God's Bits of Wood

Author: Sembène Ousmane
Publisher: Bloomsbury Publishing
ISBN: 1837930473
Category : Fiction
Languages : en
Pages : 357

Book Description
It is 1947 and the workers on the Dakar-Niger Railway have come out on strike. Sembène Ousmane, in this vivid and moving novel, evokes all of the colour, passion and tragedy of those decisive years in history. 'Ever since they left Thiès, the women had not stopped singing. As soon as one group allowed the refrain to die, another picked it up, and new verses were born at the hazard of chance or inspiration, one word leading to another and each finding, in its turn, its rhythm and its place. No one was very sure any longer where the song began, or if it had an ending.' God's Bits of Wood is Sembène Ousmane's internationally renowned novel, based on his own experiences of the landmark 1947 railroad strike that spread across French West Africa. 'A classic.' Guardian 'Ousmane Sembène [was] a crucial figure in Africa's postcolonial cultural awakening.' New York Times 'A powerful story.' Kirkus Translated from the French by Francis Price.

Xala

Author: James S. Williams
Publisher: Bloomsbury Publishing
ISBN: 1839026006
Category : Performing Arts
Languages : en
Pages : 114

Book Description
Xala (1974) by the pioneering Senegalese director Ousmane Sembene, was acclaimed on its release for its scorching critique of postcolonial African society, and it cemented Sembene's status as a wholly new kind of politically engaged, pan-African, auteur film-maker. Centring on the story of businessman El Hadji and the impotence that afflicts him on his marriage to a young third wife, Xala vividly captures the cultural and political upheaval of 1970s Senegal, while suggesting the radical potential of dissent, solidarity and collective action, embodied by El Hadji's student daughter Rama and the group of urban 'undesirables' who act as a kind of raw chorus to the affairs of the neocolonial elite. James S. Williams's lucid study traces Xala's difficult production history and analyses its daring combination of political and domestic drama, oral narrative, social realism, symbolism, satire, documentary, mysticism and Marxist analysis. Yet from its dazzling extended opening sequence of revolution as performance to its suspended climax of redemption through ritualised spitting, Xala presents a series of conceptual and formal challenges that resist a simple reading of the film as allegory. Highlighting often overlooked elements of Sembene's intricate, experimental film-making, including provocative shifts in mood and poetic, even subversively erotic, moments, Williams reveals Xala as a visionary work of both African cinema and Third Cinema that extended the parameters of postcolonial film practice and still resounds today with its searing inventive power.

The Fortunes of Wangrin

Author: Amadou Hampaté Bâ
Publisher: Indiana University Press
ISBN: 9780253334299
Category : Fiction
Languages : en
Pages : 304

Book Description
A novel on the evils of white colonialism in Africa. Set in French-ruled Mali, the hero is a young teacher who plays the white man's idea of a good Black in order to advance his career.

The Conscript

Author: Gebreyesus Hailu
Publisher: Ohio University Press
ISBN: 082144445X
Category : Fiction
Languages : en
Pages : 93

Book Description
Eloquent and thought-provoking, this classic novel by the Eritrean novelist Gebreyesus Hailu, written in Tigrinya in 1927 and published in 1950, is one of the earliest novels written in an African language and will have a major impact on the reception and critical appraisal of African literature. The Conscript depicts, with irony and controlled anger, the staggering experiences of the Eritrean ascari, soldiers conscripted to fight in Libya by the Italian colonial army against the nationalist Libyan forces fighting for their freedom from Italy’s colonial rule. Anticipating midcentury thinkers Frantz Fanon and Aimé Césaire, Hailu paints a devastating portrait of Italian colonialism. Some of the most poignant passages of the novel include the awakening of the novel’s hero, Tuquabo, to his ironic predicament of being both under colonial rule and the instrument of suppressing the colonized Libyans. The novel’s remarkable descriptions of the battlefield awe the reader with mesmerizing images, both disturbing and tender, of the Libyan landscape—with its vast desert sands, oases, horsemen, foot soldiers, and the brutalities of war—uncannily recalled in the satellite images that were brought to the homes of millions of viewers around the globe in 2011, during the country’s uprising against its former leader, Colonel Gaddafi.

God Is Great, God Is Good

Author: William Lane Craig
Publisher: InterVarsity Press
ISBN: 0830868119
Category : Religion
Languages : en
Pages : 265

Book Description
In this magisterial collection, the contemporary complaints against belief in God are addressed with intellectual passion and rigor by some of the most astute theological and philosophical minds of the day. Including an interview by Gary Habermas with noted convert to theism Antony Flew, and a direct critical response to Richard Dawkins's God Delusion by Alvin Plantinga, God Is Great, God Is Good offers convincing and compelling reassurance that though the world has changed, God has not.

