Author: Greg Lenburg
Publisher: CreateSpace
ISBN: 9781512230925
Category :
Languages : en
Pages : 92
Book Description
The "Randolph Scott Movie Poster Book" presents nearly 90 rare and vintage posters from the classic films of the handsome, versatile leading man who became one of Hollywood's greatest and most popular western stars. As an actor, Scott's versatility can easily be seen in his long list of film roles. Scott appeared in just about every genre, including two musicals (not as a musical performer), "Roberta" (1935) and "Follow the Fleet" (1936). Both starred Fred Astaire and Ginger Rogers. He was even cast in films opposite Shirley Temple, Mae West and Irene Dunne. One of his three films with Dunne was the classic screwball, romantic comedy, "My Favorite Wife" (1940). By the late 1930s and early 1940s, his western roles were increasing. In 1939, Scott played Wyatt Earp in "Frontier Marshal" and a lawman in "Jesse James" (1939) with Tyrone Power in the title role. In 1940, he was Errol Flynn's nemesis in "Virginia City." In 1942, he made two films with fellow Western icon John Wayne and Marlene Dietrich, namely "The Spoilers" and "Pittsburgh." During World War II, Scott served his country in his several war films including "Bombardier" (1943), "Gung Ho!" (1943) and "China Sky" (1945). By the mid to late 1940s, Scott sat tall in the saddle, making big hit westerns like "Return of the Bad Men" (1948). Others include ''Santa Fe'' (1951), ''Fort Worth" (1951), ''Man in the Saddle" (1951), ''Man Behind the Gun" (1953), ''Ten Wanted Men" (1955) and ''Ride Lonesome" (1959). He was one of the top box office draws of the 1950s. Considered among his best films are the seven he made between 1956 and 1960 with director Budd Boetticher. They include "Seven Men From Now" (1956) ''Comanche Station" (1960). Scott's last film was 1962's ''Ride the High Country" directed by Sam Peckinpah and co-starring another longtime western star, Joel McCrea. Some critics believe the film to be his best.
Last of the Cowboy Heroes
Author: Robert Nott
Publisher: McFarland
ISBN: 1476613729
Category : Performing Arts
Languages : en
Pages : 206
Book Description
In the world of Western films, Randolph Scott, Joel McCrea, and Audie Murphy have frequently been overlooked in favor of names like Roy Rogers and John Wayne. Yet these three actors played a crucial role in the changing environment of the post-World War II Western, and, in the process, made many excellent middle-budget films that are still a pleasure to watch. This account of these three Western stars' careers begins in 1946, when Scott and McCrea committed themselves to the Western roles they would play for nearly twenty years. Murphy, who also joined them in 1946, would continue his Western career for a few years after his cohorts rode into the film sunset. Arranged chronologically, and balanced among the three actors, the text concludes with Audie Murphy's last Western in 1967. Covering both the personal and professional lives of these three Hollywood cowboys, the book provides both their stories and the story of a Hollywood whose attitude toward the Western was in a time of transition and transformation. The text is complemented by 60 photographs and a filmography for each of the three.
Publisher: McFarland
ISBN: 1476613729
Category : Performing Arts
Languages : en
Pages : 206
Book Description
In the world of Western films, Randolph Scott, Joel McCrea, and Audie Murphy have frequently been overlooked in favor of names like Roy Rogers and John Wayne. Yet these three actors played a crucial role in the changing environment of the post-World War II Western, and, in the process, made many excellent middle-budget films that are still a pleasure to watch. This account of these three Western stars' careers begins in 1946, when Scott and McCrea committed themselves to the Western roles they would play for nearly twenty years. Murphy, who also joined them in 1946, would continue his Western career for a few years after his cohorts rode into the film sunset. Arranged chronologically, and balanced among the three actors, the text concludes with Audie Murphy's last Western in 1967. Covering both the personal and professional lives of these three Hollywood cowboys, the book provides both their stories and the story of a Hollywood whose attitude toward the Western was in a time of transition and transformation. The text is complemented by 60 photographs and a filmography for each of the three.
