Author: Vladimir Bogdanov Publisher: Hal Leonard Corporation ISBN: 9780879307448 Category : Music Languages : en Pages : 918
Book Description
With informative biographies, essays, and "music maps, " this book is the ultimate guide to the best recordings in rhythm and blues. 20 charts.
Author: Vladimir Bogdanov Publisher: Hal Leonard Corporation ISBN: 9780879306274 Category : Music Languages : en Pages : 1508
Book Description
Arranged in sixteen musical categories, provides entries for twenty thousand releases from four thousand artists, and includes a history of each musical genre.
Author: Vladimir Bogdanov Publisher: Hal Leonard Corporation ISBN: 9780879306533 Category : Music Languages : en Pages : 1430
Book Description
This fun-to-read, easy-to-use reference has been completely updated, expanded, and revised with reviews of over 12,000 great albums by over 2,000 artists and groups in all rock genres. 50 charts.
Author: Chris Woodstra Publisher: Hal Leonard Corporation ISBN: 9780879308650 Category : Music Languages : en Pages : 1620
Book Description
Offering comprehensive coverage of classical music, this guide surveys more than eleven thousand albums and presents biographies of five hundred composers and eight hundred performers, as well as twenty-three essays on forms, eras, and genres of classical music. Original.
Author: Michael Erlewine Publisher: Hal Leonard Corporation ISBN: 9780879304751 Category : Music Languages : en Pages : 644
Book Description
Reviews and rates the best recordings of country artists and groups, provides biographies of the artists, and charts the evolution of country music
Author: Jimmy McDonough Publisher: Da Capo Press ISBN: 0306822687 Category : Biography & Autobiography Languages : en Pages : 367
Book Description
The bestselling author of Shakey: Neil Young's Biography presents the first in-depth biography of the legendary soul singer Al Green. Al Green has blessed listeners with some of the biggest hits of the past fifty years. "Love and Happiness," "I'm Still in Love with You," "Let's Get Married," and "I'm Tired of Being Alone" are but a sampling of the iconic songs that led a generation to embrace love in perhaps the most tumultuous period in this country's history, an unparalleled body of work that has many calling Green one of the greatest soul singers of all time. The music legend has sold over 20 million albums and been sampled by numerous rappers, and even President Obama has been known to sing a chorus or two. The now-Bishop Green is without a doubt one of the most beloved yet inscrutable figures ever to grace the popular music stage, and he has managed to magically sidestep being successfully scrutinized in print. Until now. Acclaimed journalist and author Jimmy McDonough expertly tackles this most elusive of subjects and aims to present readers with the definitive portrait of a man everyone knows but few understand. McDonough manages to break through Green's joyous veneer to reveal the contrary, tortured, and solitary individual beneath, a man who spent decades dancing an uneasy tightrope between the sacred and the profane. From his childhood in the backwaters of Arkansas to commanding the stage in front of throngs of lusting fans to addressing a very different audience from the pulpit of his own church, readers will bear witness to the creation of some of the most electrifying soul music ever recorded; learn the hitherto untold real story behind Green's colorful down-home Memphis label, Hi Records; and--by way of countless in-depth interviews with major players in the story, some speaking for the very first time -- unravel one of the last great mysteries in popular music: Al Green.
Author: Martha Bayles Publisher: University of Chicago Press ISBN: 9780226039596 Category : Music Languages : en Pages : 466
Book Description
From Queen Latifa to Count Basie, Madonna to Monk, Hole in Our Soul: The Loss of Beauty and Meaning in American Popular Music traces popular music back to its roots in jazz, blues, country, and gospel through the rise in rock 'n' roll and the emergence of heavy metal, punk, and rap. Yet despite the vigor and balance of these musical origins, Martha Bayles argues, something has gone seriously wrong, both with the sound of popular music and the sensibility it expresses. Bayles defends the tough, affirmative spirit of Afro-American music against the strain of artistic modernism she calls 'perverse.' She describes how perverse modernism was grafted onto popular music in the late 1960s, and argues that the result has been a cult of brutality and obscenity that is profoundly anti-musical. Unlike other recent critics of popular music, Bayles does not blame the problem on commerce. She argues that culture shapes the market and not the other way around. Finding censorship of popular music "both a practical and a constitutional impossibility," Bayles insists that "an informed shift in public tastes may be our only hope of reversing the current malignant mood."
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Author: Vladimir Bogdanov
Author: Vladimir Bogdanov
Author: Vladimir Bogdanov
Author: Chris Woodstra
Author: Vladimir Bogdanov
Author: Michael Erlewine
Author: Chris Woodstra
Author: Kurt Leland
Author: Jimmy McDonough
Author: Martha Bayles