Arcana VI

Author: John Zorn
Publisher: Arcana
ISBN: 9780978833756
Category : Music
Languages : en
Pages : 0

Book Description
A major resource for new music theory and practice in the twenty-first century, the acclaimed Arcana series looks at the inner workings of the artistic process through manifestoes, scores, interviews, notes and critical papers written by the practitioners themselves, providing insight into the work, mind and methodologies of some of the most remarkable creative minds of our time. Contributors to this volume include Duck Baker, Eve Beglarian, Karl Berger, Chuck Bettis, Claire Chase, Anna Clyne, John Corigliano, Jeremiah Cymerman, David Fulmer, Jeff Gauthier, Alan Gilbert, Judd Greenstein, Mary Halvorson, Hillary Hahn, Jesse Harris, David Lang, Mary Jane Leach, Steve Lehman, Steve Mackey, Rudresh Mahanthappa, Denman Maroney, Brad Mehldau, Jessica Pavone, Toby Picker, Gyan Riley, Jon Rose, Steve Schick, Jen Shyu, Dave Taylor, Richard Teitelbaum, Julia Wolfe, Kenny Wollesen, Nate Wooley and Charles Wuorinen.

Arcana IV

Author: John Zorn
Publisher: Arcana
ISBN: 9780978833787
Category : Music
Languages : en
Pages : 0

Book Description
Now in its fourth installment, with a fifth in preparation, John Zorn's acclaimed Arcana series provides insight into the work and methodologies of some of the most creative musical minds of our time. Rather than an attempt to distill or define a musician's work, Arcana IV illuminates directly via personal vision and experience, through the undiluted words and thoughts of the practitioners themselves, elucidating through manifestos, scores, interviews, notes and critical papers, composer/performers address composing, improvising, teaching, living, touring and thinking in and through music. Essential for composers, musicians, students and fans alike, this challenging and original series has now become the major source on new music theory and practice in the twenty-first century. Among Arcana IV's contributors are the late Derek Bailey, Nels Cline, Chris Cutler, Paul Dresher, Kenneth Gaburo, Shelley Hirsch, Wayne Horvitz, Vijay Iyer, Gordon Mumma, Matana Roberts, Katherine Supové and Carolyn Yarnell.

Composing Community in Late Medieval Music

Author: Jane D. Hatter
Publisher: Cambridge University Press
ISBN: 1108474918
Category : Art
Languages : en
Pages : 301

Book Description
An exploration of what self-referential compositions reveal about late medieval musical networks, linking choirboys to canons and performers to theorists.

Arcana VIII

Author: John Zorn
Publisher: Arcana
ISBN: 9780978833732
Category : Music
Languages : en
Pages : 280

Book Description
Initiated in 1997 and now in its eighth installment, John Zorn's acclaimed Arcana series is a major source of new music theory and practice in the 21st century. This special anniversary edition presents writings spanning classical music, jazz, rock, improvisation, world music, film soundtracks and more by exciting young artists, established masters and visionary mavericks, including Jad Atoui, Steve Beresford, Per Bloland, Brian Chase, Kris Davis, Robert Dick, Rinde Eckert, Wendy Eisenberg, Harris Eisenstadt, Suzanne Farrin, Dave Fiuczynski, David Garland, Michael Gordon, Simon Hanes, Barbara Hannigan, John Hollenbeck, Matt Hollenberg, Jon Irabagon, Julian Lage, Ava Mendoza, Matt Mitchell, Nicole Mitchell, Vadim Neselovskyi, Linda May Han Oh, Shane Parish, Chris Pitsiokos, Sofia Rei, Ted Reichman, Sara Serpa, Marc Urselli, Ken Vandermark and Dan Weiss.

Arcana

Author: John Zorn
Publisher: Hips Road/Tzadik
ISBN:
Category : Music
Languages : en
Pages : 392

Book Description
Experimental music has been called "difficult," perhaps more in relation to the open-mindedness needed to let it settle between your ears than the break from traditional technique required to play it. But does that explain the scarcity of critical writing about this music form relative to visual arts -- film, photography, sculpture, painting -- that also use experimentation as a main creative force? Arcana: Musicians on Music is an answer to that call. Delving into recent development in avantgarde music, this long overdue anthology looks at the current generation of experimental players and composers. Collecting writings, working notes, scores, interviews, and manifestos, editor John Zarn gets deep under the surface of experimental music, and looks at the creative methods and philosophies of some of the most innovative experimental musicians. Among the 29 contributors are: Mark Dresser, John Oswald, Marilyn Crispell, Bill Frisell, Ikue Mari, Larry Ochs, Elliott Sharp, Anthony Coleman, Fred Frith,David Roseboom, George Lewis, Guy Klucevsek, Peter Garland, Z'ev, and Gerry Hemmingway. Containing discographies and bios on the musicians presented, this book is an excellent resource for fans and critics as well as a good introduction for the curious.