Spaghetti Westerns
Author: Aliza S. Wong
Publisher: Rowman & Littlefield
ISBN: 1442269049
Category : Performing Arts
Languages : en
Pages : 267
Book Description
Since the silent days of cinema, Westerns have been one of the most popular genres, not just in the United States but around the world. International filmmakers have been so taken by westerns that many directors have produced versions of their own, despite lacking access to the American West. Nowhere has the Western been more embraced outside of the United States than Italy. In the 1960s, as Hollywood heroes like John Wayne and Randolph Scott were aging, Italian filmmakers were revitalizing the western, securing younger American actors for their productions and also making stars of homegrown talent. Movies directed and produced by Italians have been branded “spaghetti westerns”—a genre that boastsseveral hundred films. In Spaghetti Westerns: A Viewer’s Guide, Aliza S. Wong identifies the most significant westerns all’italiana produced as well as the individuals who significantly contributed to the genre. The author profiles such American actors as Clint Eastwood, Eli Wallach, and Lee Van Cleef; composers including Ennio Morricone and Carlo Rustichelli; and, of course, directors like Sergio Corbucci and Sergio Leone. The most memorable movies of the genre are also examined, includingCompañeros, Django; A Fistful of Dollars; The Good, the Bad, and the Ugly; and They Call Me Trinity. In addition to citing pivotal films and filmmakers, this volume also highlights other relevant aspects of the genre, including popular shooting locations, subgenres like the Zapata western, and the films and filmmakers who were inspired by the spaghetti western, including Quentin Tarantino, Richard Rodriguez, and Takashi Miike. An introduction to a unique homage of American cinema, Spaghetti Westerns: A Viewer’s Guide allows fans and scholars alike to learn more about a genre that continues to fascinate audiences.
Publisher: Rowman & Littlefield
ISBN: 1442269049
Category : Performing Arts
Languages : en
Pages : 267
Book Description
Since the silent days of cinema, Westerns have been one of the most popular genres, not just in the United States but around the world. International filmmakers have been so taken by westerns that many directors have produced versions of their own, despite lacking access to the American West. Nowhere has the Western been more embraced outside of the United States than Italy. In the 1960s, as Hollywood heroes like John Wayne and Randolph Scott were aging, Italian filmmakers were revitalizing the western, securing younger American actors for their productions and also making stars of homegrown talent. Movies directed and produced by Italians have been branded “spaghetti westerns”—a genre that boastsseveral hundred films. In Spaghetti Westerns: A Viewer’s Guide, Aliza S. Wong identifies the most significant westerns all’italiana produced as well as the individuals who significantly contributed to the genre. The author profiles such American actors as Clint Eastwood, Eli Wallach, and Lee Van Cleef; composers including Ennio Morricone and Carlo Rustichelli; and, of course, directors like Sergio Corbucci and Sergio Leone. The most memorable movies of the genre are also examined, includingCompañeros, Django; A Fistful of Dollars; The Good, the Bad, and the Ugly; and They Call Me Trinity. In addition to citing pivotal films and filmmakers, this volume also highlights other relevant aspects of the genre, including popular shooting locations, subgenres like the Zapata western, and the films and filmmakers who were inspired by the spaghetti western, including Quentin Tarantino, Richard Rodriguez, and Takashi Miike. An introduction to a unique homage of American cinema, Spaghetti Westerns: A Viewer’s Guide allows fans and scholars alike to learn more about a genre that continues to fascinate audiences.
The Films of Budd Boetticher
Author: Robert Nott
Publisher: McFarland
ISBN: 1476635218
Category : Performing Arts
Languages : en
Pages : 201
Book Description
Budd Boetticher (1916-2001) was a bullfighter, a pleasant madman and a talented journeyman filmmaker who could--with the right material and drive--create a minor Western film classic as easily as he could kill a bull. Yet pain and passion naturally mixed in both endeavors. Drawing on studio archives and featuring insightful interviews with Boetticher and those who worked with him, this retrospective looks at each of his 33 films in detail, covering his cinematic career from his days as an assistant's assistant on the set of Hal Roach comedies to his last documentary some 45 years later.
Publisher: McFarland
ISBN: 1476635218
Category : Performing Arts
Languages : en
Pages : 201
Book Description
Budd Boetticher (1916-2001) was a bullfighter, a pleasant madman and a talented journeyman filmmaker who could--with the right material and drive--create a minor Western film classic as easily as he could kill a bull. Yet pain and passion naturally mixed in both endeavors. Drawing on studio archives and featuring insightful interviews with Boetticher and those who worked with him, this retrospective looks at each of his 33 films in detail, covering his cinematic career from his days as an assistant's assistant on the set of Hal Roach comedies to his last documentary some 45 years later.
