Author: Timothy Clark
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 200
Book Description
Kawanabe Kyosai (1831-1889), described as The Intoxicated Demon of Painting - who could paint a 50-foot theatre curtain in four hours - was a serious student of earlier styles, producing meticulous scrolls of beauties and Buddhist deities. He was also a comic artist of crazy pictures and political satires.
Night Parade of Hell Creatures
Author: Gyosai Kawanabe
Publisher: Creation Books
ISBN: 9781840683097
Category : Art, Japanese
Languages : en
Pages : 0
Book Description
Kawanabe Kyosai (1831-89) was only 6 years old when he joined the school of the great ukiyo-e master Utagawa Kuniyoshi, along with such fellow pupils as Yoshitoshi, who followed him in 1850. Later Kyosai studied traditional Japanese painting at the Kano school. As befits this varied apprenticeship, Kyosai would embrace many styles and methods during his artistic career. His eclectic approach may also be partly attributable to a legendary sake-drinking habit, which could account for the more bizarre extremes of his chosen subject matter -- in particular, weird demons and the bloody tortures of Hell. Kyosai can now be regarded as not only one of the last true ukiyo-e masters, but also as one of the first truly modernist painters of Japan. "Night Parade Of Hell Creatures", edited by Jack Hunter (who also edited the ground-breaking extreme ukiyo-e anthology "Dream Spectres"), collects and considers over 100 of Kyosai's most innovative, demented and bizarre images -- including multiple yokai, ghosts and demons -- presented in large-format and full-colour throughout. The Ukiyo-e Master Series: presenting seminal collections of art by the greatest print-designers and painters of Edo-period and Meiji-period Japan.
Publisher: Creation Books
ISBN: 9781840683097
Category : Art, Japanese
Languages : en
Pages : 0
Book Description
Kawanabe Kyosai (1831-89) was only 6 years old when he joined the school of the great ukiyo-e master Utagawa Kuniyoshi, along with such fellow pupils as Yoshitoshi, who followed him in 1850. Later Kyosai studied traditional Japanese painting at the Kano school. As befits this varied apprenticeship, Kyosai would embrace many styles and methods during his artistic career. His eclectic approach may also be partly attributable to a legendary sake-drinking habit, which could account for the more bizarre extremes of his chosen subject matter -- in particular, weird demons and the bloody tortures of Hell. Kyosai can now be regarded as not only one of the last true ukiyo-e masters, but also as one of the first truly modernist painters of Japan. "Night Parade Of Hell Creatures", edited by Jack Hunter (who also edited the ground-breaking extreme ukiyo-e anthology "Dream Spectres"), collects and considers over 100 of Kyosai's most innovative, demented and bizarre images -- including multiple yokai, ghosts and demons -- presented in large-format and full-colour throughout. The Ukiyo-e Master Series: presenting seminal collections of art by the greatest print-designers and painters of Edo-period and Meiji-period Japan.
A Japanese Menagerie
Author: Rosina Buckland
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 120
Book Description
"There is a long and vital tradition in East Asian art of animal painting. In Japan, pictures of animals have often been imbued with human characteristics for humorous, even satirical purposes. Kawanabe Kyosai (1831-89) was a highly individualistic painter of the late Edo and early Meiji eras, his career spanning from the end of the feudal system to the beginnings of rapid modernization. His name meant 'crazy studio' and in the 1860s he developed a new genre of 'crazy pictures' (kyoga). Kyosai's works range from painstakingly detailed painted works, to spontaneous and inspired sketches dashed off while drinking prodigious amounts of sake. Many of his designs were made into popular colour prints and illustrated books. Kyosai found an important source of inspiration for his art in the example of the medieval monk-painter Toba Sojo (Kakuyu, 1053-1140), whose comic sketches of animals were thought to satirise the pretensions of the society of his time. In a similar way, Kyosai often made animals the agents for his own light-hearted commentary on the new Meiji Japan. This book illustrates seventy-two of Kyosai's most colourful and comic pictures of animals, from cats to mice, and frogs to elephants. Beautifully designed, and with three short introductory chapters on the artist and his work, and a foreword by Israel Goldman, this is a perfect introduction to the weird and wonderful animal-inhabited world of Kyosai"--Publisher's description.
