Exploding Cinema 1991 - 1997: Culture and Democracy

Exploding Cinema 1991 - 1997: Culture and Democracy PDF Author: Stefan Szczelkun
Publisher: Stefan Szczelkun
ISBN: 9781870736046
Category : Art
Languages : en
Pages : 190

Book Description
The Exploding Cinema is a collective of artists that produce what can be described as a hybrid fusion of projection, performance and social space. It began in South London in late 1991. Architectural spaces, transformed with the use of slides and loop film projections are used as an environmental context for a programme of short films and video. A 'master of ceremonies' sets up a dialogue with the audience and introduces the films. He or she encourages filmmakers who are present to speak or be questioned. The audience are encouraged to make films themselves and invited to show them at future Exploding events with a promise that nothing will be rejected. By thoughtful programming this inclusive process of soliciting material, along with a printed programme and the work of members of the group who provide slides and film loops to decorate the space, results in a varied and lively programme which regularly attracted lively audiences of 100 - 300. Using several research methodologies I try to capture a rich body of information about this open artists collective from different angles. The idea is to record the cultural and political value of this groups actvities. Artists collectives are barely represented in mainstream knowledge, so I saw this work as being of use in the inclusion of future study of such complex groups. My assumption was that open collectives offer a platform to those excluded from the establishments more exclusive cultural platforms. There is often a focus on oral traditions of culture as against literary traditions.

Habermas' Theory of Communicative Action: a summary

Habermas' Theory of Communicative Action: a summary PDF Author: Dr Stefan Szczelkun
Publisher: Stefan Szczelkun
ISBN:
Category : Education
Languages : en
Pages : 31

Book Description
“Jürgen Habermas argues that we should refocus our efforts to achieve liberation from oppression on our human ability to use languages rather than simply focusing on economic exploitation. Human communications have evolved to give us broad systems of symbolic agreement in our languages and in the sets of symbols we call culture. These were evolved by humans to provide communications media that were to the evolutionary advantage of our species. The underlying social purpose of these symbol systems seems to be to co-ordinate social action for human survival and flourishing. This evolved ability that humans have achieved for communications that enhance survival is inherent in all human languages and cultures. It is a source of wonder that human communities have been able to agree on the meanings of a very complex set of symbols in creating a language and culture.” Excerpt From: “Habermas' Theory of Communicative Action: a summary by Dr Stefan Szczelkun"

Aural/Oral Dramaturgies

Aural/Oral Dramaturgies PDF Author: Duška Radosavljević
Publisher: Taylor & Francis
ISBN: 1000755940
Category : Performing Arts
Languages : en
Pages : 252

Book Description
Aural/Oral Dramaturgies: Theatre in the Digital Age focuses on the ‘aural turn’ in contemporary theatre-making, examining a number of seemingly disparate trends that foreground speech and sound -- ‘post-verbatim’ theatre, 'amplified storytelling' (works using microphones and headphones), and ‘gig theatre’ that incorporates live music performance. Its main argument is that the dramaturgical underpinnings of these works contribute to an understanding of theatre as an extra-literary activity, greater than the centrality of the script that traditionally dominated many historical discussions. This quality is usually expressed in terms of the corporeality in dance and physical theatre, but the aural/oral turn gives an alternative viewpoint on the interplay between text and performance. The book's case studies draw on the ways in which a range of theatre companies engage with the dramaturgy of speech and sound in their work. It is further accompanied by a specially curated collection of digital resources, including interviews, conversations, and presentations from artists and academics. This is a key text for scholars, students, and practitioners of contemporary performance, and anyone working with dramaturgies of orality and aurality in today’s performance environment.

History of Soybeans and Soyfoods in Iowa (1854-2021)

History of Soybeans and Soyfoods in Iowa (1854-2021) PDF Author: William Shurtleff; Akiko Aoyagi
Publisher: Soyinfo Center
ISBN: 1948436469
Category : Reference
Languages : en
Pages : 1800

Book Description
The world's most comprehensive, well documented, and well illustrated book on this subject. With extensive subject and geographic index. 325 photographs and illustrations - many color. Free of charge in digital PDF format.

Historical Dictionary of American Cinema

Historical Dictionary of American Cinema PDF Author: M. Keith Booker
Publisher: Rowman & Littlefield
ISBN: 1538130122
Category : Performing Arts
Languages : en
Pages : 655

Book Description
One of the most powerful forces in world culture, American cinema has a long and complex history that stretches through more than a century. This history not only includes a legacy of hundreds of important films but also the evolution of the film industry itself, which is in many ways a microcosm of the history of American society. Historical Dictionary of American Cinema, Second Edition contains a chronology, an introduction, and an extensive bibliography. The dictionary section has more than 600 cross-referenced entries covering people, films, companies, techniques, themes, and subgenres that have made American cinema such a vital part of world culture.

Bidding for the Mainstream?

Bidding for the Mainstream? PDF Author: Barbara Korte
Publisher: BRILL
ISBN: 9004484329
Category : Literary Criticism
Languages : en
Pages : 282

Book Description
This book looks at a sector of black and Asian British film and television as it presented itself in the 1990s and early 2000s. For this period, a ‘mainstreaming’ of black and Asian British film has been observed in criticism and theory and articulated by an increasing number of practitioners themselves, referring to changing modes of production, distribution and reception and implying a more popular and commercial orientation of certain media products. This idea is a leitmotif for the authors’ readings of recent films and examples of television drama, including such diverse products as Young Soul Rebels and Babymother, East Is East and Bend It Like Beckham, The Buddha of Suburbia and White Teeth. These analyses are supplemented with a look at earlier landmark productions (like Pressure) as well as relevant social, institutional and aesthetic frameworks. The book closes with a selection of statements by black and Asian media practitioners who operate from within Britain’s cultural industries: Mike Phillips, Horace Ové, Julian Henriques, Parminder Vir and Gurinder Chadha.

