Author: Anjan Chatterjee
Publisher: Oxford University Press
ISBN: 0199811806
Category : Philosophy
Languages : en
Pages : 244
Book Description
The Aesthetic Brain takes the reader on a wide-ranging journey addressing fundamental questions about aesthetics and art. Using neuroscience and evolutionary psychology, Chatterjee shows how beauty, pleasure, and art are grounded biologically, and offers explanations for why beauty, pleasure, and art exist at all.
Aesthetic Science
Author: Arthur P. Shimamura
Publisher: OUP USA
ISBN: 0199732140
Category : Medical
Languages : en
Pages : 421
Book Description
What do we do when we view a work of art? What does it mean to have an 'aesthetic' experience? Are such experiences purely in the eye of the beholder? This book addresses the nature of aesthetic experience from the perspectives of philosophy psychology and neuroscience.
Publisher: OUP USA
ISBN: 0199732140
Category : Medical
Languages : en
Pages : 421
Book Description
What do we do when we view a work of art? What does it mean to have an 'aesthetic' experience? Are such experiences purely in the eye of the beholder? This book addresses the nature of aesthetic experience from the perspectives of philosophy psychology and neuroscience.
Feeling Beauty
Author: G. Gabrielle Starr
Publisher: MIT Press
ISBN: 0262019310
Category : Art
Languages : en
Pages : 297
Book Description
A theory of the neural bases of aesthetic experience across the arts, which draws on the tools of both cognitive neuroscience and traditional humanist inquiry. In Feeling Beauty, G. Gabrielle Starr argues that understanding the neural underpinnings of aesthetic experience can reshape our conceptions of aesthetics and the arts. Drawing on the tools of both cognitive neuroscience and traditional humanist inquiry, Starr shows that neuroaesthetics offers a new model for understanding the dynamic and changing features of aesthetic life, the relationships among the arts, and how individual differences in aesthetic judgment shape the varieties of aesthetic experience. Starr, a scholar of the humanities and a researcher in the neuroscience of aesthetics, proposes that aesthetic experience relies on a distributed neural architecture—a set of brain areas involved in emotion, perception, imagery, memory, and language. More important, it emerges from networked interactions, intricately connected and coordinated brain systems that together form a flexible architecture enabling us to develop new arts and to see the world around us differently. Focusing on the "sister arts" of poetry, painting, and music, Starr builds and tests a neural model of aesthetic experience valid across all the arts. Asking why works that address different senses using different means seem to produce the same set of feelings, she examines particular works of art in a range of media, including a poem by Keats, a painting by van Gogh, a sculpture by Bernini, and Beethoven's Diabelli Variations. Starr's innovative, interdisciplinary analysis is true to the complexities of both the physical instantiation of aesthetics and the realities of artistic representation.
Publisher: MIT Press
ISBN: 0262019310
Category : Art
Languages : en
Pages : 297
Book Description
A theory of the neural bases of aesthetic experience across the arts, which draws on the tools of both cognitive neuroscience and traditional humanist inquiry. In Feeling Beauty, G. Gabrielle Starr argues that understanding the neural underpinnings of aesthetic experience can reshape our conceptions of aesthetics and the arts. Drawing on the tools of both cognitive neuroscience and traditional humanist inquiry, Starr shows that neuroaesthetics offers a new model for understanding the dynamic and changing features of aesthetic life, the relationships among the arts, and how individual differences in aesthetic judgment shape the varieties of aesthetic experience. Starr, a scholar of the humanities and a researcher in the neuroscience of aesthetics, proposes that aesthetic experience relies on a distributed neural architecture—a set of brain areas involved in emotion, perception, imagery, memory, and language. More important, it emerges from networked interactions, intricately connected and coordinated brain systems that together form a flexible architecture enabling us to develop new arts and to see the world around us differently. Focusing on the "sister arts" of poetry, painting, and music, Starr builds and tests a neural model of aesthetic experience valid across all the arts. Asking why works that address different senses using different means seem to produce the same set of feelings, she examines particular works of art in a range of media, including a poem by Keats, a painting by van Gogh, a sculpture by Bernini, and Beethoven's Diabelli Variations. Starr's innovative, interdisciplinary analysis is true to the complexities of both the physical instantiation of aesthetics and the realities of artistic representation.
