Author: Maaike Lauwaert
Publisher: Walther Konig Verlag
ISBN: 9783863358723
Category : Architects
Languages : en
Pages : 0
Book Description
Anne Holtrop (1977) graduated in 2005 from the Academie van Bouwkunst in Amsterdam with a cum laude degree in architecture and in 2009 started his own studio. Today his office is based in Muharraq (Bahrain) and Amsterdam (The Netherlands). His work ranges from models to temporary spaces and buildings. Until very recently, he had only built a few small pavilions and various installations between art and architecture. Outside of the conventional architectural circuit, and more related to art installations, these extremely poetic pavilions consisted of small-scale spatial concepts and personal research on materials. In 2015 he completed his first two major buildings, Museum Fort Vechten and the National Pavilion of the Kingdom of Bahrain. He was course director of the Studio for Immediate Spaces master at the Sandberg Instituut Amsterdam from 2012 to 2016, and was editor of the architectural journal Oase from 2005 to 2013. For his practice he has been awarded several grants from the Mondrian Fund, as well as receiving the Charlotte Kohler Prize for Architecture from the Prins Bernhard Cultuurfonds in 2007.
Displayed Spaces
Author: Roberto Gigliotti
Publisher:
ISBN: 9783944669694
Category : Architectural design
Languages : en
Pages : 0
Book Description
Why do we organise architecture exhibitions? Conventional shows - contexts displaying documentation, technical drawings, three-dimensional models, photographs and videos, frameworks where sketches and drawings are treated as if they were "paintings", models as if they were "sculptures" and photographs idealising what they depict within strangely uninhabited landscapes - are contrasted by practices of display that focus on a different kind of investigation and offer an uncharacteristic way of involving the public with the show by means of spatial solutions within the exhibition space. The attitude that characterises the traditional approach to architecture exhibitions inevitably generates a distinction between the visitors that can read and interpret the displayed objects and those who cannot. Hardly any empathy is generated between the exposed objects and the subjects viewing them; often these kinds of exhibitions only try to solve the problem of presenting objects that cannot be transferred into exhibitions spaces. In the last years we have assisted to the diffusion of exhibitions characterised by different approaches, i.e. shows in which architectural production is presented as an issue which is integrated in a broader critical context and assumes a central role from an unexpected point of view, or exhibitions that concentrate on an emotional involvement of visitors who are not confronted with a specific object and its characteristics, but with the transmission of an experience capable of establishing an intense relationship between the public and the content of the show. In order to explore these issues, this conference brings together critical contributions related to both the conception and the construction of contemporary architecture exhibitions.
Publisher:
ISBN: 9783944669694
Category : Architectural design
Languages : en
Pages : 0
Book Description
Why do we organise architecture exhibitions? Conventional shows - contexts displaying documentation, technical drawings, three-dimensional models, photographs and videos, frameworks where sketches and drawings are treated as if they were "paintings", models as if they were "sculptures" and photographs idealising what they depict within strangely uninhabited landscapes - are contrasted by practices of display that focus on a different kind of investigation and offer an uncharacteristic way of involving the public with the show by means of spatial solutions within the exhibition space. The attitude that characterises the traditional approach to architecture exhibitions inevitably generates a distinction between the visitors that can read and interpret the displayed objects and those who cannot. Hardly any empathy is generated between the exposed objects and the subjects viewing them; often these kinds of exhibitions only try to solve the problem of presenting objects that cannot be transferred into exhibitions spaces. In the last years we have assisted to the diffusion of exhibitions characterised by different approaches, i.e. shows in which architectural production is presented as an issue which is integrated in a broader critical context and assumes a central role from an unexpected point of view, or exhibitions that concentrate on an emotional involvement of visitors who are not confronted with a specific object and its characteristics, but with the transmission of an experience capable of establishing an intense relationship between the public and the content of the show. In order to explore these issues, this conference brings together critical contributions related to both the conception and the construction of contemporary architecture exhibitions.
