Author: Raymond Lambert Publisher: Agate Publishing ISBN: 1572847638 Category : Humor Languages : en Pages : 241
Book Description
Chris Rock. Jamie Foxx. Steve Harvey. Dave Chappelle. Some of the biggest names in American entertainment today all appeared at Raymond Lambert's club All Jokes Aside, the legendary Chicago showcase for African-American comedy, early in their careers. This insightful memoir follows up on Lambert's critically acclaimed 2012 Showtime documentary, Phunny Business, and tells the story of his life as seen through the lens of All Jokes Aside—its successes, failures, and lessons learned. By the late 1980s, Lambert was earning a six-figure salary as an investment banker on Wall Street, but dreamed of starting his own company. With zero experience, an equally committed partner, and a little borrowed money, he opened All Jokes Aside, and before long was helping to launch some of the biggest names in comedy. This is story of Lambert's journey, a behind-the-scenes look at the world of show business, and an inspiring tale for any would-be entrepreneur. Chock-full of cautionary tales both humorous and dramatic, revealing details on the early careers of top performers, and tangible guidance on how to build a business from the ground up, this book is a much-needed recent history of black entertainment and a powerful memoir of entrepreneurial ups and downs.
Author: Rebecca Krefting Publisher: JHU Press ISBN: 1421414295 Category : History Languages : en Pages : 360
Book Description
A professor of American Studies—and stand-up comic—examines sharply focused comedy and its cultural utility in contemporary society. Outstanding Academic Title, Choice In this examination of stand-up comedy, Rebecca Krefting establishes a new genre of comedic production, “charged humor,” and charts its pathways from production to consumption. Some jokes are tears in the fabric of our beliefs—they challenge myths about how fair and democratic our society is and the behaviors and practices we enact to maintain those fictions. Jokes loaded with vitriol and delivered with verve, charged humor compels audiences to action, artfully summoning political critique. Since the institutionalization of stand-up comedy as a distinct cultural form, stand-up comics have leveraged charged humor to reveal social, political, and economic stratifications. All Joking Aside offers a history of charged comedy from the mid-twentieth century to the early aughts, highlighting dozens of talented comics from Dick Gregory and Robin Tyler to Micia Mosely and Hari Kondabolu. The popularity of charged humor has waxed and waned over the past sixty years. Indeed, the history of charged humor is a tale of intrigue and subversion featuring dive bars, public remonstrations, fickle audiences, movie stars turned politicians, commercial airlines, emergent technologies, neoliberal mind-sets, and a cavalcade of comic misfits with an ax to grind. Along the way, Krefting explores the fault lines in the modern economy of humor, why men are perceived to be funnier than women, the perplexing popularity of modern-day minstrelsy, and the way identities are packaged and sold in the marketplace. Appealing to anyone interested in the politics of humor and generating implications for the study of any form of popular entertainment, this history reflects on why we make the choices we do and the collective power of our consumptive practices. Readers will be delighted by the broad array of comic talent spotlighted in this book, and for those interested in comedy with substance, it will offer an alternative punchline.
Author: Raymond Lambert Publisher: Agate Pub Incorporated ISBN: 9781932841954 Category : Biography & Autobiography Languages : en Pages : 240
Book Description
In the 1990s, legendary Chicago comedy club All Jokes Aside catapulted some of the biggest names in the business to the national stage: Jamie Foxx, Mo'Nique, Chris Rock, Steve Harvey, and Dave Chappelle, just to name a few. Behind the operation was Raymond Lambert, a 29-year-old investment banker who left a six-figure salary and a promising career on Wall Street to open the comedy club. Lambert channeled his experience in the cutthroat financial industry into what became the preeminent black comedy showcase in Americaand then he lost it all. All Jokes Aside: Stand-Up Comedy Is a Phunny Business is the wildly entertaining story of Lambert's journey, a behind-the-scenes look at the world of show business, and an inspiring tale for any dreamer and would-be entrepreneur. In 2012, Lambert released the documentary film Phunny Business, which profiles his iconic club through interviews with many of the club's most famous alumni. The film was met with worldwide acclaim and has since been nationally syndicated on Showtime and has sold more than 50,000 copies. All Jokes Aside provides an even deeper look into Lambert's successes and failures, as well as the lessons he learned from running America's one-time preeminent black comedy showcase. In the late 1980s, with a degree from Morehouse College and an MBA from University of Virginia's Darden School under his belt, the young Lambert had one more thing going for him: he was being mentored by legendary investment banker Chris Gardner, famously portrayed in an Oscar-nominated performance by Will Smith in the 2006 movie The Pursuit of Happyness. The only problem was that Lambert still felt unfulfilled. So on August 9, 1991, with no experience running a comedy club, Lambert and business partner James Alexander borrowed money from Alexander's mother and opened All Jokes Aside on Chicago's South Side. For a decade, All Jokes Aside was an often-unheralded "star factory" that nonetheless made an indelible impression on American pop culture. The club gave crucial early exposure to major talents, many of whom are now headliners of Hollywood's top box-office blockbusters. All Jokes Aside is chock-full of cautionary tales both humorous and dramatic, intimate details on the early careers of today's star performers, and tangible guidance on how to build a business. Lambert's storytelling is funny, insightful, and brutally honest. Whether you are looking for business advice or an uproarious good time,All Jokes Aside is a much-needed history of black entertainment and an uplifting personal memoir of stepping out into the spotlight.
