The Oxford Dictionary of Christian Art and Architecture

The Oxford Dictionary of Christian Art and Architecture PDF Author: Tom Devonshire Jones
Publisher:
ISBN: 0199680272
Category : Art
Languages : en
Pages : 672

Book Description
This dictionary is a fascinating guide to the broad range of terms used in the study of the history of Christian art and architecture, including themes, artists, and movements. The long-awaited new edition includes entries by over a dozen expert contributors, and a fully revised online bibliography, bringing it up to date for the 21st century.

The Oxford Companion to Christian Art and Architecture

The Oxford Companion to Christian Art and Architecture PDF Author: Peter Murray
Publisher: Oxford University Press, USA
ISBN: 9780198602163
Category : Architecture
Languages : en
Pages : 0

Book Description
Exquisitely designed and lavishly illustrated, this scholarly book offers a gold mine of information on the Judeo-Christian tradition as it applied to Western art. Over 1,700 alphabetized entries cover every aspect of Christian art and architecture. 200+ illustrations. 20 color plates.

Signs & Symbols in Christian Art

Signs & Symbols in Christian Art PDF Author: George Ferguson
Publisher: New York : Oxford University Press
ISBN: 9780195014327
Category : Art
Languages : en
Pages : 308

Book Description
Examines the use and meaning of Christian symbols found in Renaissance art.

The Grove Encyclopedia of Medieval Art and Architecture

The Grove Encyclopedia of Medieval Art and Architecture PDF Author: Colum Hourihane
Publisher:
ISBN: 0195395360
Category : Architecture, Medieval
Languages : en
Pages : 4064

Book Description
This volume offers unparalleled coverage of all aspects of art and architecture from medieval Western Europe, from the 6th century to the early 16th century. Drawing upon the expansive scholarship in the celebrated 'Grove Dictionary of Art' and adding hundreds of new entries, it offers students, researchers and the general public a reliable, up-to-date, and convenient resource covering this field of major importance in the development of Western history and international art and architecture.

The Oxford Handbook of Byzantine Art and Architecture

The Oxford Handbook of Byzantine Art and Architecture PDF Author: Ellen C. Schwartz
Publisher: Oxford University Press
ISBN: 0197572200
Category : History
Languages : en
Pages : 665

Book Description
Byzantine art has been an underappreciated field, often treated as an adjunct to the arts of the medieval West, if considered at all. In illustrating the richness and diversity of art in the Byzantine world, this handbook will help establish the subject as a distinct field worthy of serious inquiry. Essays consider Byzantine art as art made in the eastern Mediterranean world, including the Balkans, Russia, the Near East and north Africa, between the years 330 and 1453. Much of this art was made for religious purposes, created to enhance and beautify the Orthodox liturgy and worship space, as well as to serve in a royal or domestic context. Discussions in this volume will consider both aspects of this artistic creation, across a wide swath of geography and a long span of time. The volume marries older, object-based considerations of themes and monuments which form the backbone of art history, to considerations drawing on many different methodologies-sociology, semiotics, anthropology, archaeology, reception theory, deconstruction theory, and so on-in an up-to-date synthesis of scholarship on Byzantine art and architecture. The Oxford Handbook of Byzantine Art and Architecture is a comprehensive overview of a particularly rich field of study, offering a window into the world of this fascinating and beautiful period of art.

The Oxford Dictionary of the Christian Church

The Oxford Dictionary of the Christian Church PDF Author: Andrew Louth
Publisher: Oxford University Press
ISBN: 0192638157
Category : Religion
Languages : en
Pages : 4474

Book Description
Uniquely authoritative and wide-ranging in its scope, The Oxford Dictionary of the Christian Church is the indispensable reference work on all aspects of the Christian Church. It contains over 6,500 cross-referenced A-Z entries, and offers unrivalled coverage of all aspects of this vast and often complex subject, from theology; churches and denominations; patristic scholarship; and the bible; to the church calendar and its organization; popes; archbishops; other church leaders; saints; and mystics. In this new edition, great efforts have been made to increase and strengthen coverage of non-Anglican denominations (for example non-Western European Christianity), as well as broadening the focus on Christianity and the history of churches in areas beyond Western Europe. In particular, there have been extensive additions with regards to the Christian Church in Asia, Africa, Latin America, North America, and Australasia. Significant updates have also been included on topics such as liturgy, Canon Law, recent international developments, non-Anglican missionary activity, and the increasingly important area of moral and pastoral theology, among many others. Since its first appearance in 1957, the ODCC has established itself as an essential resource for ordinands, clergy, and members of religious orders, and an invaluable tool for academics, teachers, and students of church history and theology, as well as for the general reader.

The Challenge of Emulation in Art and Architecture

The Challenge of Emulation in Art and Architecture PDF Author: Professor David Mayernik
Publisher: Ashgate Publishing, Ltd.
ISBN: 1472407520
Category : Architecture
Languages : en
Pages : 453

Book Description
Emulation is a challenging middle ground between imitation and invention. The idea of rivaling by means of imitation, as old as the Aenead and as modern as Michelangelo, fit neither the pessimistic deference of the neoclassicists nor the revolutionary spirit of the Romantics. Emulation thus disappeared along with the Renaissance humanist tradition, but it is slowly being recovered in the scholarship of Roman art. It remains to recover emulation for the Renaissance itself, and to revivify it for modern practice. Mayernik argues that it was the absence of a coherent understanding of emulation that fostered the fissuring of artistic production in the later eighteenth century into those devoted to copying the past and those interested in continual novelty, a situation solidified over the course of the nineteenth century and mostly taken for granted today. This book is a unique contribution to our understanding of the historical phenomenon of emulation, and perhaps more importantly a timely argument for its value to contemporary practice.
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