Art, Aesthetics, and the Brain
Author: Joseph P. Huston
Publisher: Oxford University Press, USA
ISBN: 0199670005
Category : Medical
Languages : en
Pages : 567
Book Description
What neural processes underlie the appreciation of painting, music, and dance? How did such processes evolve? This book brings together experts in genetics, psychology, neuroimaging, neuropsychology, art history, and philosophy to explore these questions. It sets the stage for a cognitive neuroscience of art and aesthetics.
Publisher: Oxford University Press, USA
ISBN: 0199670005
Category : Medical
Languages : en
Pages : 567
Book Description
What neural processes underlie the appreciation of painting, music, and dance? How did such processes evolve? This book brings together experts in genetics, psychology, neuroimaging, neuropsychology, art history, and philosophy to explore these questions. It sets the stage for a cognitive neuroscience of art and aesthetics.
Brain and Art
Author: Bruno Colombo
Publisher: Springer Nature
ISBN: 3030235807
Category : Medical
Languages : en
Pages : 186
Book Description
This book analyzes and discusses in detail art therapy, a specific tool used to sustain health in affective developments, rehabilitation, motor skills and cognitive functions. Art therapy is based on the assumption that the process of making art (music, dance, painting) sparks emotions and enhances brain activity. Art therapy is used to encourage personal growth, facilitate particular brain areas or activity patterns, and improve neural connectivity. Treating neurological diseases using artistic strategies offers us a unique option for engaging brain structural networks that enhance the brain’s ability to form new connections. Based on brain plasticity, art therapy has the potential to increase our repertoire for treating neurological diseases. Neural substrates are the basis of complex emotions relative to art experiences, and involve a widespread activation of cognitive and motor systems. Accordingly, art therapy has the capacity to modulate behavior, cognition, attention and movement. In this context, art therapy can offer effective tools for improving general well-being, quality of life and motivation in connection with neurological diseases. The book discusses art therapy as a potential group of techniques for the treatment of neurological disturbances and approaches the relationship between humanistic disciplines and neurology from a holistic perspective, reflecting the growing interest in this interconnection.
Publisher: Springer Nature
ISBN: 3030235807
Category : Medical
Languages : en
Pages : 186
Book Description
This book analyzes and discusses in detail art therapy, a specific tool used to sustain health in affective developments, rehabilitation, motor skills and cognitive functions. Art therapy is based on the assumption that the process of making art (music, dance, painting) sparks emotions and enhances brain activity. Art therapy is used to encourage personal growth, facilitate particular brain areas or activity patterns, and improve neural connectivity. Treating neurological diseases using artistic strategies offers us a unique option for engaging brain structural networks that enhance the brain’s ability to form new connections. Based on brain plasticity, art therapy has the potential to increase our repertoire for treating neurological diseases. Neural substrates are the basis of complex emotions relative to art experiences, and involve a widespread activation of cognitive and motor systems. Accordingly, art therapy has the capacity to modulate behavior, cognition, attention and movement. In this context, art therapy can offer effective tools for improving general well-being, quality of life and motivation in connection with neurological diseases. The book discusses art therapy as a potential group of techniques for the treatment of neurological disturbances and approaches the relationship between humanistic disciplines and neurology from a holistic perspective, reflecting the growing interest in this interconnection.
