Author: Anthony Domestico Publisher: JHU Press ISBN: 1421423324 Category : Literary Criticism Languages : en Pages : 183
Book Description
What if the religious themes and allusions in modernist poetry are not just metaphors? Following the religious turn in other disciplines, literary critics have emphasized how modernists like Woolf and Joyce were haunted by Christianity’s cultural traces despite their own lack of belief. In Poetry and Theology in the Modernist Period, Anthony Domestico takes a different tack, arguing that modern poets such as T. S. Eliot, W. H. Auden, and David Jones were interested not just in the aesthetic or social implications of religious experience but also in the philosophically rigorous, dogmatic vision put forward by contemporary theology. These poets took seriously the truth claims of Christian theology: for them, religion involved intellectual and emotional assent, doctrinal articulation, and ritual practice. Domestico reveals how an important strand of modern poetry actually understood itself in and through the central theological questions of the modernist era: What is transcendence, and how can we think and write about it? What is the sacramental act, and how does its wedding of the immanent and the transcendent inform the poetic act? How can we relate kairos (holy time) to chronos (clock time)? Seeking answers to these complex questions, Domestico examines both modernist institutions (the Criterion) and specific works of modern poetry (Eliot’s Four Quartets and Jones’s The Anathemata). The book also traces the contours of what it dubs “theological modernism”: a body of poetry that is both theological and modernist. In doing so, this book offers a new literary history of the modernist period, one that attends both to the material circulation of texts and to the broader intellectual currents of the time.
Author: David 1895-1974 Jones Publisher: Hassell Street Press ISBN: 9781013653452 Category : Languages : en Pages : 260
Book Description
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Author: David Jones Publisher: National Poetry Foundation ISBN: Category : Poetry Languages : en Pages : 252
Book Description
David Jones is regarded by many to be one of the great writers of the modern age. T.S. Eliot called "In Parenthesis" "a work of genius" and W.H. Auden wrote that "The Anathemata" "is probably the finest long poem written in English in this century". In addition to generous selections from these two book-length poems, this volume includes "The Tribune's Visitation", "The Tutelar of the Place", "The Hunt", and an except from the title poem from "The Sleeping Lord", the books Jones published shortly before his death.
Author: Thomas Dilworth Publisher: Random House ISBN: 1473547571 Category : Biography & Autobiography Languages : en Pages : 675
Book Description
The first full biography of a neglected genius and one of the great Modernists, lavishly illustrated in colour throughout ‘I would like to have done anything as good as David Jones has done’ Dylan Thomas As a poet, visual artist and essayist, David Jones is one of the great Modernists. The variety of his gifts reminds us of Blake – though he is a better poet and a greater all-round artist. Jones was an extraordinary engraver, painter and creator of painted inscriptions, but he also belongs in the first rank of twentieth-century poets. Though he was admired by some of the finest cultural figures of the twentieth century, David Jones is not known or celebrated in the way that Eliot, Beckett or Joyce have been. His work was occasionally as difficult as theirs, but it is just as rewarding – and more various. He is overlooked because his best writing is imbedded in two book-length prose-poems – In Parenthesis and The Anathemata, making it difficult to anthologise; the work is informed by his Catholic faith and so may feel unfashionable in this secular age; he was a shy, reclusive man, psychologically damaged by his time in the trenches, and loathed any kind of self-promotion. Mostly, though, he was a complete and original poet-artist – sui generis, impossible to pigeon-hole – and that has led to the neglect of David Jones: a true genius and the great lost Modernist.
Author: David Jones Publisher: Bloomsbury Publishing ISBN: 1350052078 Category : Poetry Languages : en Pages : 296
Book Description
Drawing on new archival discoveries, this book presents an authoritative reconstruction of David Jones's The Grail Mass, the unfinished and unpublished project from which came both his masterpiece The Anathemata – a work described by W.H. Auden as 'one of the most important poems of our times' – and The Sleeping Lord and other fragments, his final collection. With detailed commentary on the development and reconstruction of the text, this edition provides a full picture of Jones's literary endeavours over the second half of his life and further establishes his status as a major figure in the first wave of British modernist writers alongside T.S. Eliot and James Joyce. In addition to the text of The Grail Mass, this edition includes a number of unpublished fragments by Jones that emerged from this larger project, complete with textual commentaries.
Author: Beverly Taylor Publisher: Boydell & Brewer Ltd ISBN: 0859911365 Category : History Languages : en Pages : 394
Book Description
The revival of interest in Arthurian legend in the 19th century was a remarkable phenomenon, apparently at odds with the spirit of the age. Tennyson was widely criticised for his choice of a medieval topic; yet The Idylls of the Kingwere accepted as the national epic, and a flood of lesser works was inspired by them, on both sides of the Atlantic. Elisabeth Brewer and Beverly Taylor survey the course of Arthurian literature from 1800 to the present day, and give an account of all the major English and American contributions. Some of the works are well-known, but there are also a host of names which will be new to most readers, and some surprises, such as J. Comyns Carr's King Arthur, rightly ignored as a text, but a piece oftheatrical history, for Sir Henry Irving played King Arthur, Ellen Terry was Guinevere, Arthur Sullivan wrote the music, and Burne-Jones designed the sets. The Arthurian works of the Pre-Raphaelites are discussed at length, as are the poemsof Edward Arlington Robinson, John Masefield and Charles Williams. Other writers have used the legends as part of a wider cultural consciousness: The Waste Land, David Jones's In Parenthesis and The Anathemata, and the echoes ofTristan and Iseult in Finnigan's Wake are discussed in this context. Novels on Arthurian themes are given their due place, from the satirical scenes of Thomas Love Peacock's The Misfortunes of Elphin and Mark Twain's A Connecticut Yankee at King Arthur's Court to T.H. White's serio-comic The Once and Future King and the many recent novelists who have turned away from the chivalric Arthur to depict him as a Dark Age ruler. The Return of King Arthurincludes a bibliography of British and American creative writing relating to the Arthurian legends from 1800 to the present day.
Author: Mike Carey Publisher: Orbit ISBN: 0316478709 Category : Fiction Languages : en Pages : 417
Book Description
Author of The Girl With All the Gifts Mike Carey presents the fourth book in his hip supernatural thriller series featuring freelance exorcist Felix Castor. Old ghosts are coming back to haunt Felix. Names and faces he thought he'd left behind in Liverpool resurface in London, bringing Felix far more trouble than he'd anticipated. Childhood memories, family traumas, sins old and new, and a council estate that was meant to be a modern utopia until it turned into something like hell. . ..These are just some of the sticks life uses to beat Felix Castor with, as things go from bad to worse for London's favorite freelance exorcist. See, Castor's stepped over the line this time, and he knows he'll have to pay. The only question is: how much? Not the best of times, then, for an unwelcome confrontation with his holier-than-thou brother, Matthew. And just when he thinks things can't possibly get any worse, along comes Father Gwilliam and the Anathema. Oh joy. . .
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