Author:
Publisher:
ISBN: 9781907414497
Category :
Languages : en
Pages : 176
Book Description
Historically the dance club is both an anthropological and architectural phenomenon. The cultural and economical evolution of society progressively transformed the idea of entertainment, and consequently the spaces in which it is formed and shaped. Today discotheques are hardly designed by architects, but rather temporary occupations of spaces which are dedicated to other functions. Through the photographs of Giovanna Silva, a selection of interviews and critical texts, Nightswimming explores this fascinating world from the 1960s until today.
The Bloomsbury Handbook of Popular Music, Space and Place
Author: Geoff Stahl
Publisher: Bloomsbury Publishing USA
ISBN: 1501336290
Category : Music
Languages : en
Pages : 409
Book Description
Popular music scholars have long been interested in the connection between place and music. This collection brings together a number of key scholars in order to introduce readers to concepts and theories used to explore the relationships between place and music. An interdisciplinary volume, drawing from sociology, geography, ethnomusicology, media, cultural, and communication studies, this book covers a wide-range of topics germane to the production and consumption of place in popular music. Through considerations of changes in technology and the mediascape that have shaped the experience of popular music (vinyl, iPods, social media), the role of social difference and how it shapes sociomusical encounters (queer spaces, gendered and racialised spaces), as well as the construction and representations of place (musical tourism, city branding, urban mythologies), this is an up-to-the-moment overview of central discussions about place and music. The contributors explore a range of contexts, moving from the studio to the stage, the city to the suburb, the bedroom to festival, from nightclub to museum, with each entry highlighting the diverse and complex ways in which music and place are mutually constitutive.
Publisher: Bloomsbury Publishing USA
ISBN: 1501336290
Category : Music
Languages : en
Pages : 409
Book Description
Popular music scholars have long been interested in the connection between place and music. This collection brings together a number of key scholars in order to introduce readers to concepts and theories used to explore the relationships between place and music. An interdisciplinary volume, drawing from sociology, geography, ethnomusicology, media, cultural, and communication studies, this book covers a wide-range of topics germane to the production and consumption of place in popular music. Through considerations of changes in technology and the mediascape that have shaped the experience of popular music (vinyl, iPods, social media), the role of social difference and how it shapes sociomusical encounters (queer spaces, gendered and racialised spaces), as well as the construction and representations of place (musical tourism, city branding, urban mythologies), this is an up-to-the-moment overview of central discussions about place and music. The contributors explore a range of contexts, moving from the studio to the stage, the city to the suburb, the bedroom to festival, from nightclub to museum, with each entry highlighting the diverse and complex ways in which music and place are mutually constitutive.
Bu Bir Aşk Şarkısı Değil | This is Not A Love Song
Author: F. Javier Panera Cuevas
Publisher: Pera Müzesi
ISBN: 6054642502
Category : Art and music
Languages : tr
Pages : 63
Book Description