Mysticism in the Theater

Mysticism in the Theater PDF Author: Tom Block
Publisher: Routledge
ISBN: 1000543781
Category : Performing Arts
Languages : en
Pages : 215

Book Description
Mysticism in the Theater introduces theater makers to the power and possibility of using historical mystical ideas to influence all aspects of a production. Historical mysticism represents ideas developed by recognized spiritual thinkers in all religions and time periods: individuals who stilled their ego, and perceived the unity of all, hidden within the apparent multiplicity of existence. This unique manner of spiritual inlay allows theatrical presentations to find the height of artistic expression: art at the intersection of our historical moment and the eternal. This study introduces theater makers to the history of mystical inspiration within performance work and develops strategies for inserting mystical ideas into their productions. The book ties this model into theatre’s history, as mystical ideas and quotes have been inserted into productions from Greek theatre through Shakespeare and into the present day. This book explores how teachings and ideas of specific historical mystical thinkers might influence all aspects of contemporary theatrical productions including writing, directing, acting, stagecraft/set design, lighting design, costume design, sound design, and choreography.

Counterfactualism in the Fine Arts

Counterfactualism in the Fine Arts PDF Author: Elke Reinhuber
Publisher: Taylor & Francis
ISBN: 1000623742
Category : Art
Languages : en
Pages : 180

Book Description
Counterfactual thinking has become an established method to evaluate decisions in a range of disciplines, including history, psychology and literature. Elke Reinhuber argues it also has valuable applications in the fine arts and popular media. A fascination with the path not taken is a logical consequence of a world saturated with choices. Art which provokes and explores these tendencies can help to recognise and contextualise the impulse to avoid or endlessly revisit individual or collective decisions. Reinhuber describes the term in broad strokes through the disciplines to show how counterfactualism finds shape in contemporary art forms, especially in photography, film, and immersive and interactive media art (such as 360° content, virtual reality and augmented reality). She analyses the different stages of counterfactuals with examples where artists experience counterfactual thoughts in the process of art production, explore these thoughts in their artwork, and where the artwork itself evokes counterfactual thoughts in the audience. A fascinating exploration for scholars and students of art, media and the humanities, and anybody else with an interest in choices, the art of decisionmaking and counterfactualism.

Introducing Japanese Popular Culture

Introducing Japanese Popular Culture PDF Author: Alisa Freedman
Publisher: Taylor & Francis
ISBN: 1000864170
Category : Social Science
Languages : en
Pages : 440

Book Description
Specifically designed for use in a range of undergraduate and graduate courses, while reaching specialists and general readers, this second edition of Introducing Japanese Popular Culture is a comprehensive textbook offering an up-to-date overview of a wide variety of media forms. It uses particular case studies as a way into examining the broader themes in Japanese culture and provides a thorough analysis of the historical and contemporary trends that have shaped artistic production, as well as politics, society, and economics. As a result, more than being a time capsule of influential trends, this book teaches enduring lessons about how popular culture reflects the societies that produce and consume it. With contributions from an international team of scholars, representing a range of disciplines from history and anthropology to art history and media studies, the book covers: Characters Television Videogames Fan media and technology Music Popular cinema Anime Manga Spectacles and competitions Sites of popular culture Fashion Contemporary art. Written in an accessible style with ample description and analysis, this textbook is essential reading for students of Japanese culture and society, Asian media and popular culture, globalization, and Asian Studies in general. It is a go-to handbook for interested readers and a compendium for scholars.

Adult Themes

Adult Themes PDF Author: Anne Etienne
Publisher: Bloomsbury Publishing USA
ISBN: 1501375261
Category : Performing Arts
Languages : en
Pages : 273

Book Description
Between the late 1950s and mid-1970s, British cinema experienced an explosion of X-certificated films. In parallel with an era marked by social, political, and sexual ferment and upheaval, British filmmakers and censors pushed and guarded the permissible limits of violence, horror, revolt, and sexuality on screen. Adult Themes is the first volume entirely devoted to the exploration of British X certificate films across this transformative period, since identified as 'the long 1960s'. How did the British Board of Film Censors, harried on one side by the censorious and moralistic, and beset on the other by demands for greater artistic freedom, oversee and manage this provocative body of films? How did the freedoms and restrictions of the X certificate hasten, determine, and reshape post-war British cinema into an artistic, exploitational, and unapologetically adult medium? Contributors to this collection consider these central questions as they take us to swinging parties, on youthful crime sprees, into local council meetings, on police raids of cinemas, and around Soho strip clubs, and introduce us to mass murderers, lesbian vampires, apoplectic protestors, eroticised middle-aged women, and rebellious working-class men. Adult Themes examines both the workings and negotiations of British film censorship, the limits of artistic expression, and a wider culture of X certificate cinema. This is an important volume for students and scholars of British Film History and censorship, Media Studies, the 1960s, and Cultural and Sexuality Studies, while simultaneously an entertaining read for all connoisseurs of British cinema at its most vivid and scandalous.
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