Author: Ambrose Bierce
Publisher:
ISBN: 9781405087414
Category : American fiction
Languages : en
Pages : 87
Book Description
Chitty Chitty Bang Bang
Author: Peter Bently
Publisher: Hachette UK
ISBN: 1444948229
Category : Juvenile Fiction
Languages : en
Pages : 34
Book Description
Dad started the engine. It made two loud sneezes - CHITTY! CHITTY! - and two small explosions - BANG! BANG! - and thundered into life! Join Jemima and Jeremy on a madcap adventure in the world's most famous flying car! A stunningly illustrated picture-book retelling of Ian Fleming's timeless classic - a must for every child's bookshelf! Stunning illustrations throughout bring this classic tale to life for the youngest of fans. Retold by the much-loved children's author Peter Bently and beautifully illustrated by Steve Antony, the creator of Mr Panda.
Publisher: Hachette UK
ISBN: 1444948229
Category : Juvenile Fiction
Languages : en
Pages : 34
Book Description
Dad started the engine. It made two loud sneezes - CHITTY! CHITTY! - and two small explosions - BANG! BANG! - and thundered into life! Join Jemima and Jeremy on a madcap adventure in the world's most famous flying car! A stunningly illustrated picture-book retelling of Ian Fleming's timeless classic - a must for every child's bookshelf! Stunning illustrations throughout bring this classic tale to life for the youngest of fans. Retold by the much-loved children's author Peter Bently and beautifully illustrated by Steve Antony, the creator of Mr Panda.
Introduction to Probability
Author: David F. Anderson
Publisher: Cambridge University Press
ISBN: 110824498X
Category : Mathematics
Languages : en
Pages : 447
Book Description
This classroom-tested textbook is an introduction to probability theory, with the right balance between mathematical precision, probabilistic intuition, and concrete applications. Introduction to Probability covers the material precisely, while avoiding excessive technical details. After introducing the basic vocabulary of randomness, including events, probabilities, and random variables, the text offers the reader a first glimpse of the major theorems of the subject: the law of large numbers and the central limit theorem. The important probability distributions are introduced organically as they arise from applications. The discrete and continuous sides of probability are treated together to emphasize their similarities. Intended for students with a calculus background, the text teaches not only the nuts and bolts of probability theory and how to solve specific problems, but also why the methods of solution work.
Publisher: Cambridge University Press
ISBN: 110824498X
Category : Mathematics
Languages : en
Pages : 447
Book Description
This classroom-tested textbook is an introduction to probability theory, with the right balance between mathematical precision, probabilistic intuition, and concrete applications. Introduction to Probability covers the material precisely, while avoiding excessive technical details. After introducing the basic vocabulary of randomness, including events, probabilities, and random variables, the text offers the reader a first glimpse of the major theorems of the subject: the law of large numbers and the central limit theorem. The important probability distributions are introduced organically as they arise from applications. The discrete and continuous sides of probability are treated together to emphasize their similarities. Intended for students with a calculus background, the text teaches not only the nuts and bolts of probability theory and how to solve specific problems, but also why the methods of solution work.
The Diamond Smugglers
Author: Ian Fleming
Publisher: HarperCollins
ISBN: 0063299119
Category : True Crime
Languages : en
Pages : 121
Book Description
THE TRUE STORY OF AN INTERNATIONAL CRIME RING AND ITS DOWNFALL In 1957, as the Cold War raged, Ian Fleming took a respite from writing James Bond to craft a work of nonfiction every bit as tense as a Bond adventure. Aided by an ex-MI5 agent and International Diamond Security Organization operative going by the alias “John Blaize,” Fleming chronicled the IDSO’s infiltration of the “million-carat network”―the world’s most notorious diamond smuggling ring. Every year, a shadowy band of racketeers pirated a fortune in diamonds out of Africa, and the majority of the stolen gems wound up in the hands of Communist nations. In response, the IDSO commissioned a private army, led by legendary British spymaster Sir Percy Sillitoe, to penetrate and topple the ring. When the operation was complete, the Sunday Times gave the story to Fleming, who had impressed Sillitoe with his earlier Bond adventure Diamonds Are Forever. A remarkable feat of investigative journalism, The Diamond Smugglers is the thrilling true story behind one of the greatest spy operations in history.
