The A to Z of Australian and New Zealand Cinema

Author: Albert Moran
Publisher: Scarecrow Press
ISBN: 0810863472
Category : Performing Arts
Languages : en
Pages : 430

Book Description
Whether it was Jane Campion's The Piano, Mel Gibson in Mad Max, Paul Hogan in Crocodile Dundee, or The Lord of the Rings saga, we have all experienced the cinema of Australia and New Zealand. This book is an introduction and guide to the film of Australia and New Zealand. With entries on many exceptional producers, directors, writers and actors, as well as the films indicated above and many others, this reference also presents the early pioneers, the film companies and government bodies, and much more in its hundreds of cross-referenced dictionary entries. Through a chronology that shows how far these cinemas have come in a short time and an introduction that presents them more broadly, a clear portrait of the two countries' motion pictures emerge. The bibliography is an excellent source for further reading.

Directory of World Cinema: Australia and New Zealand

Author: Ben Goldsmith
Publisher: Intellect Books
ISBN: 1841503428
Category : Performing Arts
Languages : en
Pages : 341

Book Description
This addition to Intellect's Directory of World Cinema series turns the spotlight on Australia and New Zealand and offers an in-depth and exciting look at the cinema produced in these two countries since the turn of the twentieth century. Though the two nations share considerable cultural and economic connections, their film industries remain distinct, marked by differences of scale, level of government involvement and funding and relations with other countries and national cinemas. Through essays about prominent genres and themes, profiles of directors and comprehensive reviews of significant titles, this user-friendly guide explores the diversity and distinctiveness of films from Australia and New Zealand from Whale Rider to The Piano to Wolf Creek.

New Zealand Filmmakers

Author: Ian Conrich
Publisher: Wayne State University Press
ISBN: 9780814330173
Category : Business & Economics
Languages : en
Pages : 398

Book Description
The most thorough study on the filmmakers who have defined New Zealand cinema from its origins to its current successes.

Directory of World Cinema: Australia and New Zealand 2

Author: Ben Goldsmith
Publisher: Intellect Books
ISBN: 1783204818
Category : Performing Arts
Languages : en
Pages : 372

Book Description
Building on and bringing up to date the material presented in the first instalment of Directory of World Cinema: Australia and New Zealand, this volume continues the exploration of the cinema produced in Australia and New Zealand since the beginning of the twentieth century. Among the additions to this volume are in-depth treatments of the locations that feature prominently in the countries’ cinema. Essays by leading critics and film scholars consider the significance of the outback and the beach in films, which are evoked as a liminal space in Long Weekend and a symbol of death in Heaven’s Burning, among other films. Other contributions turn the spotlight on previously unexplored genres and key filmmakers, including Jane Campion, Rolf de Heer, Charles Chauvel and Gillian Armstrong. Accompanying the critical essays in this volume are more than one hundred and fifty new film reviews, complemented by film stills and significantly expanded references for further study. From The Piano to Crocodile Dundee, Directory of World Cinema: Australia and New Zealand 2 completes this comprehensive treatment of a consistently fascinating national cinema.

Historical Dictionary of Australian and New Zealand Cinema

Author: Karina Aveyard
Publisher: Rowman & Littlefield
ISBN: 1538111276
Category : Performing Arts
Languages : en
Pages : 449

Book Description
Filmmakers have honed their skills and many have achieved critical and popular success at home and abroad, as have actors and other crew. American filmmakers and companies have found it cheaper to make films in Australia because wages and salaries are lower, tax rebates have been attractive and the expertise in most areas of filmmaking is comparable to that of anywhere in the world. At the same time, Australian audiences still enjoy watching Australian films, making some of them profitable, even if this is a small profit when considered in Hollywood terms. New Zealand filmmakers, cast and crew have shown that they are equal to the world’s best in making films with international themes, while other films have shown that the world is interested in New Zealand narratives and settings. Increased support for Maori filmmakers and stories has had a significant impact on production levels and on the diversity of stories that now reach the screen. It has also helped create more viable career paths for those who continue to be based in their home country. This second edition of Historical Dictionary of Australian and New Zealand Cinema contains a chronology, an introduction, and an extensive bibliography. The dictionary section has over 700 cross-referenced entries on leading films as well as many directors, writers, actors and producers. It also covers early pioneers, film companies, genres and government bodies.

Migrant and Diasporic Film and Filmmaking in New Zealand

Author: Arezou Zalipour
Publisher: Springer
ISBN: 9811313792
Category : Social Science
Languages : en
Pages : 211

Book Description
This book is the first ever collection on diasporic screen production in New Zealand. Through contributions by a diverse range of local and international scholars, it identifies the central characteristics, histories, practices and trajectories of screen media made by and/or about migrant and diasporic peoples in New Zealand, including Asians, Pacific Islanders and other communities. It addresses issues pertinent to representation of migrant and diasporic life and experience on screen, and showcases critical dialogues with directors, scriptwriters, producers and other key figures whose work reflects experiences of migration, diaspora and multiculturalism in contemporary New Zealand. With a foreword by Hamid Naficy, the key theorist of accented cinema, this comprehensive collection addresses essential questions about migrant, multicultural and diasporic screen media, policies of representation, and the new aesthetic styles and production regimes emerging from New Zealand film and TV. Migrant and Diasporic Film and Filmmaking in New Zealand is a touchstone for emerging work concerned with migration, diaspora and multiculturalism in New Zealand’s screen production and practice.

A Decade of New Zealand Film

Author: Nicholas Reid
Publisher:
ISBN:
Category : Performing Arts
Languages : en
Pages : 164

Book Description

The Connected Screenwriter

Author: Barry Turner
Publisher: Macmillan
ISBN: 9780312545253
Category : Performing Arts
Languages : en
Pages : 308

Book Description
"The Connected Screenwriter is the essential guide for all aspiring, new, and established writers for the screen. Covering every aspect of scriptwriting for the small and big screen, this guide includes hundreds of useful, easy-to-search, detailed contact entries ranging from courses, societies, and grants to representation and production companies. Along with provocative articles and valuable advice from top creators in the industry, this is the only practical guide that provides the most comprehensive information for all screenwriters." --Book Jacket.

The Screenwriter's Handbook

Author: Barry Turner
Publisher: Macmillan
ISBN: 9780312379544
Category : Performing Arts
Languages : en
Pages : 356

Book Description
Encompassing thousands of entries that cover every aspect of the screenwriter's trade, a valuable resource features articles, essays, advice, and insider's tips from leading scriptwriters on topics including British and U.S. film and TV companies, agents, contracts, copyrights, markets, and more. Original. 20,000 first printing.

TV Drama in the Multiplatform Era

Author: Trisha Dunleavy
Publisher: Springer Nature
ISBN: 3031355857
Category : Performing Arts
Languages : en
Pages : 316

Book Description
This edited collection examines a new phase in the creation of transnational high-end drama in television’s current multiplatform era. Fuelled by the wider international exposure that internet distribution has brought to TV shows, this phase for high-end drama is one of unprecedented budgets and costs, frequent transnational coproduction and increased cultural diversification. While this drama continues to be facilitated by national broadcasters, fuelling the above trio of influences upon it has been the commissioning activity of multinational subscription-video-on-demand (SVoD) providers. This book showcases leading examples of transnational TV drama, produced outside the US, yet involving collaboration with US-owned SVoDs. It foregrounds some new potentials for drama creation in the context of its strategic importance to providers as different as national broadcasters and multinational SVoDs. This book helps to explain why today’s high-end dramas are demonstrating new elements of cultural specificity despite their common objective to engage a diverse international audience.