Author: Sherry Turkle
Publisher: MIT Press
ISBN: 0262516772
Category : Social Science
Languages : en
Pages : 397
Book Description
Autobiographical essays, framed by two interpretive essays by the editor, describe the power of an object to evoke emotion and provoke thought: reflections on a cello, a laptop computer, a 1964 Ford Falcon, an apple, a mummy in a museum, and other "things-to-think-with." For Sherry Turkle, "We think with the objects we love; we love the objects we think with." In Evocative Objects, Turkle collects writings by scientists, humanists, artists, and designers that trace the power of everyday things. These essays reveal objects as emotional and intellectual companions that anchor memory, sustain relationships, and provoke new ideas.These days, scholars show new interest in the importance of the concrete. This volume's special contribution is its focus on everyday riches: the simplest of objects—an apple, a datebook, a laptop computer—are shown to bring philosophy down to earth. The poet contends, "No ideas but in things." The notion of evocative objects goes further: objects carry both ideas and passions. In our relations to things, thought and feeling are inseparable. Whether it's a student's beloved 1964 Ford Falcon (left behind for a station wagon and motherhood), or a cello that inspires a meditation on fatherhood, the intimate objects in this collection are used to reflect on larger themes—the role of objects in design and play, discipline and desire, history and exchange, mourning and memory, transition and passage, meditation and new vision.In the interest of enriching these connections, Turkle pairs each autobiographical essay with a text from philosophy, history, literature, or theory, creating juxtapositions at once playful and profound. So we have Howard Gardner's keyboards and Lev Vygotsky's hobbyhorses; William Mitchell's Melbourne train and Roland Barthes' pleasures of text; Joseph Cevetello's glucometer and Donna Haraway's cyborgs. Each essay is framed by images that are themselves evocative. Essays by Turkle begin and end the collection, inviting us to look more closely at the everyday objects of our lives, the familiar objects that drive our routines, hold our affections, and open out our world in unexpected ways.
Evocative Objects
Author: Sherry Turkle
Publisher: MIT Press
ISBN: 0262291649
Category : Social Science
Languages : en
Pages : 397
Book Description
Autobiographical essays, framed by two interpretive essays by the editor, describe the power of an object to evoke emotion and provoke thought: reflections on a cello, a laptop computer, a 1964 Ford Falcon, an apple, a mummy in a museum, and other "things-to-think-with." For Sherry Turkle, "We think with the objects we love; we love the objects we think with." In Evocative Objects, Turkle collects writings by scientists, humanists, artists, and designers that trace the power of everyday things. These essays reveal objects as emotional and intellectual companions that anchor memory, sustain relationships, and provoke new ideas.These days, scholars show new interest in the importance of the concrete. This volume's special contribution is its focus on everyday riches: the simplest of objects—an apple, a datebook, a laptop computer—are shown to bring philosophy down to earth. The poet contends, "No ideas but in things." The notion of evocative objects goes further: objects carry both ideas and passions. In our relations to things, thought and feeling are inseparable. Whether it's a student's beloved 1964 Ford Falcon (left behind for a station wagon and motherhood), or a cello that inspires a meditation on fatherhood, the intimate objects in this collection are used to reflect on larger themes—the role of objects in design and play, discipline and desire, history and exchange, mourning and memory, transition and passage, meditation and new vision.In the interest of enriching these connections, Turkle pairs each autobiographical essay with a text from philosophy, history, literature, or theory, creating juxtapositions at once playful and profound. So we have Howard Gardner's keyboards and Lev Vygotsky's hobbyhorses; William Mitchell's Melbourne train and Roland Barthes' pleasures of text; Joseph Cevetello's glucometer and Donna Haraway's cyborgs. Each essay is framed by images that are themselves evocative. Essays by Turkle begin and end the collection, inviting us to look more closely at the everyday objects of our lives, the familiar objects that drive our routines, hold our affections, and open out our world in unexpected ways.