Unknown MIR Title

Author:
Publisher: Branch Line Video
ISBN: 9780978833718
Category : Music
Languages : en
Pages : 372

Book Description
The final installment of John Zorn's major series of new music theory, with Oren Ambarchi, Peter Blegvad, Annea Lockwood, Henry Threadgill and many more Initiated in 1997 and now in its tenth and final installment, John Zorn's acclaimed Arcanaseries is a major source of new music theory and practice in the 21st century. Illuminating directly via the personal vision and experience of the practitioners themselves, who experience music not from a cool, safe distance, but from the white-hot center of the creative crucible itself, Arcanaelucidates through essays, manifestos, scores, interviews, notebooks and critical papers. Over 25 years the ten volumes of Arcanahave presented the writings of over 300 of the most extraordinary musical thinkers of our time, who address composing, performing, improvising, touring, collaborating, living and thinking about music from diverse, refreshing and often surprising perspectives. Technical, philosophical, political, artistic and mystical in nature, these writings provide direct connections to the creative processes and hidden stratagems of musicians from the worlds of classical, rock, jazz, film soundtrack, improvised music and more. Contributors include: Susan Alcorn, Oren Ambarchi, Ran Blake, Peter Blegvad, Tyondai Braxton, Patricia Brennan, John Butcher, Ben Coniguliaro, Amir Elsaffar, Kenny Grohowski, Tom Guralnick, Mark Helias, David Hertzberg, Stefan Jackiw, Dan Kaufman, Derek Keller, Richard Kessler, Pauline Kim, Ulrich Krieger, Hannah Lash, Dan Lippel, Annea Lockwood, Dave Lombardo, Charlie Looker, Thomas Morgan, Stephen O'Malley, Laura Ortman, Alex Paxton, Alexandria Smith, Conrad Tao, Pat Thomas, Henry Threadgill, Anna Webber, Fay Victor, Christian Wolff and Miguel Zenon.

Instruments for New Music

Author: Thomas Patteson
Publisher: Univ of California Press
ISBN: 0520288025
Category : Music
Languages : en
Pages : 251

Book Description
Listening to instruments -- "The joy of precision" : mechanical instruments and the aesthetics of automation -- "The alchemy of tone" : Jörg Mager and electric music -- "Sonic handwriting" : media instruments and musical inscription -- "A new, perfect musical instrument" : the trautonium and electric music in the 1930s -- The expanding instrumentarium

The Rest Is Noise

Author: Alex Ross
Publisher: Farrar, Straus and Giroux
ISBN: 1429932880
Category : Music
Languages : en
Pages : 706

Book Description
Winner of the 2007 National Book Critics Circle Award for Criticism A New York Times Book Review Top Ten Book of the Year Time magazine Top Ten Nonfiction Book of 2007 Newsweek Favorite Books of 2007 A Washington Post Book World Best Book of 2007 In this sweeping and dramatic narrative, Alex Ross, music critic for The New Yorker, weaves together the histories of the twentieth century and its music, from Vienna before the First World War to Paris in the twenties; from Hitler's Germany and Stalin's Russia to downtown New York in the sixties and seventies up to the present. Taking readers into the labyrinth of modern style, Ross draws revelatory connections between the century's most influential composers and the wider culture. The Rest Is Noise is an astonishing history of the twentieth century as told through its music.

The Palgrave Encyclopedia of Imperialism and Anti-Imperialism

Author: Immanuel Ness
Publisher: Springer
ISBN: 0230392784
Category : History
Languages : en
Pages : 1443

Book Description
The Palgrave Encyclopedia Imperialism and Anti-Imperialism objectively presents the prominent themes, epochal events, theoretical explanations, and historical accounts of imperialism from 1776 to the present. It is the most historically and academically comprehensive examination of the subject to date.

Voicetracks

Author: Norie Neumark
Publisher: MIT Press
ISBN: 0262339846
Category : Art
Languages : en
Pages : 231

Book Description
The affects, aesthetics, and ethics of voice in the new materialist turn, explored through encounters with creative works in media and the arts. Moved by the Aboriginal understandings of songlines or dreaming tracks, Norie Neumark's Voicetracks seeks to deepen an understanding of voice through listening to a variety of voicing/sound/voice projects from Australia, Europe and the United States. Not content with the often dry tone of academic writing, the author engages a “wayfaring” process that brings together theories of sound, animal, and posthumanist studies in order to change the ways we think about and act with the assemblages of living creatures, things, places, and histories around us. Neumark evokes both the literal—the actual voices within the works she examines—and the metaphorical—in a new materialist exploration of voice encompassing human, animal, thing, and assemblages. She engages with artists working with animal sounds and voices; voices of place, placed voices in installation works; voices of technology; and “unvoicing,” disturbances in the image/voice relationship and in the idea of what voice is. She writes about remixes, the Barbie Liberation Organisation, and breath in Beijing, about cat videos, speaking fences in Australia, and an artist who reads (to) the birds. Finally, she considers ethics and politics, and describes how her own work has shaped her understandings and apprehensions of voice.