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 120
Book Description
"There is a long and vital tradition in East Asian art of animal painting. In Japan, pictures of animals have often been imbued with human characteristics for humorous, even satirical purposes. Kawanabe Kyosai (1831-89) was a highly individualistic painter of the late Edo and early Meiji eras, his career spanning from the end of the feudal system to the beginnings of rapid modernization. His name meant 'crazy studio' and in the 1860s he developed a new genre of 'crazy pictures' (kyoga). Kyosai's works range from painstakingly detailed painted works, to spontaneous and inspired sketches dashed off while drinking prodigious amounts of sake. Many of his designs were made into popular colour prints and illustrated books. Kyosai found an important source of inspiration for his art in the example of the medieval monk-painter Toba Sojo (Kakuyu, 1053-1140), whose comic sketches of animals were thought to satirise the pretensions of the society of his time. In a similar way, Kyosai often made animals the agents for his own light-hearted commentary on the new Meiji Japan. This book illustrates seventy-two of Kyosai's most colourful and comic pictures of animals, from cats to mice, and frogs to elephants. Beautifully designed, and with three short introductory chapters on the artist and his work, and a foreword by Israel Goldman, this is a perfect introduction to the weird and wonderful animal-inhabited world of Kyosai"--Publisher's description.
Kyosai's Animal Circus
Author: Koto Sadamura
Publisher:
ISBN: 9781912520862
Category :
Languages : en
Pages : 96
Book Description
A compact and affordable bestiary of allegorical animals Kawanabe Kyosai (1831-89) delighted in the depiction of animals--crows with strong personalities, frogs in the schoolroom, rats on trapezes, cats in procession, elephants performing tricks--and frequently used them to satirize contemporary society. Having been trained as an academic painter, Kyosai would have been aware of traditions in which artists depicted creatures according to the laws of nature--the weak falling prey to the strong--as a commentary on actual society. He delighted in reversing such power relationships, frequently doing so to give an unexpected twist to the conventions of traditional imagery, and he seems particularly to have enjoyed giving smaller animals a chance to get their own back on their predators. Animal imagery has long occupied a significant place in Japanese art and literature. Each animal possesses a different symbolism for its special abilities or characteristics, and some are associated with deities, religious narratives, particular events or seasons of the year. Agile rabbits are sometimes featured in armor. Puppies were depicted not only for their cute appearance but also because they symbolize fertility and safe birth, and thus the prosperity of the family. "Humanized" creatures often appear in illustrated tales and in social satires. This enchanting book reveals a cavalcade of Kyosai's creatures from the renowned Israel Goldman Collection, with an introduction to the artist and his menagerie by Koto Sadamura, a leading authority on Kyosai.
Publisher:
ISBN: 9781912520862
Category :
Languages : en
Pages : 96
Book Description
A compact and affordable bestiary of allegorical animals Kawanabe Kyosai (1831-89) delighted in the depiction of animals--crows with strong personalities, frogs in the schoolroom, rats on trapezes, cats in procession, elephants performing tricks--and frequently used them to satirize contemporary society. Having been trained as an academic painter, Kyosai would have been aware of traditions in which artists depicted creatures according to the laws of nature--the weak falling prey to the strong--as a commentary on actual society. He delighted in reversing such power relationships, frequently doing so to give an unexpected twist to the conventions of traditional imagery, and he seems particularly to have enjoyed giving smaller animals a chance to get their own back on their predators. Animal imagery has long occupied a significant place in Japanese art and literature. Each animal possesses a different symbolism for its special abilities or characteristics, and some are associated with deities, religious narratives, particular events or seasons of the year. Agile rabbits are sometimes featured in armor. Puppies were depicted not only for their cute appearance but also because they symbolize fertility and safe birth, and thus the prosperity of the family. "Humanized" creatures often appear in illustrated tales and in social satires. This enchanting book reveals a cavalcade of Kyosai's creatures from the renowned Israel Goldman Collection, with an introduction to the artist and his menagerie by Koto Sadamura, a leading authority on Kyosai.