Publisher: MIT Press
ISBN: 0262291649
Category : Social Science
Languages : en
Pages : 397
Book Description
Autobiographical essays, framed by two interpretive essays by the editor, describe the power of an object to evoke emotion and provoke thought: reflections on a cello, a laptop computer, a 1964 Ford Falcon, an apple, a mummy in a museum, and other "things-to-think-with." For Sherry Turkle, "We think with the objects we love; we love the objects we think with." In Evocative Objects, Turkle collects writings by scientists, humanists, artists, and designers that trace the power of everyday things. These essays reveal objects as emotional and intellectual companions that anchor memory, sustain relationships, and provoke new ideas.These days, scholars show new interest in the importance of the concrete. This volume's special contribution is its focus on everyday riches: the simplest of objects—an apple, a datebook, a laptop computer—are shown to bring philosophy down to earth. The poet contends, "No ideas but in things." The notion of evocative objects goes further: objects carry both ideas and passions. In our relations to things, thought and feeling are inseparable. Whether it's a student's beloved 1964 Ford Falcon (left behind for a station wagon and motherhood), or a cello that inspires a meditation on fatherhood, the intimate objects in this collection are used to reflect on larger themes—the role of objects in design and play, discipline and desire, history and exchange, mourning and memory, transition and passage, meditation and new vision.In the interest of enriching these connections, Turkle pairs each autobiographical essay with a text from philosophy, history, literature, or theory, creating juxtapositions at once playful and profound. So we have Howard Gardner's keyboards and Lev Vygotsky's hobbyhorses; William Mitchell's Melbourne train and Roland Barthes' pleasures of text; Joseph Cevetello's glucometer and Donna Haraway's cyborgs. Each essay is framed by images that are themselves evocative. Essays by Turkle begin and end the collection, inviting us to look more closely at the everyday objects of our lives, the familiar objects that drive our routines, hold our affections, and open out our world in unexpected ways.
Evocative Objects
Author: Sherry Turkle
Publisher: MIT Press (MA)
ISBN:
Category : Literary Collections
Languages : en
Pages : 406
Book Description
Autobiographical essays, framed by two interpretive essays by the editor, describe the power of an object to evoke emotion and provoke thought: reflections on a cello, a laptop computer, a 1964 Ford Falcon, an apple, a mummy in a museum, and other "things-to-think-with."
Publisher: MIT Press (MA)
ISBN:
Category : Literary Collections
Languages : en
Pages : 406
Book Description
Autobiographical essays, framed by two interpretive essays by the editor, describe the power of an object to evoke emotion and provoke thought: reflections on a cello, a laptop computer, a 1964 Ford Falcon, an apple, a mummy in a museum, and other "things-to-think-with."
Countless Connecting Threads
Author: Deborah G. Douglas
Publisher: MIT Press (MA)
ISBN: 9780262525459
Category : Science
Languages : en
Pages : 0
Book Description
"[T]hese countless connecting threads, woven into one indissoluble texture, form that ever-enlarging web which is the blended product of the world's scientific and industrial activity." -- William Barton Rogers, 1860, "Objects and Plan of an Institute of Technology "Inspired by an exhibition of 150 objects created by the MIT Museum to mark MIT's sesquicentennial, this lavishly illustrated volume is a unique collection of visual and written meditations about the making and meaning of the Massachusetts Institute of Technology. The story of MIT is more than a simple tale of a founder's vision. It is greater than the sum of all the stories that have been or are yet to be told by the hundreds of thousands who have a direct personal connection with the Institute. Yet, with the assistance of the collective intelligence of the MIT community, the Museum was able to capture some of those "countless connecting threads" -- from a towering module for the first real-time digital computer to the famous Baker House Piano Drop. Part history, part catalog, part souvenir, "Countless Connecting Threads" invites readers to (re)discover, through some of the Institute's most evocative objects, the essence of the vast and varied tapestry that is MIT.
Publisher: MIT Press (MA)
ISBN: 9780262525459
Category : Science
Languages : en
Pages : 0
Book Description
"[T]hese countless connecting threads, woven into one indissoluble texture, form that ever-enlarging web which is the blended product of the world's scientific and industrial activity." -- William Barton Rogers, 1860, "Objects and Plan of an Institute of Technology "Inspired by an exhibition of 150 objects created by the MIT Museum to mark MIT's sesquicentennial, this lavishly illustrated volume is a unique collection of visual and written meditations about the making and meaning of the Massachusetts Institute of Technology. The story of MIT is more than a simple tale of a founder's vision. It is greater than the sum of all the stories that have been or are yet to be told by the hundreds of thousands who have a direct personal connection with the Institute. Yet, with the assistance of the collective intelligence of the MIT community, the Museum was able to capture some of those "countless connecting threads" -- from a towering module for the first real-time digital computer to the famous Baker House Piano Drop. Part history, part catalog, part souvenir, "Countless Connecting Threads" invites readers to (re)discover, through some of the Institute's most evocative objects, the essence of the vast and varied tapestry that is MIT.