Author: Rebecca Krefting Publisher: JHU Press ISBN: 1421414317 Category : Humor Languages : en Pages : 360
Book Description
A professor of American Studies—and stand-up comic—examines sharply focused comedy and its cultural utility in contemporary society. Outstanding Academic Title, Choice In this examination of stand-up comedy, Rebecca Krefting establishes a new genre of comedic production, “charged humor,” and charts its pathways from production to consumption. Some jokes are tears in the fabric of our beliefs—they challenge myths about how fair and democratic our society is and the behaviors and practices we enact to maintain those fictions. Jokes loaded with vitriol and delivered with verve, charged humor compels audiences to action, artfully summoning political critique. Since the institutionalization of stand-up comedy as a distinct cultural form, stand-up comics have leveraged charged humor to reveal social, political, and economic stratifications. All Joking Aside offers a history of charged comedy from the mid-twentieth century to the early aughts, highlighting dozens of talented comics from Dick Gregory and Robin Tyler to Micia Mosely and Hari Kondabolu. The popularity of charged humor has waxed and waned over the past sixty years. Indeed, the history of charged humor is a tale of intrigue and subversion featuring dive bars, public remonstrations, fickle audiences, movie stars turned politicians, commercial airlines, emergent technologies, neoliberal mind-sets, and a cavalcade of comic misfits with an ax to grind. Along the way, Krefting explores the fault lines in the modern economy of humor, why men are perceived to be funnier than women, the perplexing popularity of modern-day minstrelsy, and the way identities are packaged and sold in the marketplace. Appealing to anyone interested in the politics of humor and generating implications for the study of any form of popular entertainment, this history reflects on why we make the choices we do and the collective power of our consumptive practices. Readers will be delighted by the broad array of comic talent spotlighted in this book, and for those interested in comedy with substance, it will offer an alternative punchline.
Author: Marcus Tullius Cicero Publisher: Princeton University Press ISBN: 0691211078 Category : Philosophy Languages : en Pages : 326
Book Description
Timeless advice about how to use humor to win over any audience Can jokes win a hostile room, a hopeless argument, or even an election? You bet they can, according to Cicero, and he knew what he was talking about. One of Rome’s greatest politicians, speakers, and lawyers, Cicero was also reputedly one of antiquity’s funniest people. After he was elected commander-in-chief and head of state, his enemies even started calling him “the stand-up Consul.” How to Tell a Joke provides a lively new translation of Cicero’s essential writing on humor alongside that of the later Roman orator and educator Quintilian. The result is a timeless practical guide to how a well-timed joke can win over any audience. As powerful as jokes can be, they are also hugely risky. The line between a witty joke and an offensive one isn’t always clear. Cross it and you’ll look like a clown, or worse. Here, Cicero and Quintilian explore every aspect of telling jokes—while avoiding costly mistakes. Presenting the sections on humor in Cicero’s On the Ideal Orator and Quintilian’s The Education of the Orator, complete with an enlightening introduction and the original Latin on facing pages, How to Tell a Joke examines the risks and rewards of humor and analyzes basic types that readers can use to write their own jokes. Filled with insight, wit, and examples, including more than a few lawyer jokes, How to Tell a Joke will appeal to anyone interested in humor or the art of public speaking.
Author: American Bar Association. House of Delegates Publisher: American Bar Association ISBN: 9781590318737 Category : Law Languages : en Pages : 216
Book Description
The Model Rules of Professional Conduct provides an up-to-date resource for information on legal ethics. Federal, state and local courts in all jurisdictions look to the Rules for guidance in solving lawyer malpractice cases, disciplinary actions, disqualification issues, sanctions questions and much more. In this volume, black-letter Rules of Professional Conduct are followed by numbered Comments that explain each Rule's purpose and provide suggestions for its practical application. The Rules will help you identify proper conduct in a variety of given situations, review those instances where discretionary action is possible, and define the nature of the relationship between you and your clients, colleagues and the courts.
Author: Kate Beaton Publisher: Random House ISBN: 1910702226 Category : Canadian wit and humor, Pictorial Languages : en Pages : 172
Book Description
Wonder Woman! Hunks! Great men and women of history! Step aside - Kate Beaton is coming for you. The author of the smash hit Hark! A Vagrant returns with all-new sidesplitting comics that showcase her irreverent love of history, pop culture and literature. Collected from her wildly popular website, readers will guffaw over 'Strong Female Characters', the wicked yet chivalrous Black Prince, 'Straw Feminists in the Closet' and a disgruntled Heathcliff. Delight in what the internet has long known - Beaton's humour is as sharp and dangerous as a velocipedestrienne, so watch out!
Author: Kristy Thomas Publisher: ISBN: 9781630210151 Category : Drama Languages : en Pages :
Book Description
A comedian shows us how you can climb your way to the top but staying there is, at times, out of the hands of his hands. As he struggles to get his hands back on the microphone he must first ask for help and support to stand alone again. He soon learns that the support of a mother can take you where you want to be even if he never thought he'd make his way back..home.
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