The Bones of Architecture
Author: Ákos Moravánszky
Publisher:
ISBN: 9783038630449
Category :
Languages : en
Pages : 224
Book Description
Besides the many components that characterise the appearance of a building, it is the physical prerequisites that are crucial. They tie the (structural) components together and let the building ?stand?: just like the bones of vertebrates and us humans, every building has a load-bearing structure.From that perspective, construction, and thus also the buildings themselves are subject to fundamental sets of rules; as long as they are observed, the connection of their materials and components ensures good load bearing properties. In that way, these sets of rules create forms, pat-terns, orders and restrictions.00This publication investigates the cultivation of structures for architecture as developed by practising architects and engineers. Presenting the works and approaches of seven European architects and engineers, the editor simultaneously reflects on the rules, strategies and methods of designing structures and load bearing structures.With selected works by: Rui Furtado, engineer, Porto; Johansen Skovsted Arkitekter, Copen-hagen; Pedrazzini Guidotti, engineers, Lugano; Bruther, architects, Paris; Brandlhuber+, Arno Brandlhuber, architect, Berlin; engineer Bernabeu, Madrid; 6a Architects, London.00Exhibition: Garagem Sul, CCB, Lisbon, Portugal (18.06. - 08.09.2019).
Publisher:
ISBN: 9783038630449
Category :
Languages : en
Pages : 224
Book Description
Besides the many components that characterise the appearance of a building, it is the physical prerequisites that are crucial. They tie the (structural) components together and let the building ?stand?: just like the bones of vertebrates and us humans, every building has a load-bearing structure.From that perspective, construction, and thus also the buildings themselves are subject to fundamental sets of rules; as long as they are observed, the connection of their materials and components ensures good load bearing properties. In that way, these sets of rules create forms, pat-terns, orders and restrictions.00This publication investigates the cultivation of structures for architecture as developed by practising architects and engineers. Presenting the works and approaches of seven European architects and engineers, the editor simultaneously reflects on the rules, strategies and methods of designing structures and load bearing structures.With selected works by: Rui Furtado, engineer, Porto; Johansen Skovsted Arkitekter, Copen-hagen; Pedrazzini Guidotti, engineers, Lugano; Bruther, architects, Paris; Brandlhuber+, Arno Brandlhuber, architect, Berlin; engineer Bernabeu, Madrid; 6a Architects, London.00Exhibition: Garagem Sul, CCB, Lisbon, Portugal (18.06. - 08.09.2019).
Sendai Mediatheque
Author: Toyoo Itō
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 202
Book Description
In 1995, Toyo Ito's competition project revealed a new structural prototype (or archi-type) which expressed the will to incorporate the notions of mobility and fluidity into space and structure. This book presents the process of design and construction of this prototype since then.
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 202
Book Description
In 1995, Toyo Ito's competition project revealed a new structural prototype (or archi-type) which expressed the will to incorporate the notions of mobility and fluidity into space and structure. This book presents the process of design and construction of this prototype since then.
Harquitectes
Author: Ilka Ruby
Publisher:
ISBN: 9783863359348
Category : Architectural firms
Languages : en
Pages : 0
Book Description
The architecture studio HARQUITECTES was established in 2000 and based in Sabadell, Barcelona. It is managed by four partner architects: David Lorente Ibáñez, Josep Ricart Ulldemolins, Xavier Ros Majó and Roger Tudó Galí. They have lectured all over Europe and America, and their works have been recognized with several awards and selected for exhibitions at home and abroad. They have addressed the parlous Spanish economy by adapting their work to any type of commission, from public buildings - such as schools and university facilities - to single-family houses. This publication represents the first comprehensive monograph on their work.
Publisher:
ISBN: 9783863359348
Category : Architectural firms
Languages : en
Pages : 0
Book Description
The architecture studio HARQUITECTES was established in 2000 and based in Sabadell, Barcelona. It is managed by four partner architects: David Lorente Ibáñez, Josep Ricart Ulldemolins, Xavier Ros Majó and Roger Tudó Galí. They have lectured all over Europe and America, and their works have been recognized with several awards and selected for exhibitions at home and abroad. They have addressed the parlous Spanish economy by adapting their work to any type of commission, from public buildings - such as schools and university facilities - to single-family houses. This publication represents the first comprehensive monograph on their work.
