Author: Margaret C. Miller
Publisher: Cambridge University Press
ISBN: 9780521607582
Category : Art
Languages : en
Pages : 416
Book Description
First comprehensive collection of evidence of the relations between Athens and Persia in fifth century BC.
Persian Grammar
Author: Ann K. S. Lambton
Publisher: Cambridge University Press
ISBN: 9780521091244
Category : Foreign Language Study
Languages : en
Pages : 358
Book Description
The grammar in this book is comprehensive, and contains all that is necessary for the student to become thoroughly familiar with the language.
Publisher: Cambridge University Press
ISBN: 9780521091244
Category : Foreign Language Study
Languages : en
Pages : 358
Book Description
The grammar in this book is comprehensive, and contains all that is necessary for the student to become thoroughly familiar with the language.
Missing Persians
Author: Nasrin Rahimieh
Publisher: Syracuse University Press
ISBN: 9780815628378
Category : History
Languages : en
Pages : 212
Book Description
Missing Persians serves to articulate in elegant, vibrant prose the disparate and displaced narratives of five Persian subjects. Nasrin Rahimieh's complex and nuanced arguments effectively demonstrate the links that her five figures have to a stable Persian identity—complicated by their experiences of travel, exile, conversion, and social change. Rahimieh delineates the captivating histories of "missing" Persians from the sixteenth century to modern times and defines the arbitrary generic boundaries that isolate Persian biographies, autobiographies, travelogues, and social histories. Balancing their documentary and historical value with creative and fictional elements, she reads them as individual engagements with broader questions of Persian identity at different moments of the nation's history. As modes of self-expression, these texts reveal both remnants of traditional Persian literary forms and new styles adopted through translations and readings in European literature and history. Even as it sheds new light on crucial points in cultural self-definition, Missing Persians offers a fresh look at traditional institutions, the role of women, and Persia's turbulent struggle to enter modernity on its own terms.
Publisher: Syracuse University Press
ISBN: 9780815628378
Category : History
Languages : en
Pages : 212
Book Description
Missing Persians serves to articulate in elegant, vibrant prose the disparate and displaced narratives of five Persian subjects. Nasrin Rahimieh's complex and nuanced arguments effectively demonstrate the links that her five figures have to a stable Persian identity—complicated by their experiences of travel, exile, conversion, and social change. Rahimieh delineates the captivating histories of "missing" Persians from the sixteenth century to modern times and defines the arbitrary generic boundaries that isolate Persian biographies, autobiographies, travelogues, and social histories. Balancing their documentary and historical value with creative and fictional elements, she reads them as individual engagements with broader questions of Persian identity at different moments of the nation's history. As modes of self-expression, these texts reveal both remnants of traditional Persian literary forms and new styles adopted through translations and readings in European literature and history. Even as it sheds new light on crucial points in cultural self-definition, Missing Persians offers a fresh look at traditional institutions, the role of women, and Persia's turbulent struggle to enter modernity on its own terms.
The Persian Revival
Author: Talinn Grigor
Publisher: Penn State Press
ISBN: 0271089709
Category : Architecture
Languages : en
Pages : 277
Book Description
One of the most heated scholarly controversies of the early twentieth century, the Orient-or-Rome debate turned on whether art historians should trace the origin of all Western—and especially Gothic—architecture to Roman ingenuity or to the Indo-Germanic Geist. Focusing on the discourses around this debate, Talinn Grigor considers the Persian Revival movement in light of imperial strategies of power and identity in British India and in Qajar-Pahlavi Iran. The Persian Revival examines Europe’s discovery of ancient Iran, first in literature and then in art history. Tracing Western visual discourse about ancient Iran from 1699 on, Grigor parses the invention and use of a revivalist architectural style from the Afsharid and Zand successors to the Safavid throne and the rise of the Parsi industrialists as cosmopolitan subjects of British India. Drawing on a wide range of Persian revival narratives bound to architectural history, Grigor foregrounds the complexities and magnitude of artistic appropriations of Western art history in order to grapple with colonial ambivalence and imperial aspirations. She argues that while Western imperialism was instrumental in shaping high art as mercantile-bourgeois ethos, it was also a project that destabilized the hegemony of a Eurocentric historiography of taste. An important reconsideration of the Persian Revival, this book will be of vital interest to art and architectural historians and intellectual historians, particularly those working in the areas of international modernism, Iranian studies, and historiography.
Publisher: Penn State Press
ISBN: 0271089709
Category : Architecture
Languages : en
Pages : 277
Book Description
One of the most heated scholarly controversies of the early twentieth century, the Orient-or-Rome debate turned on whether art historians should trace the origin of all Western—and especially Gothic—architecture to Roman ingenuity or to the Indo-Germanic Geist. Focusing on the discourses around this debate, Talinn Grigor considers the Persian Revival movement in light of imperial strategies of power and identity in British India and in Qajar-Pahlavi Iran. The Persian Revival examines Europe’s discovery of ancient Iran, first in literature and then in art history. Tracing Western visual discourse about ancient Iran from 1699 on, Grigor parses the invention and use of a revivalist architectural style from the Afsharid and Zand successors to the Safavid throne and the rise of the Parsi industrialists as cosmopolitan subjects of British India. Drawing on a wide range of Persian revival narratives bound to architectural history, Grigor foregrounds the complexities and magnitude of artistic appropriations of Western art history in order to grapple with colonial ambivalence and imperial aspirations. She argues that while Western imperialism was instrumental in shaping high art as mercantile-bourgeois ethos, it was also a project that destabilized the hegemony of a Eurocentric historiography of taste. An important reconsideration of the Persian Revival, this book will be of vital interest to art and architectural historians and intellectual historians, particularly those working in the areas of international modernism, Iranian studies, and historiography.