Intertextuality

Author: Mary Orr
Publisher: Polity
ISBN: 9780745631219
Category : Literary Criticism
Languages : en
Pages : 256

Book Description
This book is a comprehensive introduction to the idea of intertextuality and the debates surrounding it, focusing on the four key thinkers whose work has been central to these debates - Kristeva, Barthes, Bloom and Genette. A comprehensive introduction to 'intertextuality', a term which describes the idea that meaning only exists between a text and all the other texts to which it refers and relates. Focuses on the four key thinkers whose work has been central to these debates - Kristeva, Barthes, Bloom and Genette, guiding the reader through the original texts of each of these. Of special importance is the author’s reading (and translation) of other parts of Kristeva’s Semeiotiké. Takes a fresh approach to the rival French critics - Angenot, Derrida, Girard and Ricoeur - who also worked on intertexuality and tackles the 'language' of intertextuality, shining new light on some of the terminology most commonly associated with this concept.

Semiotic Encounters

Author: Sarah Säckel
Publisher: Rodopi
ISBN: 9042027142
Category : Intertextuality
Languages : en
Pages : 277

Book Description
Semiotic Encounters: Text, Image and Trans-Nation aims at opening up scholarly debates on the contemporary challenges of intertextuality in its various intersections with postcolonial and visual culture studies. Commencing with three theoretical contributions, which work towards the creation of frameworks under which intertextuality can be (re)viewed today, the volume then explores textual and visual encounters in a number of case studies. While (a) the dimension of the intertextual in the traditional sense (as specified e.g. by Genette) and (b) the widening of the concept towards visual and digital culture govern the structure of the volume, questions of the transnational and/or postcolonial form a recurrent subtext. The volume's combination of theoretical discussions and case studies, which predominantly deal with 'English classics' and their rewritings, film adaptations and/or rereadings, will mainly attract graduate students and scholars working on contemporary literary theory, visual culture and postcolonial literatures.

The Encyclopedia of Literary and Cultural Theory

Author: Michael Ryan
Publisher:
ISBN: 9781444350456
Category :
Languages : en
Pages : 0

Book Description
"A comprehensive encyclopedia of literary and cultural theory. Covers Literary Theory from 1900 to 1966, Literary Theory from 1966 to the present, and Cultural Theory. This encyclopedia provides accessible entries on the important concepts, theorists and trends in post-1900 literary and cultural theory. With explanations of complex terms and important theoretical concepts, and summaries of the work and ideas of key figures, it is a highly informative reference work for a multi-disciplinary readership"-- Nota de l'editor.

The Birth of Intertextuality

Author: Scarlett Baron
Publisher: Routledge
ISBN: 1135091919
Category : Literary Criticism
Languages : en
Pages : 403

Book Description
Why was the term ‘intertextuality’ coined? Why did its first theorists feel the need to replace or complement those terms – of quotation, allusion, echo, reference, influence, imitation, parody, pastiche, among others – which had previously seemed adequate and sufficient to the description of literary relations? Why, especially in view of the fact that it is still met with resistance, did the new concept achieve such popularity so fast? Why has it retained its currency in spite of its inherent paradoxes? Since 1966, when Kristeva defined every text as a ‘mosaic of quotations’, ‘intertextuality’ has become an all-pervasive catchword in literature and other humanities departments; yet the notion, as commonly used, remains nebulous to the point of meaninglessness. This book seeks to shed light on this thought-provoking but treacherously polyvalent concept by tracing the theory’s core ideas and emblematic images to paradigm shifts in the fields of science, philosophy, psychoanalysis, and linguistics, focusing on the shaping roles of Darwin, Nietzsche, Freud, Saussure, and Bakhtin. In so doing, it elucidates the meaning of one of the most frequently used terms in contemporary criticism, thereby providing a much-needed foundation for clearer discussions of literary relations across the discipline and beyond.

The Quest for Context and Meaning

Author: Talmon
Publisher: BRILL
ISBN: 9004497676
Category : Religion
Languages : en
Pages : 718

Book Description
This collection of studies is published in honor of Professor James A. Sanders, a leading scholar in the fields of the canon of Scripture, textual criticism, and the relationship of the two Testaments. Contributors include leading scholars in these and related fields of study. The studies investigate in what ways the early sacred tradition was interpreted and how this tradition takes new shape in the Jewish and Christian communities of faith. Included are studies of Jesus' understanding of Scripture, Paul's interpretation of Scripture, and the ways in which Scripture was interpreted by the Rabbis. In many instances novel interpretations and new approaches to old problems are offered. Advanced students and veteran scholars will enjoy the many insights and provocative new ideas.

History and Poetics of Intertextuality

Author: Marko Juvan
Publisher: Purdue University Press
ISBN: 1557535035
Category : Literary Criticism
Languages : en
Pages : 226

Book Description
The poetics of intertextuality proposed in this book, based mainly on semiotics, elucidates factors determining the socio-historically elusive border between general intertextuality and citationality, and explores modes of intertextual representation.