2G No. 78
Author: JUNYA. ISHIGAMI
Publisher: Walther Kanig, Kaln
ISBN: 9783960980964
Category :
Languages : en
Pages : 160
Book Description
The latest in the 2G Architecture series focuses on Junya Ishigami 'To have a vision that is as flexible, as open, as subtle as possible to go beyond conventional wisdom about architecture' Ishigami In his works, which he compares readily to landscapes, Ishigami removes the boundary between the outside and the inner space. Transparency, lightness, organic forms, vegetation make up his vocabulary. His vision of the future is optimistic, ecological, and the prospects of this young Utopian are not barred by any limit. The first time Junya Ishigami made himself known in Europe, with his proposal for the Japan Pavilion for the Venice Architecture Biennale 2008, he was a young and almost unknown architect who had worked for several years with Kazuo Sejima, and had only founded his studio junya.ishigami+associates in 2004. In the Venice pavilion, Ishigami filled all the interior walls of the pavilion with delicate and somehow naïf drawings of gardens and decided to build several greenhouses with real gardens in the outdoor gardens of the building. The following year, he finished the Kanagawa Institute of Technology Workshop, and with only two works he was acclaimed as one of the most innovative proponents of new Japanese architecture. Initially forcing the limits of transparency and lightness, his latest works explore in a conceptual way the relationships between the built matter and the nature, in works such as the Botanical Farm Garden in Tochigi, a multi confessional chapel in China, or the house and restaurant for a chef in Japan, where the exploration of the tectonic merges with the earthly and nature.
Publisher: Walther Kanig, Kaln
ISBN: 9783960980964
Category :
Languages : en
Pages : 160
Book Description
The latest in the 2G Architecture series focuses on Junya Ishigami 'To have a vision that is as flexible, as open, as subtle as possible to go beyond conventional wisdom about architecture' Ishigami In his works, which he compares readily to landscapes, Ishigami removes the boundary between the outside and the inner space. Transparency, lightness, organic forms, vegetation make up his vocabulary. His vision of the future is optimistic, ecological, and the prospects of this young Utopian are not barred by any limit. The first time Junya Ishigami made himself known in Europe, with his proposal for the Japan Pavilion for the Venice Architecture Biennale 2008, he was a young and almost unknown architect who had worked for several years with Kazuo Sejima, and had only founded his studio junya.ishigami+associates in 2004. In the Venice pavilion, Ishigami filled all the interior walls of the pavilion with delicate and somehow naïf drawings of gardens and decided to build several greenhouses with real gardens in the outdoor gardens of the building. The following year, he finished the Kanagawa Institute of Technology Workshop, and with only two works he was acclaimed as one of the most innovative proponents of new Japanese architecture. Initially forcing the limits of transparency and lightness, his latest works explore in a conceptual way the relationships between the built matter and the nature, in works such as the Botanical Farm Garden in Tochigi, a multi confessional chapel in China, or the house and restaurant for a chef in Japan, where the exploration of the tectonic merges with the earthly and nature.
2G: Fala Atelier (Porto)
Author: Pedro Bandeira
Publisher: Walther Konig Verlag
ISBN: 9783960985952
Category : Architectural practice
Languages : en
Pages : 0
Book Description
Fala is a young architecture practice founded in 2013 in Porto, and led by Filipe Magalhães, Ana Luisa Soares and Ahmed Belkhodja. Hedonistic yet restrained, the studio takes lightness and joy very seriously. Their projects can be characterized by a strong tendency towards autonomy, or better: towards an emerging independence of architectural language. Many of the refurbishment projects in Porto were initiated by private investors, trying to make a fortune by real estate speculation. After the economic crisis of 2008 the downtowns of Porto and Lisbon were confronted with a rampant boom in tourism. Speculation was propelled by special governmental measures such as the relief of a far-reaching protection against dismissal or the easy availability of golden visas. This may be the reason why some of Fala's projects come across like topical declinations of the same program: separation of auxiliary functions from the main space, zoning of the plan, opening and staging of the view onto a small courtyard.
