Deleuze on Music, Painting, and the Arts

Author: Ronald Bogue
Publisher: Routledge
ISBN: 1317827686
Category : Philosophy
Languages : en
Pages : 246

Book Description
Bogue provides a systematic overview and introduction to Deleuze's writings on music and painting, and an assessment of their position within his aesthetics as a whole. Deleuze on Music, Painting and the Arts breaks new ground in the scholarship on Deleuze's aesthetics, while providing a clear and accessible guide to his often overlooked writings in the fields of music and painting.

Deleuze on Music, Painting, and the Arts

Author: Ronald Bogue
Publisher: Routledge
ISBN: 1317827694
Category : Philosophy
Languages : en
Pages : 234

Deleuze on Cinema

Author: Ronald Bogue
Publisher: Psychology Press
ISBN: 9780415966047
Category : Performing Arts
Languages : en
Pages : 231

Book Description
Song from the Land of Fire explores Azerbaijanian musical culture, a subject previously unexamined by American and European scholars. This book contains notations of mugham performance--a fusion of traditional poetry and musical improvisation--and analysis of hybrid genres, such as mugham-operas and symphonic mugham by native composers. Intimately connected to the awakening of Azerbaijanian national consciousness while ruled by the Russian Empire and the USSR, mugham is inseparable from the contexts in which it is produced and heard. Inna Naroditskaya provides the historical and political contexts for mugham and profiles the musicians, musical genealogies, and musical institutions of Azerbaijan.

Deleuze and Art

Author: Anne Sauvagnargues
Publisher: A&C Black
ISBN: 0826435637
Category : Philosophy
Languages : en
Pages : 241

Book Description
In Deleuze and Art Anne Sauvagnargues, one of the world's most renowned Deleuze scholars, offers a unique insight into the constitutive role played by art in the formation of Deleuze's thought. By reproducing Deleuze's social and intellectual references, Sauvagnargues is able to construct a precise map of the totality of Deleuze's work, pinpointing where key Deleuzian concepts first emerge and eventually disappear. This innovative methodology, which Sauvagnargues calls "periodization", provides a systematic historiography of Deleuze's philosophy that remains faithful to his affirmation of the principle of exteriority. By analyzing the external relations between Deleuze's self-proclaimed three philosophical periods, Sauvagnargues gives the reader an inside look into the conceptual and artistic landscape that surrounded Deleuze and the creation of his philosophy. With extreme clarity and precision, Sauvagnargues provides an important glimpse into Deleuze's philosophy by reconstructing the social and intellectual contexts that contributed to the trajectory of his thought. This book is the product of insightful and careful research, which has not been made available to English readers of Deleuze before now.

Deleuze's Wake

Author: Ronald Bogue
Publisher: SUNY Press
ISBN: 9780791460184
Category : Philosophy
Languages : en
Pages : 208

Book Description
Focuses on Deleuze's style, his conception of the self, and his understanding of philosophy's relationship to the arts.

Gilles Deleuze: Image and Text

Author: Eugene W. Holland
Publisher: A&C Black
ISBN: 082640832X
Category : Philosophy
Languages : en
Pages : 578

Book Description
An important collection of essays examining the intersections between Deleuzian philosophy and the arts.

What Is Philosophy?

Author: Gilles Deleuze
Publisher: Columbia University Press
ISBN: 0231530668
Category : Philosophy
Languages : en
Pages : 271

Book Description
Called by many France's foremost philosopher, Gilles Deleuze is one of the leading thinkers in the Western World. His acclaimed works and celebrated collaborations with Félix Guattari have established him as a seminal figure in the fields of literary criticism and philosophy. The long-awaited publication of What Is Philosophy? in English marks the culmination of Deleuze's career. Deleuze and Guattari differentiate between philosophy, science, and the arts, seeing as means of confronting chaos, and challenge the common view that philosophy is an extension of logic. The authors also discuss the similarities and distinctions between creative and philosophical writing. Fresh anecdotes from the history of philosophy illuminate the book, along with engaging discussions of composers, painters, writers, and architects. A milestone in Deleuze's collaboration with Guattari, What Is Philosophy? brings a new perspective to Deleuze's studies of cinema, painting, and music, while setting a brilliant capstone upon his work.

Thomas Hirschhorn

Author: Anna Dezeuze
Publisher: MIT Press
ISBN: 1846381444
Category : Art
Languages : en
Pages : 96

Book Description
An illustrated examination of one of Hirschhorn's “precarious” monuments, now dismantled.

Chaos, Territory, Art

Author: Elizabeth A. Grosz
Publisher: Columbia University Press
ISBN: 9780231145183
Category : Art
Languages : en
Pages : 144

Book Description
Table of Contents Acknowledgments1. Chaos. Cosmos, Territory, Architecture2. Vibration. Animal, Sex, Music3. Sensation. The Earth, a People, ArtNotes Bibliography Index.

Deleuze and Guattari

Author: Robert Porter
Publisher: University of Wales Press
ISBN: 070832231X
Category : Political Science
Languages : en
Pages : 148

Book Description
This book examines the relationship between aesthetics and politics based on the philosophies of Gilles Deleuze (1925 - 1995) and Pierre-Felix Guattari (1930 - 1992), most famous for their collabarative works Anti-Oedipus (1972) and A Thousand Plateaus (1980).Porter analyses the relationship between art and social-political life and considers in what ways the aesthetic and political connect to each other. Deleuze and Guattari believed that political theory can have aesthetic form and that vice versa, the arts can be thought to be forms of political theory. Deleuze and Guattari force us to confront the idea that 'art', the things we call language, literature, painting and architecture, always has the potential to be political because naming, or language-use, implies a shaping or ordering of the 'political' as such, rather than its re-presentation.