Exploring Intertextuality

Author: B. J. Oropeza
Publisher: Wipf and Stock Publishers
ISBN: 1498223117
Category : Religion
Languages : en
Pages : 347

Book Description
This book aims to provide advanced students of biblical studies, seminarians, and academicians with a variety of intertextual strategies to New Testament interpretation. Each chapter is written by a New Testament scholar who provides an established or avant-garde strategy in which: 1) The authors in their respective chapters start with an explanation of the particular intertextual approach they use. Important terms and concepts relevant to the approach are defined, and scholarly proponents or precursors are discussed. 2) The authors use their respective intertextual strategy on a sample text or texts from the New Testament, whether from the Gospels, Acts, Pauline epistles, Disputed Pauline epistles, General epistles, or Revelation. 3) The authors show how their approach enlightens or otherwise brings the text into sharper relief. 4) They end with recommended readings for further study on the respective intertextual approach. This book is unique in providing a variety of strategies related to biblical interpretation through the lens of intertextuality. .embed-container { position: relative; padding-bottom: 56.25%; height: 0; overflow: hidden; max-width: 100%; } .embed-container iframe, .embed-container object, .embed-container embed { position: absolute; top: 0; left: 0; width: 100%; height: 100%; }

Intertextuality

Author: Graham Allen
Publisher: Routledge
ISBN: 1136815430
Category : Literary Criticism
Languages : en
Pages : 255

Book Description
Theories of intertextuality suggest that meaning in a text can only ever be understood in relation to other texts; no work stands alone but is interlinked with the tradition that came before it and the context in which it is produced. This idea of intertextuality is crucial to understanding literary studies today. Graham Allen deftly introduces the topic and relates its significance to key theories and movements in the study of literature. The second edition of this important guide to intertextuality: outlines the history and contemporary use of the term incorporates a wealth of illuminating examples from literature and culture includes a new, expanded conclusion on the future of intertextuality examines the politics and aesthetics of the term relates intertextuality to global cultures and new media. Looking at intertextuality in relation to structuralism, post-structuralism, deconstruction, postcolonialism, Marxism, feminism and psychoanalytic theory, this is a fascinating and useful guide for all students of literature and culture.

Reading Hilary Mantel

Author: Lucy Arnold
Publisher: Bloomsbury Publishing
ISBN: 1350072575
Category : Literary Criticism
Languages : en
Pages : 241

Book Description
From the ghosts which reside in Midlands council houses in Every Day is Mother's Day to the resurrected historical dead of the Booker Prize-winning Wolf Hall and Bring up the Bodies, the writings of Hilary Mantel are often haunted by supernatural figures. One of the first book-length studies of the writer's work, Reading Hilary Mantel explores the importance of ghosts in the full range of her fiction and non-fiction writing and their political, social and ethical resonances. Combining material from original interviews with the author herself with psychoanalytic, historicist and deconstructivist critical perspectives, Reading Hilary Mantel is a landmark study of this important and popular contemporary novelist.

Reading the Allegorical Intertext

Author: Judith H. Anderson
Publisher: Fordham Univ Press
ISBN: 0823228495
Category : Literary Criticism
Languages : en
Pages : 452

Book Description
Judith H. Anderson conceives the intertext as a relation between or among texts that encompasses both Kristevan intertextuality and traditional relationships of influence, imitation, allusion, and citation. Like the Internet, the intertext is a state, or place, of potential expressed in ways ranging from deliberate emulation to linguistic free play. Relatedly, the intertext is also a convenient fiction that enables examination of individual agency and sociocultural determinism. Anderson’s intertext is allegorical because Spenser’s Faerie Queene is pivotal to her study and because allegory, understood as continued or moving metaphor, encapsulates, even as it magnifies, the process of signification. Her title signals the variousness of an intertext extending from Chaucer through Shakespeare to Milton and the breadth of allegory itself. Literary allegory, in Anderson’s view, is at once a mimetic form and a psychic one—a process thinking that combines mind with matter, emblem with narrative, abstraction with history. Anderson’s first section focuses on relations between Chaucer’s Canterbury Tales and Spenser’s The Faerie Queene, including the role of the narrator, the nature of the textual source, the dynamics of influence, and the bearing of allegorical narrative on lyric vision. The second centers on agency and cultural influence in a variety of Spenserian and medieval texts. Allegorical form, a recurrent concern throughout, becomes the pressing issue of section three. This section treats plays and poems of Shakespeare and Milton and includes two intertextually relevant essays on Spenser. How Paradise Lost or Shakespeare’s plays participate in allegorical form is controversial. Spenser’s experiments with allegory revise its form, and this intervention is largely what Shakespeare and Milton find in his poetry and develop. Anderson’s book, the result of decades of teaching and writing about allegory, especially Spenserian allegory, will reorient thinking about fundamental critical issues and the landmark texts in which they play themselves out.