Publisher: HarperCollins
ISBN: 0063299119
Category : True Crime
Languages : en
Pages : 121
Book Description
THE TRUE STORY OF AN INTERNATIONAL CRIME RING AND ITS DOWNFALL In 1957, as the Cold War raged, Ian Fleming took a respite from writing James Bond to craft a work of nonfiction every bit as tense as a Bond adventure. Aided by an ex-MI5 agent and International Diamond Security Organization operative going by the alias “John Blaize,” Fleming chronicled the IDSO’s infiltration of the “million-carat network”―the world’s most notorious diamond smuggling ring. Every year, a shadowy band of racketeers pirated a fortune in diamonds out of Africa, and the majority of the stolen gems wound up in the hands of Communist nations. In response, the IDSO commissioned a private army, led by legendary British spymaster Sir Percy Sillitoe, to penetrate and topple the ring. When the operation was complete, the Sunday Times gave the story to Fleming, who had impressed Sillitoe with his earlier Bond adventure Diamonds Are Forever. A remarkable feat of investigative journalism, The Diamond Smugglers is the thrilling true story behind one of the greatest spy operations in history.
The Immortalization Commission
Author: John Gray
Publisher: Doubleday Canada
ISBN: 0307375730
Category : Social Science
Languages : en
Pages : 263
Book Description
A great philosopher will change the way you think about your life. For most of human history, religion provided a clear explanation of life and death. But in the late 19th and early 20th centuries new ideas — from psychiatry to evolution to Communist — seemed to suggest that our fate was now in our own hands. We would ourselves become God. This is the theme of a remarkable new book by one of the world's greatest lving philosophers. It is a brilliant and frightening look at the problems and opportunities of a world coming to grips with humankind's now solitary, unaided place in the universe. Gray takes two major examples: the belief that the science-backed Communism of the new USSR could reshape the planet, and the belief among a group of Edwardian intellectuals — popularized through mediums and automatic writing — that there was a non-religious form of life after death. Gray presents an extraordinary cast of philosophers, journalists, politicians, charlatans and mass murderers, all of whom felt driven by a specifically scientific and modern world view. He raises a host of fascinating questions about what it means to be human. The implications of Gray's book will haunt its readers for the rest of their lives.
Publisher: Doubleday Canada
ISBN: 0307375730
Category : Social Science
Languages : en
Pages : 263
Book Description
A great philosopher will change the way you think about your life. For most of human history, religion provided a clear explanation of life and death. But in the late 19th and early 20th centuries new ideas — from psychiatry to evolution to Communist — seemed to suggest that our fate was now in our own hands. We would ourselves become God. This is the theme of a remarkable new book by one of the world's greatest lving philosophers. It is a brilliant and frightening look at the problems and opportunities of a world coming to grips with humankind's now solitary, unaided place in the universe. Gray takes two major examples: the belief that the science-backed Communism of the new USSR could reshape the planet, and the belief among a group of Edwardian intellectuals — popularized through mediums and automatic writing — that there was a non-religious form of life after death. Gray presents an extraordinary cast of philosophers, journalists, politicians, charlatans and mass murderers, all of whom felt driven by a specifically scientific and modern world view. He raises a host of fascinating questions about what it means to be human. The implications of Gray's book will haunt its readers for the rest of their lives.
10 PRINT CHR$(205.5+RND(1)); : GOTO 10
Author: Nick Montfort
Publisher: MIT Press
ISBN: 0262304570
Category : Computers
Languages : en
Pages : 323
Book Description
A single line of code offers a way to understand the cultural context of computing. This book takes a single line of code—the extremely concise BASIC program for the Commodore 64 inscribed in the title—and uses it as a lens through which to consider the phenomenon of creative computing and the way computer programs exist in culture. The authors of this collaboratively written book treat code not as merely functional but as a text—in the case of 10 PRINT, a text that appeared in many different printed sources—that yields a story about its making, its purpose, its assumptions, and more. They consider randomness and regularity in computing and art, the maze in culture, the popular BASIC programming language, and the highly influential Commodore 64 computer.