Publisher: Walther Konig Verlag
ISBN: 9783960985952
Category : Architectural practice
Languages : en
Pages : 0
Book Description
Fala is a young architecture practice founded in 2013 in Porto, and led by Filipe Magalhães, Ana Luisa Soares and Ahmed Belkhodja. Hedonistic yet restrained, the studio takes lightness and joy very seriously. Their projects can be characterized by a strong tendency towards autonomy, or better: towards an emerging independence of architectural language. Many of the refurbishment projects in Porto were initiated by private investors, trying to make a fortune by real estate speculation. After the economic crisis of 2008 the downtowns of Porto and Lisbon were confronted with a rampant boom in tourism. Speculation was propelled by special governmental measures such as the relief of a far-reaching protection against dismissal or the easy availability of golden visas. This may be the reason why some of Fala's projects come across like topical declinations of the same program: separation of auxiliary functions from the main space, zoning of the plan, opening and staging of the view onto a small courtyard.
Bruther
Author: Javier Augstín Rojas
Publisher: Walther Konig
ISBN: 9783960981022
Category : Architectural firms
Languages : en
Pages : 160
Book Description
The latest in the 2G Architecture series focuses on the Parisian based practice Bruther. Bruther is a French architectural studio based in Paris. Stéphanie Bru and Alexandre Theriot opened their office in 2007, at the very beginning of what capitalists call a 'crisis' and Marxists might define as new round of 'primitive accumulation and dispossession'. Having grown up and trained during the heyday of the French welfare state and inspired by the optimism of the early European Union, Bru and Theriot are well aware of the pressure that the political shift to the right, social inequality and insecurity about the future of Europe are exerting on public institutions. Bruther stands for a specific architecture, adapted to the needs of each project in order to offer maximal living conditions. Adaptability and evolutivity of the building are fundamentals in the office practice. Since 2007, Bruther have developed national and international projects such as Cultural and Sport Center Saint-Blaise (2014), Helsinki Central Library (2013) and New Generation Research Center (2015).
Publisher: Walther Konig
ISBN: 9783960981022
Category : Architectural firms
Languages : en
Pages : 160
Book Description
The latest in the 2G Architecture series focuses on the Parisian based practice Bruther. Bruther is a French architectural studio based in Paris. Stéphanie Bru and Alexandre Theriot opened their office in 2007, at the very beginning of what capitalists call a 'crisis' and Marxists might define as new round of 'primitive accumulation and dispossession'. Having grown up and trained during the heyday of the French welfare state and inspired by the optimism of the early European Union, Bru and Theriot are well aware of the pressure that the political shift to the right, social inequality and insecurity about the future of Europe are exerting on public institutions. Bruther stands for a specific architecture, adapted to the needs of each project in order to offer maximal living conditions. Adaptability and evolutivity of the building are fundamentals in the office practice. Since 2007, Bruther have developed national and international projects such as Cultural and Sport Center Saint-Blaise (2014), Helsinki Central Library (2013) and New Generation Research Center (2015).
Ettore Sottsass
Author: Ronald T. Labaco
Publisher: Merrell
ISBN:
Category : Architecture
Languages : en
Pages : 170
Book Description
"Ettore Sottsass: Architect and Designer - the first significant study of the work of Sottsass for over a decade - emphasizes the continuing diversity and innovation of his professional life while illuminating his personal design philosophy, his belief in the intimate relationship between design and the individual, and his fundamental humanity and joie de vivre. Drawing in particular on the work of the two decades since Sottsass left the Memphis collective, this book reassesses his relationship to Modernism and Postmodernism, analyzes the increasing importance to Sottsass of his own architectural practice, and considers both his acceptance and his rejection of the traditional use of materials. In a series of interviews specially undertaken for this book, Sottsass reflects on the cross-currents of ideas and influences that have guided his long career."--BOOK JACKET.
Publisher: Merrell
ISBN:
Category : Architecture
Languages : en
Pages : 170
Book Description
"Ettore Sottsass: Architect and Designer - the first significant study of the work of Sottsass for over a decade - emphasizes the continuing diversity and innovation of his professional life while illuminating his personal design philosophy, his belief in the intimate relationship between design and the individual, and his fundamental humanity and joie de vivre. Drawing in particular on the work of the two decades since Sottsass left the Memphis collective, this book reassesses his relationship to Modernism and Postmodernism, analyzes the increasing importance to Sottsass of his own architectural practice, and considers both his acceptance and his rejection of the traditional use of materials. In a series of interviews specially undertaken for this book, Sottsass reflects on the cross-currents of ideas and influences that have guided his long career."--BOOK JACKET.