Cary Grant
Author: Scott Eyman
Publisher: Simon and Schuster
ISBN: 1501192124
Category : Biography & Autobiography
Languages : en
Pages : 576
Book Description
Film historian and acclaimed New York Times bestselling biographer Scott Eyman has written the definitive, “captivating” (Associated Press) biography of Hollywood legend Cary Grant, one of the most accomplished—and beloved—actors of his generation, who remains as popular as ever today. Born Archibald Leach in 1904, he came to America as a teenaged acrobat to find fame and fortune, but he was always haunted by his past. His father was a feckless alcoholic, and his mother was committed to an asylum when Archie was eleven years old. He believed her to be dead until he was informed she was alive when he was thirty-one years old. Because of this experience, Grant would have difficulty forming close attachments throughout his life. He married five times and had numerous affairs. Despite a remarkable degree of success, Grant remained deeply conflicted about his past, his present, his basic identity, and even the public that worshipped him in movies such as Gunga Din, Notorious, and North by Northwest. This “estimable and empathetic biography” (The Washington Post) draws on Grant’s own papers, extensive archival research, and interviews with family and friends making it a definitive and “complex portrait of Hollywood’s original leading man” (Entertainment Weekly).
Publisher: Simon and Schuster
ISBN: 1501192124
Category : Biography & Autobiography
Languages : en
Pages : 576
Book Description
Film historian and acclaimed New York Times bestselling biographer Scott Eyman has written the definitive, “captivating” (Associated Press) biography of Hollywood legend Cary Grant, one of the most accomplished—and beloved—actors of his generation, who remains as popular as ever today. Born Archibald Leach in 1904, he came to America as a teenaged acrobat to find fame and fortune, but he was always haunted by his past. His father was a feckless alcoholic, and his mother was committed to an asylum when Archie was eleven years old. He believed her to be dead until he was informed she was alive when he was thirty-one years old. Because of this experience, Grant would have difficulty forming close attachments throughout his life. He married five times and had numerous affairs. Despite a remarkable degree of success, Grant remained deeply conflicted about his past, his present, his basic identity, and even the public that worshipped him in movies such as Gunga Din, Notorious, and North by Northwest. This “estimable and empathetic biography” (The Washington Post) draws on Grant’s own papers, extensive archival research, and interviews with family and friends making it a definitive and “complex portrait of Hollywood’s original leading man” (Entertainment Weekly).
Easterns and Westerns
Author: Glendon Swarthout
Publisher: MSU Press
ISBN:
Category : Fiction
Languages : en
Pages : 248
Book Description
In his only collection of short fiction, Glendon Swarthout, author of The Shootist, Where the Boys Are, and Bless the Beasts and the Children, reveals in microcosm the heroic and gritty themes that characterized both his novels and films. Stories such as "Mulligans" and "A Glass of Blessings" explore the seedy underbelly of human desire, while "A Horse for Mrs. Custer" quietly celebrates the dedication of men and women who act above and beyond their capabilities during war and upheaval. Although these stories were written over a span of three decades, their themes of generational conflict, hypocrisy, loss, sacrifice, love, and war remain fresh and startling. Alternately funny and uncomfortable, Swarthout captures the postwar tensions of twentieth-century Americans. This collection reveals the versatility, range, and skill of one of America's great storytellers. Easterns and Westerns includes one unpublished novella and thirteen stories, some of which have appeared in national magazines such as Esquire, Cosmopolitan, Redbook, and the Saturday Evening Post. One of these, "A Glass of Blessings," was an O'Henry Prize Short Story in 1960. Another, "A Horse for Mrs. Custer," became a 1956 Western film for Columbia Pictures; 7th Cavalry, starring Randolph Scott and Barbara Hale. A third story, "Mulligans," has been made into a short comedy film.
