Microsound

Microsound PDF Author: Curtis Roads
Publisher: National Geographic Books
ISBN: 0262681544
Category : Music
Languages : en
Pages : 0

Book Description
Below the level of the musical note lies the realm of microsound, of sound particles lasting less than one-tenth of a second. Recent technological advances allow us to probe and manipulate these pinpoints of sound, dissolving the traditional building blocks of music—notes and their intervals—into a more fluid and supple medium. The sensations of point, pulse (series of points), line (tone), and surface (texture) emerge as particle density increases. Sounds coalesce, evaporate, and mutate into other sounds. Composers have used theories of microsound in computer music since the 1950s. Distinguished practitioners include Karlheinz Stockhausen and Iannis Xenakis. Today, with the increased interest in computer and electronic music, many young composers and software synthesis developers are exploring its advantages. Covering all aspects of composition with sound particles, Microsound offers composition theory, historical accounts, technical overviews, acoustical experiments, descriptions of musical works, and aesthetic reflections.

Listening through the Noise

Listening through the Noise PDF Author: Joanna Demers
Publisher: Oxford University Press
ISBN: 019977448X
Category : Music
Languages : en
Pages : 212

Book Description
Contemporary electronic music has splintered into numerous genres and subgenres, all of which share a concern with whether sound, in itself, bears meaning. Listening through the Noise considers how the experience of listening to electronic music constitutes a departure from the expectations that have long governed music listening in the West.

Composing Electronic Music

Composing Electronic Music PDF Author: Curtis Roads
Publisher: Oxford University Press, USA
ISBN: 0195373243
Category : Music
Languages : en
Pages : 513

Book Description
Electronic music evokes new sensations, feelings, and thoughts in both composers and listeners. Composing Electronic Music outlines a new theory based on the powerful toolkit of electronic music techniques.

The Business Idea

The Business Idea PDF Author: Soren Hougaard
Publisher: Springer Science & Business Media
ISBN: 3540269592
Category : Business & Economics
Languages : en
Pages : 229

Book Description
Successful business ideas are not so much about talent as about a systematic approach. The Business Idea encourages new ways of thinking when it comes to entrepreneurship and innovation. Too many ventures originate in the solutions the entrepreneur has to offer and not in the problem the customer needs solved. Business plans done this way can often lead to disappointment. The Business Idea leaves behind this product orientated logic. The book presents new, applicable entrepreneurship methods for developing creative market insight, for identifying windows of opportunity, creating business concepts and entrepreneurial strategies for successful market entry. Entrepreneurship is a complex and risky process compared to almost everything else in business life, so it richly deserves to have its own theoretical and methodological toolbox. The Business Idea provides the tools making it of interest to anyone who works with getting an enterprise off the ground or studies entrepreneurship.

Conference proceedings

Conference proceedings PDF Author: Norman Meyrowitz
Publisher: Pearson Education
ISBN: 9780897912846
Category : Computer programming
Languages : en
Pages : 404

Book Description

Music and Digital Media

Music and Digital Media PDF Author: Georgina Born
Publisher: UCL Press
ISBN: 1800082436
Category : Social Science
Languages : en
Pages : 544

Book Description
Anthropology has neglected the study of music and this needs to be redressed. This book sets out to show how and why. It does so by bringing music to the subfield of digital anthropology, arguing that digital anthropology has much to gain by expanding its horizons to music – becoming more interdisciplinary by reference to digital/media studies, music and sound studies. Music and Digital Media is the first comparative ethnographic study of the impact of digital media on music worldwide. It offers a radical and lucid new theoretical framework for understanding digital media through music, showing that music is today where the promises and problems of the ‘digital’ assume clamouring audibility – while acting as a testing ground for innovations in the digital-cultural industries. The book contains ten chapters, eight of which present comprehensive original ethnographies. The chapters between them addresses popular, folk and art musics in the global South and North, including Kenya, Argentina, India, Canada and the UK/Europe, with each chapter providing a different regional or digital focus. The book is unique in bringing ethnographic research on popular, folk and art musics from the global North and South into a comparative framework on a large scale, and creates an innovative new paradigm for comparative anthropology. Praise for Music and Digital Media ‘This exciting volume forges new ground in the study of local conditions, institutions, and sounds of digital music in the Global South and North. The book’s planetary scope and its commitment to the “messiness” of ethnographic sites and concepts amplifies emergent configurations and meanings of music, the digital, and the aesthetic.’ Marina Peterson, University of Texas, Austin 'The global drama of music's digitisation elicits extreme responses – from catastrophe to piratical opportunism – but between them lie more nuanced perspectives. This timely, absolutely necessary collection applies anthropological understanding to a deliriously immersive field, bringing welcome clarity to complex processes whose impact is felt far beyond what we call music.' David Toop, London College of Communication ‘Spanning continents and academic disciplines, the rich ethnographies contained in Music and Digital Media makes it obligatory reading for anyone wishing to understand the complex, contradictory, and momentous effects that digitization is having on musical cultures.’ Eric Drott, University of Texas, Austin ‘This superb collection, with an authoritative overview as its introduction, represents the state of the art in studies of the digitalisation of music. It is also a testament to what anthropology at its reflexive best can offer the rest of the social sciences and humanities.’ David Hesmondhalgh, University of Leeds ‘Music and Digital Media is a groundbreaking update to our understandings of sound, media, digitization, and music. Truly transdisciplinary and transnational in scope, it innovates methodologically through new models for collaboration, multi-sited ethnography, and comparative work. It also offers an important defense of—and advancement of—theories of mediation.’ Jonathan Sterne, McGill University 'Music and Digital Media is a nuanced exploration of the burgeoning digital music scene across both the global North and the global South. Ethnographically rich and theoretically sophisticated, this collection will become the new standard for this field.' Anna Tsing, co-editor of Feral Atlas: The More-than-Human Anthropocene

