Author: Steve Tupai Francis
Publisher: Bloomsbury Publishing USA
ISBN: 1501379003
Category : Music
Languages : en
Pages : 161
Book Description
Computer World was Kraftwerk's most concise and focused conceptual statement, their most influential record and crowning achievement. Computer World transformed the way pop music was composed, played, packaged and released and, in the process, helped create entire new genres of music including hip-hop, techno, trance, electro, industrial and synth-pop. They influenced the influencers. Upon its release on 10 May 1981, the record was a revelation. It was unlike anything created for mainstream consumers of music at that time, an electronic suite of assured and industrious propulsive forward movement. Kraftwerk set off a sonic detonation that is still being felt today. This book explores Kraftwerk's revolutionary sonic template, their conceptual and artistic preoccupations and lyrical obsessions to provide new insights into one of the greatest records ever made.
Billboard
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 95
Book Description
In its 114th year, Billboard remains the world's premier weekly music publication and a diverse digital, events, brand, content and data licensing platform. Billboard publishes the most trusted charts and offers unrivaled reporting about the latest music, video, gaming, media, digital and mobile entertainment issues and trends.
Publisher:
ISBN:
Category :
Languages : en
Pages : 95
Book Description
In its 114th year, Billboard remains the world's premier weekly music publication and a diverse digital, events, brand, content and data licensing platform. Billboard publishes the most trusted charts and offers unrivaled reporting about the latest music, video, gaming, media, digital and mobile entertainment issues and trends.
Kraftwerk's Computer World
Author: Francis
Publisher:
ISBN: 9781501379017
Category : Electronic music
Languages : en
Pages : 0
Book Description
"Kraftwerk's most concise and focused conceptual statement, Computer World, was also their most influential album, paving the way for a range of new musical styles and genres. This book explores the band's revolutionary sonic template, and their lyrical obsessions in detail. An analysis of the bands work reveals a unifying theme, overlooked by other writers, of movement and transition. While many remarked on the prevalence of travel within Kraftwerk's art: Autobahn (1974) - cars, Trans-Europe Express (1977) - trains, The Man- Machine (1978) - space, and Tour De France (1982) - bicycles, Francis contends that this is a surface manifestation of a deeper theoretical subtext in their work. Movement is really a reflection of the concept of transition, through time and space, from one physical, emotional, or existential state of being to another. The book explores transition, as expressed on Computer World, via theories of post-humanism, cybernetics and the anthropology of transnationalism."--
Publisher:
ISBN: 9781501379017
Category : Electronic music
Languages : en
Pages : 0
Book Description
"Kraftwerk's most concise and focused conceptual statement, Computer World, was also their most influential album, paving the way for a range of new musical styles and genres. This book explores the band's revolutionary sonic template, and their lyrical obsessions in detail. An analysis of the bands work reveals a unifying theme, overlooked by other writers, of movement and transition. While many remarked on the prevalence of travel within Kraftwerk's art: Autobahn (1974) - cars, Trans-Europe Express (1977) - trains, The Man- Machine (1978) - space, and Tour De France (1982) - bicycles, Francis contends that this is a surface manifestation of a deeper theoretical subtext in their work. Movement is really a reflection of the concept of transition, through time and space, from one physical, emotional, or existential state of being to another. The book explores transition, as expressed on Computer World, via theories of post-humanism, cybernetics and the anthropology of transnationalism."--
Christgau's Consumer Guide: Albums of the '90s
Author: Robert Christgau
Publisher: Macmillan
ISBN: 9780312245603
Category : Music
Languages : en
Pages : 422
Book Description
The Dean of American Rock Critics tackles the decade when music exploded. The '90s saw more albums produced and distributed than any other decade. It was a fertile era for new genres, from alt-rock to Afropop, hip hop to techno. Rock critic Robert Christgau's obsessive ear and authoritative pen have covered it all-over 3,800 albums graded and classified, from A+s to his celebrated turkeys and duds. A rich appendix section ensures that nothing's been left out-from "subjects for further research" to "everything rocks but nothing ever dies." Christgau's Consumer Guide is essential reading and reference for any dedicated listener.
Publisher: Macmillan
ISBN: 9780312245603
Category : Music
Languages : en
Pages : 422
Book Description
The Dean of American Rock Critics tackles the decade when music exploded. The '90s saw more albums produced and distributed than any other decade. It was a fertile era for new genres, from alt-rock to Afropop, hip hop to techno. Rock critic Robert Christgau's obsessive ear and authoritative pen have covered it all-over 3,800 albums graded and classified, from A+s to his celebrated turkeys and duds. A rich appendix section ensures that nothing's been left out-from "subjects for further research" to "everything rocks but nothing ever dies." Christgau's Consumer Guide is essential reading and reference for any dedicated listener.
I Am a Book. I Am a Portal to the Universe
Author: Stefanie Posavec
Publisher: Particular Books
ISBN: 9780241408759
Category : Handbooks, vade-mecums, etc
Languages : en
Pages : 112
Book Description
Hello. I am a book. But I'm also a portal to the universe. I have 112 pages, measuring twenty centimetres high and twenty centimetres wide. I weigh 450 grams. And I have the power to show you the wonders of the world.
Publisher: Particular Books
ISBN: 9780241408759
Category : Handbooks, vade-mecums, etc
Languages : en
Pages : 112
Book Description
Hello. I am a book. But I'm also a portal to the universe. I have 112 pages, measuring twenty centimetres high and twenty centimetres wide. I weigh 450 grams. And I have the power to show you the wonders of the world.
