Author: W. J. T. Mitchell
Publisher: University of Chicago Press
ISBN: 9780226532325
Category : Art
Languages : en
Pages : 466
Book Description
What precisely, W. J. T. Mitchell asks, are pictures (and theories of pictures) doing now, in the late twentieth century, when the power of the visual is said to be greater than ever before, and the "pictorial turn" supplants the "linguistic turn" in the study of culture? This book by one of America's leading theorists of visual representation offers a rich account of the interplay between the visible and the readable across culture, from literature to visual art to the mass media.
Picture Theory
Author: Nicole Brossard
Publisher: Guernica Editions
ISBN: 9781550712186
Category : Fiction
Languages : en
Pages : 206
Book Description
A novel first published in French in 1982, 'Picture Theory' demonstrates Nicole Brossard's fiction théorique and her preoccupation with the difficulty of writing and reading woman. The title (taken from Wittgenstein) implies her reference to the hologram as a new pictorial model for woman; like the hologram which is intended to be read from an infinite number of changing conditions, Brossard's text abstracts the image of the feminine so that it can be read from all angles. Centred on four women, this novel of lesbian love moves from Curaçao to Montreal, from New York to Paris. Essentially, Picture Theory poses the question of what is a novel.
Publisher: Guernica Editions
ISBN: 9781550712186
Category : Fiction
Languages : en
Pages : 206
Book Description
A novel first published in French in 1982, 'Picture Theory' demonstrates Nicole Brossard's fiction théorique and her preoccupation with the difficulty of writing and reading woman. The title (taken from Wittgenstein) implies her reference to the hologram as a new pictorial model for woman; like the hologram which is intended to be read from an infinite number of changing conditions, Brossard's text abstracts the image of the feminine so that it can be read from all angles. Centred on four women, this novel of lesbian love moves from Curaçao to Montreal, from New York to Paris. Essentially, Picture Theory poses the question of what is a novel.
W.J.T. Mitchell's Image Theory
Author: Krešimir Purgar
Publisher: Taylor & Francis
ISBN: 1317288912
Category : Art
Languages : en
Pages : 311
Book Description
W.J.T. Mitchell – one of the founders of visual studies – has been at the forefront of many disciplines such as iconology, art history and media studies. His concept of the pictorial turn is known worldwide for having set new philosophical paradigms in dealing with our vernacular visual world. This book will help both students and seasoned scholars to understand key terms in visual studies – pictorial turn, metapictures, literary iconology, image/text, biopictures or living pictures, among many others – while systematically presenting the work of Mitchell as one of the discipline's founders and most prominent figures. As a special feature, the book includes three comprehensive, authoritative and theoretically relevant interviews with Mitchell that focus on different stages of development of visual studies and critical iconology.
Publisher: Taylor & Francis
ISBN: 1317288912
Category : Art
Languages : en
Pages : 311
Book Description
W.J.T. Mitchell – one of the founders of visual studies – has been at the forefront of many disciplines such as iconology, art history and media studies. His concept of the pictorial turn is known worldwide for having set new philosophical paradigms in dealing with our vernacular visual world. This book will help both students and seasoned scholars to understand key terms in visual studies – pictorial turn, metapictures, literary iconology, image/text, biopictures or living pictures, among many others – while systematically presenting the work of Mitchell as one of the discipline's founders and most prominent figures. As a special feature, the book includes three comprehensive, authoritative and theoretically relevant interviews with Mitchell that focus on different stages of development of visual studies and critical iconology.