Reductionism in Art and Brain Science
Author: Eric R. Kandel
Publisher: Columbia University Press
ISBN: 0231542089
Category : Science
Languages : en
Pages : 237
Book Description
Are art and science separated by an unbridgeable divide? Can they find common ground? In this new book, neuroscientist Eric R. Kandel, whose remarkable scientific career and deep interest in art give him a unique perspective, demonstrates how science can inform the way we experience a work of art and seek to understand its meaning. Kandel illustrates how reductionism—the distillation of larger scientific or aesthetic concepts into smaller, more tractable components—has been used by scientists and artists alike to pursue their respective truths. He draws on his Nobel Prize-winning work revealing the neurobiological underpinnings of learning and memory in sea slugs to shed light on the complex workings of the mental processes of higher animals. In Reductionism in Art and Brain Science, Kandel shows how this radically reductionist approach, applied to the most complex puzzle of our time—the brain—has been employed by modern artists who distill their subjective world into color, form, and light. Kandel demonstrates through bottom-up sensory and top-down cognitive functions how science can explore the complexities of human perception and help us to perceive, appreciate, and understand great works of art. At the heart of the book is an elegant elucidation of the contribution of reductionism to the evolution of modern art and its role in a monumental shift in artistic perspective. Reductionism steered the transition from figurative art to the first explorations of abstract art reflected in the works of Turner, Monet, Kandinsky, Schoenberg, and Mondrian. Kandel explains how, in the postwar era, Pollock, de Kooning, Rothko, Louis, Turrell, and Flavin used a reductionist approach to arrive at their abstract expressionism and how Katz, Warhol, Close, and Sandback built upon the advances of the New York School to reimagine figurative and minimal art. Featuring captivating drawings of the brain alongside full-color reproductions of modern art masterpieces, this book draws out the common concerns of science and art and how they illuminate each other.
Publisher: Columbia University Press
ISBN: 0231542089
Category : Science
Languages : en
Pages : 237
Book Description
Are art and science separated by an unbridgeable divide? Can they find common ground? In this new book, neuroscientist Eric R. Kandel, whose remarkable scientific career and deep interest in art give him a unique perspective, demonstrates how science can inform the way we experience a work of art and seek to understand its meaning. Kandel illustrates how reductionism—the distillation of larger scientific or aesthetic concepts into smaller, more tractable components—has been used by scientists and artists alike to pursue their respective truths. He draws on his Nobel Prize-winning work revealing the neurobiological underpinnings of learning and memory in sea slugs to shed light on the complex workings of the mental processes of higher animals. In Reductionism in Art and Brain Science, Kandel shows how this radically reductionist approach, applied to the most complex puzzle of our time—the brain—has been employed by modern artists who distill their subjective world into color, form, and light. Kandel demonstrates through bottom-up sensory and top-down cognitive functions how science can explore the complexities of human perception and help us to perceive, appreciate, and understand great works of art. At the heart of the book is an elegant elucidation of the contribution of reductionism to the evolution of modern art and its role in a monumental shift in artistic perspective. Reductionism steered the transition from figurative art to the first explorations of abstract art reflected in the works of Turner, Monet, Kandinsky, Schoenberg, and Mondrian. Kandel explains how, in the postwar era, Pollock, de Kooning, Rothko, Louis, Turrell, and Flavin used a reductionist approach to arrive at their abstract expressionism and how Katz, Warhol, Close, and Sandback built upon the advances of the New York School to reimagine figurative and minimal art. Featuring captivating drawings of the brain alongside full-color reproductions of modern art masterpieces, this book draws out the common concerns of science and art and how they illuminate each other.