Bu Bir Aşk Şarkısı Değil: Video Sanatı ve Pop Müzik İlişkisi sergi kataloğu, video sanatının pop müzik ile ilişkisini ele alıyor ve aralarındaki etkileşimlere odaklanıyor, 1960’lardan günümüze pop müzik ile video sanatının kesiştiği yolların izini sürüyor. Serginin küratörü F. Javier Panera Cuevas’ın video sanatı ve pop müzik ilişkisini ele alan metni ile Pop İçinde Sanat / Sanat İçinde Pop, Histeri ve Din, Rock ve Kavramsal Sanat: ‘Müzisyen Olmayanlar’ ile ‘Sanatçı Olmayanlar’ Karşı Karşıya, Rock ve İkizi: Bir “Alet Çantası” Olarak Pop Müzik ve Dans Müziği Politikaları başlıklı beş bölümden oluşan sergi kataloğu, sergide yer alan işlerle ilgili detaylı bilgiler içeriyor. Bu Bir Aşk Şarkısı Değil, müzik ile görsel sanatlar arasındaki ilişkinin son dönemde müzisyenler ile sanatçıların kendilerini egemen kültürel sistemin aktörü olarak konumlandırdığı veya o sistemde ardında, Greil Marcus’un deyişiyle, “silindikten sonra hafızamızda derin bir iz bırakan ruj lekesi gibi” geçici ama yoğun izler bırakarak küçük direniş biçimleri benimseyip muhaliflere dönüştüğü başka bir sanat tarihi üzerine düşünmeye teşvik ediyor. ---- This is Not a Love Song: Video Art and Pop Music Crossovers exhibition catalogue traces the genealogy of the relations between video art and pop music from the 1960s to today in which video art and pop music crossed roads. The catalogue features a substantial essay on video art and pop music relationship by curator F. Javier Panera Cuevas. The five chapters in the catalogue Art in Pop, Pop in Art, Hysteria and Religion, ‘Non-Musicians’ vs ‘Non-Artists’ Rock and Conceptual Art, Rock and Its Double: Pop Music as a ‘Toolbox’ and Dance Music Politics present a deeper look into the works in the exhibition. This is Not a Love Song suggests that the relations between music and the visual arts force us to reconsider another history of art, in which musicians and artists can position themselves either as actors in the hegemonic cultural system or as critical radicals whose traces, as Greil Marcus would say, can be as intense and as short-lived 'as a lipstick stain that is removed but leaves a profound imprint on our memory.
Publisher: Pera Müzesi
ISBN: 6054642502
Category : Art and music
Languages : tr
Pages : 63
Book Description
Bu Bir Aşk Şarkısı Değil: Video Sanatı ve Pop Müzik İlişkisi sergi kataloğu, video sanatının pop müzik ile ilişkisini ele alıyor ve aralarındaki etkileşimlere odaklanıyor, 1960’lardan günümüze pop müzik ile video sanatının kesiştiği yolların izini sürüyor. Serginin küratörü F. Javier Panera Cuevas’ın video sanatı ve pop müzik ilişkisini ele alan metni ile Pop İçinde Sanat / Sanat İçinde Pop, Histeri ve Din, Rock ve Kavramsal Sanat: ‘Müzisyen Olmayanlar’ ile ‘Sanatçı Olmayanlar’ Karşı Karşıya, Rock ve İkizi: Bir “Alet Çantası” Olarak Pop Müzik ve Dans Müziği Politikaları başlıklı beş bölümden oluşan sergi kataloğu, sergide yer alan işlerle ilgili detaylı bilgiler içeriyor. Bu Bir Aşk Şarkısı Değil, müzik ile görsel sanatlar arasındaki ilişkinin son dönemde müzisyenler ile sanatçıların kendilerini egemen kültürel sistemin aktörü olarak konumlandırdığı veya o sistemde ardında, Greil Marcus’un deyişiyle, “silindikten sonra hafızamızda derin bir iz bırakan ruj lekesi gibi” geçici ama yoğun izler bırakarak küçük direniş biçimleri benimseyip muhaliflere dönüştüğü başka bir sanat tarihi üzerine düşünmeye teşvik ediyor. ---- This is Not a Love Song: Video Art and Pop Music Crossovers exhibition catalogue traces the genealogy of the relations between video art and pop music from the 1960s to today in which video art and pop music crossed roads. The catalogue features a substantial essay on video art and pop music relationship by curator F. Javier Panera Cuevas. The five chapters in the catalogue Art in Pop, Pop in Art, Hysteria and Religion, ‘Non-Musicians’ vs ‘Non-Artists’ Rock and Conceptual Art, Rock and Its Double: Pop Music as a ‘Toolbox’ and Dance Music Politics present a deeper look into the works in the exhibition. This is Not a Love Song suggests that the relations between music and the visual arts force us to reconsider another history of art, in which musicians and artists can position themselves either as actors in the hegemonic cultural system or as critical radicals whose traces, as Greil Marcus would say, can be as intense and as short-lived 'as a lipstick stain that is removed but leaves a profound imprint on our memory.
