Author: Wassily Kandinsky
Publisher:
ISBN:
Category : Aesthetics
Languages : en
Pages : 106
Book Description
The Writings of Robert Motherwell
Author: Robert Motherwell
Publisher: Univ of California Press
ISBN: 0520940512
Category : Art
Languages : en
Pages : 398
Book Description
Robert Motherwell (1915-1991), one of the leading American Abstract Expressionist painters, was also a theorist and exponent of the movement. His writing articulated the intent of the New York school —Jackson Pollock, Willem de Kooning, Adolph Gottlieb, Franz Kline, Arshile Gorky, and others—during a period when their work was often reviled for its departure from traditional representation. As founder of the Documents of Modern Art series (later renamed the Documents of Twentieth-Century Art), Motherwell gave modern artists a voice at a time when very few people understood their theories or work. This authoritative new edition of the artist's writings about art includes public lectures, essays, and interviews. Impeccably edited, with an informative introductory essay and rigorous annotation, it is illustrated with black-and-white images that elucidate Motherwell's writings.
Publisher: Univ of California Press
ISBN: 0520940512
Category : Art
Languages : en
Pages : 398
Book Description
Robert Motherwell (1915-1991), one of the leading American Abstract Expressionist painters, was also a theorist and exponent of the movement. His writing articulated the intent of the New York school —Jackson Pollock, Willem de Kooning, Adolph Gottlieb, Franz Kline, Arshile Gorky, and others—during a period when their work was often reviled for its departure from traditional representation. As founder of the Documents of Modern Art series (later renamed the Documents of Twentieth-Century Art), Motherwell gave modern artists a voice at a time when very few people understood their theories or work. This authoritative new edition of the artist's writings about art includes public lectures, essays, and interviews. Impeccably edited, with an informative introductory essay and rigorous annotation, it is illustrated with black-and-white images that elucidate Motherwell's writings.
Exploring Color
Author: Nina Gurianova
Publisher: Routledge
ISBN: 1136648720
Category : Performing Arts
Languages : en
Pages : 258
Book Description
This is an examination of the paintings, books, poetry and theoretical work of Russian avant-garde artist, Olga Rozanova. The text assesses Rozanova's life and work, aiming to recreate the spirit of the counterculture milieu that contributed to the transformation of 20th-century art.
Publisher: Routledge
ISBN: 1136648720
Category : Performing Arts
Languages : en
Pages : 258
Book Description
This is an examination of the paintings, books, poetry and theoretical work of Russian avant-garde artist, Olga Rozanova. The text assesses Rozanova's life and work, aiming to recreate the spirit of the counterculture milieu that contributed to the transformation of 20th-century art.
Ancient Violence in the Modern Imagination
Author: Irene Berti
Publisher: Bloomsbury Publishing
ISBN: 1350075418
Category : Art
Languages : en
Pages : 312
Book Description
The collected essays in this volume focus on the presentation, representation and interpretation of ancient violence – from war to slavery, rape and murder – in the modern visual and performing arts, with special attention to videogames and dance as well as the more usual media of film, literature and theatre. Violence, fury and the dread that they provoke are factors that appear frequently in the ancient sources. The dark side of antiquity, so distant from the ideal of purity and harmony that the classical heritage until recently usually called forth, has repeatedly struck the imagination of artists, writers and scholars across ages and cultures. A global assembly of contributors, from Europe to Brazil and from the US to New Zealand, consider historical and mythical violence in Stanley Kubrick's Spartacus and the 2010 TV series of the same name, in Ridley Scott's Gladiator, in the work of Lars von Trier, and in Soviet ballet and the choreography of Martha Graham and Anita Berber. Representations of Roman warfare appear in videogames such as Ryse: Son of Rome and Total War, as well as recent comics, and examples from both these media are analysed in the volume. Finally, interviews with two artists offer insight into the ways in which practitioners understand and engage with the complex reception of these themes.
Publisher: Bloomsbury Publishing
ISBN: 1350075418
Category : Art
Languages : en
Pages : 312
Book Description
The collected essays in this volume focus on the presentation, representation and interpretation of ancient violence – from war to slavery, rape and murder – in the modern visual and performing arts, with special attention to videogames and dance as well as the more usual media of film, literature and theatre. Violence, fury and the dread that they provoke are factors that appear frequently in the ancient sources. The dark side of antiquity, so distant from the ideal of purity and harmony that the classical heritage until recently usually called forth, has repeatedly struck the imagination of artists, writers and scholars across ages and cultures. A global assembly of contributors, from Europe to Brazil and from the US to New Zealand, consider historical and mythical violence in Stanley Kubrick's Spartacus and the 2010 TV series of the same name, in Ridley Scott's Gladiator, in the work of Lars von Trier, and in Soviet ballet and the choreography of Martha Graham and Anita Berber. Representations of Roman warfare appear in videogames such as Ryse: Son of Rome and Total War, as well as recent comics, and examples from both these media are analysed in the volume. Finally, interviews with two artists offer insight into the ways in which practitioners understand and engage with the complex reception of these themes.
Faith in Art
Author: Joseph Masheck
Publisher: Bloomsbury Publishing
ISBN: 1350216984
Category : Philosophy
Languages : en
Pages : 241
Book Description
Metaphysical thought has been excluded from much of the discourse on modern art, especially abstract painting. By connecting ideas about faith with the initiators of abstract painting, Joseph Masheck reveals how an underlying religiosity informed some of our most important abstract painters. Covering Wassily Kandinsky, Kazimir Malevich, Piet Mondrian, and El Lissitzky, Masheck shows how 'revealed religion' has been an underlying but fundamental determinant of the thinking and practice of abstract painting from its very originators. He contextualizes their art within some of the historical moments of the early 20th century, including the Russian revolution and the Stalinist period, and explores the appeal of certain themes, such as the Passion of Christ. A radical new theorization of the influence of religion over visual art, Faith in Art asks why metaphysics has been eliminated from the discussion where it might have something to say. This is a new way of thinking about a hundred years of abstract painting.
Publisher: Bloomsbury Publishing
ISBN: 1350216984
Category : Philosophy
Languages : en
Pages : 241
Book Description
Metaphysical thought has been excluded from much of the discourse on modern art, especially abstract painting. By connecting ideas about faith with the initiators of abstract painting, Joseph Masheck reveals how an underlying religiosity informed some of our most important abstract painters. Covering Wassily Kandinsky, Kazimir Malevich, Piet Mondrian, and El Lissitzky, Masheck shows how 'revealed religion' has been an underlying but fundamental determinant of the thinking and practice of abstract painting from its very originators. He contextualizes their art within some of the historical moments of the early 20th century, including the Russian revolution and the Stalinist period, and explores the appeal of certain themes, such as the Passion of Christ. A radical new theorization of the influence of religion over visual art, Faith in Art asks why metaphysics has been eliminated from the discussion where it might have something to say. This is a new way of thinking about a hundred years of abstract painting.