Splendors and Miseries of the Brain
Author: Semir Zeki
Publisher: John Wiley & Sons
ISBN: 1444359479
Category : Psychology
Languages : en
Pages : 263
Book Description
Splendors and Miseries of the Brain examines the elegant and efficient machinery of the brain, showing that by studying music, art, literature, and love, we can reach important conclusions about how the brain functions. discusses creativity and the search for perfection in the brain examines the power of the unfinished and why it has such a powerful hold on the imagination discusses Platonic concepts in light of the brain shows that aesthetic theories are best understood in terms of the brain discusses the inherited concept of unity-in-love using evidence derived from the world literature of love addresses the role of the synthetic concept in the brain (the synthesis of many experiences) in relation to art, using examples taken from the work of Michelangelo, Cézanne, Balzac, Dante, and others
Publisher: John Wiley & Sons
ISBN: 1444359479
Category : Psychology
Languages : en
Pages : 263
Book Description
Splendors and Miseries of the Brain examines the elegant and efficient machinery of the brain, showing that by studying music, art, literature, and love, we can reach important conclusions about how the brain functions. discusses creativity and the search for perfection in the brain examines the power of the unfinished and why it has such a powerful hold on the imagination discusses Platonic concepts in light of the brain shows that aesthetic theories are best understood in terms of the brain discusses the inherited concept of unity-in-love using evidence derived from the world literature of love addresses the role of the synthetic concept in the brain (the synthesis of many experiences) in relation to art, using examples taken from the work of Michelangelo, Cézanne, Balzac, Dante, and others
An Introduction to Neuroaesthetics
Author: Jon O. Lauring
Publisher: Museum Tusculanum Press
ISBN: 8763541408
Category : Art
Languages : da
Pages : 438
Book Description
Hvad sker der i hjernen, når vi betragter et kunstværk eller lytter til et stykke musik? Og hvordan forklarer vi i det hele taget de domme, vi fælder over det skønne, det grimme, kunsten? Neuroæstetik er en ny, tværfaglig disciplin, der kombinerer filosofisk æstetik, neurobiologi og eksperimentel psykologi for at kunne forklare, hvorfor vi oplever nogle stimuli som tiltalende og andre som utiltalende. Med antologien An Introduction to Neuroaesthetics foreligger nu en bred indføring i neuroæstetikken, dens genstandsfelt og undersøgelsesmetoder. Bogens bidragydere er ledende forskere fra både ind- og udland, der på forskellig vis undersøger hjernemekanismerne bag kunstnerisk erfaring. Antologien indledes med en gennemgang af neuroæstetikkens videnskabelige rødder og væsentligste metoder og teorier. Herefter præsenteres en række studier af forholdet mellem biologiske stimuli og æstetisk oplevelse: fra ansigter og landskaber til litteratur og film; fra steder og arkitektur til musik og dans. Ved at kombinere data fra den nyeste teknologi med nogle af filosofiens ældste dilemmaer bygger antologien bro mellem to traditionelt adskilte felter – naturvidenskaben og humaniora – og giver et kvalificeret bud på, hvordan vi kan nærme os en forståelse af den æstetiske erfaring. Jon O. Lauring er cand.mag. i kunsthistorie og idéhistorie. Han er i øjeblikket gæsteforsker ved BRAINlab, Institut for Neurovidenskab og Farmakologi, Panum Instituttet, Københavns Universitet. Bidragydere: Marcos Nadal / Antoni Gomila / Alejandro Gálvez-Pol / Helmut Leder / Pablo P. L. Tinio / Jon O. Lauring / Alumit Ishai / Nicolai Rostrup / Jens Hjortkjær / David S. Miall / Torben Grodal / Mette Kramer / Beatriz Calvo-Merino / Julia F. Christensen / Bartlomiej Piechowski-Jozwiak / Julien Bogousslavsky / Oshin Vartanian. Advances in cognitive science have had a tremendous philosophical impact, offering new ways of thinking about topics such as who we are, what we know, and how we feel. But few topics are murkier—and have more to gain from cognitive science—than aesthetics. With this volume, Jon O. Lauring offers a cutting-edge introduction to the emerging field of neuroaesthetics. Gathering works from leading scholars all across the globe, the volume surveys the many ways we have taken what we have learned about our brains and nervous system and applied it to new understandings of art, beauty, and creativity. The contributors explore the biological underpinnings of aesthetic experience from a variety of angles. Opening with a look at neuroaesthetics’s historical antecedents and an outline of methods and theories, the book goes on to address a fascinating assortment of studies on biological stimuli and art, from faces and landscapes to literature and film, from places and architecture to music and dance. Simultaneously exploring data from the latest brain-imaging technology and addressing some of our most enduring philosophical quandaries, this volume offers a comprehensive look at a pivotal moment in aesthetics, which grows richer every day with new questions. Jon O. Lauring, MA in history of art and the history of ideas, is currently guest researcher at BRAINlab, Department of Neuroscience and Pharmacology, Panum Institute, University of Copenhagen. Contributors: Marcos Nadal, Antoni Gomila, Alejandro Gálvez-Pol, Helmut Leder, Pablo P. L. Tinio, Jon O. Lauring, Alumit Ishai, Nicolai Rostrup, Jens Hjortkjær, David S. Miall, Torben Grodal, Mette Kramer, Beatriz Calvo-Merino, Julia F. Christen-sen, Bartlomiej Piechowski-Jozwiak, Julien Bogousslavsky, Oshin Vartanian.
