Author: Richard Marks Publisher: George Braziller ISBN: Category : Antiques & Collectibles Languages : en Pages : 128
Book Description
The authors discuss the importance of the Anglo-Saxon tradition of drawing in 13th century illumination, the role of the Court in the introduction of the French style of illumination, the elaboration of marginalia, and International Gothic style.
Author: Alexandra Gillespie Publisher: Cambridge University Press ISBN: 0521889790 Category : Business & Economics Languages : en Pages : 397
Book Description
This book studies approaches to the production of manuscripts in medieval England, from the first commercial guilds to the advent of print.
Author: Debra Hassig Publisher: Routledge ISBN: 1135660387 Category : Literary Criticism Languages : en Pages : 252
Book Description
The medieval bestiary was a contribution to didactic religious literature, addressing concerns central to all walks of Christian and secular life. These essays analyze the bestiary from both literary and art historical perspectives, exploring issues including kinship, romance, sex, death, and the afterlife.
Author: Kathryn Ann Smith Publisher: University of Toronto Press ISBN: 9780802086914 Category : Art Languages : en Pages : 396
Book Description
Examines the De Lisle hours of Margaret de Beauchamp, the De Bois hours (Dubois hours) of Hawisia de Bois, and the Neville of Hornby hours of Isabel de Byron.
Author: MaryBryanH. Curd Publisher: Routledge ISBN: 1351566970 Category : Art Languages : en Pages : 397
Book Description
By examining their production practices in a variety of genres?including manuscript illustration, glass painting and staining, tapestry manufacture, portrait painting, and engraving?this book explores how Netherlandish artists migrating to England in the early modern period overcame difficulties raised by their outsider status. This study examines, for the first time in this context, the challenges of alien status to artistic production and the effectiveness of cooperation as a countermeasure. The author demonstrates that collaboration was chief among the strategies that these foreigners chose to secure a position in London's changing art market. Curd's exploration of these collaborations primarily follows Pierre Bourdieu's model of "establishment and challenger" in which dominance in a field of cultural production depends upon how much cultural, political, and economic capital can be accumulated and the effectiveness of the strategies used to confront competition. The analysis presented here challenges received opinion that a collaborative work is only a joint effort of artists working together on a single monument by demonstrating that the participation of patrons and middlemen can also shape the final appearance of a work of art. Furthermore, this book shows that the strategic use of collaboration served the goal of competition by helping to establish foreign artists in the London art market and suggests that their coping strategies have implications for the study of immigrant behaviors today.
Author: Kerrie Hide Publisher: Liturgical Press ISBN: 9780814650936 Category : Biography & Autobiography Languages : en Pages : 254
Book Description
2002 Catholic Press Association Award Winner The classical expression of soteriology (salvation theology) has tended to spiritualize salvation and place it on a supernatural plane where it loses contact with the existential lives of people. In the face of this heritage, questions have risen from contemporary experience that challenge the Christian tradition. Does life have meaning? Is love at the core of all reality? In Gifted Origins to Graced Fulfillment, Kerrie Hide searches for responses to these questions. Hide examines the soteriology presented in the Revelations of Divine Love, composed by Julian of Norwich. She analyzes the understanding of salvation expressed in the Visions, or showings of Julian and expands previous theological inquiry into Julian's texts. After demonstrating how Julian's theology is a trinitarian theology of love, Hide addresses each aspect of Julian's soteriology within the framework of her trinitarian formula. The theological precis reveals that, for Julian, salvation is a process of oneing in a mystical, three-part journey from our origins with God to our ultimate return to God. Hide's analysis provides a hermeneutic for examining mystical literature theologically and demonstrates the important contribution mystical theology makes to the broader field of theology. She contributes a systematic study of Julian's understanding of salvation not undertaken previously. In Part One, Hide examines Julian's Visionary experience and her expression of the experience that led others to reflect on, record, and write about her texts. She also presents a hermeneutic for interpreting Julian's showings. Part Two presents Julian's soteriology as a trinitarian soteriology of oneing and explores how our life is in three stages. In Part Three, Hide delves into our gifted origins. She surveys Julian's creation theology and her anthropology. Part Four focuses on Christology. This section presents Christ's role in redemption through the cross, through his work as servant, and through his function as mother. Part Five inquires into graced endings. The chapters examine the present experience of graced fulfillment in the power of the Holy Spirit and the hope for fulfillment in the eschaton. Finally, in Part Six, Hide draws together Julian's understanding of salvation. She appraises the relevance of these teachings for today. Chapters are Julian of Norwich," *A Hermeneutic for Interpreting the Showings, - *Oneing Through the Trinity, - *Oneing in Being, - *Oneing Through the Crucifixion, - *Oneing Through the Servant, - *Oneing Through Christ, Deep Wisdom and Mother, - *Oneing Through the Holy Spirit, - *One ing in the Eschaton, - and *Julian's Spiritual Understanding.
