Author: Alan Bullard
Publisher:
ISBN: 9781854728661
Category : Juvenile Nonfiction
Languages : en
Pages : 24
Book Description
This is a collection of progressive studies for unaccompanied flute. The studies aim to explore different aspects of the flautist's technique through the grades and include a mix of articulations, speeds, time signatures and rhythms to provide a varied repertoire. Book 1 contains 30 studies.
The Evolution of Mann
Author: Cary Ginell
Publisher: Hal Leonard Corporation
ISBN: 1480392499
Category : Biography & Autobiography
Languages : en
Pages : 241
Book Description
(Book). More than any other musician, Herbie Mann was responsible for establishing the flute as an accepted jazz instrument. Prior to his arrival, the flute was a secondary instrument for saxophonists, but Mann found a unique voice for the flute, presenting it in different musical contexts, beginning with Afro-Cuban, and then continuing with music from Brazil, the Middle East, the Caribbean, Japan, and Eastern Europe. As Mann once said, "People would say to me, 'I don't know where you are right now,' and I would respond, 'And you're not going to know where I'm going to be tomorrow.'" A self-described restless spirit, Herbie Mann also was a master at marketing himself. His insatiable curiosity about the world led him to experiment with different kinds of sounds, becoming a virtual Pied Piper of jazz. He attracted thousands to his concerts while alienating purists and critics alike. His career lasted for five decades, from his beginnings in a tiny Brooklyn nightclub to appearances on international stages. "I want to be as synonymous with the flute as Benny Goodman is for the clarinet," he was fond of saying. By the time he died of prostate cancer in 2003, he had fulfilled his desire.
Publisher: Hal Leonard Corporation
ISBN: 1480392499
Category : Biography & Autobiography
Languages : en
Pages : 241
Book Description
(Book). More than any other musician, Herbie Mann was responsible for establishing the flute as an accepted jazz instrument. Prior to his arrival, the flute was a secondary instrument for saxophonists, but Mann found a unique voice for the flute, presenting it in different musical contexts, beginning with Afro-Cuban, and then continuing with music from Brazil, the Middle East, the Caribbean, Japan, and Eastern Europe. As Mann once said, "People would say to me, 'I don't know where you are right now,' and I would respond, 'And you're not going to know where I'm going to be tomorrow.'" A self-described restless spirit, Herbie Mann also was a master at marketing himself. His insatiable curiosity about the world led him to experiment with different kinds of sounds, becoming a virtual Pied Piper of jazz. He attracted thousands to his concerts while alienating purists and critics alike. His career lasted for five decades, from his beginnings in a tiny Brooklyn nightclub to appearances on international stages. "I want to be as synonymous with the flute as Benny Goodman is for the clarinet," he was fond of saying. By the time he died of prostate cancer in 2003, he had fulfilled his desire.
Cuban Flute Style
Author: Sue Miller
Publisher: Scarecrow Press
ISBN: 0810884429
Category : Music
Languages : en
Pages : 355
Book Description
Richard Egües and José Fajardo are universally regarded as the leading exponents of charanga flute playing, an improvisatory style that crystallized in 1950s Cuba with the rise of the mambo and the chachachá. Despite the commercial success of their recordings with Orquesta Aragón and Fajardo y sus Estrellas and their influence not only on Cuban flute players but also on other Latin dance musicians, no in-depth analytical study of their flute solos exists. In Cuban Flute Style: Interpretation and Improvisation, Sue Miller—music historian, charanga flute player, and former student of Richard Egües—examines the early-twentieth-century decorative style of flute playing in the Cuban danzón and its links with the later soloistic style of the 1950s as exemplified by Fajardo and Egües. Transcriptions and analyses of recorded performances demonstrate the characteristic elements of the style as well as the styles of individual players. A combination of musicological analysis and ethnomusicological fieldwork reveals the polyrhythmic and melodic aspects of the Cuban flute style, with commentary from flutists Richard Egües, Joaquín Oliveros, Polo Tamayo, Eddy Zervigón, and other renowned players. Miller also covers techniques for flutists seeking to learn the style—including altissimo fingerings for the Boehm flute and fingerings for the five-key charanga flute—as well as guidance on articulation, phrasing, repertoire, practicing improvisation, and working with recordings. Cuban Flute Style will appeal to those working in the fields of Cuban music, improvisation, music analysis, ethnomusicology, performance and performance practice, popular music, and cultural theory.
Publisher: Scarecrow Press
ISBN: 0810884429
Category : Music
Languages : en
Pages : 355
Book Description
Richard Egües and José Fajardo are universally regarded as the leading exponents of charanga flute playing, an improvisatory style that crystallized in 1950s Cuba with the rise of the mambo and the chachachá. Despite the commercial success of their recordings with Orquesta Aragón and Fajardo y sus Estrellas and their influence not only on Cuban flute players but also on other Latin dance musicians, no in-depth analytical study of their flute solos exists. In Cuban Flute Style: Interpretation and Improvisation, Sue Miller—music historian, charanga flute player, and former student of Richard Egües—examines the early-twentieth-century decorative style of flute playing in the Cuban danzón and its links with the later soloistic style of the 1950s as exemplified by Fajardo and Egües. Transcriptions and analyses of recorded performances demonstrate the characteristic elements of the style as well as the styles of individual players. A combination of musicological analysis and ethnomusicological fieldwork reveals the polyrhythmic and melodic aspects of the Cuban flute style, with commentary from flutists Richard Egües, Joaquín Oliveros, Polo Tamayo, Eddy Zervigón, and other renowned players. Miller also covers techniques for flutists seeking to learn the style—including altissimo fingerings for the Boehm flute and fingerings for the five-key charanga flute—as well as guidance on articulation, phrasing, repertoire, practicing improvisation, and working with recordings. Cuban Flute Style will appeal to those working in the fields of Cuban music, improvisation, music analysis, ethnomusicology, performance and performance practice, popular music, and cultural theory.