Image Studies
Author: Sunil Manghani
Publisher: Routledge
ISBN: 0415573408
Category : Art
Languages : en
Pages : 299
Book Description
"Image Studies provides an engaging introduction to visual studies analysis and an account of existing and emergent visual culture debates, along with chapters on a range of topics, including: consumer culture and identity; photography and digital imaging; painting and drawing; the moving image; the relationship between image and text (including reference to text in art, comics and animation); and scientific imaging. Written in an engaging and accessible way, the text will also include extracts of existing critical materials. Each chapter will include key set readings, including short extracts from existing literatures with accompanying study notes and questions. The chapters will also include a range of critical and creative tasks, designed to bring the academic study of visual culture into direct contact with practical aspects of visual culture and image-making. Image Studies is a new text aimed predominantly at undergraduate students in visual culture, but which will also be useful for media studies students and arts students more generally"--
Publisher: Routledge
ISBN: 0415573408
Category : Art
Languages : en
Pages : 299
Book Description
"Image Studies provides an engaging introduction to visual studies analysis and an account of existing and emergent visual culture debates, along with chapters on a range of topics, including: consumer culture and identity; photography and digital imaging; painting and drawing; the moving image; the relationship between image and text (including reference to text in art, comics and animation); and scientific imaging. Written in an engaging and accessible way, the text will also include extracts of existing critical materials. Each chapter will include key set readings, including short extracts from existing literatures with accompanying study notes and questions. The chapters will also include a range of critical and creative tasks, designed to bring the academic study of visual culture into direct contact with practical aspects of visual culture and image-making. Image Studies is a new text aimed predominantly at undergraduate students in visual culture, but which will also be useful for media studies students and arts students more generally"--
What Do Pictures Want?
Author: W. J. T. Mitchell
Publisher: University of Chicago Press
ISBN: 022624590X
Category : Art
Languages : en
Pages : 419
Book Description
Why do we have such extraordinarily powerful responses toward the images and pictures we see in everyday life? Why do we behave as if pictures were alive, possessing the power to influence us, to demand things from us, to persuade us, seduce us, or even lead us astray? According to W. J. T. Mitchell, we need to reckon with images not just as inert objects that convey meaning but as animated beings with desires, needs, appetites, demands, and drives of their own. What Do Pictures Want? explores this idea and highlights Mitchell's innovative and profoundly influential thinking on picture theory and the lives and loves of images. Ranging across the visual arts, literature, and mass media, Mitchell applies characteristically brilliant and wry analyses to Byzantine icons and cyberpunk films, racial stereotypes and public monuments, ancient idols and modern clones, offensive images and found objects, American photography and aboriginal painting. Opening new vistas in iconology and the emergent field of visual culture, he also considers the importance of Dolly the Sheep—who, as a clone, fulfills the ancient dream of creating a living image—and the destruction of the World Trade Center on 9/11, which, among other things, signifies a new and virulent form of iconoclasm. What Do Pictures Want? offers an immensely rich and suggestive account of the interplay between the visible and the readable. A work by one of our leading theorists of visual representation, it will be a touchstone for art historians, literary critics, anthropologists, and philosophers alike. “A treasury of episodes—generally overlooked by art history and visual studies—that turn on images that ‘walk by themselves’ and exert their own power over the living.”—Norman Bryson, Artforum
Publisher: University of Chicago Press
ISBN: 022624590X
Category : Art
Languages : en
Pages : 419
Book Description
Why do we have such extraordinarily powerful responses toward the images and pictures we see in everyday life? Why do we behave as if pictures were alive, possessing the power to influence us, to demand things from us, to persuade us, seduce us, or even lead us astray? According to W. J. T. Mitchell, we need to reckon with images not just as inert objects that convey meaning but as animated beings with desires, needs, appetites, demands, and drives of their own. What Do Pictures Want? explores this idea and highlights Mitchell's innovative and profoundly influential thinking on picture theory and the lives and loves of images. Ranging across the visual arts, literature, and mass media, Mitchell applies characteristically brilliant and wry analyses to Byzantine icons and cyberpunk films, racial stereotypes and public monuments, ancient idols and modern clones, offensive images and found objects, American photography and aboriginal painting. Opening new vistas in iconology and the emergent field of visual culture, he also considers the importance of Dolly the Sheep—who, as a clone, fulfills the ancient dream of creating a living image—and the destruction of the World Trade Center on 9/11, which, among other things, signifies a new and virulent form of iconoclasm. What Do Pictures Want? offers an immensely rich and suggestive account of the interplay between the visible and the readable. A work by one of our leading theorists of visual representation, it will be a touchstone for art historians, literary critics, anthropologists, and philosophers alike. “A treasury of episodes—generally overlooked by art history and visual studies—that turn on images that ‘walk by themselves’ and exert their own power over the living.”—Norman Bryson, Artforum
Moving Image Theory
Author: Joseph D Anderson
Publisher: SIU Press
ISBN: 9780809327461
Category : Art
Languages : en
Pages : 276
Book Description
Looking at film through its communication properties rather than its social or political implications, this work draws on the tenets of James J. Gibson's ecological theory of visual perception and offers a new understanding of how moving images are seen and understood.
