Arvo PÄrt

Author: Paul Hillier
Publisher: Clarendon Press
ISBN: 0191590487
Category :
Languages : en
Pages : 238

Book Description
World-famous, Estonian-born composer Arvo P--auml--;rt is a unique voice in today's music. From his own extensive experience of working with P--auml--;rt, Paul Hiller here provides the first full-length study of the composer's music. - ;The music of the Estonian-born composer Arvo P--auml--;rt is a unique and powerful voice in the contemporary world. Using a tonal idiom based on a mixture of scales and triads, P--auml--;rt created a style that he calls `tintinnabuli'. Listening to it, one is reminded of the passionate tranquillity of some Russian icon, or of certain memorable scenes in the films of Andrei Tarkovsky. In this book, the first full-length study of P--auml--;rt, Paul Hillier explores the tintinnabuli works in considerable depth. He also examines the music of P--auml--;rt's earlier, somewhat neglected serial period, and charts the composer's steady evolution towards the `abstract tonality' of his later years. In addition, a biographical chapter and discussion of topics such as Russian Orthodox spirituality, minimalism, and the influence of early music, combine to make this a substantial introduction to P--auml--;rt's music. Hillier also draws on his own experience of working with the composer to offer thoughts on various performance issues. -

Arvo Pärt in Conversation

Author: Leopold Brauneiss
Publisher:
ISBN: 9781564787866
Category : Composers
Languages : en
Pages : 0

Book Description
This collection of essays and interviews is an ideal guide to the work and thought of one of the world's greatest and most original living composers. In Enzo Restagno's extensive interview, P'rt gives an intimate description of his work and life in Soviet Estonia, his emigration, his artistic odyssey, and his worldview. Then, Arvo P'rt's compositional technique is the focus of a musicological essay by Leopold Brauneiss. Finally, Saale Kareda explores the spiritual aspects of the composer's approach to his works. Two acceptance speeches, delivered by P'rt on receiving major European prizes, complete this fascinating and illuminating portrait.

The Rest Is Noise

Author: Alex Ross
Publisher: Farrar, Straus and Giroux
ISBN: 1429932880
Category : Music
Languages : en
Pages : 706

Book Description
Winner of the 2007 National Book Critics Circle Award for Criticism A New York Times Book Review Top Ten Book of the Year Time magazine Top Ten Nonfiction Book of 2007 Newsweek Favorite Books of 2007 A Washington Post Book World Best Book of 2007 In this sweeping and dramatic narrative, Alex Ross, music critic for The New Yorker, weaves together the histories of the twentieth century and its music, from Vienna before the First World War to Paris in the twenties; from Hitler's Germany and Stalin's Russia to downtown New York in the sixties and seventies up to the present. Taking readers into the labyrinth of modern style, Ross draws revelatory connections between the century's most influential composers and the wider culture. The Rest Is Noise is an astonishing history of the twentieth century as told through its music.

Arvo Pärt

Author: Peter Bouteneff
Publisher: St. Vladimir's Seminary Press
ISBN: 9780881415124
Category : Music
Languages : en
Pages : 0

Book Description
Points of entry: Spirituality and religion - Part's spiritual reach - The role of text; Out of silence: Music lost to silence - Music found in silence - Excusus: silence in the tradition; Bright sadness: Bright sadness in the tradition - Bright sadness in the music of Arvo Part.

The Cambridge Companion to Arvo Pärt

Author: Andrew Shenton
Publisher: Cambridge University Press
ISBN: 1107495660
Category : Music
Languages : en
Pages : 478

Book Description
Arvo Pärt is one of the most influential and widely performed contemporary composers. Around 1976 he developed an innovative new compositional technique called 'tintinnabuli' (Latin for 'sounding bells'), which has had an extraordinary degree of success. It is frequently performed around the world, has been used in award-winning films, and pieces such as Für Alina and Spiegel im Siegel have become standard repertoire. This collection of essays, written by a distinguished international group of scholars and performers, is the essential guide to Arvo Pärt and his music. The book begins with a general introduction to Pärt's life and works, covering important biographical details and outlining his most significant compositions. Two chapters analyze the tintinnabuli style and are complemented by essays which discuss Pärt's creative process. The book also examines the spiritual aspect of Pärt's music and contextualizes him in the cultural milieu of the twenty-first century and in the marketplace.

