Author: William Makepeace Thackeray
Publisher:
ISBN:
Category : 1853
Languages : en
Pages : 276
Book Description
The Memoirs of Barry Lyndon, Esq
Author: William Makepeace Thackeray
Publisher: ReadHowYouWant.com
ISBN: 1427077215
Category :
Languages : en
Pages : 530
Book Description
First published in 1844, The Memoirs of Barry Lyndon, Esq. by Thackeray is a picaresque novel also known as The Luck of Barry Lyndon. It chronicles the life of impoverished Redmond Barry, an Irishman who wants to be an English aristocrat. An opportunist, rake, and gambler, he serves in the Seven Years War, first under the English flag and then, for money, in the Prussian Army. Continuing to play with his luck, he gains wealth in the beginning but eventually is punished for his many lovable imperfections.
Publisher: ReadHowYouWant.com
ISBN: 1427077215
Category :
Languages : en
Pages : 530
Book Description
First published in 1844, The Memoirs of Barry Lyndon, Esq. by Thackeray is a picaresque novel also known as The Luck of Barry Lyndon. It chronicles the life of impoverished Redmond Barry, an Irishman who wants to be an English aristocrat. An opportunist, rake, and gambler, he serves in the Seven Years War, first under the English flag and then, for money, in the Prussian Army. Continuing to play with his luck, he gains wealth in the beginning but eventually is punished for his many lovable imperfections.
The Genius of Barry Lyndon
Author: Patrick Webster
Publisher: McFarland
ISBN: 1476689970
Category : Performing Arts
Languages : en
Pages : 285
Book Description
One of the most visually compelling films ever made, Barry Lyndon can--and should, argues the author--be seen as Stanley Kubrick's masterpiece. This comprehensive analysis examines such topics as the unique way in which Kubrick photographed the film, Kubrick's subtle understanding of cinematic storytelling, the deliberate upturning of generic expectation, and the eclectic use of music. It also provides a more rigorous reading of the film from a diverse range of theoretical approaches: structuralist, feminist, psychoanalytical, Marxist and postcolonial readings.
Publisher: McFarland
ISBN: 1476689970
Category : Performing Arts
Languages : en
Pages : 285
Book Description
One of the most visually compelling films ever made, Barry Lyndon can--and should, argues the author--be seen as Stanley Kubrick's masterpiece. This comprehensive analysis examines such topics as the unique way in which Kubrick photographed the film, Kubrick's subtle understanding of cinematic storytelling, the deliberate upturning of generic expectation, and the eclectic use of music. It also provides a more rigorous reading of the film from a diverse range of theoretical approaches: structuralist, feminist, psychoanalytical, Marxist and postcolonial readings.
Stanley Kubrick
Author: David Mikics
Publisher: Yale University Press
ISBN: 0300255616
Category : Biography & Autobiography
Languages : en
Pages : 248
Book Description
An engrossing biography of one of the most influential filmmakers in cinematic history Kubrick grew up in the Bronx, a doctor’s son. From a young age he was consumed by photography, chess, and, above all else, movies. He was a self†‘taught filmmaker and self†‘proclaimed outsider, and his films exist in a unique world of their own outside the Hollywood mainstream. Kubrick’s Jewishness played a crucial role in his idea of himself as an outsider. Obsessed with rebellion against authority, war, and male violence, Kubrick was himself a calm, coolly masterful creator and a talkative, ever†‘curious polymath immersed in friends and family. Drawing on interviews and new archival material, Mikics for the first time explores the personal side of Kubrick’s films.
Publisher: Yale University Press
ISBN: 0300255616
Category : Biography & Autobiography
Languages : en
Pages : 248
Book Description
An engrossing biography of one of the most influential filmmakers in cinematic history Kubrick grew up in the Bronx, a doctor’s son. From a young age he was consumed by photography, chess, and, above all else, movies. He was a self†‘taught filmmaker and self†‘proclaimed outsider, and his films exist in a unique world of their own outside the Hollywood mainstream. Kubrick’s Jewishness played a crucial role in his idea of himself as an outsider. Obsessed with rebellion against authority, war, and male violence, Kubrick was himself a calm, coolly masterful creator and a talkative, ever†‘curious polymath immersed in friends and family. Drawing on interviews and new archival material, Mikics for the first time explores the personal side of Kubrick’s films.