Publisher: SIU Press
ISBN: 9780809327461
Category : Art
Languages : en
Pages : 276
Book Description
Looking at film through its communication properties rather than its social or political implications, this work draws on the tenets of James J. Gibson's ecological theory of visual perception and offers a new understanding of how moving images are seen and understood.
Controversy in Marketing Theory: For Reason, Realism, Truth and Objectivity
Author: Shelby D. Hunt
Publisher: Taylor & Francis
ISBN: 131529088X
Category : Business & Economics
Languages : en
Pages : 360
Book Description
In this book distinguished theorist and author Shelby D. Hunt analyzes the major controversies in the "philosophy debates" raging throughout the field of marketing. Using an historical approach, Hunt argues against relativism and for scientific realism as a philosophy for guiding marketing research and theory. He also shows how the pursuit of truth and objectivity in marketing research are both possible and desirable. Specific controversies analyzed in the book include: Does positivism dominate marketing research? Does positivism imply quantitive methods? Is relativism an appropriate foundation for marketing research? Does relativism imply pluralism, tolerance, and openness? Should marketing pursue the goal of objective research? An ideal companion to Hunt's classic text, Foundations of Marketing Theory, this volume will be equally useful on its own in any graduate level course on marketing theory.
Publisher: Taylor & Francis
ISBN: 131529088X
Category : Business & Economics
Languages : en
Pages : 360
Book Description
In this book distinguished theorist and author Shelby D. Hunt analyzes the major controversies in the "philosophy debates" raging throughout the field of marketing. Using an historical approach, Hunt argues against relativism and for scientific realism as a philosophy for guiding marketing research and theory. He also shows how the pursuit of truth and objectivity in marketing research are both possible and desirable. Specific controversies analyzed in the book include: Does positivism dominate marketing research? Does positivism imply quantitive methods? Is relativism an appropriate foundation for marketing research? Does relativism imply pluralism, tolerance, and openness? Should marketing pursue the goal of objective research? An ideal companion to Hunt's classic text, Foundations of Marketing Theory, this volume will be equally useful on its own in any graduate level course on marketing theory.
The Pictorial Turn
Author: Neal Curtis
Publisher: Routledge
ISBN: 1317989015
Category : Art
Languages : en
Pages : 257
Book Description
In 1992 W. J. T. Mitchell argued for a "pictorial turn" in the humanities, registering a renewed interest in and prevalence of pictures and images in what had been understood as an age of simulation, or an increasingly extensive and diverse visual culture. However, in what is often characterized as a society of the "spectacle" we still do not know exactly what pictures or images are, what their relation to language is, how they operate on observers and the world, how their history is to be understood, and what is to be done with or about them. In this seminal collection of essays, the first to be devoted to the "pictorial turn", theorists from across the humanities and social sciences, representing the disciplines of art history, philosophy, geography, media studies, visual studies and anthropology, are brought together with a paleontologist and practising artists to consider amongst other things the relation between pictures and images, the power of landscape, the nature of political images, the status of images in the natural sciences, the "life" of images, and the pictorial uncanny. With these topics in mind, picture theory and iconology exceed in scope the objects of visual culture conventionally understood. This book was published as a special issue of Culture, Theory and Critique.