Author: Susan Gillingham Publisher: John Wiley & Sons ISBN: 1119542251 Category : Religion Languages : en Pages : 592
Book Description
This third volume completes the set of a groundbreaking reception history of the Psalter, the culmination of two decades’ work In Volume Three of Psalms Through the Centuries: A Reception History Commentary on Psalms 73-151, the internationally recognized biblical scholar Professor Susan Gillingham examines the Jewish and Christian cultural and reception history of Books Three to Five of the Psalter. She examines the changing ways in which psalms have been understood in translations and commentaries, liturgy and prayer, study and preaching, music and art, poetic and dramatic performance, and political and ethical discourse. Lavishly illustrated with thirty colour plates, several black and white images and a number of musical scores, this volume also includes a comprehensive glossary of terms for readers less familiar with the subject and a full, selective bibliography complete with footnote references for each psalm. Numerous links to website resources also allow readers to pursue topics at greater depth, and three clearly organized indices facilitate searches by specific psalms or authors, or types of reception for selected psalms. This structure makes the commentary easy to use, whether for private study, teaching or preaching. The book also offers: A one-of-a-kind treatment of the reception history of the psalms that starts where most commentaries end— beginning with the trajectory of the Psalter’s multi-faceted reception over two millennia Specific discussions of both Jewish and Christian responses to individual psalms Psalms Through the Centuries: A Reception History Commentary on Psalms 73-151, like the previous two volumes, will earn a distinctive place in the libraries of faculties, colleges, seminaries, and religious communities as well as in private collections of students and scholars of biblical studies, theology, and religion.
Author: Susan Gillingham Publisher: OUP Oxford ISBN: 0191509612 Category : Religion Languages : en Pages : 381
Book Description
For two-and-a-half millennia these two psalms have been commented on, translated, painted, set to music, employed in worship, and adapted in literature, often being used disputatiously by Jews and Christians alike. Psalm 1 is about the Law; at the heart of Psalm 2 is the Anointed One ('Messiah'), and together they serve as a Prologue to the rest of the Psalter. They have frequently been read as one composite poem, with the Temple as one of the motifs uniting them. So three themes—Jewish and Christian disputes, the interrelationship of these psalms, and the Temple—are interwoven throughout this reception history analysis. The journey starts in ancient Judaism, moves on to early Christianity, then to rabbinic and medieval Judaism, and so to Christian commentators from the early Middle Ages to the Reformation. The journey pauses to look at four important modes of reception—liturgical use, visual exegesis, musical interpretation, and imitation in English literature. Thirty-eight colour plates and numerous musical and poetic examples bring the work to life. The journey continues by looking at the debates about these psalms which have occupied scholars since the Enlightenment, and ends with a chapter which surveys their reception history in the light of the three key themes.
Author: Paul E. Szarmach Publisher: Routledge ISBN: 1351666363 Category : History Languages : en Pages : 2402
Book Description
First published in 1998, this valuable reference work offers concise, expert answers to questions on all aspects of life and culture in Medieval England, including art, architecture, law, literature, kings, women, music, commerce, technology, warfare and religion. This wide-ranging text encompasses English social, cultural, and political life from the Anglo-Saxon invasions in the fifth century to the turn of the sixteenth century, as well as its ties to the Celtic world of Wales, Scotland and Ireland, the French and Anglo-Norman world of the Continent and the Viking and Scandinavian world of the North Sea. A range of topics are discussed from Sedulius to Skelton, from Wulfstan of York to Reginald Pecock, from Pictish art to Gothic sculpture and from the Vikings to the Black Death. A subject and name index makes it easy to locate information and bibliographies direct users to essential primary and secondary sources as well as key scholarship. With more than 700 entries by over 300 international scholars, this work provides a detailed portrait of the English Middle Ages and will be of great value to students and scholars studying Medieval history in England and Europe, as well as non-specialist readers.
Author: Michael Camille Publisher: Reaktion Books ISBN: 1780232489 Category : History Languages : en Pages : 413
Book Description
What is the status of visual evidence in history? Can we actually see the past through images? Where are the traces of previous lives deposited? Michael Camille addresses these important questions in Mirror in Parchment, a lively, searching study of one medieval manuscript, its patron, producers, and historical progeny. The richly illuminated Luttrell Psalter was created for the English nobleman Sir Geoffrey Luttrell (1276-1345). Inexpensive mechanical illustration has since disseminated the book's images to a much wider audience; hence the Psalter's representations of manorial life have come to profoundly shape our modern idea of what medieval English people, high and low, looked like at work and at play. Alongside such supposedly truthful representations, the Psalter presents myriad images of fantastic monsters and beasts. These patently false images have largely been disparaged or ignored by modern historians and art historians alike, for they challenge the credibility of those pictures in the Luttrell Psalter that we wish to see as real. In the conviction that medieval images were not generally intended to reflect daily life but rather to shape a new reality, Michael Camille analyzes the Psalter's famous pictures as representations of the world, imagined and real, of its original patron. Addressed are late medieval chivalric ideals, physical sites of power, and the boundaries of Sir Geoffrey's imagined community, wherein agricultural laborers and fabulous monsters play a similar ideological role. The Luttrell Psalter thus emerges as a complex social document of the world as its patron hoped and feared it might be.
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Author: Richard Marks
Author: Alexandra Gillespie
Author: Debra Hassig
Author: Kathryn Ann Smith
Author: MaryBryanH. Curd
Author: Kerrie Hide
Author: Susan Gillingham
Author: Susan Gillingham
Author: Paul E. Szarmach
Author: Michael Camille