Giovanna Silva. Imeldific
Author: Giovanna Silva
Publisher:
ISBN: 9788867494187
Category :
Languages : en
Pages : 96
Book Description
Imelda Romualdez Marcos is a Filipino politician who was first lady of the Philippines for twenty-one years, during which time she and her husband are widely believed to have illegally amassed a multibillion dollar fortune, the bulk of which still remains unrecovered. Her personal wealth was estimated at $24 billion in 1979, and today it is thought to be at least $30 billion. She married Ferdinand Marcos in 1954 and became first lady in 1965, when he was elected president of the Philippines. During her tenure as first lady, Marcos owned three thousand pairs of shoes. She imported giraffes?just because she could. Her habit of initiating ostentatious architectural projects using public funds came to be described in common parlance as ?Imeldific.? In 1966, Ferdinand Marcos issued Executive Order no. 60, establishing the Cultural Center of the Philippines and appointing its board of directors. The board would elect Imelda Marcos as chair, giving her legal mandate to negotiate and manage funds for the center. The CCP is considered the central symbol of Imelda Marcos?s ?edifice complex.? Its enormous modernist concrete structures were designed by Filipino architect Leandro Locsin. Imelda Marcos declared the center the ?sanctuary of the Filipino soul.? In these pages, Giovanna Silva inspects the heritage of the country, illustrating the robust relationship between architecture and history.
Publisher:
ISBN: 9788867494187
Category :
Languages : en
Pages : 96
Book Description
Imelda Romualdez Marcos is a Filipino politician who was first lady of the Philippines for twenty-one years, during which time she and her husband are widely believed to have illegally amassed a multibillion dollar fortune, the bulk of which still remains unrecovered. Her personal wealth was estimated at $24 billion in 1979, and today it is thought to be at least $30 billion. She married Ferdinand Marcos in 1954 and became first lady in 1965, when he was elected president of the Philippines. During her tenure as first lady, Marcos owned three thousand pairs of shoes. She imported giraffes?just because she could. Her habit of initiating ostentatious architectural projects using public funds came to be described in common parlance as ?Imeldific.? In 1966, Ferdinand Marcos issued Executive Order no. 60, establishing the Cultural Center of the Philippines and appointing its board of directors. The board would elect Imelda Marcos as chair, giving her legal mandate to negotiate and manage funds for the center. The CCP is considered the central symbol of Imelda Marcos?s ?edifice complex.? Its enormous modernist concrete structures were designed by Filipino architect Leandro Locsin. Imelda Marcos declared the center the ?sanctuary of the Filipino soul.? In these pages, Giovanna Silva inspects the heritage of the country, illustrating the robust relationship between architecture and history.
OfficeUS
Author: Eva Franch i Gilabert
Publisher: Lars Muller Publishers
ISBN: 9783037784389
Category : Architectural firms
Languages : en
Pages : 0
Book Description
"Collects a key press archive of US architectural production abroad and the transformations of the US architectural office over the last hundred years"--Page 11.
Publisher: Lars Muller Publishers
ISBN: 9783037784389
Category : Architectural firms
Languages : en
Pages : 0
Book Description
"Collects a key press archive of US architectural production abroad and the transformations of the US architectural office over the last hundred years"--Page 11.
