The Mitre: Its Origins and Early Development

The Mitre: Its Origins and Early Development PDF Author: Nancy Spies
Publisher: BRILL
ISBN: 9004691510
Category : History
Languages : en
Pages : 383

Book Description
The story of the mitre began during the 11th-century church reform movements and was, surprisingly, inspired by a popular pastime. After a thousand years of bare heads, the Church finally had an official hat, signaling newly-structured internal dynamics, an increase in power and influence in society, and greater parity with secular leaders.

Carpenter

Carpenter PDF Author:
Publisher:
ISBN:
Category : Carpenters
Languages : en
Pages : 1326

Book Description

Art and Industry

Art and Industry PDF Author: United States. Office of Education
Publisher:
ISBN:
Category : Drawing
Languages : en
Pages : 1500

Book Description

The Horned Moses in Medieval Art and Thought

The Horned Moses in Medieval Art and Thought PDF Author: Ruth W. Mellinkoff
Publisher: Wipf and Stock Publishers
ISBN: 1579100880
Category : Religion
Languages : en
Pages : 313

Book Description
An interdisciplinary study touching not only upon medieval art, but also upon such disciplines as medieval history, history of the Church, Latin and vernacular literature both religious and secular, medieval drama, mythology, and folklore. Mellinkoff's goal is to provide an iconographical interpretation of horned Moses in as deep a sense as possible.

Inter-America

Inter-America PDF Author:
Publisher:
ISBN:
Category : Latin America
Languages : en
Pages : 828

Book Description
Consists of English translations of articles in the Spanish American press.

The Art of Heraldry

The Art of Heraldry PDF Author: Arthur Charles Fox-Davies
Publisher: London : T.C. ;& E.C. Jack
ISBN:
Category : Heraldry
Languages : en
Pages : 828

Book Description

From Whirlwind to MITRE

From Whirlwind to MITRE PDF Author: Kent C. Redmond
Publisher: MIT Press
ISBN: 9780262264266
Category : Science
Languages : en
Pages : 568

Book Description
The book shows how the wartime alliance of engineers, scientists, and the military exemplified by MIT's Radiation Lab helped to transform research and development practice in the United States through the end of the Cold War period. This book presents an organizational and social history of one of the foundational projects of the computer era: the development of the SAGE (Semi-Automatic Ground Environment) air defense system, from its first test at Bedford, Massachusetts, in 1951, to the installation of the first unit of the New York Air Defense Sector of the SAGE system, in 1958. The idea for SAGE grew out of Project Whirlwind, a wartime computer development effort, when the U.S. Department of Defense realized that the Whirlwind computer might anchor a continent-wide advance warning system. Developed by MIT engineers and scientists for the U.S. Air Force, SAGE monitored North American skies for possible attack by manned aircraft and missiles for twenty-five years. Aside from its strategic importance, SAGE set the foundation for mass data-processing systems and foreshadowed many computer developments of the 1960s. The heart of the system, the AN/FSQ-7, was the first computer to have an internal memory composed of "magnetic cores," thousands of tiny ferrite rings that served as reversible electromagnets. SAGE also introduced computer-driven displays, online terminals, time sharing, high-reliability computation, digital signal processing, digital transmission over telephone lines, digital track-while-scan, digital simulation, computer networking, and duplex computing. The book shows how the wartime alliance of engineers, scientists, and the military exemplified by MIT's Radiation Lab helped to transform research and development practice in the United States through the end of the Cold War period.

The Art of Armenia

The Art of Armenia PDF Author: Christina Maranci
Publisher: Oxford University Press
ISBN: 0190269014
Category : Art
Languages : en
Pages : 273

Book Description
Though immediately recognizable in public discourse as a modern state in a political "hot zone," Armenia has a material history and visual culture that reaches back to the Paleolithic era. This book presents a timely and much-needed survey of the arts of Armenia from antiquity to the early eighteenth century C.E. Divided chronologically, it brings into discussion a wide range of media, including architecture, stone sculpture, works in metal, wood, and cloth, manuscript illumination, and ceramic arts. Critically, The Art of Armenia presents this material within historical and archaeological contexts, incorporating the results of specialist literature in various languages. It also positions Armenian art within a range of broader comparative contexts including, but not limited to, the ancient Mediterranean and Near East, Byzantium, the Islamic world, Yuan-dynasty China, and seventeenth-century Europe. The Art of Armenia offers students, scholars, and heritage readers of the Armenian community something long desired but never before available: a complete and authoritative introduction to three thousand years of Armenian art, archaeology, architecture, and design.
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