The Duchess of Malfi, The White Devil, The Broken Heart and 'Tis Pity She's a Whore

The Duchess of Malfi, The White Devil, The Broken Heart and 'Tis Pity She's a Whore PDF Author: John Webster
Publisher: Penguin
ISBN: 0141392231
Category : Drama
Languages : en
Pages : 0

Book Description
A new volume of the greatest revenge tragedies of the seventeenth-century stage These four plays, written during the reigns of James I and Charles I, took revenge tragedy in dark and ambiguous new directions. In The Duchess of Malfi and The White Devil, John Webster explores power, sex, and corruption in the Italian court, creating two unforgettable anti-heroines. In The Broken Heart, John Ford questions the value of emotional repression as his characters attempt to subdue their desires and hatreds in ancient Greece. Finally, Ford's masterpiece 'Tis Pity She's a Whore explores the taboo themes of incest and forbidden love in a daring reworking of Romeo and Juliet. For more than sixty-five years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,500 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

'Tis Pity She's A Whore

'Tis Pity She's A Whore PDF Author: John Ford
Publisher: Routledge
ISBN: 1134944489
Category : Literary Criticism
Languages : en
Pages : 167

Book Description
The last decade has seen a revival of interest in John Ford and especially 'Tis Pity She's a Whore, his tragedy of religious scepticism, incestuous love, and revenge. This text in particular has provided a focus for scholarship as well as being the subject of a number of major theatrical productions. Simon Barker guides the reader through the full range of previous interpretations of the play; moving from an overview of traditional readings he goes on to enlarge upon new questions that have arisen as a consequence of critical and cultural theory.

Skull Beneath the Skin

Skull Beneath the Skin PDF Author: Charles R. Forker
Publisher: SIU Press
ISBN: 9780809312795
Category : Drama
Languages : en
Pages : 634

Book Description
Webster was much possessed by death And saw the skull beneath the skin; And breastless creatures under ground Leaned backward with a lipless grin. These lines from T. S. Eliot’s "Whispers of Immortality” provide Charles R. Forker with the title for the most sub­stantial and detailed examination of John Webster to date; they also identify a ma­jor theme--the love-death nexus in Re­naissance drama and its special relevance to Webster. Forker summarizes what is known about Webster’s life and analyzes in de­tail not only the major plays but also the lesser ones. He examines The White De­vil, The Duchess of Malfi, and The Devil’s Law-Case in context with the minor and collaborative works, tracing themes, stylistic features, and ideas through the entire Webster canon. One reviewer of the manuscript notes that "Forker is surely unrivalled as an authority on matters Websterian. His book treats Webster with an unhurried fullness and richness rarely accorded even to Shakespeare.” Another calls the book "Splendid. Readable and engaging.”

The Female Hero in English Renaissance Tragedy

The Female Hero in English Renaissance Tragedy PDF Author: L. Hopkins
Publisher: Springer
ISBN: 0230503055
Category : Literary Criticism
Languages : en
Pages : 236

Book Description
This book focuses on female tragic heroes in England from c.1610 to c.1645. Their sudden appearance can be linked to changing ideas about the relationships between bodies and souls; men's bodies and women's; marriage and mothering; the law; and religion. Though the vast majority of these characters are closer to villainesses than heroines, these plays, by showing how misogyny affected the lives of their central characters, did not merely reflect their culture, but also changed it.

The Insatiate Countess

The Insatiate Countess PDF Author: John Marston
Publisher: Manchester University Press
ISBN: 9780719015311
Category : Drama
Languages : en
Pages : 280

Book Description

The Lover's Melancholy

The Lover's Melancholy PDF Author: John Ford
Publisher: Manchester University Press
ISBN: 9780719015335
Category : Drama
Languages : en
Pages : 186

Book Description

Sejanus His Fall

Sejanus His Fall PDF Author: Ben Jonson
Publisher: Manchester University Press
ISBN: 9780719015427
Category : Drama
Languages : en
Pages : 312

Book Description

Shakespeare’s Classical Mythology: A Dictionary

Shakespeare’s Classical Mythology: A Dictionary PDF Author: Janice Valls-Russell
Publisher: Bloomsbury Publishing
ISBN: 1350125881
Category : Literary Criticism
Languages : en
Pages : 488

Book Description
Why does Bassanio compare himself to Jason? What is Hecuba to Hamlet? Is the mechanicals' staging of the Pyramus and Thisbe story funny or sad? This dictionary elucidates Shakespeare's use of mythological references in an early modern context, while bringing them to life for today's audiences and readers, at a time of renewed critical interest in the reception of the classics and fascination with classical mythology in popular culture. It is also a precious tool for practitioners who may not always know quite what to make of mythological references. Mythological figures, creatures, places and stories crowd Shakespeare's plays and poems, featuring as allusions, poetic analogies, inset shows, scene settings and characters or plots in their own right. Most of these references were familiar to Shakespeare's spectators and readers, who knew them from the writings of Ovid, Virgil and other classical authors, or indirectly through translations, commentaries, ballads and iconography. This dictionary illustrates how, far from being isolated, a mythological reference may resonate with the poetics of the text and its structure, cast light on characters and contexts, and may therefore be worth exploring onstage in a variety of ways. The 200 headings correspond to words and names actually used by Shakespeare: individual figures (Dido, Venus, Hercules), categories (Amazons, Centaurs, nymphs, satyrs), places (Colchos, Troy). Medium and longer entries also cover early modern usage and critical analysis in a cross-disciplinary approach that includes reception, textual, performance, gender and political studies.
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