Mallarmé on Fashion

Author: Stéphane Mallarmé
Publisher:
ISBN:
Category : Design
Languages : en
Pages : 240

Book Description
In 1874, Stephane Mallarme, the great French poet, undertook a highly idiosyncratic project--the publication of a fashion magazine called La Derniere Mode (The Latest Fashion)--that he almost single-handedly compiled. Using a variety of feminine and masculine pseudonyms to theorize about fashion and to advise on popular vacation destinations, home furnishings, and entertainment, Mallarmé created a spectacularly original work. The distinguishing feature of Mallarme's magazine is that it explores the nature of fashion from the inside. While it is a genuine fashion magazine, it also satirizes the entire genre. Various theories have been entertained about the work: it has been viewed as a prose poem, a hoax, and a cynical money-making venture. Furbank and Cain, however, argue that such guesses are hopelessly off the mark. Complete with the original artwork and a contextualizing introduction and commentary, this is the definitive translation of one of French literature's greatest enigmas.

Mallarmé in Prose

Author: Stéphane Mallarmé
Publisher: New Directions Publishing
ISBN: 9780811214513
Category : Literary Collections
Languages : en
Pages : 164

Book Description
A number of sections are devoted to Mallarme's great magazine of wit and opinion, La Derniere Mode, or The Latest Fashion, every page of which he wrote himself under various pseudonyms of both genders.

Tigersprung

Author: Ulrich Lehmann
Publisher: MIT Press
ISBN: 9780262621717
Category : Architecture
Languages : en
Pages : 586

Book Description
The history of modernity written as a philosophy if fashion, set in the cultural framework of Paris.

Selected Poetry and Prose

Author: Stéphane Mallarmé
Publisher: New Directions Publishing
ISBN: 9780811208239
Category : Literary Collections
Languages : en
Pages : 148

Book Description
The essential work of Mallarmé, collected in a bilingual French and English edition.

Divagations

Author: Stphane Mallarm
Publisher: Harvard University Press
ISBN: 0674032403
Category : Literary Criticism
Languages : en
Pages : 313

Book Description
"This is a book just the way I don't like them," the father of French Symbolism, Stphane Mallarm, informs the reader in his preface to Divagations: "scattered and with no architecture." On the heels of this caveat, Mallarm's diverting, discursive, and gorgeously disordered 1897 masterpiece tumbles forth--and proves itself to be just the sort of book his readers like most. The salmagundi of prose poems, prose-poetic musings, criticism, and reflections that is Divagations has long been considered a treasure trove by students of aesthetics and modern poetry. If Mallarm captured the tone and very feel of fin-de-sicle Paris, he went on to captivate the minds of the greatest writers of the twentieth century--from Valry and Eliot to Paul de Man and Jacques Derrida. This was the only book of prose he published in his lifetime and, in a new translation by Barbara Johnson, is now available for the first time in English as Mallarm arranged it. The result is an entrancing work through which a notoriously difficult-to-translate voice shines in all of its languor and musicality. Whether contemplating the poetry of Tennyson, the possibilities of language, a masturbating priest, or the transporting power of dance, Mallarm remains a fascinating companion--charming, opinionated, and pedantic by turns. As an expression of the Symbolist movement and as a contribution to literary studies, Divagations is vitally important. But it is also, in Johnson's masterful translation, endlessly mesmerizing.

Collected Poems and Other Verse

Author: Stéphane Mallarmé
Publisher: OUP Oxford
ISBN: 0191623091
Category : Poetry
Languages : en
Pages : 316

Book Description
'sense too definite cancels your indistinct literature' Stéphane Mallarmé was the most radically innovative of nineteenth-century poets. His writings, with their richly sensuous texture and air of slyly intangible mystery, perplexed or outraged many early readers; yet no writer has more profoundly influenced the course of modern poetry - in English as well as in French. In both form and content, his poems created new ways of conveying existential doubt, fragmentation, and discontinuity. This is the fullest collection of Mallarmé's poetry ever published in English, and the only edition in any language that presents his Poésies in the last arrangement known to have been approved by the author. Apart from verse, it includes all the prose poems and the unique, unclassifiable Un Coup de dés... (A Dice Throw...). The lucid, wide-ranging introduction and invaluable notes help an understanding of this astonishing poet's work. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

Mallarme On Fashion:

Author: Stephane Mallarme
Publisher:
ISBN: 9788170462842
Category :
Languages : en
Pages : 288

Book Description
In the later months of 1874, the great French poet, Stéphane Mallarmé, undertook a highly idiosyncratic project the publication of a fashion magazine (La Dernière Mode) that he almost single-handedly wrote and edited. Using a variety of feminine and masculine pseudonyms to theorize about the concept of fashion and to report and advise on women s clothing, popular vacation destinations, home furnishings and entertainment, Mallarmé created a spectacularly original work that lies somewhere between Baudelaire s seminal treatment of fashion in his essay on modernity, The Painter of Modern Life, and The Fashion System, Barthes brilliant semiology of clothing in the latter twentieth century. But the distinguishing feature of Mallarmé s magazine, and what differentiates it from the writing of Baudelaire and Barthes, is that it explores the nature of fashion from the inside. It is a genuine fashion magazine aspiring to lead fashion, though at the same time, by ingenious and appealing ironies, subtly satirizing this whole genre of writing. Complete with the original artwork and a contextualizing introduction and commentary, Furbank and Cain s definitive translation of one of French literature s greatest puzzles and surprises represents a major contribution to students, critics, theoreticians, and intellectual historians alike.

The Book as Instrument

Author: Anna Sigrídur Arnar
Publisher:
ISBN: 9780226027012
Category : Artists' books
Languages : en
Pages : 0

Book Description
Anna Sigrídur Arnar explores how the book became a stretegic site for encouraging a modern public to actively partake in the creative act, an idea that informed later 20-century developments such as conceptual and performance art.

Impressionism, Fashion & Modernity

Author: Metropolitan Museum of Art (New York, N.Y.)
Publisher:
ISBN:
Category : Art, French
Languages : en
Pages : 344

Book Description
"This volume is the first to explore fashion as a critical aspect of modernity, one that paralleled and many times converged with the development of Impressionism, starting in the 1860s and continuing through the next two decades, when fashion attracted the foremost writers and artists of the day. Although fashionable subjects have been depicted throughout history, for many artists and writers, including Charles Baudelaire, Stéphanie, Mallarmé, Êmile Zola, Gustave Caillebotte, Edgar Degas, Édouard Manet, Claude Monet, Berthe Morisot, and Pierre-Auguste Renoir, fashion became integral to the search for new literary and visual expression."--Book jacket.

The Book

Author: Stéphane Mallarmé
Publisher:
ISBN: 9781878972422
Category : Poetry
Languages : en
Pages : 240

Book Description
The French poet Stephane Mallarme (1842-1898) was modernism's great champion of the book as both a conceptual and material entity: probably his most famous pronouncement is 'everything in the world exists in order to end up as a book.' The Book was Mallarme's total artwork, a book to encompass all books. Frequently quoted, sometimes excerpted, but never before translated in its entirety, The Book is a visual poem about its own construction, the scaffolding of a cosmic architecture intended to reveal 'all existing relations between everything.'