Marisa Berenson
Author: Marisa Berenson
Publisher: Rizzoli Publications
ISBN: 0847836541
Category : Photography
Languages : en
Pages : 242
Book Description
A captivating selection of images by the world’s leading photographers celebrating one of the most recognized faces in fashion and film. Dubbed an “It Girl” by Yves Saint Laurent in the early 1970s, Marisa Berenson is the original modern muse-inspiring fashion designers, photographers, stylists, and fashion editors for over thirty years. Born of noble lineage-and the granddaughter of the famed fashion designer Elsa Schiaparelli-Berenson’s meteoric rise began formally at age sixteen, leading to numerous covers and editorials in Vogue, Harper’s Bazaar, and countless other high-end fashion and society magazines. Her timeless beauty and chameleonlike talent for transformation soon led to her entry into film, where she landed leading roles in the period films Cabaret, Death in Venice, and Stanley Kubrick’s lavish production of Barry Lyndon. This captivating collection of fashion editorials, magazine covers, film stills, and candid photos were captured by the leading photographers and filmmakers of the day, including Richard Avedon, Irving Penn, David Bailey, Hiro, Helmut Newton, Henry Clarke, Norman Parkinson, Robert Mapplethorpe, and Steven Meisel, among many others. This lavish yet intimate volume details a visual biography of Berenson, and demonstrates the lasting resilience that continues to make her an enthralling and legendary visage.
Publisher: Rizzoli Publications
ISBN: 0847836541
Category : Photography
Languages : en
Pages : 242
Book Description
A captivating selection of images by the world’s leading photographers celebrating one of the most recognized faces in fashion and film. Dubbed an “It Girl” by Yves Saint Laurent in the early 1970s, Marisa Berenson is the original modern muse-inspiring fashion designers, photographers, stylists, and fashion editors for over thirty years. Born of noble lineage-and the granddaughter of the famed fashion designer Elsa Schiaparelli-Berenson’s meteoric rise began formally at age sixteen, leading to numerous covers and editorials in Vogue, Harper’s Bazaar, and countless other high-end fashion and society magazines. Her timeless beauty and chameleonlike talent for transformation soon led to her entry into film, where she landed leading roles in the period films Cabaret, Death in Venice, and Stanley Kubrick’s lavish production of Barry Lyndon. This captivating collection of fashion editorials, magazine covers, film stills, and candid photos were captured by the leading photographers and filmmakers of the day, including Richard Avedon, Irving Penn, David Bailey, Hiro, Helmut Newton, Henry Clarke, Norman Parkinson, Robert Mapplethorpe, and Steven Meisel, among many others. This lavish yet intimate volume details a visual biography of Berenson, and demonstrates the lasting resilience that continues to make her an enthralling and legendary visage.
Kubrick, New and Expanded Edition
Author: Thomas Allen Nelson
Publisher: Indiana University Press
ISBN: 9780253213907
Category : Performing Arts
Languages : en
Pages : 352
Book Description
Stanley Kubrick ranks among the most important American film makers of his generation, but his work is often misunderstood because it is widely diverse in subject matter and seems to lack thematic and tonal consistency. Thomas Nelson's perceptive and comprehensive study of Kubrick rescues him from the hostility of auteurist critics and discovers the roots of a Kubrickian aesthetic, which Nelson defines as the "aesthetics of contingency." After analyzing how this aesthetic develops and manifests itself in the early works, Nelson devotes individual chapters to Lolita, Dr. Stangelove, 2001: A Space Odyssey, A Clockwork Orange, Barry Lyndon, and The Shining. For this expanded edition, Nelson has added chapters on Full Metal Jacket and Eyes Wide Shut, and, in the wake of the director's death, reconsidered his body of work as a whole. By placing Kubrick in a historical and theoretical context, this study is a reliable guide into—and out of—Stanley Kubrick's cinematic maze.
Publisher: Indiana University Press
ISBN: 9780253213907
Category : Performing Arts
Languages : en
Pages : 352
Book Description
Stanley Kubrick ranks among the most important American film makers of his generation, but his work is often misunderstood because it is widely diverse in subject matter and seems to lack thematic and tonal consistency. Thomas Nelson's perceptive and comprehensive study of Kubrick rescues him from the hostility of auteurist critics and discovers the roots of a Kubrickian aesthetic, which Nelson defines as the "aesthetics of contingency." After analyzing how this aesthetic develops and manifests itself in the early works, Nelson devotes individual chapters to Lolita, Dr. Stangelove, 2001: A Space Odyssey, A Clockwork Orange, Barry Lyndon, and The Shining. For this expanded edition, Nelson has added chapters on Full Metal Jacket and Eyes Wide Shut, and, in the wake of the director's death, reconsidered his body of work as a whole. By placing Kubrick in a historical and theoretical context, this study is a reliable guide into—and out of—Stanley Kubrick's cinematic maze.