Publisher: MIT Press
ISBN: 0262304570
Category : Computers
Languages : en
Pages : 323
Book Description
A single line of code offers a way to understand the cultural context of computing. This book takes a single line of code—the extremely concise BASIC program for the Commodore 64 inscribed in the title—and uses it as a lens through which to consider the phenomenon of creative computing and the way computer programs exist in culture. The authors of this collaboratively written book treat code not as merely functional but as a text—in the case of 10 PRINT, a text that appeared in many different printed sources—that yields a story about its making, its purpose, its assumptions, and more. They consider randomness and regularity in computing and art, the maze in culture, the popular BASIC programming language, and the highly influential Commodore 64 computer.
The Sounds of Early Cinema
Author: Richard Abel
Publisher: Indiana University Press
ISBN: 9780253108708
Category : Performing Arts
Languages : en
Pages : 350
Book Description
The Sounds of Early Cinema is devoted exclusively to a little-known, yet absolutely crucial phenomenon: the ubiquitous presence of sound in early cinema. "Silent cinema" may rarely have been silent, but the sheer diversity of sound(s) and sound/image relations characterizing the first 20 years of moving picture exhibition can still astonish us. Whether instrumental, vocal, or mechanical, sound ranged from the improvised to the pre-arranged (as in scripts, scores, and cue sheets). The practice of mixing sounds with images differed widely, depending on the venue (the nickelodeon in Chicago versus the summer Chautauqua in rural Iowa, the music hall in London or Paris versus the newest palace cinema in New York City) as well as on the historical moment (a single venue might change radically, and many times, from 1906 to 1910). Contributors include Richard Abel, Rick Altman, Edouard Arnoldy, Mats Björkin, Stephen Bottomore, Marta Braun, Jean Châteauvert, Ian Christie, Richard Crangle, Helen Day-Mayer, John Fullerton, Jane Gaines, André Gaudreault, Tom Gunning, François Jost, Charlie Keil, Jeff Klenotic, Germain Lacasse, Neil Lerner, Patrick Loughney, David Mayer, Domi-nique Nasta, Bernard Perron, Jacques Polet, Lauren Rabinovitz, Isabelle Raynauld, Herbert Reynolds, Gregory A. Waller, and Rashit M. Yangirov.
Publisher: Indiana University Press
ISBN: 9780253108708
Category : Performing Arts
Languages : en
Pages : 350
Book Description
The Sounds of Early Cinema is devoted exclusively to a little-known, yet absolutely crucial phenomenon: the ubiquitous presence of sound in early cinema. "Silent cinema" may rarely have been silent, but the sheer diversity of sound(s) and sound/image relations characterizing the first 20 years of moving picture exhibition can still astonish us. Whether instrumental, vocal, or mechanical, sound ranged from the improvised to the pre-arranged (as in scripts, scores, and cue sheets). The practice of mixing sounds with images differed widely, depending on the venue (the nickelodeon in Chicago versus the summer Chautauqua in rural Iowa, the music hall in London or Paris versus the newest palace cinema in New York City) as well as on the historical moment (a single venue might change radically, and many times, from 1906 to 1910). Contributors include Richard Abel, Rick Altman, Edouard Arnoldy, Mats Björkin, Stephen Bottomore, Marta Braun, Jean Châteauvert, Ian Christie, Richard Crangle, Helen Day-Mayer, John Fullerton, Jane Gaines, André Gaudreault, Tom Gunning, François Jost, Charlie Keil, Jeff Klenotic, Germain Lacasse, Neil Lerner, Patrick Loughney, David Mayer, Domi-nique Nasta, Bernard Perron, Jacques Polet, Lauren Rabinovitz, Isabelle Raynauld, Herbert Reynolds, Gregory A. Waller, and Rashit M. Yangirov.