London Theatres (New Edition)
Author: Michael Coveney
Publisher: Frances Lincoln
ISBN: 0711252637
Category : Architecture
Languages : en
Pages : 291
Book Description
This fully revised and updated edition of the hugely successful London Theatres features ten additional theatres, including the Victoria Palace Theatre, the Sondheim Theatre, the Bridge Theatre and the Noël Coward Theatre. London is the undisputed theatre capital of the world. From world-famous musicals to West End shows, from cutting-edge plays to Shakespeare in its original staging, from outdoor performance to intimate fringe theatre, the range and quality are unsurpassed. Leading drama critic Michael Coveney invites you on a tour of more than 50 theatres that make the London stage what it is. With stories of the architecture, the people and the productions which have defined each one, alongside sumptuous photographs by Peter Dazeley of the auditoriums, public and backstage areas, this illustrated overview of London's theatres is a book like no other. A must for fans of the stage! Praise for the first edition: ‘This coffee table whopper ... dazzles’ Spectator ‘London Theatres ... will surely feature on any theatre buff's present list’ Sightlines
Publisher: Frances Lincoln
ISBN: 0711252637
Category : Architecture
Languages : en
Pages : 291
Book Description
This fully revised and updated edition of the hugely successful London Theatres features ten additional theatres, including the Victoria Palace Theatre, the Sondheim Theatre, the Bridge Theatre and the Noël Coward Theatre. London is the undisputed theatre capital of the world. From world-famous musicals to West End shows, from cutting-edge plays to Shakespeare in its original staging, from outdoor performance to intimate fringe theatre, the range and quality are unsurpassed. Leading drama critic Michael Coveney invites you on a tour of more than 50 theatres that make the London stage what it is. With stories of the architecture, the people and the productions which have defined each one, alongside sumptuous photographs by Peter Dazeley of the auditoriums, public and backstage areas, this illustrated overview of London's theatres is a book like no other. A must for fans of the stage! Praise for the first edition: ‘This coffee table whopper ... dazzles’ Spectator ‘London Theatres ... will surely feature on any theatre buff's present list’ Sightlines
Creation Stories
Author: Alan McGee
Publisher: Pan Macmillan
ISBN: 0283071788
Category : Biography & Autobiography
Languages : en
Pages : 327
Book Description
'Essential reading for anyone interested in the heady, vulgar, marvellous miasma of British music and culture in the nineties' – Irving Welsh 'A true believer in the power of music and more importantly a believer in the people that make music. He gave me and many more like me a chance to change my life' – Noel Gallagher Alan McGee's Creation Stories is a star-studded, outrageous, funny and anarchic account of the record label he set up and the bands that defined an era, including Primal Scream and Oasis. A charismatic Glaswegian who partied just as hard as any of the acts on his notoriously hedonistic label, Alan McGee became an infamous character in the world of music in the nineties. In Creation Stories he tells his story in depth for the first time, from leaving school at sixteen to setting up the Living Room club in London which showcased many emerging indie bands, from managing the Jesus and Mary Chain to co-founding Creation when he was only twenty-three. His label brought us acts like My Bloody Valentine, House of Love, Ride and, of course, Primal Scream. Embracing acid house, Alan decamped to Manchester and hung out at the Hacienda. His drug-induced breakdown, when it came, was dramatic. But as he climbed back to sobriety, he oversaw Oasis's rise to become one of the biggest bands in the world. Alan himself becoming one of the figureheads of Britpop. Having sold the label to Sony to stave off bankruptcy, he became disenchanted with the increasingly corporate ethos and left in 1999. Since then he's continued to be an influential figure in the music industry, managing the Libertines and setting up a new label, 359 Music, with Cherry Red. 'Studded with diamond anecdotes . . . From mixing sound for My Bloody Valentine on mushrooms, via driving motorists off the road by commissioning billboard posters of Kevin Rowland flashing his pants, to escorting Carl Barat to A&E with one eyeball hanging out of its socket, the book bursts with tall-but-true tales.' – NME
Publisher: Pan Macmillan
ISBN: 0283071788
Category : Biography & Autobiography
Languages : en
Pages : 327
Book Description