Publisher: MSU Press
ISBN:
Category : Fiction
Languages : en
Pages : 248
Book Description
In his only collection of short fiction, Glendon Swarthout, author of The Shootist, Where the Boys Are, and Bless the Beasts and the Children, reveals in microcosm the heroic and gritty themes that characterized both his novels and films. Stories such as "Mulligans" and "A Glass of Blessings" explore the seedy underbelly of human desire, while "A Horse for Mrs. Custer" quietly celebrates the dedication of men and women who act above and beyond their capabilities during war and upheaval. Although these stories were written over a span of three decades, their themes of generational conflict, hypocrisy, loss, sacrifice, love, and war remain fresh and startling. Alternately funny and uncomfortable, Swarthout captures the postwar tensions of twentieth-century Americans. This collection reveals the versatility, range, and skill of one of America's great storytellers. Easterns and Westerns includes one unpublished novella and thirteen stories, some of which have appeared in national magazines such as Esquire, Cosmopolitan, Redbook, and the Saturday Evening Post. One of these, "A Glass of Blessings," was an O'Henry Prize Short Story in 1960. Another, "A Horse for Mrs. Custer," became a 1956 Western film for Columbia Pictures; 7th Cavalry, starring Randolph Scott and Barbara Hale. A third story, "Mulligans," has been made into a short comedy film.
Movie Westerns
Author: John Howard Reid
Publisher: Lulu.com
ISBN: 1411666100
Category : Performing Arts
Languages : en
Pages : 273
Book Description
No less than 150 classic western movies are surveyed, ranging from super productions like "The Big Country", "Destry Rides Again", "The Mark of Zorro", "Red River", "The Searchers", "The Spoilers" and "Unconquered" to the output of such popular "B" western film stars as Gene Autry, Roy Rogers, Randolph Scott, William Boyd, Johnny Mack Brown, Tim Holt and Wayne Morris. Plus a big tip of the sombrero to Charles Starrett and John Wayne.
Publisher: Lulu.com
ISBN: 1411666100
Category : Performing Arts
Languages : en
Pages : 273
Book Description
No less than 150 classic western movies are surveyed, ranging from super productions like "The Big Country", "Destry Rides Again", "The Mark of Zorro", "Red River", "The Searchers", "The Spoilers" and "Unconquered" to the output of such popular "B" western film stars as Gene Autry, Roy Rogers, Randolph Scott, William Boyd, Johnny Mack Brown, Tim Holt and Wayne Morris. Plus a big tip of the sombrero to Charles Starrett and John Wayne.
Henry Hathaway
Author: Harold N. Pomainville
Publisher: Rowman & Littlefield
ISBN: 1442269782
Category : Biography & Autobiography
Languages : en
Pages : 343
Book Description
For the casual film fan, Henry Hathaway is not a household name. But in a career that spanned five decades, Hathaway directed an impressive number of films and guided many actors and actresses to some their most acclaimed performances. He also helped launch the Hollywood careers of numerous actors such as Randolph Scott, Lee Marvin, Karl Malden, and Charles Bronson. His work on Niagara established Marilyn Monroe as a major star. Hathaway also guided John Wayne to his Academy Award-winning performance in the original version of True Grit. In Henry Hathaway: The Lives of a Hollywood Director, Harold N. Pomainville looks at the life and work of this Hollywood maverick. The author charts Hathaway’s career from his first low budget Western in the early 1930s through his last film in 1974. In between, he focuses his attention of the films that brought the director acclaim, including The Lives of Bengal Lancer (1935)—for which Hathaway received an Oscar nomination—noir thrillers The House on 92nd Street and Kiss of Death, and his documentary-like production of Call Northside 777 with Jimmy Stewart. In this book, the author captures Hathaway’s extroverted personality and keen intellect. He befriended some of the best known celebrities of his generationand was known for his loyalty, generosity, and integrity. He was also notorious in Hollywood for his powerful ego, explosive temper, and his dictatorial style on the set. Henry Hathaway: The Lives of a Hollywood Director is a must-read for anyone interested in the enduring work of this unheralded, but no-less-noteworthy, master of American cinema.
Publisher: Rowman & Littlefield
ISBN: 1442269782
Category : Biography & Autobiography
Languages : en
Pages : 343
Book Description
For the casual film fan, Henry Hathaway is not a household name. But in a career that spanned five decades, Hathaway directed an impressive number of films and guided many actors and actresses to some their most acclaimed performances. He also helped launch the Hollywood careers of numerous actors such as Randolph Scott, Lee Marvin, Karl Malden, and Charles Bronson. His work on Niagara established Marilyn Monroe as a major star. Hathaway also guided John Wayne to his Academy Award-winning performance in the original version of True Grit. In Henry Hathaway: The Lives of a Hollywood Director, Harold N. Pomainville looks at the life and work of this Hollywood maverick. The author charts Hathaway’s career from his first low budget Western in the early 1930s through his last film in 1974. In between, he focuses his attention of the films that brought the director acclaim, including The Lives of Bengal Lancer (1935)—for which Hathaway received an Oscar nomination—noir thrillers The House on 92nd Street and Kiss of Death, and his documentary-like production of Call Northside 777 with Jimmy Stewart. In this book, the author captures Hathaway’s extroverted personality and keen intellect. He befriended some of the best known celebrities of his generationand was known for his loyalty, generosity, and integrity. He was also notorious in Hollywood for his powerful ego, explosive temper, and his dictatorial style on the set. Henry Hathaway: The Lives of a Hollywood Director is a must-read for anyone interested in the enduring work of this unheralded, but no-less-noteworthy, master of American cinema.
