Author: Vincent Brook
Publisher: Rutgers University Press
ISBN: 0813548330
Category : Performing Arts
Languages : en
Pages : 299
Book Description
From its earliest days, the American film industry has attracted European artists. With the rise of Hitler, filmmakers of conscience in Germany and other countries, particularly those of Jewish origin, found it difficult to survive and fledùfor their work and their livesùto the United States. Some had trouble adapting to Hollywood, but many were celebrated for their cinematic contributions, especially to the dark shadows of film noir. Driven to Darkness explores the influence of Jewish TmigrT directors and the development of this genre. While filmmakers such as Fritz Lang, Billy Wilder, Otto Preminger, and Edward G. Ulmer have been acknowledged as crucial to the noir canon, the impact of their Jewishness on their work has remained largely unexamined until now. Through lively and original analyses of key films, Vincent Brook penetrates the darkness, shedding new light on this popular film form and the artists who helped create it.
A Comprehensive Encyclopedia of Film Noir
Author: John Grant
Publisher: Limelight Editions
ISBN: 9781557838315
Category : Performing Arts
Languages : en
Pages : 765
Book Description
Offers a reference guide to film noir, extending from relevant films from before the genre was established to contemporary neonoirs and other types of film derived from the genre.
Publisher: Limelight Editions
ISBN: 9781557838315
Category : Performing Arts
Languages : en
Pages : 765
Book Description
Offers a reference guide to film noir, extending from relevant films from before the genre was established to contemporary neonoirs and other types of film derived from the genre.
Film Noir Guide
Author: Michael F. Keaney
Publisher: McFarland
ISBN: 0786491558
Category : Performing Arts
Languages : en
Pages : 552
Book Description
More than 700 films from the classic period of film noir (1940 to 1959) are presented in this exhaustive reference book--such films as The Accused, Among the Living, The Asphalt Jungle, Baby Face Nelson, Bait, The Beat Generation, Crossfire, Dark Passage, I Walk Alone, The Las Vegas Story, The Naked City, Strangers on a Train, White Heat, and The Window. For each film, the following information is provided: the title, release date, main performers, screenwriter(s), director(s), type of noir, thematic content, a rating based on the five-star system, and a plot synopsis that does not reveal the ending.
Publisher: McFarland
ISBN: 0786491558
Category : Performing Arts
Languages : en
Pages : 552
Book Description
More than 700 films from the classic period of film noir (1940 to 1959) are presented in this exhaustive reference book--such films as The Accused, Among the Living, The Asphalt Jungle, Baby Face Nelson, Bait, The Beat Generation, Crossfire, Dark Passage, I Walk Alone, The Las Vegas Story, The Naked City, Strangers on a Train, White Heat, and The Window. For each film, the following information is provided: the title, release date, main performers, screenwriter(s), director(s), type of noir, thematic content, a rating based on the five-star system, and a plot synopsis that does not reveal the ending.
Dark City
Author: Eddie Muller
Publisher: Running Press Adult
ISBN: 076249896X
Category : Performing Arts
Languages : en
Pages : 264
Book Description
This revised and expanded edition of Eddie Muller's Dark City is a film noir lover's bible, taking readers on a tour of the urban landscape of the grim and gritty genre in a definitive, highly illustrated volume. Dark Cityexpands with new chapters and a fresh collection of restored photos that illustrate the mythic landscape of the imagination. It's a place where the men and women who created film noir often find themselves dangling from the same sinister heights as the silver-screen avatars to whom they gave life. Eddie Muller, host of Turner Classic Movies' Noir Alley, takes readers on a spellbinding trip through treacherous terrain: Hollywood in the post-World War II years, where art, politics, scandal, style -- and brilliant craftsmanship -- produced a new approach to moviemaking, and a new type of cultural mythology.