Anime and Its Roots in Early Japanese Monster Art
Author: Zília Papp
Publisher: Global Oriental
ISBN: 9004202870
Category : Art
Languages : en
Pages : 194
Book Description
Japanese anime plays a major role in modern popular visual culture and aesthetics, yet this is the first study which sets out to put today’s anime in historical context by tracking the visual links between Edo- and Meiji-period painters and the post-war period animation and manga series ‘Gegegeno Kitaro’ by Mizuki Shigeru. Through an investigation of the very popular Gegegeno Kitaro series, broadcast from the 1960s to the present time, the author is able to pinpoint the visual roots of the animation characters in the context of yôkai folklore and Edo- and Meiji- period monster painting traditions. Through analysing the changing images related to the representation of monsters in the series, the book documents the changes in the perception of monsters over the last half-century, while at the same time reflecting on the importance of Mizuki’s work in keeping Japan’s visual traditions alive and educating new audiences about folklore by recasting yôkai imagery in modern-day settings in an innovative way. In addition, by analysing and comparing character, set, costume and mask design, plot and storyline of yôkai-themed films, the book is also the first study to shed light on the roles the representations of yôkai have been assigned in post-war Japanese cinema. This book will be of particular interest to those studying Japanese visual media, including manga and animation, as well as students and academics in the fields of Japanese Studies, Animation Studies, Art History and Graphic Design.
Publisher: Global Oriental
ISBN: 9004202870
Category : Art
Languages : en
Pages : 194
Book Description
Japanese anime plays a major role in modern popular visual culture and aesthetics, yet this is the first study which sets out to put today’s anime in historical context by tracking the visual links between Edo- and Meiji-period painters and the post-war period animation and manga series ‘Gegegeno Kitaro’ by Mizuki Shigeru. Through an investigation of the very popular Gegegeno Kitaro series, broadcast from the 1960s to the present time, the author is able to pinpoint the visual roots of the animation characters in the context of yôkai folklore and Edo- and Meiji- period monster painting traditions. Through analysing the changing images related to the representation of monsters in the series, the book documents the changes in the perception of monsters over the last half-century, while at the same time reflecting on the importance of Mizuki’s work in keeping Japan’s visual traditions alive and educating new audiences about folklore by recasting yôkai imagery in modern-day settings in an innovative way. In addition, by analysing and comparing character, set, costume and mask design, plot and storyline of yôkai-themed films, the book is also the first study to shed light on the roles the representations of yôkai have been assigned in post-war Japanese cinema. This book will be of particular interest to those studying Japanese visual media, including manga and animation, as well as students and academics in the fields of Japanese Studies, Animation Studies, Art History and Graphic Design.
Pandemonium and Parade
Author: Michael Dylan Foster
Publisher: Univ of California Press
ISBN: 0520253620
Category : History
Languages : en
Pages : 310
Book Description
Monsters known as yōkai have long haunted the Japanese cultural landscape. This history of the strange and mysterious in Japan seeks out these creatures in folklore, encyclopedias, literature, art, science, games, manga, magazines and movies, exploring their meanings in the Japanese imagination over three centuries.
Publisher: Univ of California Press
ISBN: 0520253620
Category : History
Languages : en
Pages : 310
Book Description
Monsters known as yōkai have long haunted the Japanese cultural landscape. This history of the strange and mysterious in Japan seeks out these creatures in folklore, encyclopedias, literature, art, science, games, manga, magazines and movies, exploring their meanings in the Japanese imagination over three centuries.