Simulation and Its Discontents
Author: Sherry Turkle
Publisher: MIT Press
ISBN: 0262012707
Category : Computers
Languages : en
Pages : 233
Book Description
How the simulation and visualization technologies so pervasive in science, engineering, and design have changed our way of seeing the world. Over the past twenty years, the technologies of simulation and visualization have changed our ways of looking at the world. In Simulation and Its Discontents, Sherry Turkle examines the now dominant medium of our working lives and finds that simulation has become its own sensibility. We hear it in Turkle's description of architecture students who no longer design with a pencil, of science and engineering students who admit that computer models seem more “real” than experiments in physical laboratories. Echoing architect Louis Kahn's famous question, “What does a brick want?”, Turkle asks, “What does simulation want?” Simulations want, even demand, immersion, and the benefits are clear. Architects create buildings unimaginable before virtual design; scientists determine the structure of molecules by manipulating them in virtual space; physicians practice anatomy on digitized humans. But immersed in simulation, we are vulnerable. There are losses as well as gains. Older scientists describe a younger generation as “drunk with code.” Young scientists, engineers, and designers, full citizens of the virtual, scramble to capture their mentors' tacit knowledge of buildings and bodies. From both sides of a generational divide, there is anxiety that in simulation, something important is slipping away. Turkle's examination of simulation over the past twenty years is followed by four in-depth investigations of contemporary simulation culture: space exploration, oceanography, architecture, and biology.
Publisher: MIT Press
ISBN: 0262012707
Category : Computers
Languages : en
Pages : 233
Book Description
How the simulation and visualization technologies so pervasive in science, engineering, and design have changed our way of seeing the world. Over the past twenty years, the technologies of simulation and visualization have changed our ways of looking at the world. In Simulation and Its Discontents, Sherry Turkle examines the now dominant medium of our working lives and finds that simulation has become its own sensibility. We hear it in Turkle's description of architecture students who no longer design with a pencil, of science and engineering students who admit that computer models seem more “real” than experiments in physical laboratories. Echoing architect Louis Kahn's famous question, “What does a brick want?”, Turkle asks, “What does simulation want?” Simulations want, even demand, immersion, and the benefits are clear. Architects create buildings unimaginable before virtual design; scientists determine the structure of molecules by manipulating them in virtual space; physicians practice anatomy on digitized humans. But immersed in simulation, we are vulnerable. There are losses as well as gains. Older scientists describe a younger generation as “drunk with code.” Young scientists, engineers, and designers, full citizens of the virtual, scramble to capture their mentors' tacit knowledge of buildings and bodies. From both sides of a generational divide, there is anxiety that in simulation, something important is slipping away. Turkle's examination of simulation over the past twenty years is followed by four in-depth investigations of contemporary simulation culture: space exploration, oceanography, architecture, and biology.
Kelly Wearstler: Evocative Style
Author: Kelly Wearstler
Publisher: Rizzoli Publications
ISBN: 0847866033
Category : House & Home
Languages : en
Pages : 258
Book Description
For her first book in ten years, Kelly Wearstler, one of the most irreverent and fascinating designers working today, continues to push boundaries with her inventive and opulent interiors, here inviting readers into her latest creations including her newly designed home. Celebrated for luxurious interiors that capture the swankiness of old-world Hollywood with a modern pop sensibility, Wearstler is known for her decadent designs of residences and boutique hotels, such as the line of Viceroys and the tastemakers Maison 140 and Avalon. Her ornate interiors are distinctive for layers of bold textures, patterns, and rich colors juxtaposed with lustrous surfaces, adding up to a whimsical and elegant look that has been called "mod baroque." Here Wearstler shares her creative world, profiling in detail her latest residential and commercial designs (several previously unpublished) and her sumptuous new San Francisco Proper Hotel, as well as her creative process. Full of ideas and with beautiful images of many never-before-photographed interiors, Kelly Wearstler: Evocative Style is an inspirational look at the designer's inventive work. Filled with new work, this volume is a must for other designers and homeowners looking for elegant design inspiration and ideas.
Publisher: Rizzoli Publications
ISBN: 0847866033
Category : House & Home
Languages : en
Pages : 258
Book Description
For her first book in ten years, Kelly Wearstler, one of the most irreverent and fascinating designers working today, continues to push boundaries with her inventive and opulent interiors, here inviting readers into her latest creations including her newly designed home. Celebrated for luxurious interiors that capture the swankiness of old-world Hollywood with a modern pop sensibility, Wearstler is known for her decadent designs of residences and boutique hotels, such as the line of Viceroys and the tastemakers Maison 140 and Avalon. Her ornate interiors are distinctive for layers of bold textures, patterns, and rich colors juxtaposed with lustrous surfaces, adding up to a whimsical and elegant look that has been called "mod baroque." Here Wearstler shares her creative world, profiling in detail her latest residential and commercial designs (several previously unpublished) and her sumptuous new San Francisco Proper Hotel, as well as her creative process. Full of ideas and with beautiful images of many never-before-photographed interiors, Kelly Wearstler: Evocative Style is an inspirational look at the designer's inventive work. Filled with new work, this volume is a must for other designers and homeowners looking for elegant design inspiration and ideas.