Sounds Beyond

Author: Kevin C. Karnes
Publisher: University of Chicago Press
ISBN: 022680190X
Category : History
Languages : en
Pages : 206

Book Description
Spaces beyond : an introduction -- A beginning : the Riga Polytechnic disco, 1974-76 -- Tintinnabuli and the sacred -- Ritual moments : the RPI festivals, 1976-77 -- Tallinn 1978 -- Aftersounds : Bolderāja, Sergiyev Posad, and a train to Brest-Litovsk.

Arvo Pärt's Resonant Texts

Author: Andrew Shenton
Publisher: Cambridge University Press
ISBN: 1107082455
Category : Biography & Autobiography
Languages : en
Pages : 311

Book Description
A systematic and detailed analysis of the work of this extremely popular composer, providing description, context, examples, and commentary.

Arvo Pärt's Resonant Texts

Author: Andrew Shenton
Publisher: Cambridge University Press
ISBN: 1108514863
Category : Music
Languages : en
Pages : 312

Book Description
Statistically the most performed and listened to contemporary composer in the world, Arvo Pärt is a musical and cultural phenomenon. This book is an essential resource for anyone interested in his extraordinarily innovative and uniquely appealing music. Andrew Shenton surveys the full scope of Pärt's oeuvre, providing context and chronological continuity while concentrating in particular on his text-based music, analysing and describing individual pieces and techniques such as tintinnabulation. The book also explores the spiritual and theological contexts of Part's creativity, and the challenges of performing his work. This volume is the definitive guide for readers looking to engage with the form, content, and context of Pärt's compositions, as Shenton situates Pärt in the narrative of metamodernism and suggests new ways of understanding this unique and beautiful music.

Heidegger and Music

Author: Casey Rentmeester
Publisher: Rowman & Littlefield
ISBN: 1538154145
Category : Philosophy
Languages : en
Pages : 337

Book Description
Although philosophers have examined and commented on music for centuries, Martin Heidegger, one of the greatest philosophers of the 20th century, had frustratingly little to say about music—directly, at least. This volume, the first to tackle Heidegger and music, features contributions from philosophers, musicians, educators, and musicologists from many countries throughout the world, aims to utilize Heidegger’s philosophy to shed light on the place of music in different contexts and fields of practice. Heidegger’s thought is applied to a wide range of musical spheres, including improvisation, classical music, electronic music, African music, ancient Chinese music, jazz, rock n’ roll, composition, and musical performance. The volume also features a wide range of philosophical insights on the essence of music, music’s place in society, and the promise of music’s ability to open up new ways of understanding the world with the onset of the technological and digital musical age. Heidegger and Music breaks new philosophical ground by showcasing creative vignettes that not only push Heidegger’s concepts in new directions, but also get us to question the meaning of music in various contexts.

Such Freedom, If Only Musical

Author: Peter J Schmelz
Publisher: Oxford University Press
ISBN: 0199711941
Category : Music
Languages : en
Pages : 409

Book Description
Following Stalin's death in 1953, during the period now known as the Thaw, Nikita Khrushchev opened up greater freedoms in cultural and intellectual life. A broad group of intellectuals and artists in Soviet Russia were able to take advantage of this, and in no realm of the arts was this perhaps more true than in music. Students at Soviet conservatories were at last able to use various channels--many of questionable legality--to acquire and hear music that had previously been forbidden, and visiting performers and composers brought young Soviets new sounds and new compositions. In the 1960s, composers such as Andrey Volkonsky, Edison Denisov, Alfred Schnittke, Arvo Pärt, Sofia Gubaidulina, and Valentin Silvestrov experimented with a wide variety of then new and unfamiliar techniques ranging from serialism to aleatory devices, and audiences eager to escape the music of predictable sameness typical to socialist realism were attracted to performances of their new and unfamiliar creations. This "unofficial" music by young Soviet composers inhabited the gray space between legal and illegal. Such Freedom, If Only Musical traces the changing compositional styles and politically charged reception of this music, and brings to life the paradoxical freedoms and sense of resistance or opposition that it suggested to Soviet listeners. Author Peter J. Schmelz draws upon interviews conducted with many of the most important composers and performers of the musical Thaw, and supplements this first-hand testimony with careful archival research and detailed musical analyses. The first book to explore this period in detail, Such Freedom, If Only Musical will appeal to musicologists and theorists interested in post-war arts movements, the Cold War, and Soviet music, as well as historians of Russian culture and society.