This Is Not a Pipe

Author: Michel Foucault
Publisher: Univ of California Press
ISBN: 0520353412
Category : Art
Languages : en
Pages : 122

Book Description
What does it mean to write "This is not a pipe" across a bluntly literal painting of a pipe? René Magritte's famous canvas provides the starting point for a delightful homage by French philosopher and historian Michel Foucault. Much better known for his incisive and mordant explorations of power and social exclusion, Foucault here assumes a more playful stance. By exploring the nuances and ambiguities of Magritte's visual critique of language, he finds the painter less removed than previously thought from the pioneers of modern abstraction.

Magritte

Author: Alex Danchev
Publisher: Pantheon
ISBN: 0307908194
Category : Biography & Autobiography
Languages : en
Pages : 513

Book Description
The first major biography of the pathbreaking, perpetually influential surrealist artist and iconoclast whose inspiration can be seen in everyone from Jasper Johns to Beyoncé—by the celebrated biographer of Cézanne and Braque In this thought-provoking life of René Magritte (1898-1967), Alex Danchev makes a compelling case for Magritte as the single most significant purveyor of images to the modern world. Magritte’s surreal sensibility, deadpan melodrama, and fine-tuned outrageousness have become an inescapable part of our visual landscape, through such legendary works as The Treachery of Images (Ceci n’est pas une pipe) and his celebrated iterations of Man in a Bowler Hat. Danchev explores the path of this highly unconventional artist from his middle-class Belgian beginnings to the years during which he led a small, brilliant band of surrealists (and famously clashed with André Breton) to his first major retrospective, which traveled to the United States in 1965 and gave rise to his international reputation. Using 50 color images and more than 160 black-and-white illustrations, Danchev delves deeply into Magritte’s artistic development and the profound questions he raised in his work about the very nature of authenticity. This is a vital biography for our time that plumbs the mystery of an iconoclast whose influence can be seen in everyone from Jasper Johns to Beyoncé.

Magritte

Author: Didier Ottinger
Publisher: Prestel
ISBN: 9783791355986
Category : Surrealism
Languages : en
Pages : 0

Book Description
This major new book on René Magritte offers fresh interpretations of the artist's use of symbols and imagery to articulate his particular brand of surrealism. In this beautiful monograph, a collection of revelatory essays focuses on five common images in René Magritte's work--fire, shadows, curtains, words, and the fragmented body. Featuring vibrant reproductions of more than 100 works, this book helps readers understand how the artist employed these images in ways both deceptive and realistic. The book explores how he distorted accepted interpretations of classic symbols; why he so often used words as elements of his paintings; and how he applied aspects of the theater in his works. As Magritte's paintings have become subsumed by the very commercialism they sought to ridicule, this volume takes a fresh look at an artist whose familiarity masks an incredible gift for deception and rapier-like intellect.

This is Not a Pipe Dream

Author: Barry Kornhauser
Publisher: Anchorage Press (UK)
ISBN: 9780876023167
Category : Children's plays, American
Languages : en
Pages : 46

Book Description

Secret Affinities

Author: René Magritte
Publisher: Rice University, Institute for the Arts Catalogues
ISBN:
Category : Art
Languages : fr
Pages : 36

Book Description

Magritte

Author: Vincent Zabus
Publisher: SelfMadeHero
ISBN: 9781910593370
Category : Biography & Autobiography
Languages : en
Pages : 0

Book Description
After donning a bowler hat that once belonged to Renâe Magritte, a man unwittingly enters the artist's off-kilter world. He must uncover the secrets of Magritte's life and work or be doomed to wear the hat forever.

René Magritte

Author: René Magritte
Publisher:
ISBN: 9781517901233
Category : Art
Languages : en
Pages : 0

Book Description
Available for the first time in an English translation, this selection of Ren� Magritte's writings gives non-Francophone readers the chance to encounter the many incarnations of the renowned Belgian painter--the artist, the man, the aspiring noirist, the fire-breathing theorist--in his own words. Through whimsical personal letters, biting apologia, appreciations of fellow artists, pugnacious interviews, farcical film scripts, prose poems, manifestos, and much more, a new Magritte emerges: part Surrealist, part literalist, part celebrity, part rascal.While this book is sure to appeal to admirers of Magritte's art and those who are curious about his personal life, there is also much to delight readers interested in the history and theory of art, philosophy and politics, as well as lovers of creativity and the inner workings of a probing, inquisitive mind unrestricted by genre, medium, or fashion.

Iconicity in Cognition and across Semiotic Systems

Author: Sara Lenninger
Publisher: John Benjamins Publishing Company
ISBN: 9027257574
Category : Language Arts & Disciplines
Languages : en
Pages : 423

Book Description
This volume investigates iconicity as to both comprehension and production of meaning in language, gesture, pictures, art and literature. It highlights iconic processes in meaning-making and interpretation across different semiotic systems at structurally, historically and pragmatically different levels of iconicity, with special focus on Cognitive Semiotics. Exploring the ubiquity of iconicity in verbal, visual and gestural communication, these contributions discuss it from the point of view of human meaning-making, examined as a phenomenon that is experienced, embodied and often polysemiotic in nature.

Liminality and Experience

Author: Paul Stenner
Publisher: Springer
ISBN: 1137272112
Category : Psychology
Languages : en
Pages : 303

Book Description
This book breathes new life into the study of liminal experiences of transition and transformation, or ‘becoming’. It brings fresh insight into affect and emotion, dream and imagination, and fabulation and symbolism by tracing their relation to experiences of liminality. The author proposes a distinctive theory of the relationship between psychology and the social sciences with much to share with the arts. Its premise is that psychosocial existence is not made of ‘stuff’ like building blocks, but of happenings and events in which the many elements that compose our lives are temporarily drawn together. The social is not a thing but a flow of processes, and our personal subjectivity is part of that flow, ‘selves’ being tightly interwoven with ‘others’. But there are breaks and ruptures in the flow, and during these liminal occasions our experience unravels and is rewoven. This book puts such moments at the core of the psychosocial research agenda. Of transdisciplinary scope, it will appeal beyond psychosocial studies and social psychology to all scholars interested in the interface between experience and social (dis)order.

Foucault on Painting

Author: Catherine M. Soussloff
Publisher: U of Minnesota Press
ISBN: 1452955050
Category : Philosophy
Languages : en
Pages : 260

Book Description
Michel Foucault had been concerned about painting and the meaning of the image from his earliest publications, yet this aspect of his thought is largely neglected within the disciplines of art history and aesthetic theory. In Foucault on Painting, Catherine M. Soussloff argues that Foucault’s sustained engagement with European art history critically addresses present concerns about the mediated nature of the image in the digital age. Foucault’s writing on painting covers four discrete periods in European art history (seventeenth-century southern Baroque, mid-nineteenth century French painting, Surrealism, and figurative painting in the 1960s and ‘70s) as well as five individual artists: Velázquez, Manet, Magritte, Paul Reyberolle, and Gérard Fromanger. As Soussloff reveals in this book, Foucault followed a French intellectual tradition dating back to the seventeenth century, which understands painting as a separate area of knowledge. Painting, a practice long considered silent in its operations and effects, afforded Foucault an ideal discipline to think about history and philosophy simultaneously. Using a comparative approach grounded in art history and aesthetics, Soussloff explores the meaning of painting for Foucault’s philosophy, and for contemporary art theory, proposing a new relevance for a Foucauldian view of ethics and the pleasures and predicaments of contemporary existence.