Still in the Saddle
Author: Andrew Patrick Nelson
Publisher: University of Oklahoma Press
ISBN: 0806153024
Category : Social Science
Languages : en
Pages : 321
Book Description
By the end of the 1960s, the Hollywood West of Tom Mix, Randolph Scott, and even John Wayne was passé—or so the story goes. Many film historians and critics have argued that movies portraying a mythic American West gave way to revisionist films that influential filmmakers such as Sam Peckinpah and Robert Altman made as violent critiques of the Western’s “golden years.” Yet rumors surrounding the death of the Western have been greatly exaggerated, says film historian Andrew Patrick Nelson. Even as the Wild Bunch and John McCabe rode forth, John Wayne remained the Western’s number one box office draw. How, then, could there have been a revisionist reckoning at a time when the Duke was still in the saddle? In Still in the Saddle, Nelson offers readers a new history of the Hollywood Western in the 1970s, a time when filmmakers tried to revive the genre by appealing to a diverse audience that included a new generation of socially conscious viewers. Nelson considers a comprehensive filmography of releases from 1969 to 1980 in light of the visual tropes and narratives developed and reworked in the genre from the 1930s to the present. In so doing, he reveals the complexity of what is probably the most interesting period in Western movie history. His incisive reevaluations of such celebrated (or infamous) films as The Wild Bunch and Heaven’s Gate and examinations of dozens of forgotten and neglected Westerns, including the final films of John Wayne, demonstrate that there was more to the 1970s Western than simple revision. Instead, we see not only important connections between canonical and lesser-known films of the period, but also continuities between these and older Westerns. Nelson believes an ongoing, cyclical process of regeneration thus transcends established divisions in the genre’s history. Among the books currently challenging the prevailing “evolutionary” account of the Western, Still in the Saddle thoroughly revises our understanding of this exciting and misunderstood period in the Western’s history and adds innovatively and substantially to our knowledge of the genre as a whole.
Publisher: University of Oklahoma Press
ISBN: 0806153024
Category : Social Science
Languages : en
Pages : 321
Book Description
By the end of the 1960s, the Hollywood West of Tom Mix, Randolph Scott, and even John Wayne was passé—or so the story goes. Many film historians and critics have argued that movies portraying a mythic American West gave way to revisionist films that influential filmmakers such as Sam Peckinpah and Robert Altman made as violent critiques of the Western’s “golden years.” Yet rumors surrounding the death of the Western have been greatly exaggerated, says film historian Andrew Patrick Nelson. Even as the Wild Bunch and John McCabe rode forth, John Wayne remained the Western’s number one box office draw. How, then, could there have been a revisionist reckoning at a time when the Duke was still in the saddle? In Still in the Saddle, Nelson offers readers a new history of the Hollywood Western in the 1970s, a time when filmmakers tried to revive the genre by appealing to a diverse audience that included a new generation of socially conscious viewers. Nelson considers a comprehensive filmography of releases from 1969 to 1980 in light of the visual tropes and narratives developed and reworked in the genre from the 1930s to the present. In so doing, he reveals the complexity of what is probably the most interesting period in Western movie history. His incisive reevaluations of such celebrated (or infamous) films as The Wild Bunch and Heaven’s Gate and examinations of dozens of forgotten and neglected Westerns, including the final films of John Wayne, demonstrate that there was more to the 1970s Western than simple revision. Instead, we see not only important connections between canonical and lesser-known films of the period, but also continuities between these and older Westerns. Nelson believes an ongoing, cyclical process of regeneration thus transcends established divisions in the genre’s history. Among the books currently challenging the prevailing “evolutionary” account of the Western, Still in the Saddle thoroughly revises our understanding of this exciting and misunderstood period in the Western’s history and adds innovatively and substantially to our knowledge of the genre as a whole.