Author: Valerie Dorge
Publisher: Getty Publications
ISBN: 0892365013
Category : Art
Languages : en
Pages : 549
Book Description
The function of the painted wooden object ranges from the practical to the profound. These objects may perform utilitarian tasks, convey artistic whimsy, connote noble aspirations, and embody the highest spiritual expressions. This volume, illustrated in color throughout, presents the proceedings of a conference organized by the Wooden Artifacts Group of the American Institute for Conservation of Historic and Artistic Works (AIC) and held in November 1994 at the Colonial Williamsburg Foundation in Williamsburg, Virginia. The book includes 40 articles that explore the history and conservation of a wide range of painted wooden objects, from polychrome sculpture and altarpieces to carousel horses, tobacconist figures, Native American totems, Victorian garden furniture, French cabinets, architectural elements, and horse-drawn carriages. Contributors include Ian C. Bristow, an architect and historic-building consultant in London; Myriam Serck-Dewaide, head of the Sculpture Workshop, Institut Royal du Patrimoine Artistique, Brussels; and Frances Gruber Safford, associate curator of American decorative arts at the Metropolitan Museum of Art in New York. A broad range of professionals—including art historians, curators, scientists, and conservators—will be interested in this volume and in the multidisciplinary nature of its articles.
Grant Wood
Author: Barbara Haskell
Publisher: Yale University Press
ISBN: 0300232845
Category : Art
Languages : en
Pages : 272
Book Description
The social and political climate in which Wood's art flourished bears certain striking similarities to America today, as national identity and the tension between urban and rural areas reemerge as polarizing issues in a country facing the consequences of globalization and the technological revolution. Wood portrayed the tension and alienation of contemporary experience. By fusing meticulously observed reality with fables of childhood, he crafted unsettling images of estrangement and apprehension that pictorially manifest the anxiety of modern life.
Publisher: Yale University Press
ISBN: 0300232845
Category : Art
Languages : en
Pages : 272
Book Description
The social and political climate in which Wood's art flourished bears certain striking similarities to America today, as national identity and the tension between urban and rural areas reemerge as polarizing issues in a country facing the consequences of globalization and the technological revolution. Wood portrayed the tension and alienation of contemporary experience. By fusing meticulously observed reality with fables of childhood, he crafted unsettling images of estrangement and apprehension that pictorially manifest the anxiety of modern life.
Beginner's Guide to Painting on Wood
Author: Betty Padden
Publisher: Fox Chapel Publishing
ISBN: 1607659328
Category : Crafts & Hobbies
Languages : en
Pages : 98
Book Description
A complete guide on how to use various types of paint to complete your woodcarving projects! Author and professional woodcarver Betty Padden provides clear, detailed instruction for each paint type – acrylics, oil paints, latex paints, and thinned acrylics. Featuring step-by-step instructions, coordinating photography, material lists, and wood carving patterns, also included is insightful advice and expert tips on working with each type of paint on wood. Learn how to choose brushes, blend color, prepare wood, add details, and so much more!
Publisher: Fox Chapel Publishing
ISBN: 1607659328
Category : Crafts & Hobbies
Languages : en
Pages : 98
Book Description
A complete guide on how to use various types of paint to complete your woodcarving projects! Author and professional woodcarver Betty Padden provides clear, detailed instruction for each paint type – acrylics, oil paints, latex paints, and thinned acrylics. Featuring step-by-step instructions, coordinating photography, material lists, and wood carving patterns, also included is insightful advice and expert tips on working with each type of paint on wood. Learn how to choose brushes, blend color, prepare wood, add details, and so much more!
The Structural Conservation of Panel Paintings
Author: Kathleen Dardes
Publisher: Getty Publications
ISBN: 0892363843
Category : Art
Languages : en
Pages : 582
Book Description
This volume presents the proceedings of an international symposium organized by the Getty Conservation Institute and the J. Paul Getty Museum. The first conference of its kind in twenty years, the symposium assembled an international group of conservators of painted panels, and gave them the opportunity to discuss their philosophies and share their work methods. Illustrated in color throughout, this volume presents thirty-one papers grouped into four topic areas: Wood Science and Technology, History of Panel-Manufacturing Techniques, History of the Structural Conservation of Panel Paintings, and Current Approaches to the Structural Conservation of Panel Paintings.
Publisher: Getty Publications
ISBN: 0892363843
Category : Art
Languages : en
Pages : 582
Book Description
This volume presents the proceedings of an international symposium organized by the Getty Conservation Institute and the J. Paul Getty Museum. The first conference of its kind in twenty years, the symposium assembled an international group of conservators of painted panels, and gave them the opportunity to discuss their philosophies and share their work methods. Illustrated in color throughout, this volume presents thirty-one papers grouped into four topic areas: Wood Science and Technology, History of Panel-Manufacturing Techniques, History of the Structural Conservation of Panel Paintings, and Current Approaches to the Structural Conservation of Panel Paintings.