Publisher: Running Press Adult
ISBN: 076249896X
Category : Performing Arts
Languages : en
Pages : 264
Book Description
This revised and expanded edition of Eddie Muller's Dark City is a film noir lover's bible, taking readers on a tour of the urban landscape of the grim and gritty genre in a definitive, highly illustrated volume. Dark Cityexpands with new chapters and a fresh collection of restored photos that illustrate the mythic landscape of the imagination. It's a place where the men and women who created film noir often find themselves dangling from the same sinister heights as the silver-screen avatars to whom they gave life. Eddie Muller, host of Turner Classic Movies' Noir Alley, takes readers on a spellbinding trip through treacherous terrain: Hollywood in the post-World War II years, where art, politics, scandal, style -- and brilliant craftsmanship -- produced a new approach to moviemaking, and a new type of cultural mythology.
Film Noir
Author: Paul Duncan
Publisher:
ISBN: 9783836543569
Category : Film noir
Languages : en
Pages : 0
Book Description
TASCHEN's 100 all-time favorite film noirs and neo-noirs: from The Cabinet of Dr. Caligari to Drive. With an introduction by film director and Taxi Driver screenwriter Paul Schrader, this encyclopedia of private eyes, gangsters, psychopaths and femmes fatales includes original poster reproductions, film analyses, and rare stills galore.
Publisher:
ISBN: 9783836543569
Category : Film noir
Languages : en
Pages : 0
Book Description
TASCHEN's 100 all-time favorite film noirs and neo-noirs: from The Cabinet of Dr. Caligari to Drive. With an introduction by film director and Taxi Driver screenwriter Paul Schrader, this encyclopedia of private eyes, gangsters, psychopaths and femmes fatales includes original poster reproductions, film analyses, and rare stills galore.
The Philosophy of Film Noir
Author: Mark T. Conard
Publisher: University Press of Kentucky
ISBN: 0813171709
Category : Performing Arts
Languages : en
Pages : 265
Book Description
A drifter with no name and no past, driven purely by desire, is convinced by a beautiful woman to murder her husband. A hard-drinking detective down on his luck becomes involved with a gang of criminals in pursuit of a priceless artifact. The stories are at once romantic, pessimistic, filled with anxiety and a sense of alienation, and they define the essence of film noir. Noir emerged as a prominent American film genre in the early 1940s, distinguishable by its use of unusual lighting, sinister plots, mysterious characters, and dark themes. From The Maltese Falcon (1941) to Touch of Evil (1958), films from this classic period reflect an atmosphere of corruption and social decay that attracted such accomplished directors as John Huston, Alfred Hitchcock, Billy Wilder, and Orson Welles. The Philosophy of Film Noir is the first volume to focus exclusively on the philosophical underpinnings of these iconic films. Drawing on the work of diverse thinkers, from the French existentialist Albert Camus to the Frankurt school theorists Max Horkheimer and Theodor Adorno, the volume connects film noir to the philosophical questions of a modern, often nihilistic, world. Opening with an examination of what constitutes noir cinema, the book interprets the philosophical elements consistently present in the films—themes such as moral ambiguity, reason versus passion, and pessimism. The contributors to the volume also argue that the essence and elements of noir have fundamentally influenced movies outside of the traditional noir period. Neo-noir films such as Pulp Fiction (1994), Fight Club (1999), and Memento (2000) have reintroduced the genre to a contemporary audience. As they assess the concepts present in individual films, the contributors also illuminate and explore the philosophical themes that surface in popular culture. A close examination of one of the most significant artistic movements of the twentieth century, The Philosophy of Film Noir reinvigorates an intellectual discussion at the intersection of popular culture and philosophy.