Kawanabe Kyosai's 100 Demons
Author: Kyosai Kawanabe
Publisher:
ISBN:
Category :
Languages : en
Pages : 60
Book Description
An incredible and unusual hit from 1890, 100 Demons is a post-humous mind-twister from famous Japanese artist Kawanabe Kyosai. It flew off the shelves when it was released shortly after his death. This volume has the same dimensions and contents as the original along with a forward from Japanese art historian Andrew Livingston. Japanese folklore is rife with zany and weird creatures that have captured the imaginations of artists and authors in Japan and around the world for centuries. Kawanabe Kyosai lived through the transformation of Japan from a feudal society to a modern state. Born in 1831 in Koga in modern Ibaraki Prefecture, he was trained in the Kano school of Japanese art. As a boy he worked for a short time with famed woodblock artist Utagawa Kuniyoshi. The Kano School, famed for its focus on painting castles and on panels, was a heralded school in Japanese aesthetic design for centuries. During the 1867 revolution, Kyosai was known more as a caricaturist. He was arrested three times by the shogunate, the feudal government he lived to see overthrown. He then went on to lambast the new government headed by Emperor Meiji. Kyosai succeeded Hokusai as one of the great artists of Japanese history. His art evokes the traditional aesthetic, but betrays his unease with the world. His subjects are often the changes in modern life, wildlife and nature.
Publisher:
ISBN:
Category :
Languages : en
Pages : 60
Book Description
An incredible and unusual hit from 1890, 100 Demons is a post-humous mind-twister from famous Japanese artist Kawanabe Kyosai. It flew off the shelves when it was released shortly after his death. This volume has the same dimensions and contents as the original along with a forward from Japanese art historian Andrew Livingston. Japanese folklore is rife with zany and weird creatures that have captured the imaginations of artists and authors in Japan and around the world for centuries. Kawanabe Kyosai lived through the transformation of Japan from a feudal society to a modern state. Born in 1831 in Koga in modern Ibaraki Prefecture, he was trained in the Kano school of Japanese art. As a boy he worked for a short time with famed woodblock artist Utagawa Kuniyoshi. The Kano School, famed for its focus on painting castles and on panels, was a heralded school in Japanese aesthetic design for centuries. During the 1867 revolution, Kyosai was known more as a caricaturist. He was arrested three times by the shogunate, the feudal government he lived to see overthrown. He then went on to lambast the new government headed by Emperor Meiji. Kyosai succeeded Hokusai as one of the great artists of Japanese history. His art evokes the traditional aesthetic, but betrays his unease with the world. His subjects are often the changes in modern life, wildlife and nature.
The Sakura Obsession
Author: Naoko Abe
Publisher: Vintage
ISBN: 0525519904
Category : Biography & Autobiography
Languages : en
Pages : 341
Book Description
Each year, the flowering of cherry blossoms marks the beginning of spring. But if it weren’t for the pioneering work of an English eccentric, Collingwood “Cherry” Ingram, Japan’s beloved cherry blossoms could have gone extinct. Ingram first fell in love with the sakura, or cherry tree, when he visited Japan on his honeymoon in 1907 and was so taken with the plant that he brought back hundreds of cuttings with him to England. Years later, upon learning that the Great White Cherry had virtually disappeared from Japan, he buried a living cutting from his own collection in a potato and repatriated it via the Trans-Siberian Express. In the years that followed, Ingram sent more than 100 varieties of cherry tree to new homes around the globe. As much a history of the cherry blossom in Japan as it is the story of one remarkable man, The Sakura Obsession follows the flower from its significance as a symbol of the imperial court, through the dark days of the Second World War, and up to the present-day worldwide fascination with this iconic blossom.
Publisher: Vintage
ISBN: 0525519904
Category : Biography & Autobiography
Languages : en
Pages : 341
Book Description
Each year, the flowering of cherry blossoms marks the beginning of spring. But if it weren’t for the pioneering work of an English eccentric, Collingwood “Cherry” Ingram, Japan’s beloved cherry blossoms could have gone extinct. Ingram first fell in love with the sakura, or cherry tree, when he visited Japan on his honeymoon in 1907 and was so taken with the plant that he brought back hundreds of cuttings with him to England. Years later, upon learning that the Great White Cherry had virtually disappeared from Japan, he buried a living cutting from his own collection in a potato and repatriated it via the Trans-Siberian Express. In the years that followed, Ingram sent more than 100 varieties of cherry tree to new homes around the globe. As much a history of the cherry blossom in Japan as it is the story of one remarkable man, The Sakura Obsession follows the flower from its significance as a symbol of the imperial court, through the dark days of the Second World War, and up to the present-day worldwide fascination with this iconic blossom.