Grant Wood
Author: R. Tripp Evans
Publisher: Knopf
ISBN: 0307594335
Category : Art
Languages : en
Pages : 433
Book Description
He claimed to be “the plainest kind of fellow you can find. There isn’t a single thing I’ve done, or experienced,” said Grant Wood, “that’s been even the least bit exciting.” Wood was one of America’s most famous regionalist painters; to love his work was the equivalent of loving America itself. In his time, he was an “almost mythical figure,” recognized most supremely for his hard-boiled farm scene, American Gothic, a painting that has come to reflect the essence of America’s traditional values—a simple, decent, homespun tribute to our lost agrarian age. In this major new biography of America’s most acclaimed, and misunderstood, regionalist painter, Grant Wood is revealed to have been anything but plain, or simple . . . R. Tripp Evans reveals the true complexity of the man and the image Wood so carefully constructed of himself. Grant Wood called himself a farmer-painter but farming held little interest for him. He appeared to be a self-taught painter with his scenes of farmlands, farm workers, and folklore but he was classically trained, a sophisticated artist who had studied the Old Masters and Flemish art as well as impressionism. He lived a bohemian life and painted in Paris and Munich in the 1920s, fleeing what H. L. Mencken referred to as “the booboisie” of small-town America. We see Wood as an artist haunted and inspired by the images of childhood; by the complex relationship with his father (stern, pious, the “manliest of men”); with his sister and his beloved mother (Wood shared his studio and sleeping quarters with his mother until her death at seventy-seven; he was forty-four). We see Wood’s homosexuality and how his studied masculinity was a ruse that shaped his work. Here is Wood’s life and work explored more deeply and insightfully than ever before. Drawing on letters, the artist’s unfinished autobiography, his sister’s writings, and many never-before-seen documents, Evans’s book is a dimensional portrait of a deeply complicated artist who became a “National Symbol.” It is as well a portrait of the American art scene at a time when America’s Calvinistic spirit and provincialism saw Europe as decadent and artists were divided between red-blooded patriotic men and “hothouse aesthetes.” Thomas Hart Benton said of Grant Wood: “When this new America looks back for landmarks to help gauge its forward footsteps, it will find a monument standing up in the midst of the wreckage . . . This monument will be made out of Grant Wood’s works.”
Publisher: Knopf
ISBN: 0307594335
Category : Art
Languages : en
Pages : 433
Book Description
He claimed to be “the plainest kind of fellow you can find. There isn’t a single thing I’ve done, or experienced,” said Grant Wood, “that’s been even the least bit exciting.” Wood was one of America’s most famous regionalist painters; to love his work was the equivalent of loving America itself. In his time, he was an “almost mythical figure,” recognized most supremely for his hard-boiled farm scene, American Gothic, a painting that has come to reflect the essence of America’s traditional values—a simple, decent, homespun tribute to our lost agrarian age. In this major new biography of America’s most acclaimed, and misunderstood, regionalist painter, Grant Wood is revealed to have been anything but plain, or simple . . . R. Tripp Evans reveals the true complexity of the man and the image Wood so carefully constructed of himself. Grant Wood called himself a farmer-painter but farming held little interest for him. He appeared to be a self-taught painter with his scenes of farmlands, farm workers, and folklore but he was classically trained, a sophisticated artist who had studied the Old Masters and Flemish art as well as impressionism. He lived a bohemian life and painted in Paris and Munich in the 1920s, fleeing what H. L. Mencken referred to as “the booboisie” of small-town America. We see Wood as an artist haunted and inspired by the images of childhood; by the complex relationship with his father (stern, pious, the “manliest of men”); with his sister and his beloved mother (Wood shared his studio and sleeping quarters with his mother until her death at seventy-seven; he was forty-four). We see Wood’s homosexuality and how his studied masculinity was a ruse that shaped his work. Here is Wood’s life and work explored more deeply and insightfully than ever before. Drawing on letters, the artist’s unfinished autobiography, his sister’s writings, and many never-before-seen documents, Evans’s book is a dimensional portrait of a deeply complicated artist who became a “National Symbol.” It is as well a portrait of the American art scene at a time when America’s Calvinistic spirit and provincialism saw Europe as decadent and artists were divided between red-blooded patriotic men and “hothouse aesthetes.” Thomas Hart Benton said of Grant Wood: “When this new America looks back for landmarks to help gauge its forward footsteps, it will find a monument standing up in the midst of the wreckage . . . This monument will be made out of Grant Wood’s works.”