Kubrick's Hope
Author: Julian Rice
Publisher: Scarecrow Press
ISBN: 0810862247
Category : Performing Arts
Languages : en
Pages : 293
Book Description
There have been two common assumptions about Stanley Kubrick: that his films portray human beings who are driven exclusively by aggression and greed, and that he pessimistically rejected meaning in a contingent, postmodern world. However, as Kubrick himself remarked, 'A work of art should be always exhilarating and never depressing, whatever its subject matter may be.' In this new interpretation of Kubrick's films, Julian Rice suggests that the director's work had a more positive outlook than most people credit him. And while other studies have recounted Kubrick's life and production histories, few have offered lucid explanations of specific sources and their influence on his films. In Kubrick's Hope, Rice explains how the theories of Freud and Jung took cinematic form, and also considers the significant impression left on the director's last six films by Robert Ardrey, Bruno Bettelheim, and Joseph Campbell. In addition to providing useful contexts, Rice offers close readings of the films, inviting readers to note details they may have missed and to interpret them in their own way. By refreshing their experience of the films and discarding postmodern clichZs, viewers may discover more optimistic themes in the director's works. Beginning with 2001: A Space Odyssey and continuing through A Clockwork Orange, Barry Lyndon, The Shining, Full Metal Jacket, and Eyes Wide Shut, Rice illuminates Kubrick's thinking at the time he made each film. Throughout, Rice examines the compelling political, psychological, and spiritual issues the director raises. As this book contends, if these works are considered together and repeatedly re-viewed, Kubrick's films may help viewers to personally grow and collectively endure.
Publisher: Scarecrow Press
ISBN: 0810862247
Category : Performing Arts
Languages : en
Pages : 293
Book Description
There have been two common assumptions about Stanley Kubrick: that his films portray human beings who are driven exclusively by aggression and greed, and that he pessimistically rejected meaning in a contingent, postmodern world. However, as Kubrick himself remarked, 'A work of art should be always exhilarating and never depressing, whatever its subject matter may be.' In this new interpretation of Kubrick's films, Julian Rice suggests that the director's work had a more positive outlook than most people credit him. And while other studies have recounted Kubrick's life and production histories, few have offered lucid explanations of specific sources and their influence on his films. In Kubrick's Hope, Rice explains how the theories of Freud and Jung took cinematic form, and also considers the significant impression left on the director's last six films by Robert Ardrey, Bruno Bettelheim, and Joseph Campbell. In addition to providing useful contexts, Rice offers close readings of the films, inviting readers to note details they may have missed and to interpret them in their own way. By refreshing their experience of the films and discarding postmodern clichZs, viewers may discover more optimistic themes in the director's works. Beginning with 2001: A Space Odyssey and continuing through A Clockwork Orange, Barry Lyndon, The Shining, Full Metal Jacket, and Eyes Wide Shut, Rice illuminates Kubrick's thinking at the time he made each film. Throughout, Rice examines the compelling political, psychological, and spiritual issues the director raises. As this book contends, if these works are considered together and repeatedly re-viewed, Kubrick's films may help viewers to personally grow and collectively endure.
Stanley Kubrick: The Odysseys
Author: Fabrice Jaumont
Publisher: Books We Live by
ISBN: 1628480785
Category : Performing Arts
Languages : en
Pages : 164
Book Description
April 2, 2018 was the 50th anniversary of a 1968 premiere screening in Washington, D.C. of Stanley Kubrick's 2001: A Space Odyssey. The film remains the most fascinating cinematographic adventure given to experience. As a tribute to the masterpiece, and to the maestro himself, this essay which was first presented in 1995 as a scholarly paper explores the multiple connections to the Odyssean theme that one may find in Stanley Kubrick's filmography. Kubrick's unweaving and re-weaving of the cinematographic tapestry reflect his attachment to the changeability implied in the Odyssean theme, which has become the theme of questioning, the perpetual questioning of one's possibilities. The camera's shuttling back and forth in time, round and round in space, through the means of dolly movements, shots and reverse shots, circular and spiraling recurrences, equates the director's shuttling between classical and avant-garde techniques, between painting and photography, between musical intensity and spatial silence. A chassé-croisé which the pluricephal director utilizes with a view to producing new angles of view and new parallaxes: a constant Kubrickian experimentation of the cinematographic language.
Publisher: Books We Live by
ISBN: 1628480785
Category : Performing Arts
Languages : en
Pages : 164
Book Description
April 2, 2018 was the 50th anniversary of a 1968 premiere screening in Washington, D.C. of Stanley Kubrick's 2001: A Space Odyssey. The film remains the most fascinating cinematographic adventure given to experience. As a tribute to the masterpiece, and to the maestro himself, this essay which was first presented in 1995 as a scholarly paper explores the multiple connections to the Odyssean theme that one may find in Stanley Kubrick's filmography. Kubrick's unweaving and re-weaving of the cinematographic tapestry reflect his attachment to the changeability implied in the Odyssean theme, which has become the theme of questioning, the perpetual questioning of one's possibilities. The camera's shuttling back and forth in time, round and round in space, through the means of dolly movements, shots and reverse shots, circular and spiraling recurrences, equates the director's shuttling between classical and avant-garde techniques, between painting and photography, between musical intensity and spatial silence. A chassé-croisé which the pluricephal director utilizes with a view to producing new angles of view and new parallaxes: a constant Kubrickian experimentation of the cinematographic language.