first edition, The Recorder remains an essential resource for anyone who wants to know about this instrument. This new edition is thoroughly redone, takes account of the publishing activity of the years since its first publication, and still follows the original organization.

Method for the One-Keyed Flute

Author: Janice Dockendorff Boland
Publisher: Univ of California Press
ISBN: 0520921275
Category : Music
Languages : en
Pages : 243

Book Description
This indispensable manual for present-day players of the one-keyed flute is the first complete method written in modern times. Janice Dockendorff Boland has compiled a manual that can serve as a self-guiding tutor or as a text for a student working with a teacher. Referencing important eighteenth-century sources while also incorporating modern experience, the book includes nearly 100 pages of music drawn from early treatises along with solo flute literature and instructional text and fingering charts. Boland also addresses topics ranging from the basics of choosing a flute and assembling it to more advanced concepts such as tone color and eighteenth-century articulation patterns.

The Flutist's Handbook

Author:
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 198

Book Description

On Playing the Flute

Author: Johann Joachim Quantz
Publisher: UPNE
ISBN: 9781555534738
Category : Education
Languages : en
Pages : 470

Book Description
Originally published in 1752, this is a new paperback edition of the classic treatise on 18th-century musical thought, performance practice, and style

32 Rose Etudes for Clarinet

Author: Cyrille Rose
Publisher: Independently Published
ISBN: 9781728849546
Category :
Languages : en
Pages : 33

Book Description
Beloved for his 32 Rose Etudes for Clarinet book, C. Rose -- full name Chrysogone Cyrille Rose was an important French clarinetist, and served as principal clarinet at the Paris Opera. He was a teacher and composer of pedagogical material for the clarinet, much of which (like this 32 Etudes) is still widely in use today. Cyrille Rose was taught by Hyacinthe Klosé. He studied under Klosé at the Paris Conservatoire, winning the First Prize in 1847. He taught many famous clarinet players, such as: Louis Cahuzac, Paul Jean, Manuel Gomez, Francisco Gomez, Henri Lefèbvre, Henri Paradis, Henri Selmer, and Alexandre Selmer.

The Cambridge Companion to the Recorder

Author: John Mansfield Thomson
Publisher: Cambridge University Press
ISBN: 9780521358163
Category : Music
Languages : en
Pages : 268

Book Description
The first book to offer a complete introduction to the recorder includes basic reference material previously unavailable in one volume. A special feature is the rich collection of illustrations which in themselves provide a history of the instrument.

Luxury Arts of the Renaissance

Author: Marina Belozerskaya
Publisher: Getty Publications
ISBN: 0892367857
Category : Art
Languages : en
Pages : 292

Book Description
Today we associate the Renaissance with painting, sculpture, and architecture—the “major” arts. Yet contemporaries often held the “minor” arts—gem-studded goldwork, richly embellished armor, splendid tapestries and embroideries, music, and ephemeral multi-media spectacles—in much higher esteem. Isabella d’Este, Marchesa of Mantua, was typical of the Italian nobility: she bequeathed to her children precious stone vases mounted in gold, engraved gems, ivories, and antique bronzes and marbles; her favorite ladies-in-waiting, by contrast, received mere paintings. Renaissance patrons and observers extolled finely wrought luxury artifacts for their exquisite craftsmanship and the symbolic capital of their components; paintings and sculptures in modest materials, although discussed by some literati, were of lesser consequence. This book endeavors to return to the mainstream material long marginalized as a result of historical and ideological biases of the intervening centuries. The author analyzes how luxury arts went from being lofty markers of ascendancy and discernment in the Renaissance to being dismissed as “decorative” or “minor” arts—extravagant trinkets of the rich unworthy of the status of Art. Then, by re-examining the objects themselves and their uses in their day, she shows how sumptuous creations constructed the world and taste of Renaissance women and men.