Publisher: Routledge
ISBN: 1317989015
Category : Art
Languages : en
Pages : 257
Book Description
In 1992 W. J. T. Mitchell argued for a "pictorial turn" in the humanities, registering a renewed interest in and prevalence of pictures and images in what had been understood as an age of simulation, or an increasingly extensive and diverse visual culture. However, in what is often characterized as a society of the "spectacle" we still do not know exactly what pictures or images are, what their relation to language is, how they operate on observers and the world, how their history is to be understood, and what is to be done with or about them. In this seminal collection of essays, the first to be devoted to the "pictorial turn", theorists from across the humanities and social sciences, representing the disciplines of art history, philosophy, geography, media studies, visual studies and anthropology, are brought together with a paleontologist and practising artists to consider amongst other things the relation between pictures and images, the power of landscape, the nature of political images, the status of images in the natural sciences, the "life" of images, and the pictorial uncanny. With these topics in mind, picture theory and iconology exceed in scope the objects of visual culture conventionally understood. This book was published as a special issue of Culture, Theory and Critique.
Representation and Reality in Wittgenstein's Tractatus
Author: José L. Zalabardo
Publisher: Oxford University Press, USA
ISBN: 0198743947
Category : Language Arts & Disciplines
Languages : en
Pages : 273
Book Description
Jos L. Zalabardo puts forward a new interpretation of central ideas in Wittgenstein's Tractatus Logico-Philosophicus concerning the structure of reality and our representations of it in thought and language. He shows the origins of Wittgenstein's picture theory of propositional representation in Russell's theories of judgment, arguing that the picture theory is Wittgenstein's solution to some of the problems that he found in Russell's position. Zalabardo defends the view that, for Wittgenstein, facts in general, and the facts that play the role of propositions in particular, are not composite items, arising from the combination of their constituents. They are ultimate, irreducible units, and what we think of as their constituents are features that facts have in common with one another. These common features have built into them their possibilities of combination with other features into possible situations. This is the source of the Tractarian account of non-actual possibilities. It is also the source of the idea that it is not possible to produce propositions answering to certain descriptions, including those that would give rise to Russell's paradox. Zalabardo then considers Wittgenstein's view that every proposition is a truth function of elementary propositions. He argues that this view is motivated by Wittgenstein's epistemology of logic, according to which we should be able to see logical relations by inspecting the structures of propositions. Finally, Zalabardo considers the problems that we face if we try to extend the application of the picture theory from elementary propositions to truth functions of these.
Publisher: Oxford University Press, USA
ISBN: 0198743947
Category : Language Arts & Disciplines
Languages : en
Pages : 273
Book Description
Jos L. Zalabardo puts forward a new interpretation of central ideas in Wittgenstein's Tractatus Logico-Philosophicus concerning the structure of reality and our representations of it in thought and language. He shows the origins of Wittgenstein's picture theory of propositional representation in Russell's theories of judgment, arguing that the picture theory is Wittgenstein's solution to some of the problems that he found in Russell's position. Zalabardo defends the view that, for Wittgenstein, facts in general, and the facts that play the role of propositions in particular, are not composite items, arising from the combination of their constituents. They are ultimate, irreducible units, and what we think of as their constituents are features that facts have in common with one another. These common features have built into them their possibilities of combination with other features into possible situations. This is the source of the Tractarian account of non-actual possibilities. It is also the source of the idea that it is not possible to produce propositions answering to certain descriptions, including those that would give rise to Russell's paradox. Zalabardo then considers Wittgenstein's view that every proposition is a truth function of elementary propositions. He argues that this view is motivated by Wittgenstein's epistemology of logic, according to which we should be able to see logical relations by inspecting the structures of propositions. Finally, Zalabardo considers the problems that we face if we try to extend the application of the picture theory from elementary propositions to truth functions of these.