African Voices of the Global Past

Author: Trevor R. Getz
Publisher: Routledge
ISBN: 0429982135
Category : Political Science
Languages : en
Pages : 197

Book Description
This book focuses on retelling many of the important episodes in the global past (c.1500–present) from African points of view. It discusses the events and trends of global significance: the Atlantic slave system, the industrial revolution, World Wars I and II, and decolonization.

Witch Wood

Author: John Buchan
Publisher: Read Books Ltd
ISBN: 1473373638
Category : Fiction
Languages : en
Pages : 377

Book Description
First published in 1927 and set in the 17th century, this is a wonderful story of witchcraft in the forests of England.

GraceLand

Author: Chris Abani
Publisher: Macmillan + ORM
ISBN: 1429929820
Category : Fiction
Languages : en
Pages : 383

Book Description
Graceland is a dazzling debut by a singular new talent The sprawling, swampy, cacophonous city of Lagos, Nigeria, provides the backdrop to the story of Elvis, a teenage Elvis impersonator hoping to make his way out of the ghetto. Broke, beset by floods, and beatings by his alcoholic father, and with no job opportunities in sight, Elvis is tempted by a life of crime. Thus begins his odyssey into the dangerous underworld of Lagos, guided by his friend Redemption and accompanied by a restless hybrid of voices including The King of Beggars, Sunday, Innocent and Comfort. Ultimately, young Elvis, drenched in reggae and jazz, and besotted with American film heroes and images, must find his way to a GraceLand of his own. Nuanced, lyrical, and pitch perfect, Abani has created a remarkable story of a son and his father, and an examination of postcolonial Nigeria where the trappings of American culture reign supreme. "A richly detailed, poignant, and utterly fascinating look into another culture and how it is cross-pollinated by our own. It brings to mind the work of Ha Jin in its power and revelation of the new."--T. Coraghessan Boyle

Dew in the Morning

Author: Shimmer Chinodya
Publisher: African Books Collective
ISBN: 1779223528
Category : Fiction
Languages : en
Pages : 218

Book Description
Dew in the Morning was written when the author, Shimmer Chinodya, was eighteen. The intensity of childhood memory is sharp and immediate. Godi, the young boy whose life we experience as he grows up, perceives more than he understands. The ambivalence or instability of the text lies at the juncture between the felt experience of the child, and the rational, interpretative, analysis of the adult. A Bildungsroman, Chinodya captures the centrality of land in the national consciousness: its beauty, its rhythms, its seasons and its fertility. But he does not romanticise the hardships: the droughts, poor harvests, over-crowding particularly as a result of the inflow of resettled people and the tensions over land and between peoples as they struggle to survive. Good humour, strict morality, hard work, and mutual support can be undermined by corrupt practice, or tainted by traditional ceremonies that are as frightening as they are powerful, and raise essential questions of belief and validity. Dew in the Morning, is a tender, evocative novel of growing up, but in it we see the seeds of many issues which Chinodya will dwell on in his later novels: familial tensions, the taut interplay of tradition and modernity, ancestral beliefs and Christianity.

Ousmane Sembene and the Politics of Culture

Author: Lifongo J. Vetinde
Publisher: Lexington Books
ISBN: 0739192558
Category : Literary Criticism
Languages : en
Pages : 205

Book Description
Undoubtedly one of Africa’s most influential first generation of writers and filmmakers, Ousmane Sembene's creative works of fiction as well as his films have been the subject of a considerable number of scholarly articles. The schemas of reading applied to Sembene's oeuvre (novels, short stories and films) have, in the main, focused either on his militant posture against colonialism, his disenchantment with African leadership, or his infatuation with documenting the past in an attempt to present a balanced and nuanced view of African history. While these studies, unquestionably contribute to a better understanding of his works, they collectively ignore Sembene’s relentless preoccupation with culture in his entire career as a writer and filmmaker. The collection of essays in Sembene and the Politics of Culture sets out to fill that gap as the contributors at once foreground Sembene’s fixation on the centrality of culture in the articulation of the discourse of national consciousness and reevaluate his intellectual and artistic legacy within an overarching framework of African liberation. The contributors critically reassess the ideological underpinnings of Sembene’s thoughts, his role as one of the foundational pillars of African cultural production, and his relevance in current discourses of nationhood. They do so through a wide variety of interdisciplinary approaches that draw on linguistics, feminist theory, film theory, historiography, Marxist criticism, psychoanalysis and a host of other approaches that give novel insights in the critical analysis of the works under study. In the part entitled “Testimonies," a collection of conversations with people who worked closely with Sembene, each of the interlocutors provide illuminating insights into the man's life and work. The variety of themes and critical approaches in this critical anthology will certainly be of interest not only to students and scholars of African literature and cinema at various levels of intellectual and cultural sophistication but also anyone interested in the analysis of the nexus between power, culture, and the discourse of liberation.