Publisher: Museum Tusculanum Press
ISBN: 8763541408
Category : Art
Languages : da
Pages : 438
Book Description
Hvad sker der i hjernen, når vi betragter et kunstværk eller lytter til et stykke musik? Og hvordan forklarer vi i det hele taget de domme, vi fælder over det skønne, det grimme, kunsten? Neuroæstetik er en ny, tværfaglig disciplin, der kombinerer filosofisk æstetik, neurobiologi og eksperimentel psykologi for at kunne forklare, hvorfor vi oplever nogle stimuli som tiltalende og andre som utiltalende. Med antologien An Introduction to Neuroaesthetics foreligger nu en bred indføring i neuroæstetikken, dens genstandsfelt og undersøgelsesmetoder. Bogens bidragydere er ledende forskere fra både ind- og udland, der på forskellig vis undersøger hjernemekanismerne bag kunstnerisk erfaring. Antologien indledes med en gennemgang af neuroæstetikkens videnskabelige rødder og væsentligste metoder og teorier. Herefter præsenteres en række studier af forholdet mellem biologiske stimuli og æstetisk oplevelse: fra ansigter og landskaber til litteratur og film; fra steder og arkitektur til musik og dans. Ved at kombinere data fra den nyeste teknologi med nogle af filosofiens ældste dilemmaer bygger antologien bro mellem to traditionelt adskilte felter – naturvidenskaben og humaniora – og giver et kvalificeret bud på, hvordan vi kan nærme os en forståelse af den æstetiske erfaring. Jon O. Lauring er cand.mag. i kunsthistorie og idéhistorie. Han er i øjeblikket gæsteforsker ved BRAINlab, Institut for Neurovidenskab og Farmakologi, Panum Instituttet, Københavns Universitet. Bidragydere: Marcos Nadal / Antoni Gomila / Alejandro Gálvez-Pol / Helmut Leder / Pablo P. L. Tinio / Jon O. Lauring / Alumit Ishai / Nicolai Rostrup / Jens Hjortkjær / David S. Miall / Torben Grodal / Mette Kramer / Beatriz Calvo-Merino / Julia F. Christensen / Bartlomiej Piechowski-Jozwiak / Julien Bogousslavsky / Oshin Vartanian. Advances in cognitive science have had a tremendous philosophical impact, offering new ways of thinking about topics such as who we are, what we know, and how we feel. But few topics are murkier—and have more to gain from cognitive science—than aesthetics. With this volume, Jon O. Lauring offers a cutting-edge introduction to the emerging field of neuroaesthetics. Gathering works from leading scholars all across the globe, the volume surveys the many ways we have taken what we have learned about our brains and nervous system and applied it to new understandings of art, beauty, and creativity. The contributors explore the biological underpinnings of aesthetic experience from a variety of angles. Opening with a look at neuroaesthetics’s historical antecedents and an outline of methods and theories, the book goes on to address a fascinating assortment of studies on biological stimuli and art, from faces and landscapes to literature and film, from places and architecture to music and dance. Simultaneously exploring data from the latest brain-imaging technology and addressing some of our most enduring philosophical quandaries, this volume offers a comprehensive look at a pivotal moment in aesthetics, which grows richer every day with new questions. Jon O. Lauring, MA in history of art and the history of ideas, is currently guest researcher at BRAINlab, Department of Neuroscience and Pharmacology, Panum Institute, University of Copenhagen. Contributors: Marcos Nadal, Antoni Gomila, Alejandro Gálvez-Pol, Helmut Leder, Pablo P. L. Tinio, Jon O. Lauring, Alumit Ishai, Nicolai Rostrup, Jens Hjortkjær, David S. Miall, Torben Grodal, Mette Kramer, Beatriz Calvo-Merino, Julia F. Christen-sen, Bartlomiej Piechowski-Jozwiak, Julien Bogousslavsky, Oshin Vartanian.