The Computer Music Tutorial

The Computer Music Tutorial PDF Author: Curtis Roads
Publisher: MIT Press
ISBN: 9780262680820
Category : Computers
Languages : en
Pages : 1262

Book Description
A comprehensive text and reference that covers all aspects of computer music, including digital audio, synthesis techniques, signal processing, musical input devices, performance software, editing systems, algorithmic composition, MIDI, synthesizer architecture, system interconnection, and psychoacoustics. The Computer Music Tutorial is a comprehensive text and reference that covers all aspects of computer music, including digital audio, synthesis techniques, signal processing, musical input devices, performance software, editing systems, algorithmic composition, MIDI, synthesizer architecture, system interconnection, and psychoacoustics. A special effort has been made to impart an appreciation for the rich history behind current activities in the field. Profusely illustrated and exhaustively referenced and cross-referenced, The Computer Music Tutorial provides a step-by-step introduction to the entire field of computer music techniques. Written for nontechnical as well as technical readers, it uses hundreds of charts, diagrams, screen images, and photographs as well as clear explanations to present basic concepts and terms. Mathematical notation and program code examples are used only when absolutely necessary. Explanations are not tied to any specific software or hardware. The material in this book was compiled and refined over a period of several years of teaching in classes at Harvard University, Oberlin Conservatory, the University of Naples, IRCAM, Les Ateliers UPIC, and in seminars and workshops in North America, Europe, and Asia.

Innovation in Music

Innovation in Music PDF Author: Russ Hepworth-Sawyer
Publisher: Routledge
ISBN: 1351016709
Category : Technology & Engineering
Languages : en
Pages : 544

Book Description
Innovation in Music: Performance, Production, Technology and Business is an exciting collection comprising of cutting-edge articles on a range of topics, presented under the main themes of artistry, technology, production and industry. Each chapter is written by a leader in the field and contains insights and discoveries not yet shared. Innovation in Music covers new developments in standard practice of sound design, engineering and acoustics. It also reaches into areas of innovation, both in technology and business practice, even into cross-discipline areas. This book is the perfect companion for professionals and researchers alike with an interest in the Music industry. Chapter 31 of this book is freely available as a downloadable Open Access PDF under a Creative Commons Attribution-Non Commercial-No Derivatives 4.0 license. https://tandfbis.s3-us-west-2.amazonaws.com/rt-files/docs/Open+Access+Chapters/9781138498211_oachapter31.pdf

Computer Music Modeling and Retrieval

Computer Music Modeling and Retrieval PDF Author: Uffe K. Wiil
Publisher: Springer Science & Business Media
ISBN: 3540209220
Category : Technology & Engineering
Languages : en
Pages : 257

Book Description
This book constitutes the thoroughly refereed post-proceedings of the International Computer Music Modeling and Retrieval Symposium, CMMR 2003, held in Montpellier, France, in May 2003. The 20 revised full papers were carefully selected during two rounds of reviewing and improvement. Due to the interdisciplinary nature of the area, the papers address a broad variety of topics including information retrieval, programming, human-computer interaction, digital libraries, hypermedia, artificial intelligence, acoustics, signal processing, etc. The book comes with a CD-ROM presenting supplementary material for the papers included.

Representations of Musical Signals

Representations of Musical Signals PDF Author: Professor of Media Arts and Technology Curtis Roads
Publisher: Mit Press
ISBN: 9780262041133
Category : Computers
Languages : en
Pages : 478

Book Description
Representations of Musical Signals describes a new generation of digital audio and computer music systems made possible by recent advances in digital signal processing theory, hardware design, and programming techniques. It explores new representations of musical signals that can have profound effects on the way musicians conceive of and realize musical ideas. In particular, the book focuses on models that combine time-domain and frequency-domain representations (grains, wavelets, and physical models), visual programming and advanced user interfaces, and that incorporate musical knowledge using artificial intelligence techniques and adaptive neural networks. The 14 contributions take up issues of how musical signals should be displayed to musicians, engineers, and scientists who want to work with them, how professionals can work with the representations to accomplish musical tasks, how systems can be designed to permit working with multiple views of the same signal, and how representations of musical signals should be organized to promote efficient communication between devices using these signals. Giovanni DePoli is a member of the faculty of the Department of Informatics and Electronics at the University of Padua. Aldo Piccialli is a member of the faculty of the Department of Physics at the University of Naples. Curtis Roads is a composer and consulting editor of Computer Music Journal. Contributors: J. M. Adrien. D. Arfib. R. D'Autilia. C. Cadoz. S. Cavaliere G. De Poli, G. Evangelista. J. Florens. G. Garnett. A. Grossman. F. Guerra. K. Hebei. R. Kronland­Martinet. C. Lischka. A. Piccialli. J-C. Risset. C. Roads. C. Scaletti., J. Sundberg.
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