'Essential reading for anyone interested in the heady, vulgar, marvellous miasma of British music and culture in the nineties' – Irving Welsh 'A true believer in the power of music and more importantly a believer in the people that make music. He gave me and many more like me a chance to change my life' – Noel Gallagher Alan McGee's Creation Stories is a star-studded, outrageous, funny and anarchic account of the record label he set up and the bands that defined an era, including Primal Scream and Oasis. A charismatic Glaswegian who partied just as hard as any of the acts on his notoriously hedonistic label, Alan McGee became an infamous character in the world of music in the nineties. In Creation Stories he tells his story in depth for the first time, from leaving school at sixteen to setting up the Living Room club in London which showcased many emerging indie bands, from managing the Jesus and Mary Chain to co-founding Creation when he was only twenty-three. His label brought us acts like My Bloody Valentine, House of Love, Ride and, of course, Primal Scream. Embracing acid house, Alan decamped to Manchester and hung out at the Hacienda. His drug-induced breakdown, when it came, was dramatic. But as he climbed back to sobriety, he oversaw Oasis's rise to become one of the biggest bands in the world. Alan himself becoming one of the figureheads of Britpop. Having sold the label to Sony to stave off bankruptcy, he became disenchanted with the increasingly corporate ethos and left in 1999. Since then he's continued to be an influential figure in the music industry, managing the Libertines and setting up a new label, 359 Music, with Cherry Red. 'Studded with diamond anecdotes . . . From mixing sound for My Bloody Valentine on mushrooms, via driving motorists off the road by commissioning billboard posters of Kevin Rowland flashing his pants, to escorting Carl Barat to A&E with one eyeball hanging out of its socket, the book bursts with tall-but-true tales.' – NME
Complete UK Hit Albums 1956-2005
Author: Graham Betts
Publisher: HarperCollins (UK)
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 644
Book Description
The most complete guide to every artist and album that has ever charted in the UK Album chart, with details on over 14,800 albums and biographies on every one of the 3,180 acts that have appeared since the chart first started in 1958. From a Top Ten in 1958, the album chart has grown in both size and stature over the years. Increased to a Top Twenty in 1960, the chart grew to a Top 30 by 1966, a Top 40 later that year, a Top 50 in 1971, a Top 75 in 1978 and a Top 100 in 1981. By 1989, when compilation albums and soundtracks were a major factor in the chart, a decision was taken to produce two charts; a Top 75 artist chart and a Top 20 compilation chart. Every single entry on all these charts is included in Collins Complete UK Hit Albums. 3,180 acts have registered just over 11,300 hit albums; also listed are the approximately 3,500 soundtracks and compilation albums that have also hit the charts. Hit Singles: a brief biography of each of the 3,180 or so artists who have had hit albums, details of BPI awards, Platinum Europe awards and RIAA Diamond awards and details of BRIT, Grammy awards and US Number Ones. Just as with the single chart, the album chart is not without its peculiarities and so you will learn of the album that took nearly four years to hit the number one spot, the album by Sigur Ros that had no title as opposed to that by Fiona Apple which registered the longest title (all 89 words), the artists whose chart career consists of a single week at position 100 as opposed to Fleetwood Mac's Rumours which has spent 477 weeks on the chart, including one week at number one.
Publisher: HarperCollins (UK)
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 644
Book Description
The most complete guide to every artist and album that has ever charted in the UK Album chart, with details on over 14,800 albums and biographies on every one of the 3,180 acts that have appeared since the chart first started in 1958. From a Top Ten in 1958, the album chart has grown in both size and stature over the years. Increased to a Top Twenty in 1960, the chart grew to a Top 30 by 1966, a Top 40 later that year, a Top 50 in 1971, a Top 75 in 1978 and a Top 100 in 1981. By 1989, when compilation albums and soundtracks were a major factor in the chart, a decision was taken to produce two charts; a Top 75 artist chart and a Top 20 compilation chart. Every single entry on all these charts is included in Collins Complete UK Hit Albums. 3,180 acts have registered just over 11,300 hit albums; also listed are the approximately 3,500 soundtracks and compilation albums that have also hit the charts. Hit Singles: a brief biography of each of the 3,180 or so artists who have had hit albums, details of BPI awards, Platinum Europe awards and RIAA Diamond awards and details of BRIT, Grammy awards and US Number Ones. Just as with the single chart, the album chart is not without its peculiarities and so you will learn of the album that took nearly four years to hit the number one spot, the album by Sigur Ros that had no title as opposed to that by Fiona Apple which registered the longest title (all 89 words), the artists whose chart career consists of a single week at position 100 as opposed to Fleetwood Mac's Rumours which has spent 477 weeks on the chart, including one week at number one.