How to Play Latin-American Rhythm Instruments
Author: Humberto Morales
Publisher: Alfred Music
ISBN: 9781457445927
Category : Music
Languages : en
Pages : 136
Book Description
English / Spanish. The bible of Latin patterns and sounds. This compendium of native instruments shows how each instrument plays its part of the beat. There is also a special section of supplementary timbale exercises and correctly notated Latin-rhythm instrument scores.
Publisher: Alfred Music
ISBN: 9781457445927
Category : Music
Languages : en
Pages : 136
Book Description
English / Spanish. The bible of Latin patterns and sounds. This compendium of native instruments shows how each instrument plays its part of the beat. There is also a special section of supplementary timbale exercises and correctly notated Latin-rhythm instrument scores.
The Art of Flute Playing
Author: Edwin Putnik
Publisher: Alfred Music
ISBN: 9781457400377
Category : Music
Languages : en
Pages : 100
Book Description
Edwin Putnik, like most other contributors to the The Art of series, has been a member of many prestigious symphony orchestras and university faculties. The Art of Flute Playing can aid students of all degrees of advancement. Part I is devoted to Basic Principles and Pedagogy, Part II to Artist Performance. Part I is particularly helpful not only to beginning flute students, but also to non-flutists teaching in school music programs.
Publisher: Alfred Music
ISBN: 9781457400377
Category : Music
Languages : en
Pages : 100
Book Description
Edwin Putnik, like most other contributors to the The Art of series, has been a member of many prestigious symphony orchestras and university faculties. The Art of Flute Playing can aid students of all degrees of advancement. Part I is devoted to Basic Principles and Pedagogy, Part II to Artist Performance. Part I is particularly helpful not only to beginning flute students, but also to non-flutists teaching in school music programs.
The music of Nestor Torres
Author: Nestor Torres
Publisher: Alfred Music Publishing
ISBN: 9780757913228
Category : Music
Languages : en
Pages : 84
Book Description
Nestor Torres is a versatile solo artist, composer, arranger, and educator. Nestor has chosen 16 compositions in various styles of Latin, jazz, and ballads to demonstrate and share his skills. The Performing Artist Master Class CD includes recorded excerpts of Nestor's transcribed solos, instrumental examples/demonstrations and an in-depth discussion by Nestor on topics including: jazz influences, singing while playing, double and triple tonguing, playing ballads, Latin grooves, flutter tonguing, fourth octave technique, and more. Features include: 16 condensed score leadsheets, 15 transcribed flute solos, Performing Artist Master Class CD, Discography/Biography and a high note fingering chart.
Publisher: Alfred Music Publishing
ISBN: 9780757913228
Category : Music
Languages : en
Pages : 84
Book Description
Nestor Torres is a versatile solo artist, composer, arranger, and educator. Nestor has chosen 16 compositions in various styles of Latin, jazz, and ballads to demonstrate and share his skills. The Performing Artist Master Class CD includes recorded excerpts of Nestor's transcribed solos, instrumental examples/demonstrations and an in-depth discussion by Nestor on topics including: jazz influences, singing while playing, double and triple tonguing, playing ballads, Latin grooves, flutter tonguing, fourth octave technique, and more. Features include: 16 condensed score leadsheets, 15 transcribed flute solos, Performing Artist Master Class CD, Discography/Biography and a high note fingering chart.
Jazz Flute
Author: Mitchell Kaplan
Publisher: Mel Bay Publications
ISBN: 1619110393
Category : Music
Languages : en
Pages : 97
Book Description
This book is intended for the flute player who already knows a good deal about how to read music but would like to explore a new route of expression through the nature of improvisation in jazz music. Through this book you will be exposed to the pioneers of jazz flute and how they approach jazz improvisation. This book will also teach you to improvise through the many genre of jazz. This guide will take you step by step through everything from the blues to the traditional styles of improvisation.You will improve dramatically on your technique and your tone will be enhanced as well. Through scales, patterns and other jazz improvisation techniques you will gain control of your playing.I took all the tools that you would find scattered in many texts and combined the techniques, theory, and history and put them into one big book for your convenience. I had the chance to talk first hand with some of the greatest masters of the jazz flute. I hope that when you read the interviews with these artists it will inspire you as it did me.
Publisher: Mel Bay Publications
ISBN: 1619110393
Category : Music
Languages : en
Pages : 97
Book Description
This book is intended for the flute player who already knows a good deal about how to read music but would like to explore a new route of expression through the nature of improvisation in jazz music. Through this book you will be exposed to the pioneers of jazz flute and how they approach jazz improvisation. This book will also teach you to improvise through the many genre of jazz. This guide will take you step by step through everything from the blues to the traditional styles of improvisation.You will improve dramatically on your technique and your tone will be enhanced as well. Through scales, patterns and other jazz improvisation techniques you will gain control of your playing.I took all the tools that you would find scattered in many texts and combined the techniques, theory, and history and put them into one big book for your convenience. I had the chance to talk first hand with some of the greatest masters of the jazz flute. I hope that when you read the interviews with these artists it will inspire you as it did me.