The Evocative Object World
Author: Christopher Bollas
Publisher: Routledge
ISBN: 1134026560
Category : Psychology
Languages : en
Pages : 159
Book Description
In The Evocative Object World Christopher Bollas builds on Freud's account of dream formation, combining it with perceptive clinical, theoretical and cultural insights to show how the psychoanalytical method can provide a rich understanding of what has traditionally been regarded as 'the outside world'. Moving from the fundamentals of the free associative technique, through an examination of how architecture and the built environment interact with individual and societal dream life, Bollas extends the work of psychoanalysis beyond relations with literature and culture to the actual objects which surround us. As with the evocative external structures of our environment, Bollas describes how the family, with its inherited genetic structures, likewise constitutes a pre-existent unconscious formation into which we are placed, and demonstrates that there is more to this multifaceted unit than the traditional psychoanalytical notion of the Oedipal triangle. In the process, Bollas also provides a fascinating and comprehensive review of how his own theories have evolved over the past three decades: a period during which, in his view, Western society has increasingly neglected – or even become actively hostile towards – unconscious life. Throughout this engaging and accessible text, Bollas rejects the simplistic notion that mental life is unconsciously determined. Instead he provides a compelling study of how unconscious life is shaped by a diverse array of both internal and external factors, and how the work of the Freudian pair provides the best means to gain insight into our dreams, our surroundings, our families – and our mental life as a whole.
Publisher: Routledge
ISBN: 1134026560
Category : Psychology
Languages : en
Pages : 159
Book Description
In The Evocative Object World Christopher Bollas builds on Freud's account of dream formation, combining it with perceptive clinical, theoretical and cultural insights to show how the psychoanalytical method can provide a rich understanding of what has traditionally been regarded as 'the outside world'. Moving from the fundamentals of the free associative technique, through an examination of how architecture and the built environment interact with individual and societal dream life, Bollas extends the work of psychoanalysis beyond relations with literature and culture to the actual objects which surround us. As with the evocative external structures of our environment, Bollas describes how the family, with its inherited genetic structures, likewise constitutes a pre-existent unconscious formation into which we are placed, and demonstrates that there is more to this multifaceted unit than the traditional psychoanalytical notion of the Oedipal triangle. In the process, Bollas also provides a fascinating and comprehensive review of how his own theories have evolved over the past three decades: a period during which, in his view, Western society has increasingly neglected – or even become actively hostile towards – unconscious life. Throughout this engaging and accessible text, Bollas rejects the simplistic notion that mental life is unconsciously determined. Instead he provides a compelling study of how unconscious life is shaped by a diverse array of both internal and external factors, and how the work of the Freudian pair provides the best means to gain insight into our dreams, our surroundings, our families – and our mental life as a whole.
Fantasmic Objects
Author: Kirsten L. Scheid
Publisher: Indiana University Press
ISBN: 0253064260
Category : Social Science
Languages : en
Pages : 438
Book Description
In Lebanon, the study of modern art—rather than power or hierarchy—has compelled citizens to confront how they define themselves as a postcolonial nation. In Fantasmic Objects, Kirsten L. Scheid offers a striking study of both modern art in Lebanon and modern Lebanon through art. By focusing on the careers of Moustapha Farrouk and Omar Onsi, forefathers of an iconic national repertoire, and their rebellious student Saloua Raouda Choucair, founder of an antirepresentational, participatory art, Scheid traces an emerging sense of what it means to be Lebanese through the evolution of new exhibition, pedagogical, and art-writing practices. She reveals that art and artists helped found the nation during French occupation, as the formal qualities and international exhibitions of nudes and landscapes in the 1930s crystallized notions of modern masculinity, patriotic femininity, non-sectarian religiosity, and citizenship. Examining the efforts of painters, sculptors, and activists in Lebanon who fiercely upheld aesthetic development and battled for new forms of political being, Fantasmic Objects offers an insightful approach to the history and formation of modern Lebanon.
Publisher: Indiana University Press
ISBN: 0253064260
Category : Social Science
Languages : en
Pages : 438
Book Description
In Lebanon, the study of modern art—rather than power or hierarchy—has compelled citizens to confront how they define themselves as a postcolonial nation. In Fantasmic Objects, Kirsten L. Scheid offers a striking study of both modern art in Lebanon and modern Lebanon through art. By focusing on the careers of Moustapha Farrouk and Omar Onsi, forefathers of an iconic national repertoire, and their rebellious student Saloua Raouda Choucair, founder of an antirepresentational, participatory art, Scheid traces an emerging sense of what it means to be Lebanese through the evolution of new exhibition, pedagogical, and art-writing practices. She reveals that art and artists helped found the nation during French occupation, as the formal qualities and international exhibitions of nudes and landscapes in the 1930s crystallized notions of modern masculinity, patriotic femininity, non-sectarian religiosity, and citizenship. Examining the efforts of painters, sculptors, and activists in Lebanon who fiercely upheld aesthetic development and battled for new forms of political being, Fantasmic Objects offers an insightful approach to the history and formation of modern Lebanon.