Jonas Wood
Author: Mark Grotjahn
Publisher:
ISBN: 9781838660635
Category : ART
Languages : en
Pages : 0
Book Description
The first monograph on a rising star who is one of contemporary art's most celebrated painters Los Angeles-based artist Jonas Wood creates vivid images, where space and everyday life are rendered with compressed perspective in bold graphic hues. This monograph - the first on the artist's work - brings together his most significant paintings and drawings. In doing so, it offers a unique insight into the vast array of his sources, which include family photographs, found imagery, baseball cards, and other people's art, including the ceramics of his wife, the artist Shio Kusaka. With contributions by curator and writer Helen Molesworth, Curator of Modern and Contemporary Art at The Metropolitan Museum of Art in New York Ian Alteveer, and a conversation between Wood and fellow Los Angeles-based artist Mark Grotjahn.
Publisher:
ISBN: 9781838660635
Category : ART
Languages : en
Pages : 0
Book Description
The first monograph on a rising star who is one of contemporary art's most celebrated painters Los Angeles-based artist Jonas Wood creates vivid images, where space and everyday life are rendered with compressed perspective in bold graphic hues. This monograph - the first on the artist's work - brings together his most significant paintings and drawings. In doing so, it offers a unique insight into the vast array of his sources, which include family photographs, found imagery, baseball cards, and other people's art, including the ceramics of his wife, the artist Shio Kusaka. With contributions by curator and writer Helen Molesworth, Curator of Modern and Contemporary Art at The Metropolitan Museum of Art in New York Ian Alteveer, and a conversation between Wood and fellow Los Angeles-based artist Mark Grotjahn.
Jonas Wood Prints 2
Author: Jonas Wood
Publisher: Rizzoli Publications
ISBN: 0847873781
Category : Art
Languages : en
Pages : 0
Book Description
Featuring studio shots and a new interview between Jonas Wood and Tamarind master printer Ed Hamilton, Jonas Wood: Prints 2 provides an insightful view of the acclaimed artist’s collaborative printmaking process. Following the 2018 release of Jonas Wood: Prints, Jonas Wood: Prints 2 documents Jonas Wood’s dynamic printmaking output from 2018 to 2022 and reproduces more than thirty limited-edition prints created during this period. The selection of prints showcases some of Wood’s most familiar subjects: domestic interiors, sports imagery, botany, and still lifes inspired by his wife Shio Kusaka’s ceramic pieces. From verdant moonlit gardens to peaceful living spaces, Wood depicts everyday scenes and objects with a striking vibrancy born out of collaboration with expert printmakers. In accordance with Wood’s personal emphasis on artistic collaboration, the catalog is organized into sections representing various printshops he has worked with—including Cirrus Gallery and Cirrus Editions Ltd., Counter Editions, Hamilton Press, Mixografia, Pace Editions Inc., and WKS Editions. The catalog also includes photography of Wood’s prints in progress and a conversation between Wood and master printer Ed Hamilton in which they discuss the evolution of printing practices and Wood’s creative influences. Jonas Wood (b. 1977, Boston) lives and works in Los Angeles. He is known for his boldly colored paintings, drawings, and prints that combine art historical references with images of the objects, people, and spaces that comprise the fabric of his life. In 2016, he was commissioned to create an expansive mural, Still Life with Two Owls, for the Museum of Contemporary Art in Los Angeles. His work is held in the collections of the Solomon R. Guggenheim Museum, New York; the Museum of Modern Art, New York; and the San Francisco Museum of Modern Art, among others.
Publisher: Rizzoli Publications
ISBN: 0847873781
Category : Art
Languages : en
Pages : 0
Book Description
Featuring studio shots and a new interview between Jonas Wood and Tamarind master printer Ed Hamilton, Jonas Wood: Prints 2 provides an insightful view of the acclaimed artist’s collaborative printmaking process. Following the 2018 release of Jonas Wood: Prints, Jonas Wood: Prints 2 documents Jonas Wood’s dynamic printmaking output from 2018 to 2022 and reproduces more than thirty limited-edition prints created during this period. The selection of prints showcases some of Wood’s most familiar subjects: domestic interiors, sports imagery, botany, and still lifes inspired by his wife Shio Kusaka’s ceramic pieces. From verdant moonlit gardens to peaceful living spaces, Wood depicts everyday scenes and objects with a striking vibrancy born out of collaboration with expert printmakers. In accordance with Wood’s personal emphasis on artistic collaboration, the catalog is organized into sections representing various printshops he has worked with—including Cirrus Gallery and Cirrus Editions Ltd., Counter Editions, Hamilton Press, Mixografia, Pace Editions Inc., and WKS Editions. The catalog also includes photography of Wood’s prints in progress and a conversation between Wood and master printer Ed Hamilton in which they discuss the evolution of printing practices and Wood’s creative influences. Jonas Wood (b. 1977, Boston) lives and works in Los Angeles. He is known for his boldly colored paintings, drawings, and prints that combine art historical references with images of the objects, people, and spaces that comprise the fabric of his life. In 2016, he was commissioned to create an expansive mural, Still Life with Two Owls, for the Museum of Contemporary Art in Los Angeles. His work is held in the collections of the Solomon R. Guggenheim Museum, New York; the Museum of Modern Art, New York; and the San Francisco Museum of Modern Art, among others.