Publisher: University Press of Kentucky
ISBN: 0813171709
Category : Performing Arts
Languages : en
Pages : 265
Book Description
A drifter with no name and no past, driven purely by desire, is convinced by a beautiful woman to murder her husband. A hard-drinking detective down on his luck becomes involved with a gang of criminals in pursuit of a priceless artifact. The stories are at once romantic, pessimistic, filled with anxiety and a sense of alienation, and they define the essence of film noir. Noir emerged as a prominent American film genre in the early 1940s, distinguishable by its use of unusual lighting, sinister plots, mysterious characters, and dark themes. From The Maltese Falcon (1941) to Touch of Evil (1958), films from this classic period reflect an atmosphere of corruption and social decay that attracted such accomplished directors as John Huston, Alfred Hitchcock, Billy Wilder, and Orson Welles. The Philosophy of Film Noir is the first volume to focus exclusively on the philosophical underpinnings of these iconic films. Drawing on the work of diverse thinkers, from the French existentialist Albert Camus to the Frankurt school theorists Max Horkheimer and Theodor Adorno, the volume connects film noir to the philosophical questions of a modern, often nihilistic, world. Opening with an examination of what constitutes noir cinema, the book interprets the philosophical elements consistently present in the films—themes such as moral ambiguity, reason versus passion, and pessimism. The contributors to the volume also argue that the essence and elements of noir have fundamentally influenced movies outside of the traditional noir period. Neo-noir films such as Pulp Fiction (1994), Fight Club (1999), and Memento (2000) have reintroduced the genre to a contemporary audience. As they assess the concepts present in individual films, the contributors also illuminate and explore the philosophical themes that surface in popular culture. A close examination of one of the most significant artistic movements of the twentieth century, The Philosophy of Film Noir reinvigorates an intellectual discussion at the intersection of popular culture and philosophy.
Film Noir
Author: Paul Duncan
Publisher: No Exit Press
ISBN: 9781904048671
Category : Film noir
Languages : en
Pages : 0
Book Description
This Pocket Essential charts the progression of the noir style as a vehicle for film-makers who wanted to record the darkness at the heart of American society as it emerged from World War into Cold War. As well as an introductory essay on the origins of Film Noir, this Pocket Essential discusses all the classics from the heyday of the movement in detail and includes a handy reference section for readers who want to know more.
Publisher: No Exit Press
ISBN: 9781904048671
Category : Film noir
Languages : en
Pages : 0
Book Description
This Pocket Essential charts the progression of the noir style as a vehicle for film-makers who wanted to record the darkness at the heart of American society as it emerged from World War into Cold War. As well as an introductory essay on the origins of Film Noir, this Pocket Essential discusses all the classics from the heyday of the movement in detail and includes a handy reference section for readers who want to know more.
The Dark Side of the Screen
Author: Foster Hirsch
Publisher: Da Capo Press
ISBN: 0786726776
Category : Performing Arts
Languages : en
Pages : 272
Book Description
Foster Hirsch's Dark Side of the Screen is by far the most thorough and entertaining study of the themes, visual motifs, character types, actors, directors, and films in this genre ever published. From Billy Wilder, Douglas Sirk, Robert Aldrich, and Howard Hawkes to Martin Scorsese, Roman Polanski, and Paul Schrader, the noir themes of dread, paranoia, steamy sex, double-crossing women, and menacing cityscapes have held a fascination. The features that make Burt Lancaster, Joan Crawford, Robert Mitchum, and Humphrey Bogart into noir heroes and heroines are carefully detailed here, as well as those camera angles, lighting effects, and story lines that characterize Fritz Lang, Samuel Fuller, and Orson Welles as noir directors.For the current rediscovery of film noir, this comprehensive history with its list of credits to 112 outstanding films and its many illustrations will be a valuable reference and a source of inspiration for further research.
Publisher: Da Capo Press
ISBN: 0786726776
Category : Performing Arts
Languages : en
Pages : 272
Book Description
Foster Hirsch's Dark Side of the Screen is by far the most thorough and entertaining study of the themes, visual motifs, character types, actors, directors, and films in this genre ever published. From Billy Wilder, Douglas Sirk, Robert Aldrich, and Howard Hawkes to Martin Scorsese, Roman Polanski, and Paul Schrader, the noir themes of dread, paranoia, steamy sex, double-crossing women, and menacing cityscapes have held a fascination. The features that make Burt Lancaster, Joan Crawford, Robert Mitchum, and Humphrey Bogart into noir heroes and heroines are carefully detailed here, as well as those camera angles, lighting effects, and story lines that characterize Fritz Lang, Samuel Fuller, and Orson Welles as noir directors.For the current rediscovery of film noir, this comprehensive history with its list of credits to 112 outstanding films and its many illustrations will be a valuable reference and a source of inspiration for further research.