Hydrogen and Fuel Cell
Author: Johannes Töpler
Publisher: Springer
ISBN: 3662449722
Category : Technology & Engineering
Languages : en
Pages : 286
Book Description
This book introduces readers to hydrogen as an essential energy carrier for use with renewable sources of primary energy. It provides an overview of the state of the art, while also highlighting the developmental and market potential of hydrogen in the context of energy technologies; mobile, stationary and portable applications; uninterruptible power supplies and in the chemical industry. Written by experienced practitioners, the book addresses the needs of engineers, chemists and business managers, as well as graduate students and researchers.
Publisher: Springer
ISBN: 3662449722
Category : Technology & Engineering
Languages : en
Pages : 286
Book Description
This book introduces readers to hydrogen as an essential energy carrier for use with renewable sources of primary energy. It provides an overview of the state of the art, while also highlighting the developmental and market potential of hydrogen in the context of energy technologies; mobile, stationary and portable applications; uninterruptible power supplies and in the chemical industry. Written by experienced practitioners, the book addresses the needs of engineers, chemists and business managers, as well as graduate students and researchers.
Kraftwerk
Author: Uwe Schütte
Publisher: Penguin UK
ISBN: 0241320550
Category : Music
Languages : en
Pages : 197
Book Description
The story of the phenomenon that is Kraftwerk, and how they revolutionised our cultural landscape 'We are not artists nor musicians. We are workers.' Ignoring nearly all rock traditions, expermenting in near-total secrecy in their Düsseldorf studio, Kraftwerk fused sound and technology, graphic design and performance, modernist Bauhaus aesthetics and Rhineland industrialisation - even human and machine - to change the course of modern music. This is the story of Kraftwerk the cultural phenomenon, who turned electronic music into avant-garde concept art and created the soundtrack to our digital age.
Publisher: Penguin UK
ISBN: 0241320550
Category : Music
Languages : en
Pages : 197
Book Description
The story of the phenomenon that is Kraftwerk, and how they revolutionised our cultural landscape 'We are not artists nor musicians. We are workers.' Ignoring nearly all rock traditions, expermenting in near-total secrecy in their Düsseldorf studio, Kraftwerk fused sound and technology, graphic design and performance, modernist Bauhaus aesthetics and Rhineland industrialisation - even human and machine - to change the course of modern music. This is the story of Kraftwerk the cultural phenomenon, who turned electronic music into avant-garde concept art and created the soundtrack to our digital age.
Archive Everything
Author: Gabriella Giannachi
Publisher: MIT Press
ISBN: 0262549247
Category : Art
Languages : en
Pages : 237
Book Description
How the archive evolved to include new technologies, practices, and media, and how it became the apparatus through which we map the everyday. In Archive Everything, Gabriella Giannachi traces the evolution of the archive into the apparatus through which we map the everyday. The archive, traditionally a body of documents or a site for the preservation of documents, changed over the centuries to encompass, often concurrently, a broad but interrelated number of practices not traditionally considered as archival. Archives now consist of not only documents and sites but also artworks, installations, museums, social media platforms, and mediated and mixed reality environments. Giannachi tracks the evolution of these diverse archival practices across the centuries. Archives today offer a multiplicity of viewing platforms to replay the past, capture the present, and map our presence. Giannachi uses archaeological practices to explore all the layers of the archive, analyzing Lynn Hershman Leeson's !Women Art Revolution project, a digital archive of feminist artists. She considers the archive as a memory laboratory, with case studies that include visitors' encounters with archival materials in the Jewish Museum in Berlin. She discusses the importance of participatory archiving, examining the “multimedia roadshow” Digital Diaspora Family Reunion as an example. She explores the use of the archive in works that express the relationship between ourselves and our environment, citing Andy Warhol and Ant Farm, among others. And she looks at the transmission of the archive through the body in performance, bioart, and database artworks, closing with a detailed analysis of Lynn Hershman Leeson's Infinity Engine.
Publisher: MIT Press
ISBN: 0262549247
Category : Art
Languages : en
Pages : 237
Book Description
How the archive evolved to include new technologies, practices, and media, and how it became the apparatus through which we map the everyday. In Archive Everything, Gabriella Giannachi traces the evolution of the archive into the apparatus through which we map the everyday. The archive, traditionally a body of documents or a site for the preservation of documents, changed over the centuries to encompass, often concurrently, a broad but interrelated number of practices not traditionally considered as archival. Archives now consist of not only documents and sites but also artworks, installations, museums, social media platforms, and mediated and mixed reality environments. Giannachi tracks the evolution of these diverse archival practices across the centuries. Archives today offer a multiplicity of viewing platforms to replay the past, capture the present, and map our presence. Giannachi uses archaeological practices to explore all the layers of the archive, analyzing Lynn Hershman Leeson's !Women Art Revolution project, a digital archive of feminist artists. She considers the archive as a memory laboratory, with case studies that include visitors' encounters with archival materials in the Jewish Museum in Berlin. She discusses the importance of participatory archiving, examining the “multimedia roadshow” Digital Diaspora Family Reunion as an example. She explores the use of the archive in works that express the relationship between ourselves and our environment, citing Andy Warhol and Ant Farm, among others. And she looks at the transmission of the archive through the body in performance, bioart, and database artworks, closing with a detailed analysis of Lynn Hershman Leeson's Infinity Engine.